20th Century Sculptures

Arieh Merzer was a prominent Israeli artist and metal worker. Arie Merzer, an artist who worked in hand-hammered copper, was born in Warsaw, Poland in 1905, the scion of a large Has...

Hand Forged Iron Stone Mosaic Hanukah Menorah Candelabra David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati, General Exhibition, Art in Israel 1960 Tel Aviv Museum of Art Artists: Naftali Bezem, Nachum Gutman, Shraga Weil...

Stanley Bleifeld came to prominence as an artist in the 1950s. In 1967, the Bridgeport Sunday Post art critic wrote, “The name Stanley Bleifeld and sculpture are synonymous.” His fam...

Artist: Paul Von Ringleheim, Austrian/American (1933 - 2003) Title: Bust - II Year: Circa 1970 Medium: Painted Plaster Size: 26 x 11 x 15.5 inches

c. 1960's vintage woodblock "Boxing" by Jacob Landau, 1917-2001. Original carved woodblock for woodcut, framed relief sculpture.

This hanging sculpture by the American artist Kevin Cole, is a modern conceptual work. It is constructed of painted rubber and wood. Cole was quoted, "Throughout all of my work, I ...

This stunning brutalist wall sculpture, entitled "Saturn Rings" was realized by the esteemed multidisciplinary artist and furniture maker Silas Seandel in the United States Circa 198...

Created in 1959, Pablo Picasso (Málaga, 1881 – Mougins, 1973) Paseo A.R. 416 and Arrastro A.R. 423 are numbered from the edition of 50 on the reverse and stamped with the 'MADOURA PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO' pottery stamps on the reverse. Pablo Picasso was an avid fan of bullfighting his entire life, attending his first corridas when he was a child in Spain and gaining a renewed interest in the events when he settled in the South of France after World War II. Undoubtedly the theatrical drama and flashy machismo of the matadors appealed greatly to Picasso's sensibilities and resonated with his Spanish roots. In 1959, Picasso produced an 8-piece plate series, each featuring a different bullfighting scene suggested through lively stipple lines. Paseo A.R. 416 depicts a line of bullfighters highlighted by a streak of yellow. The strokes of blue above and below the figures contrast with the warm of the yellow, creating visual tension that anticipates the drama of the fight. Arrastro, from Service Scènes de Corrida, 1959 A.R. 423 features a victorious  bullfighter holding his curved sword, known as an estqoue, over his head. The dark atmosphere created by the deep blue, black, and touch of brown is slashed by the intense yellow down the center of the plate. This shock of bright color evokes the excitement of the bullfighter as he stands triumphant over the bull. Catalogue Raisonné & COA: Pablo Picasso Paseo...

Modern collection of realistically rendered tupperware cups made out of beeswax and pigment by California artist George Stoll. The piece features a set of...

"Untitled" is a bronze sculpture made by Robert Adams in 1979. The work is number 3 from an edition of 6. The artwork size is 29 1/2 x 9 3/4 x 3 1/2 inche...

"Abstract Visage I" Abstract Sculpture 18" x 8" inch by Ibrahim Abd Elmalak Double-faced Fiberglass Signed & Dated Sculptures that mostly depict his characteristic figures of femi...

Artist: Yaacov Agam, Israeli (1928 - ) Title: Cercle Haut Year: 1968/69 Medium: Unique Chrome and Steel Kinetic Sculpture Size: 85 x 35 x 2 in. (215.9 x 88.9 x 5.08 cm) Base: 9 ...

Signed, titled, and dated in ink on base verso. Unique sculpture created using the lost wax process. This piece is 7 1/2" high x 12" wide x 3 1/2" deep. Robert Cook was born in Boston in 1921. He studied with George Demetrios...

