Plant Prints and Multiples
135
to
294
1,687
1,100
364
998
1,609
1,092
205
922
570
676
436
311
Overall Height
to
Overall Width
to
996
308
90
81
72
60
28
22
21
18
17
13
3
1
37,717
19,937
12,964
11,869
10,876
8,757
8,049
5,940
3,835
3,702
3,562
3,465
3,334
3,208
3,195
2,917
2,732
2,644
2,632
2,605
221
273
1,239
1,180
22
10
24
33
29
58
108
270
244
142
167
50
43
43
41
39
745
702
452
394
267
Art Subject: Plant
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Red cow
Located in Ljubljana, SI
Original color lithograph, unknown year. Edition of E.A. (artist’s proof) signed and numbered impression on Arches paper.
Ivan Generalić was a Croatian artist and a pioneer of naive ...
Category
Late 20th Century Post-Modern Landscape Prints
Materials
Lithograph
Ex Libris - M E d G - Woodcut - Mid 20th Century
Located in Roma, IT
Ex Libris - M E d G is an Artwork realized in Mid 20th Century.
Etching print on ivory paper.
The work is glued on colored cardboard.
Total dimensions: 19.5x14.5 cm.
Good condit...
Category
Mid-20th Century Modern Figurative Prints
Materials
Woodcut
Ex Libris - Giuseppe Fanciulli - Woodcut - Mid 20th Century
Located in Roma, IT
Ex Libris - Giuseppe Fanciulli is an Artwork realized in Mid 20th Century.
Woodcut B./W. print on tissue paper.
The work is glued on cardboard.
Total dimensions: 7.5x7.5 cm.
Good...
Category
Mid-20th Century Modern Figurative Prints
Materials
Woodcut
Ex Libris - M-G.Lévy - Mid 20th Century
Located in Roma, IT
Ex Libris - M-G.Lévy is an Artwork realized in Mid 20th Century.
Woodcut print on paper.
The work is glued on colored cardboard.
...
Category
Mid-20th Century Modern Figurative Prints
Materials
Woodcut
The Couch Potato
Located in Greenwich, CT
The Couch Potato is a lithograph on paper, 7.25 x 9" image size. From the edition of 395, numbered XI/C (there were also 275 arabic and 20 AP).
Robert Deyber’s lithographs were creat...
Category
Early 2000s Contemporary Prints and Multiples
Materials
Lithograph, Paper
Constant Duval's original poster for the Chemins de fer d'Orléans La Bourboule
Located in PARIS, FR
Constant Duval's original poster for the Chemins de fer d'Orléans, showcasing La Bourboule in Auvergne, emerges as a visual gem that transcends the realms of a mere advertisement.
D...
Category
1920s Prints and Multiples
Materials
Paper, Linen, Lithograph
Ex Libris - Flowers - Woodcut by Frantisek Kobliha - 1947
Located in Roma, IT
Ex-Libris - Flowers is an Artwork realized in 1947 by the Czech Artist Frantisek Kobliha (1877-1962).
Woodcut B./W. print on ivory paper. Signed on plate and dated on back. The wor...
Category
1940s Modern Figurative Prints
Materials
Woodcut
Ex-Libis Dr. Josef Hamrla - Woodcut by Frantisek Kobliha - 1945
Located in Roma, IT
Ex- Libis Dr. Josef Hamrla is an Artwork realized in 1945, by the Czech Frantisek Kobliha (1877-1962).
Woodcut B./W. print on ivory paper. Hand Signed and dated on back.
Good condi...
Category
1940s Modern Figurative Prints
Materials
Woodcut
The Ox, 1942 (Histoire Naturelle - Textes de Buffon, B.330)
Located in Greenwich, CT
The Ox is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.7 x 8.2 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Turkey, 1942 (Histoire Naturelle - Textes de Buffon, B.346)
Located in Greenwich, CT
The Turkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.8 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Ex Libris - Flowers - Woodcut by Frantisek Kobliha - 1951
Located in Roma, IT
Ex Libris - Flowers is an Artwork realized in 1951, by the artist Frantisek Kobliha (1877-1962).
Woodcut print on ivory paper....
