Sculptures

Stephen Glassborow was born in Hammersmith, England and studied sculpture at the Brighton College of Art, before becoming a permanent resident of Australia in 1983. He is now one of ...

Larissa was born in Belogorsk, a small town in Russia and later moved to The Russian FarEast where she spent her early childhood. Her family moved to Moldova and finally settled in D...

Larissa was born in Belogorsk, a small town in Russia and later moved to The Russian FarEast where she spent her early childhood. Her family moved to Moldova and finally settled in Dushanbe, capital of Tajikistan. At 19 Larissa went off on her own to study art in St Petersburg ( Leningrad ). ​“Larissa began sculpting in kindergarten from doughy black bread, the only material she could get her hands on. It was just after the war. Russia was still recovering from hard times. Despite the pain from hunger in her tummy, my sister would eat only the breads crust. From the doughy insides, she sculpted a dog, a cat, a tree, but mostly she sculpted the portraits of family members and they were quite recognisable. When Larissa was 12 years old, her artwork won a national competition for children. The picture depicted children of many nationalities dancing together and was chosen to be made into a national post stamp. The organisers of this competition came from Moscow and were determined to make sure that nobody had helped my sister. They couldn’t believe that little girl can draw like that” -Yakov Smagarinsky (brother) ​At 14 Larissa went to the Art College to study painting, drawing, sculpture, ceramics, perspective, geometry and literature in Dushanbe Art College where she obtained her diploma. Later she continued her education in St Petersburg where she received a Master Degree in architectural, decorative and monumental sculpture. Her first commissioned sculptures were carved oak based on Russian folklore...

Larissa was born in Belogorsk, a small town in Russia and later moved to The Russian FarEast where she spent her early childhood. Her family moved to Moldova and finally settled in Dushanbe, capital of Tajikistan. At 19 Larissa went off on her own to study art in St Petersburg ( Leningrad ). ​“Larissa began sculpting in kindergarten from doughy black bread, the only material she could get her hands on. It was just after the war. Russia was still recovering from hard times. Despite the pain from hunger in her tummy, my sister would eat only the breads crust. From the doughy insides, she sculpted a dog, a cat, a tree, but mostly she sculpted the portraits of family members and they were quite recognisable. When Larissa was 12 years old, her artwork won a national competition for children. The picture depicted children of many nationalities dancing together and was chosen to be made into a national post stamp. The organisers of this competition came from Moscow and were determined to make sure that nobody had helped my sister. They couldn’t believe that little girl can draw like that” -Yakov Smagarinsky (brother) ​At 14 Larissa went to the Art College to study painting, drawing, sculpture, ceramics, perspective, geometry and literature in Dushanbe Art College where she obtained her diploma. Later she continued her education in St Petersburg where she received a Master Degree in architectural, decorative and monumental sculpture. Her first commissioned sculptures were carved oak based on Russian folklore...

Larissa was born in Belogorsk, a small town in Russia and later moved to The Russian FarEast where she spent her early childhood. Her family moved to Moldova and finally settled in D...

bronze with green patina inscribed 'S. Melani' (inside of hind leg) and inscribed 'S. Melani' (lower right of base) mounted on a marble base PROVENANCE Private collection, UK

This Hay binder is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina cast by Susse Frères - st...

Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculpt...

Dawn by Jane DeDecker Abstract Figurative Cast Bronze Sculpture ©2008 Family of four waking to the rising sun 116x84x27" (base not included) limited edition of 11. Shipping price in...

Jonathan Delmas began his wonderful work since his tenderest youth in contact with his father and grandfather, great founders of arts in Paris. His first movement, the Bear, born in...

"With Spirit's Edge" by Denny Haskew Figurative Bronze 10.5x23.5x19" Ed/20 "It is time, Be still, Listen​. Let the honor beats of your heart now drum in your ears. Two life path ways are before you. Which one guides us home?" -DH Shipping price includes the custom packing necessary for safe transport of fine art. ABOUT THE ARTIST: Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg...

Earth by Jane DeDecker Allegorical Element Figurative Bronze 72x32x20" bronze ed/17 (available patina is a darker blue-grey hue) Shipping price includes the custom packing/crating n...

Isidore-Jules Bonheur (French, 1827–1901) A Rare Gilt and Patinated Bronze Jockey on A Horse, circa 1875. Introducing a truly exceptional and highly so...

One of the most iconic pieces by the artist, the boy with the Shark, is in the biggest version. Shown at Master Piece London in 2022, also one sculpture in Bond Street in London ( se...

Statement by artist Stephen Glassborow on his sculpture Infinity Leaf: With commissions, ideas develop in areas that I may not normally consider. These ideas can provide a wealth of...

Water by Jane DeDecker Allegorical Element Figurative Bronze 72x25x15" bronze ed/17 (available patina is a darker blue-grey hue) Shipping price includes the custom packing/crating n...

