Baby Prints and Multiples

This print is from a highly regarded series by the Edo woodblock artist Utagawa Kuniyoshi: in the period, there were at times prohibitions in depicting a...

'Cascata del Trenton' / 'Ponte di roccia nella Virginia' Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Antonelli, publishe...

Medium: pochoir (after the 1875 watercolor). Printed 1946 in a limited edition of 300 for the rare "Berthe Morisot Seize Aquarelles" portfolio, published in Paris by Quatre Chemins. ...

Medium: lithograph (after the painting). Published by Louis Carré in 1948 for "L'Art Glorieux" in an edition of 1800. Printed in Paris by Mourlot Frères. Image size: 8 1/2 x 6 3/8 in...

Original Lithograph by Jean Cocteau Title: Europe's Agriculture Signed in the stone/printed signature Dimensions: 33 x 46 cm Luxury impression from the portfolio published by Sciaky....

Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...

Paper Size: 8.75 x 12 inches ( 22.225 x 30.48 cm ) Image Size: 8.75 x 7.5 inches ( 22.225 x 19.05 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

Helen Hyde, 'The Bath', color woodblock print, edition not stated, 1905, Mason & Mason 59. Signed in pencil in the image, lower right. Numbered '96' in pencil in the image, lower left. The artist's monogram in the block, lower left, and 'Copyright, 1905, by Helen Hyde.' upper right. A superb impression with fresh colors on tissue-thin cream Japanese paper; the full sheet with margins (7/16 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 16 1⁄4 x 10 1⁄8 in. (413 x 260 mm); sheet size: 19 1⁄4 x 11 1⁄8 in. (489 x 283 mm). Impressions of this work are held in the following collections: Achenbach Foundation for Graphic Arts, Art Institute of Chicago, Fine Arts Museums of San Francisco (De Young), Harvard Art Museums, Library of Congress, Metropolitan Museum of Art, New York Public Library, Smithsonian American Art Museum, Terra Foundation for American Art, University of Oregon Museum of Art. ABOUT THE ARTIST Helen Hyde (1868-1919) was a pioneer American artist best known for advancing Japanese woodblock printmaking in the United States and for bridging Western and Japanese artistic traditions. Hyde was born in Lima, New York, but after her father died in 1872, her family relocated to Oakland, California, where she spent much of her youth. Hyde pursued formal art education in the United States and Europe. She enrolled in the San Francisco School of Design, where she took classes from the Impressionist painter Emil Carlsen; two years later, she transferred to the Art Students League in New York, studying there with Kenyon Cox. Eager to expand her artistic repertoire, Hyde traveled to Europe, studying under Franz Skarbina in Berlin and Raphael Collin in Paris. While in Paris, she first encountered Japanese ukiyo-e prints, sparking a lifelong fascination with Japanese aesthetics. After ten years of study, Hyde returned to San Francisco, where she continued to paint and began to exhibit her work. Hyde learned to etch from her friend Josephine Hyde in about 1885. Her first plates, which she etched herself but had professionally printed, represented children. On sketching expeditions, she sought out quaint subjects for her etchings and watercolors. In 1897, Hyde made her first color etchings—inked á la poupée (applying different ink colors to a single printing plate)—which became the basis for her early reputation. She also enjoyed success as a book illustrator, and her images sometimes depicted the children of Chinatown. After her mother died in 1899, Hyde sailed to Japan, accompanied by her friend Josephine, where she would reside, with only brief interruptions, until 1914. For over three years, she studied classical Japanese ink painting with the ninth and last master of the great Kano school of painters, Kano Tomonobu. She also studied with Emil Orlik, an Austrian artist working in Tokyo. Orlik sought to renew the old ukiyo-e tradition in what became the shin hanga “new woodcut prints” art movement. She immersed herself in the study of traditional Japanese printmaking techniques, apprenticing with master printer Kanō Tomonobu. Hyde adopted Japanese tools, materials, and techniques, choosing to employ the traditional Japanese system of using craftsmen to cut the multiple blocks and execute the exacting color printing of the images she created. Her lyrical works often depicted scenes of family domesticity, particularly focusing on women and children, rendered in delicate lines and muted colors. Through her distinctive fusion of East and West, Hyde’s contributions to Western printmaking were groundbreaking. At a time when few Western women ventured to Japan, she mastered its artistic traditions and emerged as a significant figure in the international art scene. Suffering from poor health, she returned to the United States in 1914, moving to Chicago. Having found restored health and new inspiration during an extended trip to Mexico in 1911, Hyde continued to seek out warmer climates and new subject matter. During the winter of 1916, Hyde was a houseguest at Chicora Wood, the Georgetown, South Carolina, plantation illustrated by Alice Ravenel Huger Smith in Elizabeth Allston Pringle’s 1914 book A Woman Rice Planter. The Lowcountry was a revelation for Hyde. She temporarily put aside her woodcuts and began creating sketches and intaglio etchings of Southern genre scenes and African Americans at work. During her stay, Hyde encouraged Smith’s burgeoning interest in Japanese printmaking and later helped facilitate an exhibition of Smith’s prints at the Art Institute of Chicago. During World War I, Hyde designed posters for the Red Cross and produced color prints extolling the virtues of home-front diligence. In ill health, Hyde traveled to be near her sister in Pasadena a few weeks before her death on May 13, 1919. She was buried in the family plot near Oakland, California. Throughout her career, Hyde enjoyed substantial support from galleries and collectors in the States and in London. She exhibited works at the St. Louis Exposition in 1897, the Pan-American Exhibition in Buffalo in 1901, the Tokyo Exhibition for Native Art (where she won first prize for an ink drawing) in 1901, the Alaska-Yukon-Pacific Exhibition in Seattle in 1909 (received a gold medal for a print), the Newark Museum in 1913, a solo show at the Chicago Art Institute in 1916, and a memorial exhibition in 1920, Detroit Institute of Arts, Color Woodcut Exhibition in 1919, New York Public Library, American Woodblock Prints...

