Baby Prints and Multiples

Artist: Ben Shahn, Lithuanian/American (1898 - 1969) Title: Skowhegan Year: 1965 Medium: Wood Engraving, signed in pencil Edition: 200 (unnumbered) Image Size: 9 x 8 inches Size: 16 ...

Paper Size: 10 x 7.5 inches ( 25.4 x 19.05 cm ) Image Size: 10 x 7.5 inches ( 25.4 x 19.05 cm ) Framed: No Condition: A: Mint Additional Details: Lithograph by Maurice Briancho...

Mythological Scene is an etching realized by Domenico Klemi Bonatti in 1850. Good condition. Stamp signed on plate. Domenico Klemi Bonatti (Venice 1794 ) he worked in Milan betwee...

Marie LAURENCIN Two Girls with Horses and Dog (1928) Stone Lithograph Printed in Atelier Mourlot Printed signature in the plate On China paper 31 x 42 c...

Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...

Artist: Michael Knigin, American (1942 - 2011) Title: Eye of the Storm Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: 136/200 ...

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extol...

Veiled Woman is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F. Bac 19...

Within the fascinating world of vintage poster art, Rudd's original poster for "Escargots Ménetrel Exquis! Exquis!" whisks us away to a time when gastronomic pleasures were celebrate...

Medium: offset lithograph (after the Rodin watercolor). Printed in 1945 on Vélin de Lana paper and published in Paris by the Musée Rodin in an edition of 2500. Size: 9 1/2 x 7 1/2 in...

Peter Max (German / American 1937 - Present) The Lovers. Abstract of two nude women on a bed in vibrant colors. The print is on thick woven paper and is...

Original Poster War - Art Deco - Photomontage Jean Carlu 🇫🇷 (1900 - 1997) is an advertising designer and poster artist who marked his time. He was one of the first to understand ...

This Blue Dog work consists of a blue dog on a background on a blue background. The dog is sitting in front of an American flag and they both appear to be underwater. The dog has a...

Lithograph in colours based on the cut-out of the same title, 1952 From 'Verve' Magazine Volume IX, Nos 35 & 36: 'Dernières Oeuvres de Matisse 1950-54' Pr...

Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Anonymous pedestrians passing on a snowy walk through Central Park. Um...

Third state. Published in general catalogue "Marie Laurencin" by Daniel Marchesseau, Kyuryudo,Tokyo, 1981, Number.127, pp.141. Rare etching in near perfect conditions. This artwork ...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

Young Boy is a vintage phototype print realized after a drawing by Jean Cocteau (1889 -1963) in 1930 ca., French draftsman, poet, essayist, playwright, librettist, film director. Wi...

In the annals of propaganda art, the 1964 Soviet poster for the space conquest stands as an iconic representation of the nation's indomitable spirit and unrelenting pursuit of space exploration. This original poster, created during the height of the Space Race, remains a powerful testament to the Soviet Union's commitment to conquering the cosmos. Soviet propaganda art...

Uterus Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 1843. Signed on plate on the ...

The Beauty of Beatrice is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri...

This artwork is an original color lithograph on Arches paper by French artist Marcel (le Mime) Marceau, 1923-2007. It is signed and numbered 217/250 in pencil by the artist. The imag...

Sonia Delaunay's 1972 lithograph, a product of collaboration with the renowned Mourlot atelier, stands as a vibrant testament to the artist's mastery of color and form. This striking...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...

Kannon appears as a goddess of love is an original modern artwork realized by Utagawa School artist in 19th century. Probably first page of a Shunga book. Kannon appears as a godd...

Christ and the Samaritan woman at the well is anold master artwork realized in 17th Century. Black and white etching. This artwork was realized after a painting by Annibale Carracci . Printed by Jacob Jordaens...

Original poster for Chocolat Grondard. Between the rue M. le Prince and the rue de l'Odéon, there used to be a beautiful Chocolat Grondard store. Founded in 1853, Grondard later had...

Medium: original lithograph. This lithograph was printed in 1953 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Nudes is an etching realized by Paul Emile Colin in the Mid-20th Century. hand-signed. Numbered.Edition, 1/30. Good conditions with slight foxing. The artwork is realized through...

Picasso in His Posters - Image and Work, Volume III by Luis Carlos Rodrigo, published by Arte Ediciones in 1992, is a significant volume in the comprehensi...

Jackson Pollock 1000% Bearbrick Figurative Sculpture: A nicely sized (27 inch heigh), highly collectible Bearbrick Jackson Pollock statue piece, splattered from head to toe in Pollo...

This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture. The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...

"Simple Things Are In Fashion. The Cow That Laughs." Authenticated by the Laughing Cow Museum Curator of Collections and History department. Artist is Jacques Parnel. Color lithograp...

The original 1978 poster by Jean-Michel Folon for the Festival International du Film Cannes captures the essence of cinematic allure and the vibrant spiri...

The Absolute Real is a lithograph realized by Man Ray in 1964. Hand-singed in pencil by the Artist. Lithograph in Red Ink, 1964. Published by Schwarz, the lithograph is part of th...

La Toilette Drypoint, 1908 Signed and numbered in pencil by the artist (see photos) Edition: 65 this state (35/65) Published by Gustave Pellet (1859-1919),...

Chinese augural prints art edition Menarini Florence 1982. Linked to Chinese folk customs and daily life, the prints are popular ornaments for Lunar New Year decorations and express ...

Illustration for "Les Chanson Erotiques" by Pierre-Jean de Beranger. Image Dimensions ：15 x 13.5 cm This artwork is shipped from Italy. Under existing legislation, any artwork in It...

