Wood Sculptures

This work by artist Scott Troxel explores the relationship between structure, movement, and material through a carefully balanced composition of geometric forms. Constructed from lay...

“Phase 3” by Scott Troxel is a minimalist wood wall sculpture that explores rhythm, balance, and repetition through a refined geometric language. Arranged in a vertical composition, ...

Tom Cramer (b.1960). Standing Figure, 1988. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

"Refresher" is a minimalist and modernist solid wood wall sculpture that brings bold statement to wherever it is placed. The piece is part of my popular "Small Pops" Series which are...

This striking wall sculpture by artist Scott Troxel transforms a pair of birds into a bold geometric abstraction, merging playful figuration with his signature retro-modern design la...

Evoking both nostalgia and a forward-looking vision, "Beacon" is a dynamic wood wall sculpture that captures the essence of mid-century modernism. Pigmented lacquer on poplar wood cr...

Part of Scott Troxel’s Mirror Pops collection, this sculptural wall piece transforms the familiar function of a mirror into an immersive work of contemporary abstraction. Constructed...

Linda Stein, Highway, Bridge & Twist 296 - Mixed Media Metal Wood Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural wo...

Linda Stein, Blades 208 - Mixed Media Metal Wood Stone Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that incorp...

Linda Stein, Specimen 94 - Mixed Media Collage Contemporary Wall Sculpture Diorama This diorama was made in the 1970s as part of Linda Stein's Missives series--a body of work born f...

Medium: oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...

This is an engaging black aluminum sculpture create by the Italian artist Patrizia Guerresi, in the 1988. The piece is a multiple of 1000 specimen on a black wooden base. The title o...

Artwork made with MDF, pigmented lacquer & cherry wood Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair i...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics." "Humpty Dumpty...

Sculptural folk art piece by listed artist Sharon Yavis. This work is constructed by applying layers of wood to create an almost three dimensional effect ...

TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...

Austrian Landscape Oil on Linen 1905 Goetheanum Designer Hand Carved Wood Frame Historically significant wood work and wonderful landscape celebrating the Austrian landscape and for...

Description for all series "Tree of Life": "One day I was in the furniture workshop of my friends and noticed wooden logs in the corner. I have been working with wood all my life and...

Political play and the fragility of systems converge in this modular domino wall sculpture red lunar motif on black wood panel, mixed-media foam clay. This mixed-media work presents...

This owl is made from oak. The peace and power that both emanate from this monumental eagle owl is probably hidden in the actual format (lifelike) and the deep-set eye sockets. Beaut...

Wood, fabric, cotton batting, and acrylic. Artist statement: "Represents my Haplogroup based on a collection of common inherited genes that trace ancestral lines back to an original parent through matrilineal mitochondria. U5b2 ties me – and millions of others – directly to an ancestral Mitochondrial Eve originating in the East African region of modern Kenya. U5b2’s wall-mounted boat...

Sky Cradle, sculpture by John Reeves, mixed media, wood, granite, limestone

"Spomenik" is a wood wall sculpture. Made for repurposed oak, mahogany, walnut, leather, suede and brass tacks, the piece has an overtly architectural feel. Inspired by brutalist mo...

This Series focuses on the combination of wood and sleek modern painted panels. I feel they are retro-futurist. The juxtaposition of the organic and warm wood grain with jutting, sha...

"Gotham" is a minimalist and modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. Artist Scott Troxel says "The piece is part of my popular "Sm...

"Balken" is a minimalist and modernist wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by my love for brutalist architecture of the ...

"Tonka II" is the second piece in a 3 piece series of monochromatic wall sculptures. Tonka I features a matte off-white finish made from high end automotive enamel. The result is a ...

Paul Dierkes (1907 Cloppenburg - 1968 Berlin), Vegetative Form. Mahogany, 1958. 142 x 16 x 10 cm (sculpture), 21 x 17.5 cm (base), monogrammed "PD" on the reverse. - Grown Art - ...

Tom Cramer (b.1960). Standing Figure, 1980. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Corpus Christi. Burgundy 13th century. Crowned Christ from the borderlands between northern Burgundy and southern Champagne, dating from the last third of the 13th century. Carved in polychromed and gilded walnut, this Christ preserves significant traces of its original polychromy and gilding. On the torso, particularly on the ribs, the flesh tones are still clearly visible, as are the gilded areas on the perizonium and on the crown. This Corpus Christi, of striking presence, perfectly illustrates the Rayonnant Gothic style with reminiscences of Classic Gothic, notably in its representation of Christ the King. The anatomy of Christ is characterised by a language that is both graphic and sensitive, typical of workshops working in the orbit of the great northern building sites. The ribcage with its prominent ribs derives from an archaic stylisation intended to underline the emaciation of the crucified body, while the suppleness of the abdomen, slightly distended, bears witness to a new naturalistic observation. The head, tilted towards the right shoulder, breaks with the axial rigidity of earlier periods. Crowned with a royal crown, of which the bases of the fleurons are still preserved, the face retains an expression of peaceful interiority, far removed from the expressionist renderings that would mark the 14th century. The long perizonium is tied relatively high on the hips and unfolds in a complex lateral fall over the left hip, creating a dynamic imbalance. The sculptor has carved the material with great virtuosity, organising the drapery into deep undulations and folds that catch the light. This treatment of volume, heir to the early-13th-century Muldenfaltenstil, achieves a synthesis between the elegance of Parisian ivories and the robustness of Burgundian sculpture. This sculpture may be compared with the Corpus Christi in the Rijksmuseum, dated to around 1260 (see below), and also with the ivory Christ...

Tom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 10.25 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

George Lilanga (1934 Kikwetu - 2005 Dar es Salaam), Sculpture of a red figure, circa 1995. Polychrome wood, 80 cm (height) x 40 cm (width) x 25 cm (depth), signed on the carved base ...

