Expressionist Art

"The Bohemian" is part of a new collection titled "Ode to Guardians and the Impuissant". It is a visual discourse on the frail but resilient nature of black women whom I call black h...

Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...

This is a one of a kind original oil on wood panel expressionist seascape by Darlene Katz. Its dimensions are 24"x18". It is unframed. A certifi...

"Flourishing," a masterpiece by Adegbola Deborah, is a visual testament to the profound philosophy that life's highest calling is not merely survival, but the active pursuit of thriv...

AKOS BIRO (HUNGARIAN 1911-2002) Oil painting on canvas, framed Framed size: 26.5 x 33 inches Beautifully colourful, original oil painting by the very popular and highly regarded Hun...

In my artwork, I've captured a serene moment in city life, where nature meets daily hustle—evoking tranquility. Oil paints allowed me to blend expressive brushstrokes with realistic ...

Sophie Dumont is a french artist . She has been painting the landscapes of Normandy for 40 years. His painting is today recognized throughout the world. This painting is a countrysid...

In this vibrant oil on canvas, I sought to capture the serene yet lively spirit of nature. The dappling light dances on water, illuminating lily pads and blossoms, creating a symphon...

Mixed media on paper Original art by DARIA KUSTO The magic flow reality.. Shipped well protected, rolled in a tube, unframed

Plate #7 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

LeRoy Neiman, American (1921 - 2012) - Springfield Museum of Fine Arts (Tennis), Year: 1974, Medium: Poster, Size: 24.5 in. x 34 in. (62.23 cm x 86.36 cm)

Chama Winter is a hand-pulled, limited edition serigraph, no. 133 /260 and is signed in pencil by the artist. Published by Aspen Mountain Graphic...

Summer. Flower field 17. A sunny summer day, the whole earth is warmed by warmth, a flowering field, flowers, colorful poppies, the sky create an atmosphere of relaxation, harmony, r...

Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...

Artist: Unknown Title: Sailing Ships Medium: Oil on Canvas, signed "Thoms", lower left Size: 24 x 20 inches

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...

Artist: Pierre Alechinsky Title: "Untitled": Lithograph from One Cent Life Year: 1964 Medium: 2 page lithograph, as printed from One Cent Life As printed with Walasse Ting poem, fro...

A beautiful large 1950's French expressionist oil on canvas depicting locals taking an afternoon stroll, by Paris painter André Beaucé. Excellent quality ...

Medium: original woodcut. Catalogue reference Roethel 145. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 7 x 8 1/2 inches (170 x 218 mm). Sheet ...

Green Garden by Janet Keith [2020] original acrylic paint on heavy watercolour paper Image size: H:100 cm x W:70 cm Complete Size of Unframed Work: H:100 cm x W:70 cm x D:0.10cm Sol...

In this painting, I merged the vibrancy of irises with a radiant gold background, capturing a blend of Impressionism and Realism. Using acrylics and oils, I wanted to evoke a sense o...

In crafting this piece, I sought to capture the ephemeral beauty of nature's awakening. Each brushstroke embodies the vivacity and energy of new beginnings, weaving a dance of color ...

this is an oil on cradled wood board, framing recommended but not necessary. the paint was mixes=d with a pumice like material to give it a rough sandy feel ABOUT Stephen Basso Ste...

In this vibrant oil painting, I've poured my zest for nature and renewal. Brushstrokes blossom across the canvas, capturing the essence of a serene pond, where time seems suspended. ...

Stunning mid 20th century French Expressionist oil painting on canvas. The work depicts this gloriously vibrant and colourful landscape in Provence - we are told by the former owner it represents the Luberon Valley region in Provence, in the fields around Cucuron. We acquired the painting from a private collector in the heart of Provence who had owned the painting for many years. The work is unsigned but very, very close in every respect to the Corsican born artist PIERRE AMBROGIANI (1907-1985) and further research in this direction could be fruitful. Condition and Size: The painting is in good condition. The paint has begun to split in places as one would expect with such thickly applied oil paint. The canvas, unframed is 38cm x 55cm. Pierre Ambrogiani was born in Ajaccio, Corsica, although he was brought up in Marseille, where he continued to live and work for the rest of his life. He was an Expressionist painter of Provençal landscapes...

Medium: pochoir (after the watercolor). Printed in 1917 and published in Munich in an edition of 110 by Franz Hanfstaengl for the rare "Stella Peregrina" portfolio. Image size: 10 in...

In this oil painting, I've poured my passion into capturing the ephemeral dance of light on waves, weaving the energy of the sea with vibrant expressionistic strokes. Imagine feeling...

Kathe Kollwitz, German (1867 - 1945) - Kinder halten Essensschusseln (Children holding Food Bowls), Year: 1923, Medium: Lithograph, Image Size: 16 x 11 inches, Frame Size: 25.2...