Polo (Wall Plaque) Polychromed ceramic, c. 1930-1931 Signed with the artist's initials: VS recto Cowan Pottery stamp verso References And Exhibitions: Designed by the artist while working for Cowan Pottery in 1930. One of Cowan's clients, an interior designer, requested plates decorated with different outdoor activities. Others in the series included "Swimming," "Tennis," "Golf," and "The Hunt." Condition: with the usual craquelure Size: 11 1/4 inches in diameter Industrial design democratizes high style, and Mr. Schreckengost was widely considered among the most democratic industrial designers. He made, quite literally, the stuff of life — things found routinely in homes, backyards and garages in this country and around the world. He designed bicycles for Sears and everyday china for American Limoges. He designed children’s toys and pedal cars; flashlights, furniture and fans; lawn chairs, lawn mowers...

Pair, sisal, wool, stilon, 125" x 77", 1989. This large figurative, abstract tapestry was done by textile artist, Lilla Kulka (b. 1946, Krakow, Poland). Artist Statement: "I creat...

This mixed media plexi sculpture by the American artist Larry Rivers is a modern take on portraiture. River's medium and use of vibrant colors are able to create a sense of playful...

Yayoi Kusama Yellow & Black Pumpkin (plush): An iconic, vibrantly colored pop art piece - this large Kusama plush pumpkin features the universal polka dot patterns and bold colors fo...

Interesante conjunto de 15 figuras en barro policromado del prestigioso ceramista brasileño manuel eudocio (caruaru - pe alto do moura, 1931 - 2016) Se trata de una banda o orquesta...

"Sisters of the Wind" Wall Sculpture 25" x 36" inch by Ibrahim Abd Elmalak Fiberglass Signed & Dated Sculptures that mostly depict his characteristic figures of feminine form and...

The ceramic sculptures of Wisconsin artist Michael Gross are personal narratives that reveal an unusual mix of earthly magic and primal vitality. The artist works in a variety of forms, including figurines, large vessels and furniture. The present vase is among the top tier of his works from the 1980s, showing multiple playful figures in relief around the vessel. In his Neo-Expressionist style, hearkening to the works of Keith Haring and Jean-Michel Basquiat, the figures are colored in painterly polychrome. Also, not unlike the painted narrative vessels of Ancient Greece, though much more subversive, many of the figures and stories are identified with text: 'King of Fart,' 'Dance Little Sister,' 'Girls for Every Boy,' and 'Beach Boy.' 22 x 13 x 12 inches overall Signed 'Gross' near base Dated 1986 near upper rim SELECTED COLLECTIONS INCLUDING WORKS BY GROSS: Smithsonian American Art Museum, Washington, D.C.; Sharon Lynne Wilson...

Artist: Unknown Title: Flounder Medium: Bronze Sculpture with Patina Size: 7.5 in. x 15 in. x 2 in. (19.05 cm x 38.1 cm x 5.08 cm)

Highly polished carved stone form, signed and dated near the base.

Biomorphic abstract sculpture by Canadian artist John McKinnon. The work features a mother figure holding her child in a loving embrace. Inspired by other modern artists such as Henr...

Unique brutalist abstract assemblage wall sculpture by Texas artist Ann Bengtson. The work incorporates a large swirl pattern at the top of the piece as w...

This piece is unsigned. Irving Lehman (1900-1983) was an American Jewish painter, sculptor, engraver, and designer. Born in Kiev in then Russia, Lehman studied at the Art Students League, Cooper Union and the National Academy of Art and spent much of his working life in New York City. Part of the Abstract Expressionist school, he worked in oil and watercolor as a painter and in metal and steel as a sculptor; his works have been shown in galleries in England, France, Italy, Israel and Japan, and were included in an international traveling exhibition in Europe in 1951. Like many other artists of his generation, he painted for the WPA and then adopted a more abstract style after WWII. Lehman spent much of his career in NYC. He had his first exhibition at ACA Gallery in 1934. He also exhibited at the Whitney, National Academy, PAFA, Brooklyn Museum, Chicago Art Institute, and others. This work contains Constructivist elements anticipating the more gestural abstraction of the post-WWII New York Abstract Expressionist School. Member of American Art Congress, worked near Woodstock and in Columbia County...

