Miniature Sculptures

"Yellow Kobra" is an original piece by Ulla-Stina Wikander as a free standing sculpture. This piece is made from sourced forest landscape vintage needlepoint embroidery and expertly ...

THE SAME is a mixed media wall sculpture by Vera Vizzi that renders the lunar surface as both stage and symbol. Modeled in clay and acrylic on a 30 cm Ø fir wood disc, the piece pres...

Eilene, bronze portrait, female by John Waddell, Arizona sculptor Waddell was born in Des Moines, Iowa in 1921 and moved to Evansville, Indiana at the age of ten. There he began to ...

William Crovello Hakuin, 1984 Mirrored, reflective brass sculpture on plinth De-accessioned from the GE Corporate Art Collection Signed and dated Crovello '84 Measurements: 13 x 13-3...

turned wood "I think of my wood turning as a way to reveal the beauty and texture found in the wood. The wood I use comes from trees, which are native to the southeastern United Sta...

Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tac...

"Remains (Stack of Cups)" is an original ceramic sculpture by Yoonmi Nam made from directly slip casting the negative space of precariously stacked to-go cups in a tray and wood firi...

Cast concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris. He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher. Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris. The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children. The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated. He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models. Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened. Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear and American Bison were exhibited, and in 1943 he showed a marble Polar Bear and plaster Pelican. Sculptures of Dimitri Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev's Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers. Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time. After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt...

“Diventa” is a contemporary wall-mounted mixed media sculpture by Italian artist Vera Vizzi, exploring the emotional pull between longing and levity. Composed on a 30 cm circular fir...

Balloon Dogs Set of 3 (mixed edition numbers) - Jeff Koons, Contemporary, 21st Century, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition ...

Marathon Runner is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 34 × 23 × 10 cm (13.4 × 9.1 × 3.9 in). Dimensions of the base...

This tabletop indoor figurative sculpture of a bird is made of resin. The provocative award-winning sculptures of Nicholas Crombach explore a narrative that challenges the complex ...

Horse training with its stable lad by Arthur Marie Gabriel comte du Passage (1838-1909) A bronze group with nuanced dark brown patina Signed on the base " Cte du Passage " Period ca...

Roman marble altar fragment with cupid Provenance: Nicolas Koutoulakis (1910-1996), Paris and Geneva

"Untied, Joyride" is an original metal, fabric, pebbles, wire, polyester fibre, plastic, paper, and enamel paint artwork by Kendal Murray measuring appro...

The Other Side I is a wood sculpture (yew) by Wouter van der Vlugt, dimensions are 36 × 30 × 30 cm (14.2 × 11.8 × 11.8 in). It is a unique signed piece and it comes with a certifica...

Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tac...

This is an Ned Moulton painted plexiglass sculpture . In good condition. Made in a shadow box. Measures 12x14x6

Wearing a chiton with a himation draped at the left shoulder, and a modius on the crown of his head, the god's characteristic luxuriant wavy hair falling in ri...

Anton Chotka, Austrian (1881 -1955) - Quran Teacher With Pupils, Year: circa 1900, Medium: Cold painted Bronze sculpture, stamped Austria, Size: 4.5 x 8 x 5 in. (11.43 x 20.32 x 1...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Har...

Created in 1965, this terre de faïence sculpture with white slip is inscribed on the sculptural base with the atelier stamps ‘EDITION PICASSO’ and ‘MADOURA...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Petite Acrobate is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 19 × 16 × 4 cm (7.5 × 6.3 × 1.6 in). Dimensions of the metal base: 11 x 8 x 8 cm (4,3 x 3,1 ...

Canadian artist Richard Tosczak is known for his beautiful figurative sculptures. This bronze statuette of a nude female leaning as if against a wall, hands behind her back was first...

Pedro Friedeberg Unique Hand Foot Sculpture Gilt finished wood Signed PEDRO FRIEDEBERG on bottom of the foot 12 inches tall, 6 inches wide (base of hand), 3 inches wide (base of foot...

An inspiring piece that encourages us to take up the challenge and look for adventures in life. This 2020 work of Mireia Serra is cast with bronze then hand-prepared with black patin...

PABLO PICASSO (1881-1973) Hibou brillant (A. R. 285) Terre de faïence dish, 1955, from the edition of 450, glazed and painted, with the Edition Picasso and Madoura stamps.