Francois HEAULME Nude near the Source (Study after Courbet) Original Oil on canvas Signed bottom right On canvas 92 x 60 cm (c. 36 x 24 in) Excelle...

"Mother and Daughter" Expressionist Portrait in Oil on Cardstock Mid Century expressionist portrait by unknown artist Jane W. Grace (American, 20th C...

In this vibrant painting, I've married the boldness of pop art with the heartfelt touch of naive style. The use of acrylic and oil gives depth and texture, evoking the raw emotions a...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) "I'm Alright, Just Here" is a captivating artwork that captures the viewer's attention with its tender depiction of a young girl. The artist skillfully brings the subject to life, with delicate brushstrokes and meticulous attention to detail. The girl's features are portrayed with remarkable precision, revealing a sense of innocence and vulnerability that tugs at the heartstrings. The expression on the girl's face speaks volumes—a delicate blend of calmness and introspection. Her eyes, a window to her soul, radiate a sense of quiet strength and resilience, hinting at a pearl of wisdom beyond her years. Simon's choice to depict the girl alone, with no external distractions, creates a sense of intimacy and invites viewers to connect with her inner world. "I'm Alright, Just Here" explores the themes of solitude, self-reflection, and the resilience of youth. The title itself offers insight into the subject's state of mind—an assurance that she is content and at peace in her presence. It serves as a gentle reminder of the importance of finding solace within oneself, even amidst the chaos and noise of the world. The young girl's presence in the artwork represents the universal experience of navigating the complexities of life. Her portrayal invites viewers to reflect on their journey, prompting questions about the inner strength we possess and the moments of introspection we all seek. She becomes a mirror, reminding us to find moments of stillness and self-care, where we can gather strength and nurture our well-being. The muted color palette employed by Simon contributes to the contemplative mood of the artwork. Soft, earthy tones evoke a sense of serenity and harmony, further enhancing the atmosphere of quiet introspection. The artist's careful attention to the interplay of light and shadow adds depth to the girl's expression, underscoring the layers of emotion and resilience that lie beneath the surface. Obeka Simon...

A superb, richly-inked impression of an early etching and drypoint. With burr throughout and crisp plate edges. First state (of 2). Edition of 100. Signed in pencil by Chagall. Print...

Two early 20th-century Vienna Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot glued by the artist to ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sayeed...

This exquisite lithograph by Marc Chagall (1887–1985), titled Saint-Germain des Pres (Saint-Germain of the Fields), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Saint-Germain des Pres reflects Chagall’s poetic vision of Paris, capturing the neighborhood’s spiritual and cultural essence through his unique blend of memory, color, and imagination. The work embodies Chagall’s ability to transform the familiar into the transcendent, merging architectural harmony with human emotion and dreamlike symbolism. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Saint-Germain des Pres (Saint-Germain of the Fields), from the folio Derriere le miroir, No. 67–68 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, 1995, illustration 24; Mourlot, Fernand, and Marc Chagall. Chagall Lithographe I: 1922–1957. Andre Sauret, 1960, illustration 100. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 67–68, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 Notes: On the occasion of the ‘Paris’ exhibition, Marc Chagall created for this triple issue of Derriere Le Miroir XII pages of Lithography. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Saint-Germain des Pres 1954, Chagall Saint-Germain of the Fields, Chagall Derriere le miroir No. 67–68, Chagall Mourlot lithograph, Chagall Maeght...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Cheval Rouge (The Red Horse), from the album XXe Siecle, XXXIIe Annee, Nouvelle serie, No. 34, Juin 1970, originates ...

Water lilies 6. Bright, expressive composition: white, pink flowers on an abstract background, created with a brush and spatula. The picture is filled with positive, solar energy. Pa...

'The Life-Drawing Class', oil on board, by French (likely) artist M David (circa 1960s). A swirling, colourfully vivacious artwork that is immediately attractive and captivating. A l...

Artist: Romare Bearden (1911-1988) Title: Introduction for a Blues Queen (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 47/175, plus proofs ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. A difficult time can be more...

This beautiful large vibrant animal painting is by Aubrey Williams, Guyanese artist. It is a watercolour/gouache painting of a magnificent Pelican and painted in 1974. Williams has r...

After the rain. Paris. Oil on canvas, 54,5x80 cm Street in Paris with people Gennady Bernadsky (1956) - Soviet and Russian artist. Gennady Bernads...

Mid-century Surrealist oil on board depicting War and Peace by Belgian Artist, Willy Smitz. Signed and dated bottom right with his recognisable triangular motif ( initialed WS ), in ...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Danse (The Dance), from the folio Derriere le miroir, No. 147, originates from the 1964 edition published by Maeght E...