Jonathan Delmas began his wonderful work since his tenderest youth in contact with his father and grandfather, great founders of arts in Paris. His first movement, the Bear, born in...

Sensitively rendered, hand-cast, signed bronze sculpture of a resting dog on a naturalistic base of the same by listed French artist, Georges Lucien-Guyot (1885-1973). The animal is relaxed with head on crossed paws- a familiar and charming pose. Born to a modest family, Guyot lacked the funds for a formal education but was apprenticed to a woodcarver and gained valuable technical expertise through copying religious works from the 15th century. Turning his sights to the natural world, he frequently drew animals and plants in the Jardin des Plantes, transferring his studies to sculptures in the studio. A famous figure of the Montmartre disttrict of Paris, Guyot was the host of the famed artist salon building, the Bateau-Lavoir from the time of Cubism. In 1931, he joined the group of the Twelve, created by François Pompon and Jane Poupelet...

Fire by Jane DeDecker Allegorical Element Figurative Bronze with Gold Leaf 72x14x20" bronze ed/17 (available patina is the darker blue-grey hue) Shipping price includes the custom p...

Inspired by Picasso’s cubist era, metal sculptor Alexander Krivosheiw altered his signature fabrication style to create a fragmented, geometric portrayal of a dog called SCOOPS. The ...

Fabulous, 1920s, detailed, cast bronze falconfrom a lost wax cast by important Italian artist, Sirio Tofanari (1886-1969). Executed by the Fonderia Artistica Ferdinando Marinelli in ...

Edition of 9

Joseph Mario Korbel (Czech/American, 1882-1954). Period fine example bronze, dark brown patina, modeled as a nude female kneeling and tying her sandal, raised on a stepped black marb...

Original sculpture EA 2/2 Signed and numbered by the artist and stamped Bocquel fondeur. Acquired directly from the artist. Free shipment worldwide. Arman wrote, “The bow on the st...

Roman Grand Tour bronze figure of a youth. Wonderful patina. Measures : Statue is 23"H. Base is 8.75"W x 7.5"D.

Ink and charcoal gold leaf on oestrich eggs Marc Brousse is a French draftsman born in 1984 who lives and works in Brussels, Belgium. Cradled by the worl...

Ink and charcoal gold leaf on oestrich eggs Marc Brousse is a French draftsman born in 1984 who lives and works in Brussels, Belgium. Cradled by the worl...

Contemporary bronze figurative sculpture of standing woman by Italian artist, professor Giuseppe del Debbio. Sculpture is signed on the base. GIUSEPPE DEL DEBBIO ( 1950-2019) Profe...

Bust of a young man with green bronze patina.

Contemporary bronze sculpture on a marble base made by Polish artist Ryszard Piotrowski. The artwork depicts human figure in an acrobatic pose. It is very dynamic. The surface is tex...

A family of lions having green patination depicting a male lion feeding two cubs; mounted on a naturalistic base - signed and applied entitled plaque "Lion 1st Gibier" Paul Edouard Delabrierre...

Jaguar Standing Bronze Sculpture Wildlife Wild Animal Realisme Contemporary Chris Tap (1973, Amsterdam) attended university where he studied ...

19th century bronze group of a standing and sitting hare by French animalier sculptor Alfred Dubucand (1823-1894). Finely detailed bronze with good dark brown patination. Signature '...

Sizes including stone pedestal 97 x 22 x 22 cm Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world. In 1995, he exhibited for the first time with Morren Galleries. Van der Kant desires to sculpt young people who still stand uninhibited and curiously in life. The reason he chooses to sculpt boys is, because he is one himself, this way the subject is closer to him. The anatomy of his figures testify of perfectionism. Van der Kant's subjects show similarities with the sculptures from the Greek and Roman antiquity...

SALE ONE WEEK ONLY This Pre-Star Wars Space Ship captures the magic, power and volume of unidentified objects that pass through our solar system and within viewing site of spaceship Earth. Titled "Untitled" this piece has the monumental quality and style of a spaceship that has been circling the universe forever. Constructed in 1963, prior to film industry creatives scaring viewers with visions of unimaginable spacecraft come to destroy earth, Julius Schmidt's imagination was unstoppable with his numerous and unique cast bronze sculptures. This extraordinary piece is a heart stopping example of what a genius creative can produce. It was exhibited in March 9 - 31, 1963 at the Otto Gerson Gallery, New York, NY. A Catalog of the show accompanies this piece. Julius Schmidt is an American sculptor who earned his B.F.A. from Cranbrook Academy of Art in 1953 and for the next two years studied sculpture under Ossip Zadkine in Paris and at the Accademia di Belle Arti in Florence, Italy. He returned to Cranbrook in Bloomfield Hills, Michigan, in 1955 for his M.F.A. in sculpture. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (bronze sculptures), Herb Babcock...

