Oversized Sculptures

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

Extraordinary wire sculpture "Mask" on a quadratic oxidised oak pedestal for your garden. The eyes are made of stainless steel. We produce this object in our own locksmith's shop, ...

Maki's work is influenced by early Modernist Abstraction, while her combination of materials and technique make the pieces uniquely her own. This work, in subtle shades of white, gra...

We are proud to premiere the latest works by American artist Darren LeGallo. Our second exhibition, Darren LeGallo, "From Destruction" has just opened at our West Hollywood gallery...

In the 1960’s, Canadian Otto Rogers was one of the first artists to create abstract sculptures out of welded steel and continued to do so during his long career. The elegant curves a...

Sleeping Nude Large cast handmade paper, artist signed AP 10/20, 1981 62x52x5.5 wood, linen and lucite box frame. Stunning art wall sculpture by Fran...

Brass, twine, stainless steel long screws in acrylic display box on mdf wood pedestal. Sculpture is 6" x 6" x 6" Total dimensions including pedestal: 61" x 13" x 13"

Turkish-born Derya Ozparlak is known for her provocative and uniquely beautiful hand-hammered sculptures. Rendered in fine detail, ‘The Deranged’ is a steel straight-jacket with a sh...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

"Exodus" by Joan Giordano Mixed Media, Handmade Abaca Paper, Newspapers, Photographic Prints, Encaustic Museum shown and collected artist Joan Giordano is known for her unique hand made paper sculpture and wall relief sculpture and Japanese influenced wall scrolls.

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for comm...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

The drama of black and white is elevated by this sculptural series of three paintings by Aron Hill. Here the Calgary artist uses clean minimalist form in black on three white circula...

Three blown glass orbs that contain assembled clock works, wheels, sprockets and coils, hang from fine chain in this unique wall sculpture. The elegant orbs in three sizes are define...

This piece is titled 'Aquagraphie' in French which translates to 'Water Writing'. A rectangular, steel outdoor sculpture in black is divided into three parts, like a puzzle, the edges polished and reflective. This seven-foot upright is mirrored in three reflective steel puddle shapes installed at its base. Inspired by the graphic design of river maps...

This new work by Tal Nehoray is from her latest body of works called "1000 MG Happy Pills". All are hand made with Fiberglass and hand painted with automotive paint. It stands on a b...

Carnival Fiberglass / Composites Filled Resin Base Gold Metallic Finish 47" x 12" x 10" "I am an artist, a sculptor not by choice but by destiny as each step in the path I followed ...

This torch is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. There are lavastones in the provided burner wich has to be filled w...

The extraordinary polygon sculpture "Horse" on a pedestal of oxidised oak for our garden. The mane is made of stainless steel. We manufacture this object in our own locksmith's sho...

Shayne Dark’s new Maelstrom sculptures have powerful and palpable energy like the natural whirlpools this series is named after. No. 1 is an intricate tangle of round aluminum rods c...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

Medium: Carved wood figure with white lacquer finish, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and...

Artist: William Landwehr (American, b. 1941) Title: Yellow is the Color of my Dead Bird's Tail Year: circa 1980 Medium: Mixed Media Construction with Neon Size: 68 in. x 63 in. x 8 i...

This contemporary wall sculpture is a series of three masks forged from metal. Dale Dunning is highly regarded for his superb craftsmanship in creating sculptures of exceptional quality and detail. The Canadian artist is perhaps best known for his inspired use of the human head/face as a metaphor for human experience. This series of three masks (a triptych) are made from narrow strips of aluminum that have been skillfully shaped to resemble the contours of a face. The industrial-inspired wrapped faces also reflect a romantic sensibility recalling the Gothic literature...

This piece titled "DALL·E 2023-04-23 11.28.03 is a crafted original piece by Tuft the World as part of the inaugural collection of TTW Editions. This piece measures 120"L x 52"W and ...

A life size, two-piece powder coated mild steel sculpture on steel footings. Edition of 7. Available in different colours or finishes on request.

This large bronze statuette of a reclining nude with legs outstretched, arms tucked in and straining to sit up was created rapidly in gestures that verge on abstraction. The modern and dynamic formalism that departs from realism allows the viewer to focus on emotive qualities of pure form. This is number 1 in an edition of 8. Tosczak is a Belgian-born, Edmonton-based figurative sculptor. He studied philosophy and modernist sculpture, working in steel, at the University of Alberta where a number of the professors had a strong affiliation with Sir Anthony Caro and Clement Greenberg. Richard pursued further artistic training in the Loire Valley with Martine Vaugel...