In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated on materials, hence the emergence of Assemblage Art - a form of three-dimensional visual art made from everyday objects, said to be 'found' by the artist (objets trouves). Popular in the 1950s and 1960s in America, assemblage effectively bridged the gap between collage and sculpture, while its use of non-art materials - a feature of Neo-Dada art - anticipated the use of mass-produced objects in Pop-Art. Assemblage sculpture is exemplified by the works of Louise Nevelson (1899-1988), such as Mirror Image 1 (1969, Museum of Fine Arts, Houston), and by Jean Dubuffet (1901-85) and his Monument with Standing Beast (1960, James R. Thompson Center, Chicago). The idiom was considerably boosted by an important exhibition - "The Art of Assemblage" - at the Museum of Modern Art, in New York, in 1961. Other examples of the Neo-Dadaist-style "junk art...

Genre: Contemporary Functional Sculpture Subject: Abstract Medium: Metal, Assemblage Surface: Metal Country: United States Dimensions: 30 x 65 x 24 EZ Rider Chair...

'Illeagle' is a humorous and playful ceramic sculpture by the American artist Bill Reid. Reid is known for his animal sculptures based around word play, and indeed, this sculpture is...

Zigi Ben-Haim, Metal sculpture Hand signed and dated Zigi Ben-Haim, 1998 Untitled, patinated aluminum or steel, Dimensions: 6"h x 2"w x 2"d This listing is for 1. I have 2 similar ones available. Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an Iraqi-American-Israeli painter, collage artist and sculptor who lives and works in New York City and Israel. Ben-Haim unveiled his sculpture, Treasure the Green, in SoHo on Broadway. The project was sponsored by the SoHo Broadway Initiative and the New York Department of Transportation's Art Program. The sculpture is considered to be the first sculpture to receive permission to be installed on a bus bulb on Broadway. The sculpture was made to "emphasize the importance of nature in our lives," and stands as a reminder of "the importance of reconnecting with the pure nature of the green." The sculpture uses the symbol of the leaf, which has been a major icon of Ben-Haim's work for the past 30 years. It symbolizes nature and it is a metaphoric way of emphasizing nature and the surrounding environment. He is of the first generation of Israeli artists to develop large international followings like Yaacov Agam, Menashe Kadishman and Avigdor Arikha. Ben-Haim has received numerous grants and awards, including from Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvey Foundation Venice, Muestra Int. de Obra Grafica (Spain), and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in N.Y.C., the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum. Education 1972-74 M.F.A., San Francisco State University, San Francisco, California, USA. 1972-73 M.A., J.F.K. University, Orinda, California, USA. 1971 California College of Arts & Crafts, Oakland, California, USA. 1966-70 The Avni Institute of Fine Arts, Tel Aviv, Israel. Selected public collections Splendid Step (2003) next to the Tel Aviv Museum of Art Museum of Contemporary Art, Athens, Greece Columbia Museum of Art, Columbia, SC Israel Air Force Center Foundation, Tel Aviv, Israel NASA, Houston, Texas Bank Leumi USA, Fifth Avenue, New York, NY Pfizer Company Collection, New York, NY Reading Public Museum, Reading, PA Guggenheim Museum, New York, NY Haifa Museum, Haifa, Israel Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY New School, New York, NY University of Maryland, College Park, Maryland. Israel Museum, Jerusalem, Israel. Brooklyn Museum, Brooklyn, NY Malmö Museum, Malmö, Sweden. Jewish Museum, New York, NY Tel Aviv Museum of Art, Tel Aviv, Israel. Museum of Fine Arts, Ghent, Ghent, Belgium. National Gallery of Art, Washington D.C. Fine Arts Museum of Long Island, Hempstead, NY Buscaglia-Castellano, University Museum, Lewiston, NY Dan Eilat Hotel, Israel. International Paper Company, New York, NY World Bank, Washington D.C. Westminster Bank, New York, NY Israel Embassy, Washington D.C. Frederick R. Weisman, Los Angeles, CA. Rikers Hill Sculpture Park, Livingston, NJ Heckscher Museum of Art, Huntington, NY Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio Group Exhibitions Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...