Category
1950s Modern Figurative Prints
Materials
Woodcut
Raspberry Bush
Located in Boston, MA
Artist: Dali, Salvador
Title: Raspberry Bush
Series: Flors Dali (The Fruits)
Date: 1969
Medium: Lithograph with original drypoint remarques
Framed Dimensions: 37" x 29.5"
Signa...
Category
1960s Surrealist Prints and Multiples
Materials
Drypoint, Lithograph
The Spider, 1942 (Histoire Naturelle - Textes de Buffon, B.353)
Located in Greenwich, CT
The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Goniostomi - Etching by Jean Francois Turpin-1831
Located in Roma, IT
This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundreds ...
Category
1830s Modern Animal Prints
Materials
Etching
Pterodibranchi...- Etching by Jean Francois Turpin - 1831
Located in Roma, IT
This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundred...
Category
1830s Modern Animal Prints
Materials
Etching
Café Salon de Thé
Located in Greenwich, CT
Café Salon de Thé is a lithograph on paper with an image size of 4.25 x 2.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Dark Flora Autumn Weald in Floral arrangement of wild flowers and plants, Framed
Located in London, GB
Dark Flora #4 - Autumn Weald: An arrangement of cloth of gold, pine, beech, and bracken surrounding a nest of exquisite blue eggs.
Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8
Print size: 75 x 54 cm
Framed: 80 x 60 cm approx.
Inspired by Victorian era taxidermy dioramas...
Category
2010s Victorian Still-life Photography
Materials
Archival Pigment, Glass, Wood, Oak, Photographic Paper, Color
Plate 1851. Cycad.
Located in Florham Park, NJ
This piece would pair well with "Plate 1838. Cycad." by William Curtis which is also listed.
WILLIAM CURTIS.
The Botanical Magazine.
Engravings with original hand-color.
9.5” x 5...
Category
18th Century and Earlier Academic Prints and Multiples
Red Rose
Located in New York, NY
Lowell Nesbitt
Red Rose, 1985
Silkscreen on wove paper
Signed, dated, and numbered AP 9/25 by Lowell Nesbitt on the front
24 × 24 inches
Unframed
Hand signed,...
Category
1980s Realist Figurative Prints
Materials
Screen
The Pathfinder
By Mark Maggiori
Located in Draper, UT
Amazing work that is quite powerful in person! Must see. The Pathfinder, 2020, Giclee Print On 300 gsm cotton rag.
28 × 32 in from an Edition of 539.
O...
Category
2010s Land Landscape Prints
Materials
Paper
Affresco di Aranci - Orange Trees
Located in Brooklyn, NY
This photograph captures the timeless beauty of an aged 18th-century Italian fresco painting. The artwork features potted orange trees, their vibrant green foliage and citrus fruits providing a striking contrast. Set against the backdrop of an expansive Italian countryside, the landscape unfolds with rolling hills and distant vistas.
The significance of the orange trees in the fresco is deeply rooted in the historical context of 18th-century Italy. During this period, the cultivation of citrus fruits, including oranges, became a symbol of prosperity and luxury. Italy, with its favorable climate, was a prime location for cultivating oranges, and their presence in frescoes often represented affluence, abundance, and the beauty of the Italian landscape.
Fidel Santos...
Category
21st Century and Contemporary Renaissance Still-life Photography
Materials
Archival Ink, Plexiglass
Alhambra XII
Located in New York, NY
Antonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...
Category
1960s American Modern Landscape Prints
Materials
Woodcut
Toucans
Located in Greenwich, CT
Toucans is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered XXV/C (there were also 275 arabic and 20 AP).
Robert Deyber’s lith...
Category
2010s Contemporary Prints and Multiples
Materials
Lithograph, Paper
Dendrobium Phalaenopsis, antique botanical Australian orchid lithograph print
Located in Melbourne, Victoria
Botanical lithograph of an Australian native orchid with original hand-colouring by Walter Hood Fitch (1817-1892).
245mm by 145mm (sheet)
Walter Hood Fitch was a Scottish botanical...
