Plant Prints and Multiples

Ryohei, Tanaka (Japanese, 1933-2019). GROVE #2. Etching in color, 1966. Edition of 50. Numbered 23/50, signed, and dated in pencil.11 5/8 x 14 1/2 inches (plate), plus full margins. ...

limited_edition linocut Edition number 1-5 Image size: H:20cm cm x W:30cm cm Complete Size of Unframed Work: H:37cm cm x W:46cm cm x D:3mmcm Sold Unframed Please note that insi...

Woodland Scene is a limited edition print by Tim Southall. Early morning sunshine shimmers in a tranquil woodland scene as two deer stroll undisturbed through the undergrowth. Often ...

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as re...

MARTA GARBACZEWSKA (born 1987) - Graduate of the Academy of Fine Arts in Gdańsk. Diploma in 2012 in the studio of prof. Maria Targońska, annex by prof. Czesław Tumielewicz. PROVENAN...

This traditional coastal Limited Edition print by Daniel Pollera pictures three white Adirondack chairs, positioned in the grass overlooking a body of water. Several sailboats can be...

This is a hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engravi...

Frasconi, Antonio (American, born Uruguay, 1919-2013). BRECHT. Woodcut, 1961. Edition of 80, Titile, inscribed "Ed 80, signed, and dated, all in pencil. Printed on Rives paper. 26 1/...

Iris Kaempferi: No. 36 YEDO-JIMAN Tokyo, Yoshinoen-Garden, circa 1910. Hand-coloured woodblock print on handmade rice paper, numbered and captioned at top, outlined in ink. Framed ...

Medium: Etching and aquatint Year: 1981 Image Size: 15.75 x 23 inches Edition: AP I/VI Edwards taught printmaking at Yale from 1983-85, and at Central Connecticut State University ...

Fall colors on Chuckanut Drive, south of Bellingham, WA. Signed, titled and numbered from the edition of 100. Born in Berkeley, California, on December 21, 1949, he was raised in a ...

Mysterious Forest is a colored lithograph on paper realized by Tono Zancanaro in 1975. Hand-signed in pencil on the lower. Numbered, edition of 100 prints. Good conditions. Publi...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Ballota (Horehound); Marrubium (White Horehound)" (Didynamie, Gymospermie, Plate 508) Portfolio: Histoire N...

F.L.D. 1998 Signed, titled, dated, and numbered, verso Color photograph on Kodak paper (Edition of 20) 10 x 8 inches (25.4 x 20.3 cm) Price includes framing. This work is offere...

Andre JACQUEMIN Magpie Near a River Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haasen workshop in 1943 Excellent condi...

Artist: Francisco Scavullo Title: Roses and Poppies in Spotted Vase (Red) Year: 1987 Medium: Screenprint, signed and dated l.r. in pencil Edition: 73/75 (verso) Size: 36 x 36 inches ...

Unframed. New from 2023. This is an original, hand-printed original cyanotype photograph on heavy cotton watercolor paper. Just one of 10 prints were made. Four have sold. Only six...

Ober - Cilli is an original modern artwork realized in the first half of the 19th Century. Original Colored Lithograph on Ivory Paper. Inscripted on the lower margin in Capital L...

Artist: William Roscoe (English, 1753-1831) Title: "Maranta Arundinacea (Arrowroot)" and "Phrynium Grandiflorum" Portfolio: Monandrian Plants of the order Scitamineae, Chiefly Drawn ...

Color mezzotints depicting the landscape of coastal Maine. This is one of eighteen (printed on chine collé) with intimations of the Arts and Crafts Movement from the early twentieth ...

Red Breast 2021 Signed, dated, and numbered, recto Watercolor using rubber stamps on handmade Twinrocker paper (Edition of 200) 5.75 x 8.5 inches (14.6 x 21.6 cm) This work is off...

One Lemon Two Lemons is an artwork realized by the Contemporary Italian artist Leo Guida (1992 - 2017) in the 1970s. Original black and white etching on paper. Hand Signed on the l...

Audrey Flack Audrey Flack On Painting (hand signed, dated and inscribed by Audrey Flack), 1981 Hardback monograph with dust jacket (hand signed, dated and inscribed by Audrey Flack) ...

Medium: Intaglio (etching, acquatint, monotype) Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prin...

Aubrey Schwartz, American (1928 - 2019) - Wild Flowers III, Year: 1966, Medium: Etching, signed and numbered in pencil, Edition: 28/100, Image Size: 4.75 x 3.75 inches, Size: 14 x 1...

An antique engraved view of "Romelborg", Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johan...

Evergreen Chris Forrest, American (1946) Date: 1980 Lithograph, signed and numbered in pencil Edition of 300, AP 40 Image Size: 18 x 22 inches Size: 22 i...

Jennifer Jokhoo “Tower of London -Red sea’ Limited edition Reduction (cut from 2 blocks) linocut print Oil based ink on Fabriano paper Edition of 20 so...

This artwork "Landscape" is an original lithograph by Swiss artist Aime Daniel Steinlen,1923-1996. It is hand signed and numbered 235/260 in pencil by the artist. The image and sheet...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), At the pond, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 148’, 23....

Rose is an oiginal artwork realized by François Langlois after Pierre-Joseph Redouté. Not signed. Original etching. Good conditions. The artwork ...

The Hangsman  Bank is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edi...

Gorse is a very brightly colored screen print realized by the contemporary Italian artist Maddalena Striglio. Hand-signed in pencil on the lower ri...