Walter Helbig (1878 Falkenstein - 1968 Ascona), Adoration of the Magi, 1918. Hand-colored linocut, 30 cm x 22.5 cm (depiction), 50 cm x 35 cm (sheet size), signed “W.[alter] Helbig” in pencil lower right, inscribed “Adoration of the Magi” lower left and dated “1918”. Below this a handwritten dedication “with heartfelt Christmas greetings”. - Paper somewhat darkened and with slight creases, thumbtack holes in the corners - The Rider of the Sun - The 'apocalypse' of World War I brought about a return to sacred art. Walter Helbig belonged to the circle of the 'Brücke' and the 'Blauer Reiter'. With his reinterpretation of religious themes in an expressionist formal language, Helbig shaped an avant-garde neo-sacred art. This is symbolically expressed in the silhouette of the rider against the sun-like yellow background. It refers to the awakening initiated by the Blue Riding, which is now linked back to the sacred. The rider and horse "look" at Mary and the Christ Child, who occupy the entire field. Opposite them are the three kings, the eldest of whom kneels before Christ and offers him a gold-filled casket. The expressionist lines give rise to a tower that rises into the "sun", so that the gift has become a Gothic church, expressing the hope that the fallen world will be resurrected in the name of Christ. This dimension of meaning is emphasized by the magical effect of the color scheme. About the artist In 1895, Walter Helbig began studying at the Dresden Academy of Art, where he became friends with the future Brücke artist Otto Müller, with whom he lived in Dresden from 1903 to 1905. While studying in Italy from 1897 to 1899, he met Arnold Böcklin and Adolf von Hildebrand. After completing his studies, he first worked for Otto Gussmann, painting churches. From 1905 to 1909 he worked as a freelance painter in Hamburg. In 1909, through the mediation of Otto Müller, Helbig made the acquaintance of artists from the 'Brücke'. In 1910 he exhibited at the founding exhibition of the Berlin 'Neue Sezession'. In the same year, he moved to Switzerland, where, together with Hans Arp and Oscar Lüthy, he founded the 'Moderne Bund' in Weggis, to which Cuno Amiet and Giovanni Giacometti also belonged. At the second exhibition of the 'Moderne Bund' in Zurich in 1911, Henri Matisse and Robert Delaunay were represented alongside artists from the 'Blauer Reiter'. In 1913, Helbig traveled to Paris with Arp and Lüthy. After the dissolution of the 'Moderne Bund', Helbig was represented at the first Dada exhibition in Zurich in 1914. In 1919, he joined the Berlin 'Novembergruppe'. After the devastation of World War I, Helbig turned increasingly to religious themes in his work. In 1924, like many other artists of his time, he moved to Ascona for financial reasons, where he became a naturalized citizen in 1938. There he founded the artists' association "The Great Bear", to which Marianne von Werefkin...

Carnival Night Venice, Carnival, masks, ladies in hats, Masquerade! What could be better to be in Venice on a festive Carnival night! Medieval costumes and dresses, beautiful ladies,...

The Beauty Within Us" is a compelling narrative series of paintings that celebrates the unique and diverse beauty of Black hair, serving as a powerful symbol of identity, heritage, a...

The canvas is glued onto thick cardboard. In this painting, I poured my fascination with the interplay of light on water, using acrylic and oil to capture the ephemeral glow of sunse...

"Fantasy with Flowers" (series of 200+ pictures)   paper 41x58cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

Artist/ School: French School, mid 20th century Title: Nude Bathers Medium: oil painting on canvas, unframed Size: painting: 19.75 x 24 inches Provenance: France Condi...

Nude The beauty of a naked body is simply incredible! When I paint a picture with a naked woman, I have the feeling that I am painting space, the universe. I never cease to admire th...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

In creating this piece, I surrendered to the dance of colors and textures, letting oil become emotion on canvas. Each brushstroke captures the trembling beauty of nature's fleeting m...

Heinrich Brad Schmidt, two early 20th-century German Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot ...

The painting is signed on the back. The whole artistic output of Robert Bubel centres around subjective emotions and arousing emotion in the beholder. The source of inspiration- tha...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity About Artist Emma...

Carnival of colour. Inspired by Rachaels life in Norfolk where she she enjoys dog walks along the North Norfolk coast and working in her studio close to the Norfolk Broads. Surrounde...

I realized nobody is coming to save you unless you save yourself! Light at the end of the tunnel awaits only those who dare to try again each time they fail Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist IDORENYIN UMANA...

In the realm of vibrant expressions, Italian artist Giuseppe Beddru masterfully brings to life abstracted flora in a spectacular fusion of color and form. The canvas dances with an o...