Impressionist Prints and Multiples

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Lonely dreamers 1992. Paper, etching, watercolor, 22x14 cm. Roman Lapp (1961. 24. VII Moscow) – painter Artist learned drawing to M. Zuhovickis. He graduated Art Academy of Latvia,...

Duane Bryers, American (1911 - 2012) - A Time To Remember, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: Edition of 300, AP, Image Size: 18 x 22.5 inches, S...

La Priere is a black and White etching realized by Théodule Ribot in the 1860s.  Titled in the lower Image Size: 23x31 Very good impression. Realized by Cadart for the "Société d...

Le General Grant is a black and White etching realized by Louis-Sébastien Mercier in the 1860s.  Titled in the lower. Image size: 32x24. Very good impression with wide margins and...

Un Chevalier Louis XIII is a black and White etching realized in the Late 19th Century.  Titled in the lower Image Size: 29x19 Very good impression. Realized by Cadart for the "S...

Un Jour de Recompense is a black and White etching realized by François Chifflart in the 1860s.  Titled in the lower. Image size: 24x32. Very good impression with wide margins and...

Une Barque a Maree Basse is a black and White etching realized by Adolphe Hervier in the Late 19th Century.  Titled in the lower Image Size: 24x32 Very good impression. Realized ...

Environs is a black and White etching realized by Balthasar Jean Baron in the 1860s.  Titled in the lower. Image size: 32x15. Very good impression with w...

Fantaisies is a black and White etching realized by A. Constantin in the Late 19th Century.  Titled in the lower Image Size: 24x31 Very good impression. Realized by Cadart for th...

Souvenirs de Voyage is a black and White etching realized by Jules-Fernand Jacquemart in 1862.  Titled in the lower Image Size: 24x34 Very good impression. Realized by Cadart for...

Auguste Rodin, After, French (1840 - 1917) - Jardin Des Supplices, Year: 1920, Medium: Lithograph, Image Size: 10 x 7 inches, Size: 17.75 x 12.5 in. (45.09 x 31.75 cm), Description...

Aristide Maillol, French (1861 - 1944) - Ronsard, Year: 1939, Medium: Etching on wove paper, Image Size: 4 x 2.25 inches, Size: 9.25 x 7.25 in. (23.5 x 18.42 cm), Description: From...

Odilon Redon, French (1840 - 1916) - Portrait of Vuillard, Year: circa 1900, Medium: Lithograph on Japon, Image Size: 8 x 5.5 inches, Size: 14.5 x 8.75 in. (36.83 x 22.23 cm), Refe...

Auguste Rodin, French (1840 - 1917) - Victor Hugo, de Face (State 6), Year: 1885, Medium: Etching, signed in the plate, Image Size: 9 x 6.25 inches, Size: 17.25 x 11.75 in. (43.82 ...

Raoul Dufy, French (1877 - 1953) - Falourdin, Year: 1917, Medium: Woodcut, signed and numbered in pencil, Edition: 21/38, Image Size: 2.75 x 2.75 inches, Size: 13 x 9.75 in. (33.02...

Robert Delaunay, French (1885 - 1941) - Saint-Severin, Year: 1926, Medium: Lithograph on Japon, Size: 11.25 x 8.75 in. (28.58 x 22.23 cm), Description: From the collection of the l...

Medium: lithograph with pochoir coloring (after the 1895 drawing in sanguine). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and ...

Odilon Redon, French (1840 - 1916) - Paul Serusier, Year: 1903, Medium: Lithograph on Japon, dated in the plate, Image Size: 7 x 5 inches, Size: 12.25 x 9.5 in. (31.12 x 24.13 cm),...

Harry Shoulberg (1903-1995) Expressionist mid modern serigraph "The Bridge" c.1944 Pencil signed and titled by the artist. This fine serigraph retains all of it's vibrant color after 76 years! Dimensions 12" x 15". Frame dimensions 23" x 19". Very good condition. Please note: The linen rabbet lining of the frame does show some discoloration. This is a rare and exceptional work by Shoulberg. His serigraphs can be found in the permanent collections of some of the finest museums, and institutions in the country. Harry Shoulberg was born in Philadelphia, 25 October 1903 of Russian/Jewish heritage. His father, Max Shoulberg, was the fourth of twenty children and the first to be born in America. His mother was Tessie Derfler, a New Yorker of German descent. Harry grew-up in New York, married Sylvia Hendler in 1931, and had one child, Ted. Shoulberg attended City College of New York where he studied biochemical engineering for three years before switching to fine arts in his last year. He continued his art education at the John Reed School, 1934-1935, the American Artist School, 1935-1937, and then privately at the studios of artists Sol Wilson (1894-1974) and Carl Holty (1900-1973). In 1938, he worked for the WPA and produced two oil paintings for the organization. He maintained studios in New York City and Bridgehampton on Long Island until 1983. He was a late bloomer...

Marc Chagall, Russian (1887 - 1985) - Chapter 5 from Les Ames Mortes, Year: 1948, Medium: Etching on Arches, Image Size: 5 x 8 inches, Size: 15 x 11.25 in. (38.1 x 28.58 cm), Refer...