LEONOR FINI Tip-Toe Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Andy Warhol Jean-Michel Basquiat Bearbrick 1000%: A nicely sized (27 inch) & highly decorative Warhol Basquiat statue figure that makes for a standout home display. Trademark & lice...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...

The little that is know about the painter and printmaker Stewart Wheeler indicates that most of his career was spent in Philadelphia, Pennsylvania. And...

Alexander Calder Plate 5 (Derriere le Miroir # 212) Artist: Alexander Calder Medium: Original lithograph in colors Title: Plate 5 Portfolio: Derriere le M...

Mid 18th century etching of native Floridians probably used for a book. Very good condition for its age. Etching measures 7 1/2 inches high by 5 3/4 inches wide. The beautiful custom...

Contemporary etching print by Polish artist Marian Bocianowski. The print depicts two cats walking down the street, smartly clothed, with dog on a leash. Title of this print is 'High...

THREE FACES is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1991 in an edition of 100, using tradition...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Joan Miro, Spanish (1893 - 1983) - Adonides D881, Portfolio: Adonides by Jacques Prevert, Year: 1975, Medium: Etching with Aquatint and embossing on Arches, Edition: 225, Size: 15.7...

Joan Miró’s Ubu aux Baléares is a luminous example of the artist’s late graphic work, bringing together his unmistakable visual language—playful, instinc...

Andre Masson, French (1896 - 1987) - La femme au poisson, Year: 1972, Medium: Etching, signed in pencil, Image Size: 6 x 5.5 inches, Size: 12.5 x 11 in. (31.75 x 27.94 cm), Descript...

Agent X Betty's Flashbacks (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed COA provided (gallery issued)...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Lithograph and Stencil on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Vins, Fleurs et Flammes, 1956. Published by ...

Reiner Schwarz (*1940 Hirschberg), Little mouse, 1968. Lithograph, 30 cm x 21 (sheet size), signed “R.[einer] Schwarz” in pencil lower right, dated “[19]68”, identified as copy no. 1...

14-colour lithograph printed on white paper BFK Rives - 270 grammes Edition 213 of 250 Signed, stamped and numbered in pencil on the front Mint, as issued

Clare Grossman Overture 2 Limited edition of 70. A solar plate etching on Somerset 300gsm paper. Image Size: H 12.5 x W 17.5cm Sold Unframed Please note that insitu images are purely...

Image dimensions: 28 x 23.5 cm. Anna e Emma nei boschi (Anna and Emma in the Woods) is an original artwork realized by Luigi Bartolini in 1933. Original etching applied on China paper. Dimensions of the plate: 280 x 235 mm. Titled, numbered and signature in pencil of the artist on the lower margin: "Anna e Emma nei boschi 16/50 Luigi Bartolini". Signed and dated on plate on the lower right corner: "L. Bartolini 1935". Excellent conditions. Other titles: Anna e Emma nel bosco; Anna e Emma. Illustration for the book "L'Alipio". Reproduced in "Amata dopo", Nistri-Lischi, 1949; reproduced on the cover of “Il mezzano Alipio”, Vallecchi, 1951. Bibliography: 1951 Petrucci, Calcografia n. 411 1952 Gli esemplari unici o rari p. 103 1959 Severini, Timpanaro n. 525 1960 Milano, riprodotta su Il Fazioso, Edizioni Il Borghese 1962 Ronci, Calcografia n. 411 1972 Barsanti, Galleria Marino n. 463 1997 Ficacci, Calcografia n. 65b 1998 La collezione Timpanaro n. 46 2003 Gli anni meranesi pag. 47 Main exhibitions: 1942 Venezia, XXII Biennale 1943 Roma, IV Quadriennale Luigi Bartolini Cupramontana (Ancona), 1892 – Rome 1963 An accomplished Twentieth Century Italian engraver, painter, writer, art critic and engraver. He spent his early years living in Rome, Siena, and Florence and was professionally formed through university courses in art and medicine, museums, and the Academy Belle Arti. He begins to study art in 1912 with a special preference for Goya, Rembrandt, and Fattori. His success as an engraver arrives in 1924 with his exhibitions at Bragaglia’s House of Art and Casa Palazzi di Roma (70 etchings). In 1925 he participates in the II Roman Biennial and then in the Venice Biennial from 1928 to 1936. He is considered, along with Morandi, the greatest Italian engraver. His expositive work continues with intensity in the post-war period with one-man exhibitions in both Italy and abroad. His last one-man exhibition takes place at the XXXI Venice Biennial and at the National Chalcography in Rome in 1962. Bartolini lives through his era in complete liberty, dedicating himself to painting, to art criticism, to literature and teaching. This intellectual and artistic autonomy is well reflected in his engravings and it is exactly because of this characteristic of intellectual autonomy that he has never really belonged to the Scuola Romana although he was very attached to it because he frequented the Roman environment and it’s artists who he would often exhibit with. His literary production is gathered the volumes Polemiche (1940), Credo d’artista (1945), Il Fallimento della Pittura (1948) and Poesie 1911-1963(1964). As a critic, he collaborates with numerous magazines such as “Il Selvaggio”, “Quadrivio”, “La Tribuna”, “L’Ambrosiano” etc. After the war, “Bicycle Thieves...

Martin Barooshian, American (1929 - 2022) - La Danse (Yellow), Year: circa 1979, Medium: Etching and Aquatint on Arches, initialed in the plate and signed in pencil, Image Size: ...

Paper Size: 26.25 x 32.5 inches ( 66.675 x 82.55 cm ) Image Size: 22.75 x 32.75 inches ( 57.785 x 83.185 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supp...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cirque, Lithographies Originales. Published by Les Édition...