Franz Bergmann, Austrian (1861 -1936) - Traveler with Camel, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 4.75 x 6 x 3 in. (12.07 x 15.24 x 7.62 cm)

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

Horse Clearing an Obstacle (work number 48) Bronze with dark brown green patina bearing the stamp of the signature "Degas", Numbered IV/IX and dated 1998 Posthumous lost wax casting as of 1998. Stamp of Valsuani. Signed Degas The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these Hebrard bronzes...

Untitled, 2016, 10.25 x 16.25 x 1.25 inches (base), mixed media and metal, $900 James Charles’ minimal and monochromatic work has a boldness that intrig...

Italian-born American artist Harry Bertoia (1915-1978), is a noted sculptor and modern furniture designer. He is arguably one of the most successful creative forces hired by Florence...

This is a beautiful original bronze casting by the foremost Russian sculptor of his day Evgeny Lanceray. Artist signed on the base in Cyrillic (image 5) and is also inscribed on the ...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** ***The artist is moving on to a new full time venture in 2026**...

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents. After briefly living in Marseille, France, Naples, Italy Tunis, Malta, and Constantinople, Turkey his family settled in Brooklyn, New York, in 1921.His family settled in Brooklyn, New York. He became a US citizen in 1928. Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber Arp, and other artists. He also attended the City College of New York. Lassaw’s encounter with avant-garde art in the International Exhibition of Modern Art (1926), organized by the Société Anonyme at the Brooklyn Museum, made a powerful impression on him. In the early 1930s he explored new materials and notions of open-space sculpture. The ideas of László Moholy-Nagy and Buckminster Fuller were important to him, and he knew the work of Julio González, Pablo Picasso, and the Russian Constructivists. After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. His work reflects the influence of Surrealist artists such as Alberto Giacometti and Joan Miro as well as American Modernist Alexander Calder.A pioneer of abstract sculpture in the United States, in 1936 Lassaw was a founding member of the organization American Abstract Artists. Between 1933 and 1942 he worked for various federal arts projects: the Public Works of Art Project, Civil Works Authority, and WPA, the Works Progress Administration Federal Art Project. In 1938 he produced his first welded work. He served with the U.S. Army, where he learned direct welding techniques. During the 1940s he experimented with cage constructions and with acrylic plastics, adding color to his sculptures by applying dye directly to their surfaces. In 1949 Lassaw was a founder of the Club, an informal discussion group of avant-garde artists that had developed from gatherings at his studio, on Eighth Street. During the mid-1930s, Lassaw worked briefly for the Public Works of Art Project cleaning sculptural monuments around New York City. He subsequently joined the WPA as a teacher and sculptor until he was drafted into the army in 1942. Lassaw's contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of the American Abstract Artists group, and served as president of the American Abstract Artists organization from 1946 to 1949. In 1951, Samuel Kootz invited Lassaw to join his gallery in New York. He also had a summer gallery in Provincetown, MA. Lassaw had been summering in Provincetown since 1944, and in 1951 rented an apartment next door to the Kootz Gallery. Among the artists in the Kootz Gallery were Jean Arp, William Baziotes, Georges Braque, Jean Dubuffet, Herbert Ferber, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Fernand Leger, Georges Mathieu, Joan Miró, Robert Motherwell, Pablo Picasso, Pierre Soulages, and Maurice de Vlaminck. Lassaw is a sculptor who was a part of the New York School of Abstract expressionism during the 1940s and 1950s. Jackson Pollock, Lee Krasner, James Brooks, Willem de Kooning, and several other artists like Lassaw spent summers on the Southern Shore of Long Island. Lassaw spent summers on Long Island from 1955 until he moved there permanently in 1963. SELECT EXHIBITIONS 1961 International Exhibition of Modern Jewelry 1890–1961, organized by the Worshipful Company of Goldsmiths in association with the Victoria and Albert Museum, London 1967 Exhibition of Jewelry by Painters and Sculptors, organized for circulation by MoMA 1973 Jewelry...

A good antique bronze sculpture of a brown bear by the celebrated French Animalier sculptor Antoine-Louis Barye, circa 1870. The bronze depicts a brown bear in a dynamic pose, head h...

19th century bronze group of a standing and sitting hare by French animalier sculptor Alfred Dubucand (1823-1894). Finely detailed bronze with good dark brown patination. Signature '...

Artist Len Klikunas creates meditative minimalist sculptural artworks that modify experienced reality through visual perception. His art is a mix of art and architecture, hovering be...

"Herself" by Frederick Hart is an acrylic figurative sculpture of a woman's face numbered 176/350. Hart began to equate light and spirit, the medium itself conveying the meaning, bey...