Size includes wood mounting. George Aarons (born Gregory Podubisky, in St. Petersburg, Russia, 1896 - died in Gloucester, Massachusetts 1980) was a distinguished sculptor who lived and taught in Gloucester, Massachusetts, for many years until his death in 1980. He had, many students in the area and he designed Gloucester's 350th Anniversary Commemorative Medal. Aarons moved from Russia to the United States when he was ten. His father was a merchant. He began taking drawing classes during evenings at Dearborn Public School in Boston as a teenager and went on to study at the Boston Museum of Fine Arts in 1916. Aarons later moved to New York City to study with Jo Davidson, and other Paris-trained masters at the Beaux-Arts Institute. He eventually returned to the Boston area and established studios in Brookline and Gloucester, Massachusetts. During his lifetime, he was recognized internationally and won several prestigious awards. Aarons had studios in Brookline, Massachusetts and Gloucester, Massachusetts where he produced large bronze and marble figures and wood carvings. He produced several projects for the Works Progress Administration including a group of three figures for the Public Garden (Boston), a longshoreman, fisherman and foundry worker, as well as a large relief (1938) for the South Boston Housing Project and façade of the Baltimore Hebrew Congregational Building (1956). His works are at the Museum of Art in Ein Harod, Israel; Fitchburg Art Museum in Massachusetts, Musée de St. Denis in France; Hilles Library at Radcliffe College in Cambridge, Massachusetts; and Hillel House at Boston University in Massachusetts. He did reliefs for Siefer Hall at Brandeis University in Waltham, Massachusetts (1950); Edward Filene (the founder of Filene's Department Store and a philanthropist) on the Boston Common; Fireman's Memorial in Beverly, Massachusetts; a memorial to Mitchell Frieman in Boston; the U.S. Post Office in Ripley, Mississippi; and at the Cincinnati Telephone Building; the Combined Jewish Philanthropies building in Boston (1965); and a commemorative medal for the 350th Anniversary of the City of Gloucester, Massachusetts (1972). Characteristic of his era, George Aarons was among the foreign-born American sculptors of the early 20th century who started their careers as academicians and evolved into modernists and increasingly abstract artists. Over thirty pieces spanning the length of this sculptor's career were featured in this exhibition, including work in various medium bronze, wood and original plasters. Like his contemporaries, Aarons experimented with direct carving in wood, and he was one of the few academically trained sculptors who consistently cut his own works in marble. His early work was classically inspired figurative work, along with sensitive portraits. Some of his most powerful sculpture comes from his middle period, when he worked through his emotional pain following the global realization of the Jewish Holocaust. He depicted humanity deep anxiety over this tragedy with figures that are at once symbolically charged and movingly beautiful. Aarons late work consists of radically simplified forms that continue to reference the human form and often are carved directly in wood and stone. Aarons summered and taught classes on Cape Ann for many years before moving to Gloucester full-time with his wife about 1950. While Aarons is best known locally for his domestic-scale works, he also executed numerous monumental, public commissions that can be found throughout the United States in cities such as Washington, D.C.; Baltimore, Maryland; and Cincinnati, Ohio; as well as in France and Israel. As noted in a Gloucester Daily Times Article, Aarons wanted his sculptures to honor the struggles and nobility of people and rail against the evil done against them. And that was why, even as his work grew more and more abstract, stylized and simplified, he never left behind the form of the human figure that had been his focus from his earliest works. Aarons told the Gloucester Daily Times in September 1954 that he found it hard to remember at just what age he started studying art, but he recalled that the nude model had to partially dress when he was in class because he was so young. He initially studied painting and drawing at the museum school, but he once said he became fascinated by sculpture when he met an established sculptor at the Copley Society in Boston who invited Aarons to his studio and offered him some clay to "play around" with. After he graduated, he apprenticed under sculptors Richard Brooks, Robert Baker and Solon Borglum. He worked as a carpenter, shipbuilder, dishwasher and chimney sweep. He fashioned architectural decorations, including figures for fountains and now and then a few commissioned portraits. He returned to Boston by the early 1920s and began to exhibit his own works and get commissions for portraits, fountains and reliefs. His sculptures from this time are dreamy and romantic in the realistic, academic style of the time. A painted portrait of the young Aarons that is included in the North Shore Arts Association exhibit shows a determined fellow with dark brown hair, a suit and bow tie. However, in 1922, this determined young artist was living with his parents on Calder Street in Dorchester. In the 1930s, Aarons adopted the streamlined, monumental style of the socialist works of the time. Aarons made money, as he would all his life, from commissions, selling his personal work and teaching sculpture, but the Depression of the 1930s was tough for everyone. So Aarons found work though the federal Works Progress Administration, one of Franklin Roosevelt's New Deal programs. He received his first major commission when he was asked to create a public sculpture for the South Boston Harbor Village public housing project around 1937. He was elevated to the position of supervisor for the project and received a corresponding $5 pay increase to make his weekly salary $32. The raise convinced him he was fit to marry and he proposed to Gertrude Band, an attractive brunette dancer whom he had been dating for more than a year. They were married before the Harbor Village project was dedicated on Labor Day 1938. Aarons' design featured a brawny, larger-than-lifesize fisherman, longshoreman and a laborer flanked by a boy and girl at either end to portray the children who would live in the apartments. Aarons elected to do the piece in cast stone to employ carpenters and laborers as well as craftsman for a total of 10 men. In his sculpture, Aarons focused more and more on the theme of oppressed people as he worried about the spread of fascism and Nazism during the 1930s, World War II and after. He had done pieces during the mid-1930s about the oppression of African-Americans, including "Negro Head," which is in the North Shore Art Association retrospective. After the war, he also delved into Jewish themes and became increasingly known as an important Jewish artist, leading to commissions from Jewish organizations across the country and abroad. "He gets into raw emotion. Some people describe him as an expressionist because of the emotion (in his work)," Reynolds says. But Aarons, also sculpted sensual sexual nudes...