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Justin Owensby - Magnitude, Photography 2022, Printed After
Located in Greenwich, CT
About the work:
Materials:
Chromogenic print on Fuji Luster / Pigment print of Luster
Sizes, Prices, and Edition Size:
14.5" x 20" $450.00 Edition of 10
22" x 30" $1,000.0...
Category
2010s Color Photography
Materials
Luster, C Print
Eternity: Pompeii in the Shadow of Vesuvius
Located in Brooklyn, NY
This work, by Fidel Santos, depicts a Pompeiian fresco resplendent with lush fruit trees and avian life against a backdrop of idyllic hills. The vibrant c...
Category
21st Century and Contemporary Renaissance Still-life Photography
Materials
Archival Ink, Plexiglass
David Gilhooly 'Bugs' Artist's Proof Signed Etching Print
Located in San Rafael, CA
David Gilhooly (1943-2013).
Bugs, 2001
Etching on wove paper
Artist's Proof XV/X (6/10) numbered in pencil lower left
Signed and dated in pencil lower right
Dimensions: With Frame ...
Category
1980s Contemporary Animal Prints
Materials
Lithograph
Le cimetiere des carrioles
Located in Henderson, NV
Medium: offset lithograph (after the watercolor). Printed in 1970 on velin bouffant paper from the Papeteries Casteljoux and published in France by Edito-Service Geneve. This reprodu...
Category
1970s Prints and Multiples
Materials
Offset
Mujer y espigas
Located in Barcelona, ES
It is a limited series of 5 copies. Printing on 315gr fine art paper with a white border of around 2 cm. Color photography mixed media digital collage.
Category
2010s Abstract Figurative Prints
Materials
Mixed Media
David Gilhooly 'Early Autumn Years of My Dog Spot' Original Signed Print
Located in San Rafael, CA
David Gilhooly (1943-2013)
Early Autumn Years of My Dog Spot, 1988
Monoprint on BFK Rives Paper
Titled on the verso in pencil
Signed and dated in pencil, lower right
Published by Ma...
Category
1980s Contemporary Animal Prints
Materials
Monoprint
Justin Owensby - Fortune, Photography 2023, Printed After
Located in Greenwich, CT
About the work:
Materials:
Chromogenic print on Fuji Luster / Pigment print of Luster
Sizes, Prices, and Edition Size:
14.5" x 20" $450.00 Edition of 10
22" x 30" $1,000.0...
Category
2010s Color Photography
Materials
Luster, C Print
Trees and Snow II
By Peter Milton
Located in Palm Springs, CA
Medium: lift-ground etching and engraving
Edition: 15
Year: 1961
Plate: zinc 9 x 15 inches (22.9 x 38.1 cm)
Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm)
Signed, titled and number...
Category
2010s Contemporary Landscape Prints
Materials
Etching, Engraving
Neil Welliver at O'Farrel Gallery poster
Located in New York, NY
Neil Welliver at O'Farrel Gallery poster, 1998
Offset lithograph
24 × 18 inches
Unframed
This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986.
Publisher
O'Farrell Gallery, Brunswick, Maine
About Neil Welliver:
Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning.
Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships.
By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005.
Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others.
- Courtesy of Alexandre Gallery
Category
1990s Realist Landscape Prints
Materials
Lithograph, Offset
"St. Regis River Grasses" Large Cibachrome Direct Positive Photograph
Located in Soquel, CA
St. Regis River Grasses, New York, a large Cibachrome Direct Positive Photograph - 8"x10" Deardorff Camera using Positive Slide Film.
Powerful Large Cibachrome Photograph of the St Regis River, Adirondacks, New York by Nathan Farb (American, B- 1941). Working with a large 8" x 10" View Camera Nathan began a journey to really photograph his home in the mountains is his own way, rich in vibrant with exceptional detail. Cibachrome prints are a type of dye destruction print that use a photographic process to create a full-color image. The process involves selectively bleaching away color dyes embedded in the paper. The dyes are contained within emulsion layers, which give the print its characteristic color saturation. The base is a polyester triacetate, rather than fiber-based paper, which adds to the print's longevity
Image, 29"H x 37"W
Sheet, 30"H x 40"W x .05
Unmounted and unframed. Can be shipped rolled.