Karin Beek's (1948) bronze sculptures are characterized by a friendly, round and at the same time monumental style. They breathe the atmosphere of everyday life. Beek would like her ...

This paver is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina cast by Susse Frères - stamped...

A lively, beautifully cast, patinated bronze sculpture of two hounds on a lush forest floor by listed French artist, Alfred Dubucand (1828-1894). A proponent of Romantic Realism,  Dubucand was a prize pupil of the renowned founder of the French Animaliers School, Antoine-Louis Bayre (1796-1875) whose patrons were representatives of the state government and royalty including the Duke of Orleans...

Title: "Insiders Series (Disengaged #1.): A Tactile Journey Through Form and Narrative" "(Disengaged #1.)" from the "Insiders Series" emerges as a singular masterpiece—a one-of-a-kind sculpture meticulously crafted from hand-carved limestone and an assortment of metals thoughtfully chosen for their color and malleability. This work, like its counterparts in the series, transcends the boundaries of visual exploration, inviting the beholder to engage in a tactile experience that unravels a narrative both familiar and enigmatic. The sculpture beckons exploration not just with the eyes, but with the hands—a deliberate choice that transforms the artwork into an interactive encounter. As hands traverse the surface of the stone, a world unfolds, both impenetrable and inviting, offering a tactile journey that complements and completes the visual narrative. Each touch becomes a discovery of the familiar and the unknown, an invitation to unravel the layers of meaning embedded in the carved form. The core of this freestanding sculpture is hand-carved Indiana limestone...

Giorgio De Chirico ( 1888 - 1978 ) - Il Trovatore - bronze sculpture Additional information: Material: Il Trovatore - Bronze sculpture Limited Edition, numbered XII/XXX on the verso...

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced dark brown patina cast by Susse Frères - stamped with the founder's seal France created around 1890 and cast after his death height 12,5 cm A similar model reproduced inJules Dalou, le sculpteur de la République, Exhibition held at the Musée du Petit Palais, Paris, 2013, page 288, n°220. Biography : Aimé-Jules Dalou, said Jules Dalou (1838-1902) was a French sculptor, born from Protestants glovers craftsmen who raised in secularism and love of the Republic. Jules Dalou was very young talented for modeling and drawing, which earned him the attention of Jean-Baptiste Carpeaux, who made him entered in 1852 in the Little School, the future National School of Decorative Arts in Paris. In 1854, he was admitted to the School of Fine Arts in Paris, where he studied painting in the workshop of Abel de Pujol and sculpture in the workshop of Francisque Duret...

A chic, signed and dated, 1928, cubist style cast bronze sculpture, "L' Etudiente" by highly regarded Austria-Hungarian born artist, József Csáky (1888-1971), who was among the most ...

1970’s, leaping, bronze dog sculpture by highly respected, listed, American artist, Abbott Pattison (1916-1999). Select public collections: Whitney Museum of Art in New York City; t...

Tigre- A striking, vital, patinated cast bronze tiger by listed French artist, Joachim Costa (1888-1971). The piece is stamped with it's foundation locat...

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

The historic tradition of cast bronze provides a contemporary avenue for the creation of Wayne Salge’s abstracted human and animal figures. Thoroughly modern and distinctly impressio...

Sculpture in bronze by Mario Dilitz. It is an edition of 8 sculptures + 4 Artist Proofs, all numbered and signed by the artist.

Bull Bronze Sculpture Animal Small Farmlife Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archetypal motive...

Cast bronze sculpture of a yawning Satyr after the original by important French sculptor, Claude Michel Clodion (1738-1814). According to artnet: Claude Michel Clodion was a Frenc...

Laughing Horse Bronze Sculpture Animal Laugh Contemporary Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Arc...

Gold plated stainless steel outdoor sculpture. Abstract shapes in glossy red, orange, violet and blue with highlights of gold form a playful column in this outdoor sculpture by Vikto...

A set of a spectacularly beautiful Kiddush plate and cup. Delicate and precise filigree work. On each side of the cup and the plate appears a holy places...

Horse and Woman Bronze Sculpture Animal Lady Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archetypal motiv...

A pair of large, detailed cast bronze Roman figures of a senator (likely Julius Caesar) and possibly an emperor. Each in cascading drapery with beautifully rendered facial expression...

"Percheron" by Dan Glanz Bronze Horse sculpture 12x5.5x16.5" ed/30 mounted on granite. The strength of this work horse is captured in bronze. ABOUT THE ARTIST:  Award winning scu...

Saltoro Bronze Sculpture Bull Jumping Jump Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer a...

Boar, patinated bronze, 19.5 x 32 x 12 cm, on the bottom the author's logo and a numerical description. Weight: 4.35 kg, edition 3 of 8, 2022. Mariusz Dydo...

Hand-cast, bronze sculpture of a seated woman by listed, Swiss artist, Robert Lienhard (1919-1989). Signed and numbered on base, #5 of 7.