Lido (Venice) Etching on chine collee, 1880 Part of the artist's "Venice Set" Signed upper right in plate :Otto H Bacher" (see photo) Signed with the estate stamp, Lugt 2002 recto lower right beneath image. (see photo) Created October 20, 1880 Reference: Andrew Venice No. 29 Provenance: Estate of the Artist Otto H. Bacher (1856-1909) Otto Henry Bacher was born in Cleveland, Ohio, to a family of German descent. He first studied art at the age of sixteen with local genre trompe l'oeil still-life artist, DeScott Evans. Although he studied with Evans for less than one year, Bacher's early work, comprised mainly of still lifes, betrays Evans's influence. After a short period in Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts, Bacher returned to Cleveland and met Willis Seaver Adams, an artist from Springfield, Massachusetts, who had just recently arrived upon the Cleveland art scene. Soon the two artists were rooming together. Adams was instrumental in the founding of the Cleveland Art Club, as well as the establishment of the Cleveland Academy of the Fine Arts, to the board of which Adams had Bacher appointed. Also during this time, Bacher began to learn the process of etching from local etcher and landscape painter Sion Longley Wenban. In 1878, Bacher and Adams left for Europe. After stopping briefly in Scotland, Bacher went on to Munich, where he enrolled at the Royal Academy. He quickly tired of the rigors of the academy, and soon he was studying with Cincinnati artist Frank Duveneck, the prime American exponent of the Munich School. In 1879, Bacher made a trip to Florence with Duveneck as one of the celebrated "Duveneck Boys." Early the following year, the group proceeded to Venice, where Bacher and several other artists established studios in the Casa Jankovitz. By this time an avid printmaker, Bacher had his etching press sent from Muni ch, and it was in his Venice studio that he taught Duveneck the rudiments of etching. Soon Bacher, Duveneck, and other members of the Duveneck circle were experimenting in printmaking. Among the group's contributions were some of the first American examples of monotypes, which they called "Bachertypes" because they were printed using Bacher's press. It was also in Venice that Bacher met the venerable American expatriate artist, James McNeill Whistler. On learning of Bacher's press and his collection of etchings by Rembrandt, Whistler made himself a regular visitor to Bacher's studio, and he eventually took his own room in the Casa Jankovitz. Bacher spent much of the rest of 1880 with Whistler, the two artists sharing etching techniques. From Whistler, Bacher learned tone and line graduation; from Bacher, Whistler learned his etching techniques, including better ways of using the acid bath which produced less tedious and more efficient work. Bacher visited Whistler occasionally in the years that followed, and in 1908 he published With Whistler in Venice, his famous recollections of his time with the great artist. Bacher spent the next two years traveling extensively throughout Italy, with Venice as the center of his operations, and he produced a number of important etchings of Italian subjects. Bacher sent several of these works to America in 1881 to be included in the Society of American artists exhibition that year, and had a similar group of works shown at the Royal Society of Painter-Etchers' first exhibition at the Hanover Gallery in London. Following the exhibition, Bacher, along with several other of the American contributors, was elected a Fellow of the Society. Bacher collected twelve of his etchings of Venetian subjects and sold them in bound volumes through his New York dealer, Frederick Keppel. Bacher returned to Cleveland in January 1883 as a fully cosmopolitan artist. He set up a lavish studio furnished with exotic items and objets-d'art he had collected on his travels, and began to hold art classes as a means to supplement his income. He soon joined with Joseph De Camp in forming a summer sketch class in Richfield, Ohio. Bacher and De Camp also planned the Cleveland Room for a major loan exhibition in Detroit that year. During this period, Bacher increasingly painted in oil, and he began to produce sun-dappled canvases in an impressionistic mode. Unable to sell any paintings from this early period, however, Bacher left Cleveland for Paris in 1885, where he planned to undertake further studies. Stopping first in London to visit Whistler, Bacher stayed only briefly in Paris before heading to Venice, where he spent the remainder of the year. In January 1886, Bacher returned to Paris and enrolled at the Académie Julian, and also entered the atelier of Emile-Auguste Carolus-Duran. The life of the student seems never to have suited Bacher, as he stayed in Paris only through June, before departing again for Venice. For the next six months he, Robert Blum, and Charles Ulrich...

William Meyerowitz (1898-1981), Armistice Day, 1918, etching with watercolor. Edition not stated. Signed in pencil. Signed and dated in the plate, lower left. Image size 9 3/4 ...

Camille Pissarro (1831-1903), etching, 1889, signed, titled and inscribed “No. 6 Epreuve de Artiste.” Reference: Delteil 89, third state (of 3). On tan laid paper. In good condition...

Warm toned landscape print with flowers and a villa. The work is signed by the artist. It is framed in a wooden frame with a yellow matte. Dimensions without Frame: H 26.5 in x W 21....

Artist: Sidney Tushingham (English, 1884-1968) Title: "Peggy" *Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) lower right Cir...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Field Goal Year: 1972 Medium: Etching, signed and numbered in pencil Edition: 54/150 Image Size: 7.5 x 8.4 inches Size: 9 x 9.25 i...