Etching with drypoint printed in sepia ink on cream laid paper bearing an indiscernible watermark with linked spheres. 10 1/4 x 13 1/8 inches (260 x 332 mm), unevenly trimmed yet ful...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...

This lithograph in colours is hand signed by the artist in pencil "Niki de Saint Phalle" in the lower left margin. It is also inscribed in pencil “E.A”, in the lower left margin. It ...

Edition 5 Dagobert Duck is selling magazines JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and ...

Color lithograph on paper, 1954 by Pablo Picasso ( 1881-1973 ). Printed by " Mourlot ", Paris. Not signed. Dated and numbered lower left: 27.1.54 I Published in ‘Verve’ Magazine Vo...

Guillermo Silva Santamaria, Colombian (1922 -2007) - La Gallina Ciego, Year: 1968, Medium: Etching with Aquatint, signed, titled and numbered in pencil, Edition: AP 66, Image Size...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré au Blau...

Donald Baechler, Blue Spruce, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint, on ...

This Blue Dog work consists of a black background with the shadow of blue dog heads. There is an upside-down blue dog in the center. The dog has soulful yellow eyes. This pop art animal original mixed media silkscreen print on paper is unique and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Upside Down World...

Héliogravure, collotype vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 10.75 x 12.6 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the fo...

Gluttony (La Gourmandise) is an original etching on the Japanese paper, realized by James Ensor in 1904, signed and dated with the second signature and title on the reverse, 2nd stat...

Original etching signed by the Artist.

Hand signed and numbered by the artist. Artwork image size 22 x 27 inches. Custom framed as pictured. Edition of 300. Artwork is in excellent condition. Certificate of Authentici...

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograph...

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

This Blue Dog work consists of a Blue Dog sitting in the middle of a yellow background, surrounded by little crawfish. The dog has soulful yellow eyes. This pop art animal original ...

Not Today, Contemporary Black and White Photograph, 2021 24" 16" x 0.75" (HxWxD) Digital Print on Aluminium Hand-signed by the artist. As with the concept of memento mori, this black and white photographic portrait brings together life and death in close proximity. The skull is held closely to the human's body, as if the bones now take the place of their own head. Taxidermy and preserved animal bones bring the living face-to-face with the fleeting nature of life, adding to our cabinet of curiosities. This work by Amanda Lomax conjures up thoughts of Georgia O'Keeffe and her time spent out west in New Mexico's desert landscape. Artist Commentary: Donald is a professional model, gem collector, and all around Renaissance Man. When we found this unusual skull of a three horned ram, it seemed as unique and special as he is. Sometimes we feel like facing the world head on. Sometimes we feel like presenting ourselves behind a three-horned sheep skull.

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Côtes Normandes 1961. Published by Pierre de Tartas, ...

