Early 20th Century Sculptures

Franz Bergmann, Austrian (1861 -1936) - Arab Man with Three Monkeys, Year: circa 1900, Medium: Bronze sculpture, Austria inscribed on base, Size: 3.5 x 6.5 x 5 in. (8.89 x 16.51 x...

Franz Bergmann, Austrian (1861 -1936) - Boy Smoking Pipe, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 2 x 6 x 2 in. (5.08 x 15.24 x 5.08 cm)

Franz Bergmann, Austrian (1861 -1936) - Traveler with Camel, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 4.75 x 6 x 3 in. (12.07 x 15.24 x 7.62 cm)

Franz Bergmann, Austrian (1861 -1936) - Man on Persian Rug, Year: circa 1900, Medium: Cold painted Bronze sculpture, stamp signed on bottom, Size: 4.5 x 10 x 7 in. (11.43 x 25.4 x...

Illustrated: "Walt Kuhn, Painter, His Life and Work, by Phillip Rhys Adams, page 67, plate 27, Courtesy of Kennedy Galleries-Kuhn Estate (see photo) Kuhn’s sculptures were collected...

JUAN CLARÁ AYATS Spanish, 1878 - 1958 A GIRL CLIMBED ON A STOOL HOLDING A DOLL signed "Juan Clara" (on the stool seat) bronze figure 12-1/4 x 3-1/2 X 3-3/8 inches (31 X 9 X 8.5 cm.) PROVENANCE Private Collector, France Art Nouveau bronze sculpture depicting a young girl standing on a stool with a doll in her right hand, and a shovel on the left hand, the bucket dropped on the stool seat. José Clará...

A cast, Roman, Grand Tour bronze figure of a youth. Wonderful patina. Measures : Statue is 23"H. Base is 8.75"W x 7.5"D.

FRANZ BERGMANN Austrian, (1838-1894) The Harem Revolving figures of a man holding a sword and a seated half nude woman. 13 1/4 inches high

Louis Armand Bardery (French, 1879-1952) Muse of Dance Bronze with green and brown patination Signed and stamped with foundry mark 18 x 6 inches Louis Armand Bardery was a student o...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

Antique Pair of Russian Wolfhounds/Borzois Dog Portrait Sculptures by Scalini (aka Scali; Italian, 20th century) circa 1930's Patinated spelter 9 x 14 inches (on bases) Though rath...

Nothing is more delightful than depictions of people from the turn of the century that convey a distinguished sort of elegance, composure and dignity. Gone today is the concept of "...

A piggybank, 19th/early 20th Century, cold-painted iron, with a coin-slot in his back 9 x 17 x 7 in. (22.8 x 43.2 x 17.8 cm.)

Prendoni Attilio Sculpture of Girl Child in Carrara Marble Biaco signed on the molded plinth, depicts a young girl with her hair gathered by a bow, a maiden with a shy attitude as in...

This Bronze sculpture, by the French Art Deco/Art Nouveau artist Affortunato Gory (d. 1925) , is a beautiful moment of three putti joyously dancing together. Their arms are joined a...

"New Growth" by Hudson Valley artist, Peter Hoffman, made in 2020 74 x 9 x 9 inches A Vertical Wooden sculpture created with multiple sections of painted wood segments, cut at angl...

A sculptor of animals, Sirio Tofanari (Florence 1886 – Milan 1969) is not inclined to the school discipline, he decides to learn and train as self-taught by travelling around Europe ...

This wonderful bronze speaks to an important movement in the 1920's toward expression in exotic cultures and to explore not only ethnicities but celebration of that through artistic ...

Kuznetsov porcelain - Butter dish duck, porcelain h 13 cm; L 19 cm; W 10 cm Kuznetsov Porcelain Factory in Riga was founded in 1841 as a factory ...

Cast iron wall plaques of Roman Warriors

Christian Thomsen (1860 Kolding - 1921 Copenhagen), Peasant girl with goose, design c. 1910, execution 1966. model number 527. First choice. Porcelain ...

Document from the Nashvile Art Association dated 1925. The marble was purchased in Florence, Italy at an exhibit of The Association of of Italian Artists.

A VERY rare Tigre (TIGER) Dance Mask Zitlala Guerrero, Mexico. Anonymous Deep Yellow Tigre Dance Mask. Early 20th C. Zitlala Guerrero, Mexico. Painted leather and fur. Museum-quality...

CHARLES CARY RUMSEY (American, 1879-1922) Colt Scratching Nose, 1917 Roman Bronze Works casting 8"H x 10 1/2"L x 4 3/8"D Weight: 9.12lbs Inscribed on the base: CC Rumsey LITER...

CHARLES CARY RUMSEY (American, 1879-1922) Colt Scratching Nose, 1916 Roman Bronze Works casting #15/ 40 6 1/4"H x 7 1/2"L x 2 1/2"D Weight: 5.8lbs Inscribed on the base: CC Rum...

Antique, Art Nouveau bronze of a beautiful maiden in the Neo-Classical manner by Emmanuel Villanis, Circa 1900. The bronze, titled "Phryne" depicts a beautiful Neo-Classical maiden, ...

Adda Bonfils (1883-1914), Playing Girl, designed c. 1920, made between 1966 and 1969, model number 1995, first choice. Porcelain with underglaze painting. 13.5 cm (height) x 9 cm (le...

Christian Thomsen (1860 Kolding - 1921 Copenhagen), Milkmaid with stool and milk jug, designed around 1910, executed between 1975 and 1979. Model number 899. First choice. Porcelain ...

These cast figures and objects express status, prestige, and power. This cast metal figure exhibits the technical skill and artistry that Dogon blacksmiths brought to their work. Mad...

