Dish Sculptures

"Bountiful Harvest" (2024) by Carolyn Barlock is an original, handmade bowl made with Persian luster and 22kt gold on porcelain. About the Artist: Carolyn L. Barlock was born in De...

"We Are All In" is a wall hung sculpture depicting a series of arm/hand outlines overlapping. I was referencing a sports team ritual of standing in a circle before or after a game. ...

Free shipment worldwide. Edition of 12 ex. Signed/Numbered. Bengt Lindström was a big man from the central parts of the Norrland province, born in Storsjö Kapell on 3 September 1925...

Created in 1959, Pablo Picasso (Málaga, 1881 – Mougins, 1973) Paseo A.R. 416 and Arrastro A.R. 423 are numbered from the edition of 50 on the reverse and stamped with the 'MADOURA PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO' pottery stamps on the reverse. Pablo Picasso was an avid fan of bullfighting his entire life, attending his first corridas when he was a child in Spain and gaining a renewed interest in the events when he settled in the South of France after World War II. Undoubtedly the theatrical drama and flashy machismo of the matadors appealed greatly to Picasso's sensibilities and resonated with his Spanish roots. In 1959, Picasso produced an 8-piece plate series, each featuring a different bullfighting scene suggested through lively stipple lines. Paseo A.R. 416 depicts a line of bullfighters highlighted by a streak of yellow. The strokes of blue above and below the figures contrast with the warm of the yellow, creating visual tension that anticipates the drama of the fight. Arrastro, from Service Scènes de Corrida, 1959 A.R. 423 features a victorious  bullfighter holding his curved sword, known as an estqoue, over his head. The dark atmosphere created by the deep blue, black, and touch of brown is slashed by the intense yellow down the center of the plate. This shock of bright color evokes the excitement of the bullfighter as he stands triumphant over the bull. Catalogue Raisonné & COA: Pablo Picasso Paseo...

"The Beautiful Sparkle" is a small free-standing bronze sculpture of a standing nude female behind a yellow lemon. Edition 18, signed, numbered and ...

"Chicken Pox" is an original ceramic platter by Michael Gross. The artist signed the piece "Gross". It depicts a gray man with chicken pox and some yellow birds with teeth. 20" diameter The ceramic sculptures of Wisconsin artist Michael Gross are personal narratives that reveal an unusual mix of earthly magic and primal vitality. The artist works in a variety of forms, including figurines, large vessels and furniture. With over a dozen museum exhibitions under his belt, the artist is a regular exhibitor at SOFA in New York...

English Delftware blue and white plate, painted with a flower and bird design Diameter: 8 3/4 inches (22.25 cm) Delftware is also known as Delft Blue, was originally a general term ...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

9" dia. Ceramic, signed and dated The ceramic sculptures of Wisconsin artist Michael Gross are personal narratives that reveal an unusual mix of earthly magic and primal vitality. The artist works in a variety of forms, including figurines, large vessels and furniture. With over a dozen museum exhibitions under his belt, the artist is a regular exhibitor at SOFA in New York...

"Deux femmes nues ". " naked women " is a ceramic plate signed Masson (underneath ) ." unic piece ". dated 1921 . Andre Masson realized very few works o...

"Plate" is a ceramic plate by Wayne Fischer, a Milwaukee artist living in France. It is light green and beige in color and includ...

Danseurs et Joueur de Diaule (Dancers and Diaulos Player), A.R. 341 can be compared to several other white earthenware pieces created by Picasso in 1956. Each depicts the carefree imagery of dancers, musicians, and fauns to which the artist returns time and again. Framed under a sloping mountain, two figures dance with arms raised above their heads, hands clasped in a spontaneous gesture. Leafy trees and flowers mark...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

medium: latex on wood 6 parts; 8.75 x 7.75 x 1 inches per unit Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviole...