Hyperreal bright yellow glass water balloon sculpture by Dylan Martinez. Dylan Martinez’s hyperrealistic water balloons are made of solid sculpted glass sandblasted and acid-etche...

Bronze head fashion from cast found objects - the decorative elements added to furniture early in the last century. This piece is cast using elements of wood molding to create a mask...

"Clara" Bronze Sculpture 13" x 9" x 6" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He st...

This piece titled "Buddha Egg" is an freestanding sculpture original artwork by PJ Linden and is made from dimensional paint on aventurine glass. This piece measures 5”h x 2.5”w x 2....

Sara Fine-Wilson's “Shift" is a gestural 14.5 x 10 x 6.5 inch ceramic sculpture in white and cream and constructed in white stoneware in a graceful fluid form. Individual slab forms ...

Attributed to Vally Wieselthier (Austrian-American, 1895-1945) Bust of Josephine Baker, c. 1930 Ceramic Stamped on base 11.5 x 5.5 x 5.5 inches Vally Wieselthier (1895 Vienna--1945 ...

Jean Cocteau ( 1889 -1963 ) " Bouc Trois Faces " . circa 1958 . coupe 36cm Terre Blanche engobes : noir et fer rouge Tirage : 20 exemplaires Ref: R 306 page 76 du catalogue rais...

Medium: White Carrara Marble (edition of 12) As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used...

Jenny Day creates intricate sculptures of foods that stir memories of personal and community events. Whether a summer party, homemade dinner, or crawfish boil, these gatherings remin...

ITALIAN RENAISSANCE MARBLE RELIEF WITH GRIFFIN Central Italy, 16th Century marble 42 x 28.5 x 5.5 cm 16 1/2 x 11 1/4 x 2 1/4 in

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

Carminis Bronze Sculpture Nude Boy Male Figure Flute Pan God - In Stock Carminis is a bronze, nude male figure from boy playing flute, with a brown patina, in fact it reminds us of ...

Tête Solaire, Pablo Picasso, Unique Ceramic, 1950's, Earthenware, Design, Tile Tête solaire II Unique work 27.01.1956 Large white earthenware tile, green stripes on white enamel on ...

Abstract bronze sculpture by artist Clyde Ball on cast concrete base. Circa 1970's, signed on base. The patina on this piece is dark, with hints of ...

"How does my hair look?" is an original piece by Sarah Detweiler made from scrunchies, synthetic hair, and yarn. This piece measures 32" diameter. Detweiler has found catharsis and joy in recalling her own experiences as a child of the 80s and a teen of the 90s, during what seemed like a simpler time. Likewise, the "Memory Palace" collection offers a reprieve from the strange and complex reality of life in the 21st Century, for adults and children alike, inviting viewers to fall “down the rabbit hole” into a warped reimagination of vignettes from Detweiler’s youth. The exhibition title refers to a mnemonic memorization technique known as the “Method of Loci” through which information is retained and retrieved by conscious mental association with a specific physical location. In the context of Detweiler’s work, each painting, object, and installation functions as a “room” in the artist’s “memory palace,” with specific memories encapsulated therein. The visual representations of Detweiler’s memories are skewed from reality, like the memories themselves, from super-sized silly putty to hand-stitched static from the late-night glow of a television set. About Sarah Detweiler Sarah Detweiler is a Philadelphia area-based visual artist translating her experiences into figurative and narrative mixed media paintings. She has a BFA in Visual Communications from University of Delaware and a master's degree in Art Therapy from Pratt. Sarah is an award-winning artist who has shown her work in solo and group exhibitions in galleries across the country and virtually. She exhibits regularly at Paradigm Gallery in Philadelphia where she has had 2 sold out solo exhibitions. Her work has also been seen on television and film...

This piece titled "Egg Canoes: Duck, Duck, Goose" is an original piece by Kate VanVliet and is made from eggshell, mica, 3-D printed PETG, acrylic, and pine. This piece measures 4”h ...

Getting Close to the Sky is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 37.5 × 16 × 8.5 cm (14.8 × 6.3 × 3.3 in). The sculpture is signed and num...

Taureau gravé, Pablo Picasso, 1940's, plate, Sculpture, Design, Bull Taureau gravé Ed. 84/200 pcs 1947 White earthenware clay, engobe decoration, engrav...

Nancy Graves New York State Governor's Arts Award, 1988 Bronze, polychrome patina and baked enamel on base with Award plaque 10 1/4 × 7 × 10 1/4 inches Hand signed and dated with inc...