Bride Prints and Multiples

from the Padoli Monotypes III

Original 1973 Vail Village, Colorado vintage travel and skiing poster. Preservation linen-mounted in A- condition, ready to frame. Discover Vintage Vail Magic! Take a trip back i...

Cassatt, Mary. BEFORE THE FIREPLACE. NO. 1. Breeskin 64. Soft-grpund etching and aquatint, c. 1882. State 2 (of 3) with the light tone added, and the profile still indistinct. Si...

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...

Original SAS India vintage European travel poster created by Otto Nielsen. Scandinavian Airline System (S.A.S.) Here Nielsen depicts a...

Eugène DELACROIX (1798-1863) Tasso in the Madhouse Engraving after a drawing Signed on the plate On vellum 38 x 50 cm INFORMATION: In 1839, Delacroix painted his famous painting "T...

Rare lithograph by surrealist artist Leonor Fini. This signed print is in perfect condition and from a very searched series untitled Satyricon and dealing with Antique Rome and its f...

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.57" x 16.38" Image size: 17.75" x 14" Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

In this delicate, dreamlike lithograph, Édouard Vuillard lends his poetic sensibility to the printed program for the French premiere of Rosmersholm by Henrik Ibsen, presented by Lugn...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 10.51 x 12.05 inches. Inscription: Signed in the plate and unnumbered, as issued....

"Le Passant" is an original Art Nouveau color lithograph. It depicts two women in the foreground wearing medieval white robes and a knight passing behind them on a black horse. Features the L'Estampe Moderne blindstamp bottom right hand corner. 1898. 15 3/4" x 12" art 23" x 19 1/4" framed Robert Engels studied in Dusseldorf and moved shortly thereafter to work in Munich. Later, he became a professor at a school of applied arts at the KGS in Munich. He created many decorative prints as well as stained glass windows and also created compositions to illustrate Joseph Bedier's rendition of "Tristan and Iseult...

"Profil de Lumière" by French symbolist artist, Odilon Redon. Framed and matted, piece measures 23 in x 18.5 in x 2 in. Wired and ready to hang!

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital f...

In this project, Vladimir Clavijo-Telepnev draws a line between sensuality and explicit sexuality in depicting a woman's body. Modern photography offers two main approaches to the su...

Robert Indiana ERR 1963: A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right. Medium: Photoengraving and etching on Rives BFK. Dimensions: 4 1/2x6 inches (including margins). Very good overall vintage condition. Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin. Rare Trial proof, aside from the main edition of 60. Printed by the artist at the School of the Art Institute of Chicago. Further background: According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29. Robert Indiana 1991: "When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..." About the artist: Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...

Title: Noah's Ark III Medium: Etching with hand watercolor Four plates, each one 14.5 x 20 inches Condition: new, never framed Date: 1981 This is a set of four etchings that make up...

Marc Chagall (1887-1985) - Lovers in Gray Original Lithograph from 1957. Dimensions of work: 23 x 20 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Saul Steinberg Lithograph c.1970 from Derrière le Miroir: Lithograph in colors. 11 x 14 inches. Very good overall vintage condition. Unsig...

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Vespera; Der Abend (Evening; The Evening)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.63" Image size: 17.38" x 13.63" Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

Belle Époque lithograph of Folies Bergère: Fleur de Lotus by Jules Chéret, published in 1896 by Imprimerie Chaix, Paris. While Fleur de Lotus ...

Shower (Blue) Rainer Fetting, German (1949) Date: 1984 Color Etching, signed in pencil Edition of Color Proof Image Size: 23 x 36 inches Size: 27.5 x 39...

After Gustav Klimt, Max Eisler Plate #2, Dame mit Blumenhut (aka The Violet Hat); sepia monochrome collotype after the 1909 painting in oil on canvas. ...

A beautifully framed hand-colored engraving from the famous "Cries of London" series, depicting the lives and professions of the common people of 18th ...

Original Lithograph by Jean Cocteau Title: Europe's Diversity Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961 Jean Coc...