Fake Thug (Dead Prez / Yellow Variant) is a standout piece by renowned artist Mark Drew. This hand-pulled screen print, on dimpled cream stock paper with a blind emboss, measures 11 ...

Yoshitomo Nara Sorry Couldn't Draw Left Eye Offset print on paper Sheet size 72.8 x 51.5 cm

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Medium: collotype (after the woodcut). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Image size: 6 3/8 x 4 1/2 inches (160 ...

Joe Webb, DJ VIP, 2023 UV Archival ink with silkscreen glitter varnish on Somerset Enhanced Velvet 410gsm Paper 40 x 60 cm (15.78 x 23.62 in) Hand-signed by the Artist and accompa...

Medium: Lithograph on vélin paper Year: 1965 Paper Size: 19 x 13 inches Catalogue raisonné reference: Bloch, illustration 1197 Inscription: Unsigned and unnumbered, as issued Notes: ...

Artist: Peter Max (1937) Title: Liberty Head VIII Year: 2003 Edition: 455/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Ins...

Georges Braque Cinq Poésies en Hommage à Georges Braque (Five Poems in Homage to Georges Braque), 1958 is the image Braque designed for the cover of a book containing five poems by R...

Etching on cream laid paper mounted to a cream laid paper support, 9 x 12 7/8 inches (230 x 327 mm), thread margins. Three small areas of light skinning with one extremely small hole...

This circa 1950 drawing, Vision du monde à Angkor – Temples, created in the style of Maire André, captures the timeless grandeur of Cambodia’s ancient temple complex. The composition...

Medium: Lithograph and stencil on vélin d’Arches Johannot paper Year: 1948 Paper Size: 15 x 10.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Seize ...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 4.875 x 6.625 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Lithograph in colors on paper. Hand signed and dated lower front by Peter Max. Hand numbered 74/165 lower left. Sheet size: 27 x 21.5 inches. Frame size: 34 x 28 inches (black fr...

Provocative serigraphy by Death NYC. The possibility to buy a street artist still affordable whose coast takes off. Edition: limited to 100 copies. Artist's proof Signed and numbe...

 The new engagement is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories...

The circa 1930 original poster for Louis Ogliastro & Cie is a striking representation of colonial-era commerce in Southeast Asia, particularly in regions such as Saigon (now Ho Chi M...

Roby Dwi Antono - Di Restoran Date of creation: 2021 Medium: Screen print on Somerset Velvet paper Edition: 99 + 8AP Size: 51 x 69 cm Condition: In perfect conditions Di Restoran i...

Roby Dwi Antono - BULAN Date of creation: 2022 Medium: Silkscreen with curable UV inks on Somerset paper Edition: 200 Size: 50 x 44 cm Condition: In perfect conditions and never fra...

Roby Dwi Antono - BULAN Date of creation: 2022 Medium: Silkscreen with curable UV inks on Somerset paper Edition: 200 Size: 50 x 44 cm Condition: In perfect conditions and never fra...

Roby Dwi Antono - OKTA Date of creation: 2022 Medium: Silkscreen with curable UV inks on Somerset paper Edition: 200 Size: 50 x 44 cm Condition: In perfect conditions and never fram...

Eugene Delacroix, French (1798 - 1863) - Lionne Dechirant la Poitrine d'un Arabe, Year: 1849, Medium: Soft Ground Etching, signed and dated in the plate, Image Size: 8 x 10.75 inch...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 18.75 x 12.625 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

Arístides Esteban (ARES) Hernández Guerrero (Cuba, 1963) 'The Rolling Stone (verde)', 2016 silkscreen on paper 27.6 x 19.7 in. (70 x 49.8 cm.) Edition of 50 ID: ARE-204 Hand-signed ...

ARISTIDE MAILLOL (1861-1944) FEMME ASSISE / (WOMAN SEATED IN PROFILE, RIGHT, ONE LEG BENT. ONE LEG RAISED), 1926 (Gueirn 321) Etching signed with “M” monogram in pencil. Image 9 x 9...

a series of large scale observations on French master paintings and their opulent gilded frames GILDED DRAMA by Frank Schott 60 x 48 inches ...

Le Rêve  is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fon...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Hand Signed and Numbered by the artist.. Custom framed as pictured. Image size approx 23 x 23 inches. Sheet size 28 x 28 inches. Certificate of Authenticity Included. Artwork in E...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

A view of St. George living at peace with the animals around him. While Washburn's techniques bear favorable comparison with the old masters, there is a definite modern sense of wit ...