"Stingaree" by artist David Everett is polychromed mahogany, and measures 43 3/8 x 40 1/4 x 21 1/2 inches. It is signed "© D EVERETT 2017". It depicts a mother and child, pelican and...

Untitled 1982 Bust of A Man With Closed Eyes Artist signed, and dated. WILLIAM LUDWIG (1935-2011) Education: University of Connecticut, 1957-1961 Hartford Art School, University of...

This is an original wooden sculpture with hand painting on both sides. it does not appear to be signed or numbered and does not currently have any label. I believe this might be the ...

Two Figures (Mother and son) 9" x 17" terracotta sculpture, signed lower left mounted to wood panel, 15 1/2" x 23 1/2" George Aarons (born Gregory Podubisky, in St. Petersburg, Russ...

Wim Van Borm (Belgian, born 1972) "Between Strokes" 2025 Mixed media, epoxy resin, and polyurethane on a wood base The artist signed the back of the artwork. "Between Strokes" is a ...

This architectural ceramic and wood sculpture presents the body as a habitable structure, transforming the idea of portraiture into a domestic space. Fogar 1 belongs to a two-piece s...

signed "© D Everett 1992"

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

mixed media on wood, acrylic paint 21" x 9" x 6" 2015 In this piece, Zin Helena Song uses a long vertical shape, as opposed to her usual landscape, or square pieces. Due to thi...

Medium: Walnut and paint As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langua...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in in...

The extraordinary candle holder "Wings Dark" on a natural oak pedestal, conjures up a beautiful shadow pattern in your home. The candle holder has a rust look and stands on a 15x15x...

"DOUS" series. Sculptures of this series are created for your interior in different colors. It is always important to combine objects with each other. That is why I created a pair...

Hopi Owl Kachina Native American Carved Wood Figure, Signed, Late 20th Century This Native American Hopi Kachina doll represents the Owl Kachi...

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1940s. Two Figures, 1949, ebony wood, 24 x 7 x 5 inches, unsigned, but comes from Thomas' daughters and includes a copy of a 1949 photo of this work listing the artist's name, title of work and date Robert Chester Thomas was a California sculptor. A native of Wichita, Kansas, Thomas moved with his family to Southern California as a child. During World War II, he joined the army and served for a time in the European theater. When he returned to California, he studied sculpture with David Green in Pasadena in 1946 and 1947, before taking advantage of the GI Bill in 1948 to study with Ossip Zadkine in Paris. He first exhibited at Galerie St. Placide as part of an exhibition of American artists working in late 1940s Paris...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

"Jim Jim" is an ebony carving by Tom Brun, sculptor and Detroit Zoo Keeper, who cared for the real Jim Jim at the Detroit Zoo. This ebony sculpture is in beautiful condition with slight exposure to the lighter streak of wood sometimes found in ebony. It is said that Tom would often go into a house and pick up one of his sculptures and say that it was unfriendly – meaning that it had not been handled enough. Morley Driver has said of Brun in a newspaper article from the 1950’s “In Any Animal He Sees Beauty”: No one who has ever seen a Tom Brun hippopotamus will ever again think of it as ugly or ungainly, meaning that the artist not only gives you beauty but teaches you to see it. Tom has said: “Small pieces are like a proverb – a gem of meaning that one can dissect.” They are meant to be picked up, caressed and held. Tom knew Jim Jim from birth and cared for him with love and attention. Brun was a compassionate zookeeper and advocated for less cages and more space for an animal to roam. Brun was born in England in 1913. A few years after the end of World War I his father moved the family in 1919 to Detroit, Michigan. In 1935 at age 23, he officially became a U.S. citizen. He served in the army during World War II for five years and upon discharge and at the age of 36 took advantage of the GI Bill and applied for admission to Society of Arts and Crafts (now known as the College for Creative Studies) where he was gladly accepted. While at Arts and Crafts his instructors and established artists such as Sarkis Sarkisian, John P. Foster, Morris Brose, Richard Koslow, Patricia Burnett, Lloyd and Renee Radell...

Aerosol, oil and wood stain on reclaimed oak wood by street artist and muralist RH Doaz. Earth tones, metallic, folk art style, inspired by Hungarian textiles...

Polygon Dragon on Oak Column oxidized. Extraordinary polygon sculpture Dragon with a burner insert on an oxidised oak column 20 x 20 x 100 cm. There are already individual lava ston...

Created in 1987, this original acrylic on wood sculpture is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997)in black ink in the lower centerand numbered from the edition of ...

The intricate retablos of Chicago-based artist Patrick Fitzgerald are his means of paying homage to those who have inspired him throughout his life. Derived from Mexican votive...

Rare Vierge à l'Enfant en bois polychrome de tradition romane, région du Fenouillèdes, représentant une Virgo Lactans. Avant cette découverte, seules 3 vierges allaitantes médiévales...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...

This abstract sculpture from the Windfall Series by Shayne Dark is made from one of the applewood burls collected from apple orchards in Prince Edward County, Ontario. Many of the lo...

David E. Peterson is a Painter, Sculptor, and Deconstructive Designer. His "Leaner" series are stunning and will add a contemporary feel to any space. Peterson sources each exotic wo...

Joshua Smith Cecile Walker Cycles Based on Cecile Walker Cycles, Melbourne Cardboard, MDF, plastic card, LED lighting, balsa wood, aluminum tubing, wire, recycled card, adhesive pape...

Linda Stein, Triumph 174 - Wood, Metal, Stone, Bone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an ...

We are proud to present a lifetime masterpiece by American artist Maxine Kim Stussy. “Maxumus: Circus Horse”, is an original wood assemblage of both ha...