Bride Prints and Multiples

Noblewoman is an amazing black and white etching on cream paper, made by the French artist and engraver, Jean Coraboeuf (1870-1947), grand prix de Rome in 1898 and successful worldly portraitist. Monogrammed on plate on lower right corner, signed and dated on plate on lower margin at the center, and hand-signed in black inck on lower right margin. This original print realized with a very fluid and sure touch, represents a noblewoman charms still today for her beauty and elegance. Because of the Neoclassical fashion, her hairstyle, her pose on the triclinium, it is possible to recognize the woman in the person of Paolina Borghese...

Medium: original lithograph. This impression on cream wove paper is from the deluxe Large Paper Edition of 500, published in 1896. This is one of the beautiful and subtle lithographs...

Don Quichote is an original etching, aquatint and drypoint, frontispiece for La Gazette des Beaux Arts, realized by Frenc artist Félix Henri Bracquemond...

Ancient Roman Scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Elia Morghen in the 18th Century. M...

Les Jeans-Jeans is a Lithograph realized by Auguste Raffet (1804-1860). Good condition on a yellowed paper. Hand signed by the artist on the lower right corner. Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavour he was a contemporary of other French artist-lithographers of Napoleon...

The girl who has entered the theatrical profession as a child can be depended upon to lead a clean life when she grows up. She is far, far safer than the girl who enters the profession after childhood.' So wrote John Tiller, whose theatrical school produced the dancing ladies who starred in the original 'Pony Ballet' and whose troupes of 'Tiller Girls' were in great demand for shows not only in London but in Paris, Amsterdam, Turin, and New York. He and Mrs. Tiller began training youngsters at the age of nine. In the schools in London and Manchester, the girls had regular academic studies as well as dancing and were placed in Christmas pantomimes when still children. When they grew up, they were given jobs in various Tiller troupes (each managed by a mature woman who watched out for them)... [This lithograph]... was intended for all of the Tiller Troupe performances. The black type at the bottom was surprinted later to indicate, in this instance, their appearance at the Palais de Glace...

Portraits is an artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Man...

Artist: Francois Batet Title: Soiree Chez Maxine Date: 1986 Medium: Lithograph, signed and numbered in pencil Edition: 155/200 Image Size: 19 x 23 inches Paper Size: 22 x 27 inches

The affection is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) i...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

7 volumes, complete. Six 8vo volumes (292 x 190 mm), and one 4to (Huitieme année, 1919, 310 x 245 mm). Publisher's pictorial paper board portfolios, patterned endpapers, housing loos...

Edition 1 of 5, with 2 APs. GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of ...

The 1985 original poster for Dangeureusement Vôtre, the French title of A View to a Kill, remains an iconic piece of cinematic memorabilia from the James Bond franchise. The film, di...

This artwork titled " Retour de la Jungle, Tondano: Celebes" (Return from the Jungle, Tondano: Celebes) 1948 is an original color woodcut by French artist Paul Jacoulet, 1896-1960. I...

Family Scene is an original etching on brownish paper realized by Jean-Luis Forain (1852-1931). In excellent conditions. H. C on the lower left. Includes a Passepartout: 34 x 28 c...

Original Ajanta India vintage travel poster from 1959. Archival linen backed in Grade A condition, ready to frame. Note that a later edition of this poster was printed but the im...

Les Deux Edmond is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. ...

Joyce Wieland (1931-1998) was one of the most accomplished and versatile Canadian artists of the 20th century. Emerging on the Toronto art scene in the early 1960s, throughout her career Wieland would explore the role of women, the body, nationalism, and intimacy using a variety of mediums. During much of the 1970s, Wieland was consumed by the creation (and recovery) of making her single feature film "The Far Shore". Her all-encompassing approach included writing the script, directing, co-producing, and trying to finance the project, a task that she notoriously despised. The film was loosely inspired by the life and death of the Canadian painter, Tom Thompson...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Ortij in the 18th Century. Signed on the plate. Good conditions ex...

Max Cowper 🏴󠁧󠁢󠁳󠁣󠁴󠁿(1860-1911) was a Dundee born painter. He was employed as an illustrator for the Dundee Courier before moving to London around 1901 to join the staff of the ...

Water Snakes I, no. 9 from the first installment of Das Werk Gustav Klimts Known by various names, Women Friends, Girlfriends, Water Snakes I and what Kli...

Artist: Jean Jansem, French (1920 - ) Title: Washing Day Year: circa 1970 Medium: Lithograph, signed and numbered in pencil Edition: EA Image Size: 17 x 23 inches Paper Size: 19 x 2...

Drinkers is an Etching realized by Georges Jeanniot in 1914. Signed on the lower, titled. Good condition.

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Marc Chagall, After, Russian (1887 - 1985) - Bella, Medium: Giclee on paper, facsimilie signed and numbered in pencil, Edition: P/P, Image Size: 17 x 13 inches, Size: 24 x 17 in....

Lithograph of Symbolist painter Carlos Schwabe’s oil painting La mort du fossoyeur (The Death of the Gravedigger), 1895, published c. 1900 in Art et déc...

Hercule is an etching realized by Jean François Poletnich in 18th Century. Good conditions. The artwork is depicted through confident strokes.

Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Michele Sorello and Nicolaus Vanni in the 18th century. Signed on the ...

Animals is an original Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an It...

L'éloquence de la Chair is a satirical illustration, an original hand-colored lithograph on creamy paper realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Cheval...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Attr. to S. Dalì, "Aphrodite", Heliogravure and dry-point. Paris, Argillet. 1963-65. Image dimensions 49,2 x 39,7 cm. Beautiful Proof on vélin filigrané “Arches”, Signed and Dated...

Beautiful lithograph on Chinese paper, signed and dated (1923) on plate on the lower right margin. An intimate artwork representing a woman with her kids singing on a terrace. Excell...

Le Serment is an original litograph realized by Aubrey Beardsley in 1970. The drawing is part of a 1970 "Eyes Open" edition. In very good conditions, along with the drawing there is...

A large format book (15.25 x 11.25 inches), following the trend among leading Parisian couture houses who had been producing elaborately designed luxury catalogs since Paul Poiret’s ...

Medium: Collotype, héliogravure, recto and verso, on grand vélin Renage filigrané paper, as issued Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.05 x 6.69 inches Inscription...

Salvador Dalí­ Winter from Four Seasons, 1972 Signed lower right Edition 58 / 195 and the blindstamp lower left Image size 41.5 x 55 cm Sheet size 54 x 67 cm Published by Les Heures...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

Bullfight is an artwork realized by Josè Guevara in the 20th century. Colored lithograph on paper. Edited by Fondazione Di Paolo. Hand-signed in penci...

Reflections Jan De Ruth, Czech (1922–1991) Date: circa 1970 Screenprint, signed, numbered and titled in pencil Edition of HC Image Size: 25 x 16.5 inches Size: 29 x 23 in. (73.66 x 5...

Eros and Thanatos is an Original Etching realized by Sergio Barletta in the Early 1970s. Good conditions. Hand-signed. Numbered. Edition, 81/160 The artwork is depicted through a...

The conversation is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866...

Disparate de Carnaval - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. ...

“Testa quasi colossale di Marco Aurelio” (Almost colossal head of Marco Aurelio) is a beautiful black and white burin on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini delineò./ Pietro Fontana incise a bollino Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roman philosopher and writer and one of the "good Roman Emperor" (according to Edward Gibbon) Marco Aurelio, represented in neoclassical style and with the traditional iconography with a thick hair and a long beard. In excellent conditions with a usual yellowing of the paper on the lower margin and some light signs of the time with an imperceptible weaving of the paper on the lower right corner, this wonderful burin preserved his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...

Henri Matisse Torse à l’aiguière 1927 Lithograph on Chine paper, Edition of 50 Paper size: 49.5 x 34.5 cms (19 1/2 x 13 1/2 ins) Image size: 36.4 x 26 cms (14 1/4 x 10 1/4 ins) HM15...

Expressionist poster of “The Green Bird” by Marc Chagall (Russian/French, 1887-1985) for Chagall’s exhibition in 1962 at Galerie Maeght in France. Marc Cha...

The Trap of the Harvest (original title: "Le pig de la vending") is an original litograph realized after Aubrey Beardsley in 1970. Image Dimensions: 22 x 16 ...

Reactions to Death is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind",...

Still Life is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s. The state of preservation of the artwor...

Ira Moskowitz, Polish/American (1912 - 2001) - Menorah, Portfolio: Song of Songs, Year: 1972, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 30 x 21 in. (76...

The factoryis an original offset and lithograph realized by George Grosz. The artwork is from the book Kobes by Heinrich Man, that was illustrated by Grosz with 10 lithographs and ...

Colored lithograph on ivory colored paper. Beautiful satiric illustration by the French draftsman and caricaturist Clément Pruche (1811-1890). Plate 5, from the series "Le Bon coté", Aubert and C.ie, Paris, 1840 c...

Experimental theater advertising is an original print of an advertisement for Italian Theatre "Casa D'Arte Bragaglia" in Rome. Good conditions. With description on the rear and two...

Black and white etching on wire rod paper, representing the Greek myth of Phineus. Beautiful plate with fresh impression and sharp details, from the volume “Le Temple des Muses”, pu...

Abstract Composition is an original print in etching and drypoint on white color paper, realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwor...

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blues and white pigments on vel...

Artist: Dali, Salvador Title: The Lobster Quadrille Series: Alice in Wonderland Date: 1969 Medium: Photogravure printed in color Unframed Dimensions: 15.25" x 10" Framed Dimens...

Artist: Doig, Peter Title: D1-2 Couloir 2 Series: D1 Zermatt Date: 2022 Medium: Giclee Print on Cotton Smooth Rag Unframed Dimensions: 44.75" x 35.4" Framed Dimensions: 48.25"...

L'Aieule (The Grandmother) Etching and aquatint printed in colors, 1904 Signed with the red stamp of the publisher, Gustave Pellet, Lugt 1193 and numbered (see photo) Edition: 100 (81/100) Reference: Arwas 202 iv/IV IFF 98 Condition: Excellent, the sheet aged as usual Image size: 14 1/4 x 18 5/8" Sheet size: 16 15/16 x 24 1/4" Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...

Original Vintage Airline Poster commissioned by the British Overseas Airways Corporation promoting its service to the British Territory in the Atlantic ...