Claude Tabet, French (1924 - 1979) - Eau Claire. Medium: Lithograph, signed and numbered in pencil, Edition: 250, EA, Size: 22 x 29.5 in. (55.88 x 74.93 cm)

Claude Tabet, French (1924 - 1979) - Meditation. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 22 x 30 in. (55....

Jan Pieter Veth (1864 - 1925) was a Dutch portrait painter and academic. During the first two decades of the twentieth century, Veth was one of the most popular portrait painters in...

Male Figurative Study - Original Lithograph on Paper Original lithograph on paper depicting a male nude in pose. The male figure is depicted sitting, ...

A superb, richly-inked impression of this very scarce lithotint on Japan paper. Edition of approximately 55. Signed with the artist's cypher in pencil, lower right.

A very good impression of this extremely scarce drypoint. MacDonald's eleventh state "b" (of 11b), restored after cancellation.

Artist: Manuel Robbe, French (1872 - 1936) Title: Carrot Harvest Year: circa 1955 Medium: Etching with Aquatint, signed in pencil Image Size: 17.5 x 23 inches Size: 24 x 28.5 inches

Mihail Mikhailovich Chemiakin or Shemyakin (Russian: Михаил Михайлович Шемякин; born 4 May 1943) is a Russian-American painter, stage designer, sculptor and publisher, and a controve...

Auguste Rodin, After, French (1840 - 1917) - Jardin Des Supplices III, Year: 1920, Medium: Lithograph, Image Size: 13 x 8 inches, Size: 17.75 x 12.5 in. (45.09 x 31.75 cm), Descrip...

Raoul Dufy, French (1877 - 1953) - L'Amour La Danse, Year: 1915, Medium: Woodcut on laid paper, signed in pencil, Image Size: 10 x 8 inches, Size: 14.25 x 13.5 in. (36.2 x 34.29 cm...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 11, Year: 1948, Medium: Etching on Arches, Image Size: 9.25 x 7.25 inches, Size: 15 x 11 in. (38.1 x 27.94 cm),...

Lithography on paper, e.d 1/10 Jean Duquoc is a French artist born in 1937 who lives & works in Belz, Brittany in France. In his work, we can see the skill with which he uses color,...

The Great War no.5 by French artist Paul Renouard shows the interior of a church with pigeons flying and roosting in the abandoned interior. A powerful...

Lovis Corinth (German, 1859-1925) Rare Etching c.1920 Fine etching by noted German Expressionist artist Lovis Corinth. This striking imag...

Waterway by Rob Barnes [2021] Last one available. The inspiration for this was seeing clouds and ripples on the river. I was trying to create movement in the design and include some...

Camille Pissarro (1830-1903), Femme a la Barriere (Woman at the Gate), etching and drypoint, 1889, signed in pencil with the initials CP lower right (annotated “imprime par C.P.”), a...

Limited edition etching on Arches paper by artist Harold Altman. Although title on the piece is unknown, there is a hand signature from Altman. The framed piece is in stunning condit...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Sir Hugh Casson (1910-1999) Pembroke College Oxford...

Artist: Nicola Simbari, Italian (1927 - 2012) Title: Balcony in Amalfi Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 58/200 Size: 36 x 38 inches Frame Size: ...

Philadelphia born American painter, illustrator, and etcher Margaret M. Taylor Fox ( 1857 - c.1941 ) attended the Philadelphia Academy of Fine Arts which house a collection of her ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the artist you ...

By Joaquim Torrents Llado 32.5" x 33" — Serigraph on Paper Image Size: 28" x 28" This serigraph by Joaquim Torrents Llado, titled "Amanecer en Canet II," depicts a vibrant, reflecti...

Artist: Wayne Ensrud Title: Manhattan View from Governor's Island I Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 201/300 Paper Size: 25 in. x 30.5 in. (63....

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Camille Pissarro (1830-1903), Paysanne au Puits (Peasant Woman at the Well), etching and aquatint, 1891, signed, titled and numbered (3 etat no 2). Refer...

The Beach Aldeburgh, limited edition giclee print. These stunning prints are created using fine art archival quality inks and canvas with three layers of UV varnish to protect the a...

By J. Torrents Llado 35" x 24" Serigraph, Edition 53/75 This beautiful serigraph depicts an impressionist creek scene with a green and blue color palette.

Grand Canyon Susan Shatter, American (1943–2011) Date: 1981 Lithograph, signed and numbered in pencil Edition of 80 Size: 31.5 x 44 in. (80.01 x 111.76 cm)

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 018 Subject: Red Wood Trees, Framed Size: 28'' x 20" x 0.8''inch, 71x51x3cm, Ready to Hang, Wooden Frame. Glass, Plastic W...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 012 Subject: Cliffs in Cobalt, Framed Size: 20'' x 28.5" x 1.5''inch, 51x71x5cm, Ready to Hang, Wooden Frame. Glass, Plast...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 011 Subject: Cliffs in Cobalt, Framed Size: 20.5" x 28.5" x 0.8''inch, 52x72x3cm, Ready to Hang, Wooden Frame. Glass, Plas...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 009 Subject: Ochre Trees, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are ...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 033 Subject: Village, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copy...