Joseph Mario Korbel (Czech/American, 1882-1954). Period fine example bronze, dark brown patina, modeled as a nude female kneeling and tying her sandal, raised on a stepped black marb...

Medardo Rosso The Mischief or Gavroche Impressionist sculpture depicting a laughing little boy, the figure half-length of the laughing boy in the cap and the face turned to the lef...

Christian Thomsen (1860 Kolding - 1921 Copenhagen), Carving boy, design around 1915, execution 1966. model number 905. First choice. Porcelain with underglaze painting. 18.5 cm (heig...

Bathed in the ethereal glow of Carrara marble, Baigneuse by Cipriani Ugo di Meneville (1887-1960) stands as a delicate meditation on the female form, a synthesis of classical refinem...

This sculpture was created by an unknown Baule artist from Ivory Coast. It depicts a man in a suit with a white hat. He stands with his hands in his pockets. 18 1/2" x 6 1/4" sculpture The Baule or Baoulé are an Akan people and one of the largest groups in Côte d'Ivoire. The Baoulé people are talented in African art. Their sculptures are renowned for their refinement, form diversity and the labor they represent. The sculptures do not only include face masks and human figurines...

The object is a part of a furniture, glass door opening a little bit difficult to close, due to the age. Wood in good shape, probably end of 19th Century or early 20th Century. This ...

Vestal with Jug is an original modern sculpture realized by an italian Artist of the early 20th Century. Bronze sculpture and marble base. Signature on the basement. Decor your sp...

CHARLES CARY RUMSEY, born in Buffalo, NY in 1879. His interest in sculpture appeared and was encouraged at an early age. The most significant encouragement came when the boy was tak...

This porcelain sculpture is a playful rendering of a juggling monkey. The monkey's costume lends the animal a sense of performance, and engages the viewers' childhood imagination. ...

Nude sculpture, ca. 1905 by Rudolf Kaesbach ( 1873-1955 ), Germany. Bronze with brown patina. Signed: R.KAESBACH Height: 37,8 in ( 96 cm ), Wi...

Austria Landscape and wood Carved Frame Oil on Linen 1905 Historically significant wood work and wonderful landscape celebrating the Austrian landscape and forests in a hand carved ...

Glossy ceramic popsicle sculpture handmade for wall installation. Available at Variant colorful glaze. Harmony and grandeur characterize the work of Reli Smith and Osnat Yaffe Zimme...

Antique Female Mask by Henry CROS (1840-1907) Polychrome glass paste presented on a wooden panel France circa 1900 height 16 cm width 10 cm panel : 25,4 x 19,4 cm Biography : Cés...

PIERRE LE FAGUAYS "WATER CARRIER" BRONZE AND ALABASTER, SIGNED ELECTRIFIED FRANCE, C.1925 15.5 INCHES A French sculptor of lithe female f...

Max Kalish was an important and highly collected American sculptor desired for his depictions of the working man. Here we see a miner taking a break. Kalish was adept at conveying ...

Questa maschera guatemalteca del inizio del XX secolo, scolpita in legno e utilizzata per la danza della Riconquista (Baila de la Conquista) , raffigura vividamente un uomo europeo, ...

Garibaldi Riding A Horse is an original bronze sculpture realized by Carlo Rivalta. Signed by the artist. Beautiful and important sculpture representing the most famous Italian Hero...

This Golek Puppet was created by an unknown Indonesian artist using wood and cloth. It is approximately 24 1/2" tall. Traditional Wayang Golek plays can ...

Portrait of Giosuè Carducci is an original modern artwork realized by Libero Andreotti in the first half of 20th century. Relief on copper plate. Includes frame. Signature on the ...

Bogota's Glory by Henri Bouchard (1875-1960) Sculpture in bronze with a nuanced yellow-brown patina Signed "H. Bouchard" on the base Cast by "Siot" (stamp) France circa 1927 height...

"Hemba Stool-Monkeys Zaire" is a carved wood stool created in Africa circa 1900-1920. The base of the stool is domed in the middle a column goes upwards to...

Signed 'G. Flamand' for Georges Flamand (French, 1895-1925) and created circa 1920. Standing on a later striated, jade-green marble base. Base dimensions: 1.25 H x 4.25 D x 7.5 W Inc...

Dancing Nude Bronze by Charles Rumsey is one of many figures he depicted of women. He has usually been known for his sculptures of horses, polo players, wildlife and dogs, mainly due to the fact that he was an avid sportman, hunter, and renowned polo player. However, he often depicted women in flattering if not loving ways. Often in movement, sometimes in reflection, in small sizes such as this one of Dancing Nude and also in large outdoor sculptures...

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 25" high with movable arms, was used in Indonesian Wayang Klitik puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

Lotte Benter, Girl in Bornholm costume, design around 1925, execution 1967, model number 1323, First choice. Porcelain with underglaze painting. 21 cm (height) x 12 cm (length) x 10 ...

Anton Büschelberger (1869 Eger - 1934 Dresden), Pointer, around 1930, made by the Karl Ens porcelain manufactory in Volkstedt (Thuringia), model number 2478, 6. Porcelain with underg...

Gabriele D'Annunzio Portrait is an original decorative object realized in the XX century by Aurelio Mistruzzi. The beautiful wax object represents a profile of the famous vate poet ...

The Mockers by Victor PROUVE (1858-1943) Rare bronze group with nuanced reddish brown patina SIgned on the side of the base " V. Prouvé " Cast by " Union de Maîtres Sculpteurs – édi...

Questa statuetta in bronzo raffigura una giovane donna nuda in piedi che si tiene i capelli con le mani. Sebbene non firmata, la provenienza e lo stile confermano la mano di Quinto M...