Curtis Jere Untitled (Figure) Sculpture and base are metal, base appears to be aluminum Signed and dated as shown in photograph Curtis Jeré was the shared pseudonym of two artists,...

Beautiful rare tall magnificent modern Lucite Pyramid Modern Decorative Centerpiece midcentury

Rosamond Berg (American, 1931 - 2018) Voyage I, 1982 Mixed media construction including hand-dyed cotton cloth pouches 24 x 24 inches Signed, titled an...

Artist: Pieter Wiegersma Title: Orange Square Year: 1992-94 Medium: Unique 3-D Acrylic on Wood Construction, signed verso Size: 14 x 13 x 3 inches

Artist: Richard Shiloh, Polish/Israeli (1949 - ) Title: Girl holding a Mirror Year: Circa 1975 Medium: Bronze with Painted patina, signature inscribed ...

Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded collage of drops and cut-out steel pieces from the same series of scrap she found in a Conn...

This painted wood chair by Paul von Ringelheim is a playful synthesis of form and content. The chair, an everyday item, has been transformed by von Ringelheim's imagination.

Antoine-Louis Barye (1796-1875.) Bronze maribou stork and snake with rich brown patina, signed “Barye” on the embankment. Antique edition cast marked F. Barbedienne Fondeur (caster.)...

Welded steel sculpture with geometric patterns and feather like imagery. The sculpture sits on a gold pedestal. Artist signed and dated the work...

A fine bronze cast of a young antelope or male deer licking its back, by Sirio Tofanari (1886-1969). An old model with degraded dark-brown patina and lighter brown tones. Signed Siri...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

"Untitled" is a bronze sculpture by Bill Nebeker. Signed on reverse base "Bill Nebeker CA 6/30". The full size is 23 1/2 x 18 1/4 x 8 1/2 inches. Bill Nebeker is an American artist ...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

Modern abstract fish sculpture made of copper by Houston, TX artist Frank Dolejska. The work features a rounded fish shape with the words "random harves...

A bronze sculpture by Mark Eastridge. A surrealist composition of a bronze case gas mask sitting atop a glove. Artist: Mark Eastridge, American Title: Nonsense (Gas Mask) Medium: Br...