Includes book "The Adirondacks" which contains similar photographs by the artist.
In 1981, Farb returned to his childhood home in the Adirondack Mountains to recharge himself, spending a lot of time in the woods. Over the next 20 years, he produced three books published by Rizzoli cataloguing many of his finest 8”x10” negatives. That work has been excerpted by close to 100 magazines including The NY Times Magazine. NY Times Magazine then sent him to document the Exxon oil spill and the Yellowstone Fires, and to the Galapagos Islands twice.
Searching for both his past and future, Nathan Farb bought his first camera and started shooting on the streets of NYC’s Lower East Side in 1966. This work was presented as “The Other Summer of Love,” in “Lens”, the NY Times’ photography blog in 2017.
In 1971 his political multimedia work “Lockport” was shown at The Public Theater...
Category
1980s Realist Landscape Prints
Materials
Dye Transfer, Color, Photographic Paper
Constant Gardener series-Limited Edition#6-gallery collection-UK Award Artist
Located in London, GB
This painting is one of the Summer Bloom series Shizico Yi started in 2022.
Veronica and Hydrangea (in the painting) are the summer elements in her garden, Shizico cultivated these d...
Category
2010s Art Deco Landscape Prints
Materials
Metal
Fall Colors
Located in Palm Springs, CA
Signed, titled and numbered by the artist
Image Size: 12 x 18 inches
Year: 2007
Fall colors in Bellingham, WA. Scene of sunlight on fall foliage. Signed a...
Category
Early 2000s Contemporary Landscape Prints
Materials
Aquatint, Etching
Ashland Creek, by Stephen McMillan
Located in Palm Springs, CA
Signed, titled and numbered by the artist.
Medium: etching and aquatint
Image size: 12 x 9 inches
Year: 2019
Fall colors in Lithia Park, Ashland OR
Born in Berkeley, California, ...
Category
Early 2000s Contemporary Landscape Prints
Materials
Aquatint, Etching
Salt Marshes-Poster. Copyright 1969. Aaron Ashley, Inc.
By (after) Andrew Wyeth
Located in Clinton Township, MI
Poster. Measures 13.25 x 17 inches and is Unframed. Good Condition.
Category
1960s Landscape Prints
Materials
Color
Tropical Street Scene
Located in Bristol, CT
Print Sz: 12"H x 16"W
Frame Sz: 15"H x 19"W
Cecile Ryden Johnson was a twentieth century American watercolorist who embraced the “plein air” tradition of artists who left their stu...
Category
20th Century Prints and Multiples
Materials
Lithograph
Aspen Study I - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study I by Frank Schott
a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada
...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment
Parade of Women, from One Cent Life
Located in Austin, TX
Artist: Claes Oldenburg
Title: Parade of Women
Series: One Cent Life
Year: 1964
Medium: Lithograph
Initialled in Plate, lower right
Dimensions: 16.25 x 23"
Provenance: Private Collec...
Category
1960s Pop Art Nude Prints
Materials
Lithograph
Undiscovered Virtue. Limited edition print Surreal Established Polish artist
Located in Warsaw, PL
Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with a tree in the centre of the composition. The crown is transfo...
Category
2010s Surrealist Figurative Prints
Materials
Paper, Color
Pink Flowers - Lithograph by Ivan Rabuzin - 1980s
By Ivan Rabuzin
Located in Roma, IT
Pink Flowers is a colored lithograph realized by Ivan Rabuzin .
Hand signed in pencil on the lower right corner. Numbered in pencil on the lower left corner.
Edition of 200 pr...
Category
1980s Contemporary Landscape Prints
Materials
Lithograph
High on the Hog
Located in Greenwich, CT
High on the Hog is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 9/275 (there were also 100 Roman and 20 AP).
Robert Deyber...
Category
Early 2000s Contemporary Prints and Multiples
Materials
Lithograph, Paper
Flora Dalinae - Chrysanthemum Frutescens
Located in Alassa, CY
Chrysanthemum Frutescens (Marquerite).
This wonderful Salvador Dali print is part of a series of surrealist representations of fruits and flower that Dalí designed in the late 60´s.