By J. Torrents Llado 35" x 24" Serigraph, Edition 53/75 This beautiful serigraph depicts an impressionist creek scene with a green and blue color palette.

Meadow in Spring is a very brightly colored screen print realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. Hand-signed in pencil on the lower...

Contemporary etching print by Polish artist Elzbieta Bocianowska. The print depicts landscape with view on the lake. There are plants in the water. Colors of the print are blue and ...

Artist: Thomas McKnight (American, 1941-) Title: "Sagaponack" Portfolio: The Hamptons *Signed by McKnight in pencil lower right Year: 1987 Medium: Original Screenprint on soft-white Somerset paper Limited edition: 143/175, (there were also 40 artist's proofs) Printer: Willco Fine Art, New York, NY Publisher: Chalk & Vermilion, New York, NY Sheet size: 21" x 23" Image size: 16" x 18.13" Condition: Never framed, has been professionally stored away in its original green silk boxed portfolio for decades. In mint condition Notes: Numbered by McKnight in pencil lower left. Comes from McKnight's 1987 "The Hamptons" portfolio of twelve screenprints. Artist's copyright stamp lower right on verso. Biography: Thomas McKnight (born 1941) is a U.S. artist. He was born in 1941 in Lawrence, Kansas. He attended Wesleyan University, a small liberal arts college in Middletown, Connecticut, where he was one of only five art majors. He spent his junior year in Paris. After a year of graduate work in art history at Columbia University, in 1964 McKnight found a job at Time Magazine where he would work for eight years, interrupted by a two-year stint in the U. S. Army in South Korea. In 1972 McKnight left Time, summered on the Greek island of Mykonos, and commenced painting in earnest. In 1979 in Mykonos, McKnight met Renate, a vacationing Austrian student, and married the following year. Throughout the 1980s McKnight’s art, mainly limited edition serigraph prints, became increasingly popular. In 1994 he was commissioned by the White House to paint the first of three images for President Clinton...

This contemporary abstract landscape limited edition print by Ken Elliott features multi-colored tree trunks and foliage extend from the bottom of the canvas up to the top, with a ra...

George Brookshaw's (1751-1823) beautiful "Plums" hand colored aquatint engraving from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. There are purple, mustard-colored plums on brown branches with green leaves over a two-tone dark brown and light tan background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...

Still Life is an artwork realized after Corrado Cagli in the middle of the 20th century.   Photype print. Signed on the low side. Good condition.     Corrado Cagli (Ancona, 191...

Will Mentor received his BFA at the Rhode Island School of Design and arrived on the New York art scene in the early 1980’s, gaining instant success for what critics referred to as h...

Artist: Lady Jane Webb Loudon (Brittish, 1800 - 1858) 9.5 x 8 in. page. 12 x 14 in. frame. A color lithographic plate from The Ladies' Flower-Garden of British Wildflowers. By Mrs. ...

Artist: Bill Sullivan Title: Flowers Medium: Serigraph Signed: Hand Signed Edition: Edition of 200 Measurements: 22" x 30" Condition: Excellent. This piece has been stored in a ...

This contemporary abstract landscape limited edition print by Ken Elliott features tall, lush trees, the leaves of which are cool blue and violet tones. Small portions of the bottoms...

Brian - White Flower and House is an original offset of 1980, realized by Douglas Prince. The state of preservation of the artwork is good. On the left margin, Signed, Titled and ...

This artwork "Still Life #2" 1989 is an original color lithograph by American artist Audean Johnson. It is hand signed and numbered 207/275 in pencil by...

This contemporary abstract landscape limited edition print by Ken Elliott features tall, lush trees, the leaves of which are cool blue and violet tones. Small portions of the bottoms...

This artwork titled "Faithful Inn, Yellowstone National Park" c.1970 is a color etching on Wove paper by noted Austrian artist Josef Eidenber...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Roses Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 40 Image Size: 28 x 20 inches Size: 35 ...

Seba, Albertus. Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam. Amsterdam, Wetsten, Smith, Jans...

The Leaf is a drawing realized  in 1938. Pencil on paper. In good conditions. The artwork is represented through deft strokes masterly.

Salomè is an original etching and aquatint realized by Leo Guida in 1989. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the author. Artist...

This tenderly illustrated print depicts a black dog sitting comfortably on the lawn. A low fence and a bench can be seen in the background. Plants grow along the sides of the lawn, b...

Ex-Libris - Flowers is an Artwork realized in 1947 by the Czech Artist  Frantisek Kobliha (1877-1962). Woodcut B./W. print on ivory paper. Signed on plate and dated on back. The wor...

Lithograph by "Ustica" by Rabolini Printed in Italy Print in Good Condition Measures 19.5 in x 27.5 in

Lemons is a screen print realized by Leo Guida in 1972s. Good condition, no signature, titled with pencil. Artist sensitive to current issues, artistic movements and historical tec...

ARMAN Fernandez Violon skeleton (1979) Drypoint etching Arches vellum c. 23 x 15" REFERENCES : Field Arman catalog raisonne of prints - Otmezguine / Moreau #248g INFORMATION :...

Flowers is a beautiful original etching by the Italian artist Paulucci. Signed on the lower right margin. Artist's proof The artwork represents flowers, depicted by strong express...

Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...

Flowers is a beautiful Cromolitograph print, realized by H.Herder. Good conditions with some rips on the lower margin. Signed. The artwork represents beautiful flowers created thr...