This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and wooden frame (framed piece 24.5 x 30 in., sculpture piece is about 94 X 11 inches) Francoise Schein is a visual artist, trained as an architect - urban planner; She also teaches art at the ESAM Higher School of Arts and Media in Caen in Normandy . She is the founder of the INSCRIRE Association. In 2016, she was elected member of the Royal Academy of Sciences, Arts and Fine Arts of Belgium. Group Exhibitions Spain: 2016, The "5Contemporary" Paris gallery presented a group show at the Museum of Contemporary Art of Genalguacil, Spain. The show included important artists such as Françoise Schein, Mimouni and Pedro Castrortega. Born in Brussels , Françoise Schein left Belgium after studying architecture at the higher institute of architecture of the French community - La Cambre where she wrote her thesis on fundamental rights, then studied urban design at the Columbia University in the City of New York . She lived 11 years in New York where she begins a work on cartography territories. Subway map Floating on NY Sidewalk is his first monumental urban sculpture located at 110 Greene Street in SoHo (1985). At that time her works are abstract landscapes of cities, made up of networks, lines, trajectories, territories, founding texts and stories. They are constructed of very diverse materials and light. Returning back to Europe in 1989, she continues to work on what she calls her drawings-laboratories while beginning to integrate works in cities on civic themes, the main ones: at the Concorde metro station in Paris in 1991 and then in Brussels, Saint-Gilles , in 1992, these two projects took her to Lisbon in 1993 where she lived for five years and produced two monumental works (in azulejos) for the city of Lisbon at Parque metro station ( 1994) and another for the city of Stockholm at the Universitetet station (1998). She continues to travel to cities where she builds successively projects in Haifa , on the facade of the Beth Hagefen Jewish-Arab Cultural Center with Michel Butor (1994). Then she lives in Berlin where she builds the Westhafen station (2000) which takes her to Bremen to make her first human rights park, Rhododendronpark (2002). In 2005, she made the monumental Time Zone Clock in Coventry in 2005. Since 1999, she has also settled in Rio de Janeiro and initiated participatory artistic projects with the underprivileged population of the favelas . Since then, with the help of a locally trained team, many projects have been carried out, including one in Copacabana and more than 20 in different favelas (from 1999 to 2016). These works transformed the Rio workshop into sustainable development for the people who invested it. In Sao Paulo, since 2009, Françoise Schein has produced a monumental work with the participation of 1000 young people from the favela schools at Luz subway station. Her work is monumental recalling the works of Christo, Maria Dompe, Christian Boltanski, Anish Kapoor, Ai Wei Wei...

Archer Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 58" x 10" x 14" "I am an artist, a sculptor ...

Elegantly curved deep red glass pieces in twos are suspended on fine black steel cables in this dramatic new wall sculpture by Canadian artist John Paul Robinson. His glass work is i...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Outdoor or Indoor Sculpture " Longhorn ” is a striking piece of Art resembling a Longhorn skull made from a burnout mold by David Marshall in 2013, sand cast in aluminium in our fou...

Changing Seasons Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 108 x 20 x 20 in "I am an artist, ...

Divyendu Anand - Wisdom Tree Hand Painting and Patina over Metal Skin Granite, Edition of 9 H 44 x W 26.5 x D 18 inches Growing up with the thoughts of altruism, idealism and beauty...

Mythological Hybrid, Bronze Sculpture 1. Italy 1980s. Unique Piece. Certificate of authenticity by the Gallery. Very good conditions

"Tonka III" is the last piece in a 3 piece series of monochromatic wall sculptures. Tonka III features a matte metallic gunmetal (Blue steel) finish made from automotive enamel. The...

Steel, coated in a glossy candy apple green is hand forged into a delicately detailed bough by Canadian master sculptor Shayne Dark. This wall sculpture, like most of Dark’s work is ...

Dreamer Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 51 x 13 x 12 in "I am an artist, a sculptor...

This torch is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. There are lavastones in the provided burner wich has to be filled w...

Large scale abstract mixed media sculpture by contemporary artist Bernardo Infante. The work incorporates red Texas clay, wood, and other various materials into an abstract horse sha...

Maeve Eichelberger is a Colorado native, capturing both urban and rural lifestyles in her artwork. Passionate about collage, Maeve specializes in a new form of 3 dimensional collage....

With this garden wall, you can conjure up an atmospheric ambience in your garden Ideally, you should illuminate the garden wall from the front so that the wall is also a highlight in...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one another (and the viewer) through their body language, relationships and dialogue. S...

This large abstract statement painting by Teodora Guererra features a light, coastal palette of blue, light grey and white. The artist applies thick layers of paint in wide horizonta...