In 1897, Alphonse Mucha created illustrations for "Ilsee, Princesse de Tripoli." This double-sided print is a rare proof of an original color lithograph before any text from the story was added. This is a special edition print from edition 252 and is 12/35 on Chinese paper. 4.25" x 5.0625" image 20.75" x 17.5" frame Alphonse Mucha was born in 1860 in what is now the Czech Republic. His career began in decorative painting for theater scenery...

Jean Jansem - Original Etching Title: Loneliness Dimensions: 40 x 30 cm Edition of 175 Paper: vélin de Rives 1974 Jean Jansem was born in 1920 at Seuleuze in Asia Minor and spent h...

Rene Gruau (1909-2004) is one of the most recognized poster artists of the 21st Century. Gruau was a fashion illustrator whose exaggerated portrayal of fashion design through paintin...

THE GREED DEPRESSION 18 inches by 24 inches Edition of 15/300 Silkscreen print Signed and Numbered by the artist in pencil, Shepard Fairey.

Portrait of a Man Facing Left Monotype printed in brown ink, c. 1880-1914 Signed in ink lower left: Chase (see photo) Provenance: Helen Chase Storm (the artist's daughter) Jackson Chase Storm (her son) Chapellier Galleries (as agent) James Bergquist, Boston References And Exhibitions: Exhibited at the Museum of Fine Arts, Boston and the Clark Art Institute, Williamstown, MA. (See MFA paperwork in photos) Reference: Ronald G. Pisano, Completed by D. Frederick Baker and Carolyn K. Lane, William Merritt Chase: Still Lifes, Interiors, Figures, Copies of Old Masters, and Drawings, Catalogue Raisonne, Vol. IV (New Haven and London: Yale University Press, 2010), Vol. 1, M. 8. (See photos of entry) William Merritt Chase (1840-2016) Born in Nineveh, Indiana Died New York, New York In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902. On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Artist: Juan Garcia Ripolles Title: Diablo Date: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 45 Paper Size: 33.5 x 27.5 inches

Double Portrait at the Easel (M.835) is lithograph on paper, signed 'Marc Chagall' lower right and numbered XI/XV lower left, from the edition of 69 (there were also 50 Arabic and 4 ...

Measures 19.25 x 17.5 inches with frame and matting. Image is in Good Condition. Frame and casing are in Fair/Distressed Condition-signs of wear consistent with age and handling (i.e...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Date: 1928 Medium: Etching and aquatint on wove paper Framed Dimensions: 28.00" x 31.50" Signature: Signed in pencil at lower right, with the artist’s blindstamp at lower left. “C...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Napoleon a Bautzen Lithograph, 1822 Signed in the stone (see photo) From: Arnault, A. V. Vie Politique et Militaire de Napoleon (120 plates) Published, Paris, Librairie Historiquem 1...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Idol is a print realized by Massimo Campigli in the 1970/1971. Etching on paper. Signed and numbered, edition of 300 prints. This artwork it is part of a series of works created i...

Lithograph with hand tinting on heavy wove paper, full margins. Significant condition issues in the margins which include adhesive residue, edge tears and minor edge losses. The image area is clean with minor mat tone, however, colors are slightly attenuated. The verso shows moderate uneven toning. Issues primarily exist outside of the image area. This large and lively work was printed by Charles Hullmandel. _______ The images in Boys's 1842 portfolio, Original Views of London...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...

"Shakespeare Mirror Nr 1" Photography 32" x 24" in Edition of 10 by Lika Brutyan Archival pigment print on Hahnemühle Photo Rag Baryta. Not framed. Ships in a tube. Lika Brutyan is American photographer, was born in a family of scientists and artists in Yerevan, Armenia. Her training and work in psychotherapy has lead her to a deep curiosity in human nature. While still in the field of psychology, she started to shoot. Over the years she became more and more interested in photographing human emotion and behavior. This interest combined her great appreciation for fashion has lead Lika down the path of fashion photography and portraiture. Lika’s work are shown across the U.S, Great Britain, France, Italy, Romania. Her photographs have been published in various magazines, many of them belong to private collections. Selected Exhibitions 2019 - Sublimation at Voies Off Festival, Arles 2019 - Sublimation at Fondazione Luciana Matalon...