In this image the Chrysanthemums are transformed in plates of fried eggs, recalling themselves disc shaped UFOs.
The panorama in the background is similar to many iconic backdrop of Salvador Dalí artworks...
Category
1960s Surrealist Figurative Prints
Materials
Lithograph
Conventional sentiment. Limited edition print Surreal Established Polish artist
Located in Warsaw, PL
Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man and a woman standing on the road. The road is transformin...
Category
2010s Surrealist Figurative Prints
Materials
Paper, Color
Flower
Located in Ljubljana, SI
Flower. Original color aquatint and etching, 1976. Edition of A.P. (artist’s proof) signed and numbered impressions on Arches paper.
Kyu-Baik Hwang is contemporary painter and printm...
Category
1970s Post-Modern Landscape Prints
Materials
Etching, Aquatint
Spanish Artist hand signed limited edition original art print drypoint n11
Located in Miami, FL
Salvador Dali (Spain, 1904-1989)
'La Cerf Malade', 1974
Serie: Le Bestiaire de La Fontaine
dry point, aquatint on japanese paper
30.6 x 22.9 in. (77.5 x 58 cm.)
Edition of 250
Unfram...
Category
1970s Surrealist Prints and Multiples
Materials
Drypoint, Paper, Aquatint
A galaxy. Figurative Surrealist print, Vibrant colors, Polish art master
Located in Warsaw, PL
Vibrant giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man standing on a road leading to lighthouse that is ...
Category
2010s Surrealist Figurative Prints
Materials
Paper, Color
Spanish Artist signed limited edition original art print lithography floral
Located in Miami, FL
Antonio Lopez Garcia (Spain, 1936)
'Rosas de invierno', 2021
etching, lithograph on paper Rives BFK 300 g.
23.1 x 17.8 in. (58.5 x 45 cm.)
Edition of 75
U...
Category
2010s Contemporary Prints and Multiples
Materials
Etching, Paper, Lithograph
TAGGED TREE Hand Drawn Signed Lithograph, Green Tree, Blue Sea and Sky
Located in Union City, NJ
TAGGED TREE is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on ...
Category
1990s Surrealist Landscape Prints
Materials
Lithograph
A rose. Figurative Surrealist print, Vibrant colors, Polish art master
Located in Warsaw, PL
Vibrant giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man and a woman on a boat...
Category
2010s Surrealist Figurative Prints
Materials
Paper, Color
FOREST Hand Drawn Signed Lithograph, Surreal Mini Landscape Misty Trees Blue Sky
Located in Union City, NJ
FOREST is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archi...
Category
1990s Surrealist Landscape Prints
Materials
Lithograph
TENNIS Signed Lithograph, Tennis Match Borg vs. Connors Rivalry, British Humor
By Beryl Cook
Located in Union City, NJ
TENNIS is a hand drawn, limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook. Printed on archival Arches paper, 100% acid free, print size 34" x 27" full bleed image no margins. TENNIS is a satirical portrait of the renowned tennis star rivals Björn Borg and Jimmy Connors. The two players, wearing their white tennis ensembles...
Category
1990s Contemporary Portrait Prints
Materials
Lithograph
'WTP - THE CUT' (HAND PAINTED) (Ed.6/10)
Located in Dallas, TX
Signed and Numbered by the Artist, Jochen has also created a series of 10 special prints that incorporate his masterful ‘tromp l’oeil’ painting method to make pieces that sit perfect...
Category
21st Century and Contemporary Contemporary Landscape Prints
Materials
Varnish, Oil, Screen
"Decoupage Flower"
Located in Bristol, CT
Charming decoupage/ paper mosaic floral still life by BM (Bobby Mitchell) signed (LL)
c1987
Art Sz: 12"H x 9"W
Frame Sz: 18"H x 15"W
Category
1980s Prints and Multiples
Materials
Paper
A fog. Landscape figurative print, Miniature, Trees, Polish artist
Located in Warsaw, PL
Contemporary etching print by Polish artist Elzbieta Bocianowska. The print depicts landscape with tree in the foreground and trees in the background. The artwork is minimalistic. Pr...
Category
2010s Other Art Style Figurative Prints
Materials
Paper, Etching
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