Expressionist Art

, , , blossom, , g,, flower, lotus flowers Flowers in the morning dew The most beautiful flowers are in the early morning. When the dawn just dawned, the petals began to g...

Through the textured layers of oil paint, I've sought to express the raw, exhilarating power of nature. My brushstrokes breathe life into this canvas, capturing the dynamic interplay...

Bengt Lindström (1925-2008) Ancestor Face Original Lithograph Printed signature in the plate Numbered / 400 ex On vellum 31 x 22.5 cm (c. 12 x 9 in) Excellent condition

"Phantom of the Brotherhood" describes the hoax of the reality of man and his flowers. At the center of his burdens, accomplishments, and rest; mostly his brothers dare to acknowledge his weight and the burden he bore. Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist: Born in Lagos (Nigeria) in 1994 and based in Abeokuta, Nigeria. Eniafe Gbenga...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful draftsmanship and precocious insight into the human condition. Part of the first wave of Austrian Modernism, he was swept away by the Viennese fascination with the tension between Life and Death (known in the works of Freud and his later interpreters as Eros and Thanatos). Life, identified with attraction, love, sexuality, and reproduction, and Death, represented by distortion, disease, repulsion, and hysteria, often appeared in the same composition, thereby suggesting the frightening life cycle of the human mind and body. Young throughout his career, Schiele universalized his childhood traumas, thriving libido, insecurities, fears, and longings. His contorted line, jarring contrasts, and flat areas of color, demonstrate an early alliance with Expressionist philosophy and artists who were relentlessly frustrated by conventionality in all its forms. Schiele’s work embodied man’s disorientation and confusion in a seemingly absurd world, a world plagued by disease and war. It continues to be astonishingly relevant today, not just because it helped define Modernism but also because it revealed the dark and immutable aspects of the human condition. Zeichnungen is a fine art print portfolio published by Verlag der Buchhandlung Richard Lanyi, Vienna, 1917, printed by Max Jaffe...

"Eyes of the Gods" is a captivating artwork crafted by the talented artist Samson Tolulope Daramola. This piece showcases a young girl as its central subject, inviting viewers into a...

In this painting, I've unleashed a cascade of raw emotion onto the canvas, blending realism with strokes of expressionism to capture the majesty and serenity of a glacial kingdom. The palette resonates with the cool tranquility of snow-capped peaks and the deep, reflective waters, inviting the viewer into a moment of stillness...

The bond between brothers, whether by blood or through the strong connection forged by friendship, is truly special. It's amazing how we can find support and solace in those who may not be family but have chosen to be there for us. Martin Luther rightly said, "We have flown the air like birds and swum the sea like fishes, but we have yet to learn the simple act of walking the earth like brothers". In a collective society, it's crucial for us to embrace the concept of being our brother's keeper. By nurturing a sense of empathy and compassion, we can make a positive difference in each other's lives. Whether it's lending a helping hand, offering a listening ear, or providing support during challenging times, being there for one another creates a stronger and more supportive community. Let us always cherish and celebrate the unbreakable bond we share with our brothers, both by blood and through the deep connections we form along life's journey. Together, we can create a world where everyone feels loved, supported, and appreciated. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Daniel Oguche...

After Gustav Klimt, Max Eisler Plate #6, Bildnis Frau Serena Lederer; grey monochrome collotype after the 1905 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN...

Herbert Siebner (1925-2004) was a German-born Canadian painter whose work is characterized by its expressive use of color and texture, and its exploration of themes of war, exile, an...

"Sunset" original abstract acrylic painting Raventos spectacular work. mixed media in very good condition. RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos...

Acrylic on unmounted canvas. Belongs to a series started in the summer 2020. I like going to the beach to sketch people . The beach is a place where you get all types of live models ...

Mira on Pink Dress is an original painting by Theophilus Madaki. Theophilus created Mira on Pink Dress Oil and Acrylic on a 32W by 41H inches primed canva...

Sophie Dumont's oil painting captivates the viewer with a bold representation of a reclining woman, seen from behind. The artist's style, characterized by rounded and sensual figures...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

A figure on horseback presides over a flock of sheep that roams through a verdant landscape, done in highly expressive brushstrokes and thick impasto, b...

Unframed Manuel Capdevila i Massana (Barcelona, ​​December 28, 1910 - April 18, 2006) was a Catalan painter and goldsmith, son of the goldsmith Joaquín Capdevila y Meya and father o...

A substantial, sunlit landscape showing a fruit-tree in blossom in the foreground with verdant fields receding towards rolling hills beneath turquoise and lavender clouds. Signed ...

Jean-Michel Basquiat, a prodigious talent who tragically left this world too soon, was a force of nature in the art world of the 1980s. His works were characterized by a unique fusio...

Michel De Gallard, France (1921-2007). Oil on canvas signed lower left, Silver gilt and dark wood frame. Provenance: Label on verso Galerie de la Presidence, Paris, Titled: 'Femme...

"Duduyemi" captures the enduring resilience that black women possess in the face of adversity. The artwork depicts a black woman with a serene expression, exuding strength and grace....