"Gaily Sharing Vintage Times" From the Four Ages of Love Suite by Norman Rockwell Media: Lithograph on Paper Image Dimensions: 21" x 22" Year Produced: 1977 Edition Size: 200 Numbered (1-200), 60 Artists Proofs (1-60) Edition Number: A/P (Artist proof) Signed and Numbered in pencil by the artist Condition: In excellent condition Norman Rockwell was an American painter and illustrator known for his iconic depictions of American culture created for The Saturday Evening Post. With a range of favorite subjects that included nuclear families, mischievous children, and small-town life, his work has achieved an iconic status: the 1943 painting of a Thanksgiving dinner, Freedom from Want, has been reproduced and parodied countless times in contemporary culture. As an artist, Rockwell has had a lasting effect on US society beyond any singular work, with his paintings seen as indelible images that went on to inspire American directors such as George Lucas, Steven Spielberg, and particularly Robert Zemeckis, whose 1994 film Forrest Gump recreates several of Rockwell’s paintings as scenes throughout the film. Though he enjoyed success throughout his career, Rockwell’s idyllic and sentimental outlook on American society was not necessarily embraced by art critics, though his later politically activist work garnered praise for its tackling of controversial subjects. Born on February 3, 1894 in New York, NY, he went on to study at the National Academy of Design and the Art Students League. Rockwell notably had a longstanding relationship with the Boy Scouts of America...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

Artist: Bernard Buffet Medium: Original Lithographic Poster, 1969 Dimensions: 30.3 x 20.5 in / 77 x 52 cm Arches Poster Paper - Perfect Condition A This lithographic poster after Bernard Buffet was executed by Charles Sorlier in 1969, under the artist's supervision for the exhibition "Les Peintres Témoins de Leurs Temps...

Hans Falk (1918-2002) Sport au Soleil en Suisse Original Vintage Poster - lithograph (1957) 40x25" Signed in the plate, and showing a procession of brightly-coloured skiers heading ...

This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...

The Pied Piper from Hamlin, Israel Rubinstein, Israeli (1944) Date: 1980 Screenprint, signed and numbered in pencil Edition of 250 Size: 32 in. x 37 in. (81...

Medium: original etching and aquatint with drypoint. Also known as "Les amis du Saltimbanque". Catalogue reference Bourcard/Goodfriend 76. Printed in 1902 and published by the Revue ...

Artist: Kees Van Dongen Medium: Lithographic Poster, 1964 Dimensions: 30.25 x 20.5 in

Rufino Tamayo Dos Figuras, 1973 Lithograph in colors Hand-signed lower right in white crayon Numbered 21/75 cm lower left in white crayon Sheet size 76 x 56 cm Frame size 98 x 80 x ...

A large format book (15.25 x 11.25 inches), following the trend among leading Parisian couture houses who had been producing elaborately designed luxury catalogs since Paul Poiret’s ...

Matsuno Sofu (1899-1963), 'Hagoromo - Noh', woodblock print, 1937. Signed 'Sofu' with the artist's seal, lower right. A fine impression, with fresh color...

Lithograph on vélin paper. Paper Size: 9.06 x 15.75 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc,...

This piece is an original lithograph done by Francisco Zúñiga in 1986. Francisco Zúñiga was a Costa Rican-born Mexican artist best known for his stylized figurative paintings and scu...

Construction d’un temple – Plate n. 10  is a  b/w   original etching  realized in 1973 (as reported on plate on the lower right margin) by Paul Delvaux. From the collection “ Constr...

Marc Chagall, After, Russian (1887 - 1985) - Bella, Medium: Giclee on paper, facsimilie signed and numbered in pencil, Edition: P/P, Image Size: 17 x 13 inches, Size: 24 x 17 in....