Dutch artist Frans van Straaten (1963) should be called an artist of balance always searching for harmony between force and movement in combination with space. Because of the wide range in his art-education he has mastered the art of drawing, painting and sculpting technology. However, the classical plastic art of sculpture and modeling opens up the possibility for him to create his own language of sculpture in answer to his urge for art. Due to this style of sculpting, the preference for bronze is natural. After his study of sculpture at the Academy of Art in Rotterdam (1988), Frans van Straaten creates bronze sculptures in which he unites force and movement. Feeling and Emotion converted into Matter Sculpture is an experience of space combined with the challenge of the three-dimensional. The tension of space and movement are the themes, which Frans expresses in his sculptures. Summary it can be said that the power of life and being, the feeling and emotion by force and movement will be converted into matter. The experience of space is being expressed in the shapes and characters in each of Frans’ sculptures. His sculptures of bulls express explosive power while the horses find their strength in being elegant. Each sculpture recalls this way their own association and serves as a metaphor for a certain emotion. Feelings, which has inspired the artist for each sculpture. Powerful and Elegant Looking at the works of this artist, it becomes very clear that one of his most important sources is his background in art history. The Renaissance period as well as several Italian artists served as inspiration to Frans as a sculpture. For instance the expressions in Leonardo da Vinci’s artworks, and also Giovanni...

Duchess Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 53 x 15 x 16 in "I am an artist, a sculptor...

Bella Feldman (American, b. 1930), Untitled, metal 2-wheeled cart with metal cables, (Provenance: Allan Stone Gallery, New York, NY) gallery label affixed affixed verso, overall: 37"h x 48"l x 37"w. Provenance: Private Collection Bella Feldman is an American sculptor whose work addresses the themes of sexuality, war, and the persistent anxiety of the industrial age. Feldman is known for pioneering the use of glass with steel. Her work has affinities with Surrealism, Post-Minimalism, and the Feminist art movement, although she has no formal affiliation with these. A Professor Emeritus at the California College of the Arts, Feldman lives and works in Oakland, CA and London, England. Bella Feldman was born in 1930 in New York City to a family of working-class Jewish immigrants from Poland. She grew up in the Bronx tenements. Feldman attended The High School of Music & Art in Manhattan during World War II. Students were required to visit museums and galleries as part of the curriculum. When Feldman was thirteen, she visited her first art museum, the Museum of Modern Art. There, she saw Meret Oppenheim’s Object (1936), the fur-lined cup and saucer, and was struck by her strong psychological response to this work. Other early influences included Alberto Giacometti’s The Palace at 4 a.m. (1932) and the sculpture of David Smith. One of Feldman’s earliest sculptures Warrior (1952) pays tribute to Giacometti. During the Holocaust, Feldman lost numerous family members who remained in Poland, an experience that helped shape her worldview. This includes her life-long preoccupation with war, and the overwhelming effects of the military-industrial complex. Feldman received a BA from Queens College, City University of New York. She married Leonard Feldman at age 18, and moved to California with him in 1951 where they both accepted teaching positions. Feldman has two children, Nina Feldman, born 1954 and Ethan Feldman, born 1956. In 1965, Feldman started teaching at the California College of the Arts. In 1971 she and her family moved to Uganda, East Africa on a grant from the E. L. Cabot Trust Fund at Harvard University. Feldman spent two years teaching art in Uganda prior to the genocidal war in that country. Upon her return to CCA, she faced gender discrimination and a threat to her job. Her successful fight to retain her position prompted her to later become an advocate for other women faculty, who she helped to achieve equity and job security. Feldman was awarded an MA in 1973 from San Jose State University. Her teachers were Sam Richardson...

A life size, powder coated mild steel sculpture, edition 1/3. Available in different colours on request.

The synergy of a man and a woman is a deep interaction of two energies that complement each other, creating a unity stronger than each one alone. It is a fusion of strength and tende...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Frederick Prescott Kinetic Sculpture Tight Rope Walkers. In good condition measures 41x36x26 signed.

Discover the perfect combination of rustic charm and modern elegance - our garden wall made of rusty steel combined with stainless steel! Our unique garden wall adds a touch of styl...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Window 7 is from a series of 7 painted aluminum wall sculptures. These wall sculptures are abstractions on the windows we use in our daily lives. We look into windows as well as out ...

This torch is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. The included burner already contains individual lava stones, so this burner can easily be filled with liquid bioethanol and ignited decoratively. With the included lid, you can easily extinguish the flame, It also protects the burner and its contents from the weather. Pure bioethanol is also called bioalcohol and burns residue-free and therefore clean and soot-free, which is why it is often used in open fireplaces...

"Urn with Flying Lilies" in gold, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolor...

A structural and powerful piece by Pascal Pierme, with soulful and rich accents of red. Unique, signed by the artist. Walnut Pascal Pierme approaches his art as an ongoing journey ...