BETH LIPMAN WILD MADDER (plate), 2021 glass, permanent photographic transfer 1 x 6 7/8 in. etched "BL 2021" on back

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

A white ceramic plate with deep blue glaze depicting an abstracted elephant by Latin American artist Carlos Luna.

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Marc Chagall Untitled (Roi David), 1954 is a rare and imaginative culmination of the collaboration between Marc Chagall and the Fucina degli Angeli. This work is from the beginning of Chagall’s usage of Murano glass as a means of expression. In 1954, Chagall was invited into the Fucina degli Angeli by Egidio Costantini who was the master glass blower at the time. This stunning and mesmeric sculpture beckons the eyes through the use of vivid, bold colors that blend seamlessly together. Blue, purple, teal and hints of red coalesce in the center of the glass plate, creating the backdrop for a whimsical scene placed in the foreground. A man in a crown kneels in the center of the work, preoccupied with the string instrument delicately constructed in his hands. Gilded flecks of gold are highlighted around the crown and instrument, showing us the depth of the lyrical poet. The transparent glass allows us to follow suite of the man, becoming entranced and lost in thought. Created in 1954 in the Fucina degli Angeli in Venice, Italy, this Murano glass sculpture was realized by master glass artist Egidio Costantini (Brindisi, 1912- Venice, 1998) in collaboration Marc Chagall, (Vitebsk, 1887 – Saint-Paul, 1985). This work is inscribed ‘M. Chagall E. Costantini 1954 © Fucina degli Angeli’ on verso and is an artist proof. Catalogue Raisonné: Marc Chagall Untitled (Roi David), 1954 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work). Egidio Costantini: Il Maestro dei Maestri. Brussels: Espace Kiron and Espace Medicis, 1990. A different Chagall glass...

Inspired by a portrait of a woman painted by Pablo Picasso, I want to emphasise that the nose shows the face from both the front and the side. Is she turning her head towards him, or...

Created in 1959, Pablo Picasso (Málaga, 1881 – Mougins, 1973) Paseo A.R. 416 is numbered from the edition of 50 on the reverse and stamped with the 'MADOURA PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO' pottery stamps on the reverse. Pablo Picasso was an avid fan of bullfighting his entire life, attending his first corridas when he was a child in Spain and gaining a renewed interest in the events when he settled in the South of France after World War II. Undoubtedly the theatrical drama and flashy machismo of the matadors appealed greatly to Picasso's sensibilities and resonated with his Spanish roots. In 1959, Picasso produced an 8-piece plate series, each featuring a different bullfighting scene suggested through lively stipple lines. Paseo A.R. 416 depicts a line of bullfighters highlighted by a streak of yellow. The strokes of blue above and below the figures contrast with the warm of the yellow, creating visual tension that anticipates the drama of the fight. Catalogue Raisonné & COA: Pablo Picasso Paseo...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

A blue and white ceramic plate depicting a stylized crowing rooster by Carlos Luna. Carlos Luna’s oeuvre is an amalgam of native Cuban influence from twentieth century artists suc...

Filipe Curado relates to universal and comprehensive themes. The tree has been a recurring theme, but not the only one. Along his path, he always made pieces with the image of the tr...

“Man's profound gestural relationship to objects, which epitomizes his integration into the world, into social structures, can be a highly fulfilling one, and this fulfilment is discernible in the beauty - the 'style' - of the relationship in its reciprocity.” -Jean Baudrillard, The System of Objects (1996) The cliché that “one man’s trash...

Created in 1959, Pablo Picasso Arrastro, from Service Scènes de Corrida A.R. 423 is numbered from the edition of 50 on the reverse and stamped with the 'MADOURA PLEIN FEU' and ‘EMPRE...

A white ceramic plate with black and blue glaze depicting a crowing rooster and a woman's face in profile by Latin American artist Carlos Luna.

A white ceramic plate with deep blue glaze depicting an abstracted head of a man in a hat with three hammers above his head by Latin American artist Carlos Luna.

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...