Colin Webster Watson (1926-2007). A patinated cast bronze sculpture of a stylized bird with a steel ring. Signed, numbered and dated (1985). With a Tallix foundry mark. Measu...

TATSUZO SHIMAOKA YUNOMI WITH BOX (INV# NP3196) stoneware and glaze 3.5 x 3.5 x 3.5” date unknown signed

Textured contemporary orange and green wall sculpture. The work is textured using masonite and sawdust. The work is titled, dated and signed by the artist on the back of the work. Michael Richardson...

Bogota's Glory by Henri Bouchard (1875-1960) Sculpture in bronze with a nuanced yellow-brown patina Signed "H. Bouchard" on the base Cast by "Siot" (stamp) France circa 1927 height...

Seymour Chwast, B. 1931, American, 'Girl on a Buick', Painted Sheet Metal. A label on the reverse reads: "Seymour Chwast, 'Girl on a Buick', Metal Cut-Out, $2,000" Provenance: Bachelier-Cardonsky Gallery, Kent CT Seymour Chwast (born August 18, 1931) is an American graphic designer, illustrator, and type designer. Chwast was born in Bronx, New York, and graduated with a Bachelor of Fine Arts from Cooper Union in 1951. With Milton Glaser, Edward Sorel, and Reynold Ruffins, he founded Push Pin Studios in 1954. Often referred to as "the left-handed designer," Chwast's unique graphic design melded social commentary and a distinctive style of illustration. Today, he continues to work and is principal at The Pushpin Group, Inc. in New York City. In 1979, he was hired by McDonald's to design on the first box for their Happy Meals. He is the font designer of Chwast Buffalo, Fofucha, Loose Caboose NF, and Weedy Beasties NF. He is a member of Alliance Graphique International (AGI). In the pantheon of American (nay, world) illustration, he stands, albeit slightly shorter and a little more rumpled, beside N.C. Wyeth, J. C. Leyendecker, and Normal Rockwell...

Modern abstract fish sculpture made of copper by Houston, TX artist Frank Dolejska. The work features a rounded fish shape with the word "let's" on the ...

Margaret Reventlow, American born London, 1915 - 2014, "Ten Fathoms Deep", (swimming fish) bronze with green and red slag glass, unsigned, with artist n...

Excellent bronze of boy and rabbit measuring 15 1/4"H x 5 1/2"W x 5"L. By Massachusetts/New Mexico/New York artist Warren Wheelock (1880-1960). The work...

Bold one of a kind elephant wall sculpture hand crafted in metals with a stylized assemblage form decorated with paint in eccentric colorful floral designs.

Mark Hopkins' work reveals his total fascination with nearly every conceivable aspect of life: from history, children, sports, music and religion to wildlife of the land, sea and air. He intends his work to be flowing and alive, a passionate and expressive of the artist himself. For as long as he can remember, Mark has been captivated by form and design. From the time he was young boy, with the encouragement of family and teachers, he worked to develop his innate talent, and explore the various techniques and mediums of sculpture. In addition to sculpting, Mark has made himself a technical expert in the art of "lost wax" bronze casting. At the Mark Hopkins Sculpture...

Bronze Art Déco représentant une oie, les ailes déployées. Il est à fine patine brune. Socle en marbre vert. Signé de LUC. H.31 L.21.

"Senufo Mask of Ceremonies (from Republic Ivory Coast)" is an carved wood artifact from the Senufo people of Africa, in the northeastern cote d'Ivoire. The...

Mark Hopkins' work reveals his total fascination with nearly every conceivable aspect of life: from history, children, sports, music and religion to wildlife of the land, sea and air. He intends his work to be flowing and alive, a passionate and expressive of the artist himself. For as long as he can remember, Mark has been captivated by form and design. From the time he was young boy, with the encouragement of family and teachers, he worked to develop his innate talent, and explore the various techniques and mediums of sculpture. In addition to sculpting, Mark has made himself a technical expert in the art of "lost wax" bronze casting. At the Mark Hopkins Sculpture...