Oil on cardboard with frame. Total size with frame is 47x39 cm Artist from Zurich Switzerland, unknown from the gallery

This listing is for 3 collotypes: "Medicine", "Jurisprudence", and "Philosophy", pictured, from the Das Werk portfolio by Gustav Klimt and k.k. Hof-und Staatsdruckerei, published by H.O. Miethke. Gustav Klimt created glyphs, unique to each of these pieces, specifically for this portfolio. Further information below: About the portfolio: DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art...

Colorful image of a powerful woman enjoying the dance. This painting is in a series called the Wild Woman which is also printed in a pocket sized book. Watercolor, mixed media, usi...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 147. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

The Virgins, no. 2 from the fifth installment of Das Werk Gustav Klimts The Virgins speaks to a new chapter of Klimt’s artistic development. That it was sel...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour/ gouache painting on card, signed size: 7.75 x 10.75inches Beautifully colourful, original painting by the very popular and highly regard...

After Gustav Klimt, Max Eisler Plate #19, Bildnis einer alten Dame; sepia-toned monochrome collotype after the 1917 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...

Bernard Buffet (1928-1999) - La cérémonie du thé Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellen...

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour / gouache, size: 9.75 x 6.25 inches Beautifully colourful, original painting by the very popular and highly regarded Hungarian/ French pa...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

“Flower Bombâ€

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, et al. The Lithographs of...

After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour/gouache size: 7.75 x 11 inches Beautifully colourful, original painting by the very popular and highly regarded Hungarian/ French painter...

YURA ADAMS Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and numbered in pencil by the artist on ver...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art...

18" x 10" Unframed Limited Edition Giclée with Hand Embellishment of 135 Hand Signed by Todd White “Do you know the old adage “running circles around you”? When you get one of thos...

Expressionist Portrait of a Man in a Suit in Pastel on Paper Moody portrait of a man with dark hair by an unknown artist (20th Century). The man is shown with an elongated face and ...

Oil Painting of still life Havdalah scene with braided candle, spice tower box and kiddush cup. Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual ...

Portrait of Emilie Flöge, no. 10 from the first installment of Das Werk Gustav Klimts His confidante and life companion of more than 30 years, Klimt capt...

Original lithograph of Josef Fenneker’s German Expressionist poster design for the 1919 silent film Die Prostitution starring Anita Berber ...

"Ewa (Beauty)" is a captivating artwork that showcases the elegance and grace of a lady. Created by the talented artist, Gbemileke Blessing Adegboro this piece captures the beauty of a woman who exudes confidence, style, and sophistication. The artwork depicts a lady wearing a blue gown and carrying a small handbag with both hands in upfront. Her posture is upright, and her expression is serene and confident. The use of bright and bold colors, such as blue and gold, adds to the beauty of the piece and creates a sense of luxury and sophistication. The title "Ewa (Beauty)" is fitting because the lady in the artwork is indeed a sight to behold. Her striking features, such as her circle-like big earrings...

The painting titled "Desires 3" is a beautiful work of art that depicts two men sitting across from each other, engaged in what seems to be a deep and meaningful conversation. The painting, created by Esinulo Chiamaka Praise, features an older man and a younger man, each holding a white flower, which adds a sense of purity and serenity to the scene. The older man, who appears to be in his 50s, and the younger man, who looks to be in his 20s, are both dressed in a more casual shirt and pants. Both men are seated on chairs, with their faces turned towards each other in a relaxed yet focused manner. The title of the painting, "Desires 3," adds an element of intrigue and mystery to the scene, as it hints at the possibility of underlying desires and motivations between the two men. However, the painting does not provide any clear answers or indications of what those desires might be, leaving the interpretation up to the viewer. Wisdom is gathered from lessons learned from experiences. Time and age guide a man through life as regards choices or wants... One possible interpretation of the painting is that it represents the passing of knowledge and wisdom from one generation to the next. The older man appears to be sharing something with the younger man, who listens intently and respectfully. The white flowers that both men are holding could be seen as symbols of purity and innocence, representing the purity of the knowledge and wisdom being shared. Another interpretation of the painting is that it represents a deep and meaningful conversation between two people who share a close and intimate relationship. The fact that both men are holding white flowers suggests a sense of purity and love between them, while their relaxed and focused expressions indicate a sense of comfort and ease in each other's presence. In terms of technique, the painting is expertly executed, with rich colors and intricate details that bring the scene to life. Keating's use of light and shadow creates a sense of depth and dimensionality, while the placement of the two men in the center of the painting draws the viewer's attention to their faces and the emotions that are portrayed in them. Overall, "Desires 3" is a beautiful and thought-provoking painting that captures the essence of a deep and meaningful conversation between two people. It is a testament to the power of art to evoke emotion and inspire reflection, leaving the viewer with a sense of curiosity and wonder about the motivations and desires of the two men in the painting. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Esinulo Chiamaka Praise is a comtemporary Nigerian painter...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour/ gouache painting size: 7.5 x 11 inches Beautifully colourful, original painting by the very popular and highly regarded Hungarian/ Frenc...

Tis painting is included in the exhibition catalogue of 1986.

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...