Impressed with artist's seal Porcelain with an all-over white glaze 4 1/3 x 9 inches

PABLO PICASSO (1881-1973) Visage aux yeux rieurs (A.R. 608) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 187/350 / Madoura' (underneath) whit...

Peter Anton’s work has been extensively exhibited in over 30 solo shows throughout the world, including the Allan Stone Gallery, Hammer Galleries, Bruce R. Lewin Gallery, and Unix Gallery in New York City; Urban Art in Seoul; Guy Pieters Gallery in Belgium; Galerie von Braunbehrens in Stuttgart, Germany; Gallery Delaive in Amsterdam; Rarity Gallery in Mykonos; Scott Richards Contemporary Art in San Francisco; Gallery Valentine in East Hampton; and Arcature Fine Art in Palm Beach. Mr. Anton has exhibited in numerous museums, including solo exhibitions at the Netherlands’ Museum Jan van der Togt in Amstelveen and the Lyman Allyn Art Museum in New London, Connecticut. Anton has also participated in group exhibitions at the Museum Villa Rot in Burgrieden-Rot, Germany; the Austin Museum of Art in Texas; the Hudson River Museum in Yonkers, New York; the Fresno Metropolitan Art Museum; the Nassau County Museum of Art; the Nicolaysen Art Museum in Casper, Wyoming; the Aldrich Contemporary Art Museum in Ridgefield, Connecticut; the Castellani Art Museum in Niagara, New York; the COPIA Museum in Napa Valley, California; the William Benton Museum in Storrs, Connecticut; the Schloss Gottorf Museum in Schleswig, Germany; the Museum Ritter in Waldenbuch, Germany; the Strathmore Museum in Bethesda, Maryland; the Schloss Neuenburg Museum in Neuenburg, Germany; the Wilhelm Hack Museum in Ludwigshafen, Germany; the Staatliche Kunsthalle in Karlsruhe, Germany; the Woodson Art Museum in Wausau, Wisconsin; the Kemper Museum of Contemporary Art in Kansas City, Missouri; the Historic City Hall Arts & Cultural Center in Lake Charles, Louisiana; the Copelouzos Art Museum in Athens; and the Madden Museum of Art in Denver, Colorado. Peter Anton's work is widely collected and is featured in several prestigious private, corporate, and museum collections including Steven A. Cohen; Ron Dennis of McLaren Automotive; the Kemper Museum of Contemporary Art; Sir Howard Stringer; Keith Richards of the Rolling Stones; the Jordanian Royal Family; architect Lord Norman Foster; Oppenheim Bank; the Lisser Museum in the Netherlands; the Copelouzos Art Museum in Athens; The Blackstone Resort Hotel in Korea; Breitling Watches; Raymond James Financial; Perfetti Van Melle...

An early and stunningly beautiful hand-painted ceramic bowl created by Picasso in 1955, Visage measures 5 inches (12.8 cm) in diameter and is Inscribed 'Edition Picasso/Madoura' (bot...

Original Murano glass vase with inclusions of avventurina, (a mixture of glass and copper), colorful glass rods and other patches, Angelo Rinaldi, Murano 1975. Etched surface. It wea...

David Hayes (1931 - 2013) Sea Bluff, 1969 Glazed ceramic plate 14.50 x 14.50 x 1.75 in

Balloon Dogs Set of 3 (mixed edition numbers) - Jeff Koons, Contemporary, 21st Century, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition ...

"Blue & White" ceramic wall sculpture, 2020. delft style

Artist: Rachel Hubbard Kline Title : Eleanor Rhino Whiskey Cups Materials : Porcelain, Underglaze, Glaze, Decals Date : 2018 Dimensions : 4" x 3.25" x 3.25...

Magnificent silver plate. Stamped with the artist's signature and numbered on the reverse; conceived in 1957 in an edition of 20, 2 artist's proofs, 1 author's silver proof and 1 aut...