Minimalist Art

Black and white photograph featuring the abstract forms created by elite yachts The racing yacht Ranger's sail resting on the calm water The nautical print series Sail: Majesty at...

Richard Serra Early Work (Hand Signed), 2013 Offset lithograph (Hand Signed by Richard Serra) Boldly signed by Richard Serra on the front 18 × 24 inches Unframed This print was published on the occasion of the eponymous exhibition at David Zwirner in 2013. It depicts Richard Serra in his studio in 1968. The print was hand signed by the artist on the occasion of his opening at Zwirner Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...

"Pine Tree and Nago Island, Tsuda, Shikoku, Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted t...

A young rhino stands next to their mother in this surreal and beautiful portrait In the Solio conservancy in Eastern Kenya, a young rhino waits next to his mother, remaining in her ...

An unreal moment of two cheetahs in pursuit Two cheetahs in pursuit of prey in the tall grass of the Maasai Mara Exceptional Creatures is a limited edition print series documenting...

A lone white polar beat against a blank, serene, minimal backdrop of white Like no place else on Earth, the existence of polar bears within the Arctic regi...

A young boy walks in the dusty cattle camps of the Mundari in South Sudan Life in the Mundari's moving camps is about caring for their elegant longhorn cattle, day in and day out I...

Two mountain gorillas in the surreal, verdant jungles of the Virunga Massif Mountain gorillas are some of the most otherworldly animals on Earth Exceptional Creatures is a limited ...

Adato, a young Rendille woman, is a vision of calmness and tranquility. The young Rendille woman Adato draped in a wrap of fabric typical for the region The print series Desert Song: Compositions of Kenya exhibits classic, timeless beauty through portraits of the women of the Rendille tribe in a nod to fashion photography. Offered in a limited edition, these works are printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. Through a fashion-inspired lens, photographer and filmmaker Drew Doggett tells extraordinary stories of diverse cultures, animals, places, and communities. He has received over 130 prestigious international awards and has had his artwork featured in many publications, such as Conde Nast Traveler, Architectural Digest, Forbes, Bloomberg, Fortune, The Daily Mail, and Outside Magazine. His photographic work can be found in public collections globally, notably the Smithsonian African Art Museum (DC), as well as in hundreds of corporate and private collections in over 20 countries around the world, including that of Alec Baldwin, Gloria Steinem, Nicole Ari Parker, Eric Church...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

This version of Archie Held's "Eve" sculpture in aluminum offers a slick vertical sculpture for a contemporary setting indoors or outdoors. "Eve" is also a...

Bernhard Zimmer's abstract paintings transmit the richness of multiple layers of oil paint applied with precision to create an overall composition that holds opposites - order and ch...

"""The Wall"" Surreal image of an iceberg with arches and penguins gathering on its right side Massive, surreal ice formation in Antarctica's Weddell Sea with two arches where it m...

"""The King's March"" Color image of five king penguins walking in a line with a backdrop of mountains Five penguins walk across the smooth pebbles on the shore of South Georgia Is...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Artwork sold in perfect condition Zoological Park Portfolio, 8 photos Still not a single human being in this portfolio, only representatives of the animal kingdom, confined, sad, em...

Egg Study 18, 2021 by Shine Huang Silver gelatin print on Ilford Fiber Paper. Image size: 14 in. H x 21 in. W Edition 1/9 Signed on verso in ink. unframed ___________________________...

Tasha Jentel is an abstract sculptural painter with a deep love for minimalism and thick textures. Guided by her passion for exploring spatial tension, Je...

Camargue horses running across their wild homeland in the South of France A group of white horses, centered in the frame, run in the beautiful, minimal Camargue wilderness The awar...

Camargue horses running across their wild homeland in the South of France A group of white horses, centered in the frame, run in the beautiful, minimal Camargue wilderness The awar...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and sculpture. It employs shizen (自然): the Japanese concept of naturalness; absence of pretense or artificiality. Material is stretched over a supporting three-dimensional framework, like a tent, and coated with paint. The work is characterized by “mindful artlessness” and simplicity. Understated and subtle, the work doesn’t only refer to itself, and it doesn’t explain everything. This 8 inch square post-minimalist artwork is wired and ready to hang. The sides are painted as a continuation of the front. The artist signs the artwork on the back. Convenient local Los Angeles shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included with this unique painting. Len Klikunas' sculptural works are represented by Artspace Warehouse Los Angeles as well as Kelly Wearstler Interior Design. They have been exhibited and collected throughout the USA. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2018 Lacy Lines, The District, Boise, Idaho...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

Robert Morris A Final Tomb for Frank "Jelly" Nash, 1980 Silkscreen on wove paper Hand signed, dated and numbered 153/180 in graphite by the artist on the front 26 × 32 inches Unframe...

Richard Serra Synagoge Stommeln (German Synagogue) The Drowned and the Saved (Hand signed twice by Richard Serra), 1992 Offset lithograph poster (hand signed twice by Richard Serra) ...

"Noir" This image of a mountain gorilla is a fashion-inspired look at one of our world's most incredible, endangered animals. Exceptional Creatur...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

A brown bear charges towards the camera and through the creek. Each year, brown bears descend on a remote part of the Alaskan wilderness in record numbers, gathering in search of th...

White horses run together through the water of Camargue in the South of France The white horses of Camargue run together through the shallow waters, their nearly glowing coats frame...

Trio of all white horses charge towards the camera in this fantastic moment White horses charge towards the camera in Camargue surrounded by tones and textures of grey and off-white...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

Richard Serra Clara, Clara (Hand Signed by Richard Serra), 1983 Offset Lithograph Poster (Hand signed by Richard Serra) Boldly signed with black marker on the front Frame Included: held in original vintage 1980s frame This is the rare vintage offset lithograph poster of Richard Serra's 1983 work "Clara Clara", exhibited at the Pompidou Center in France in 1983-1984. Very collectible when hand signed by Richard Serra! Accompanied by gallery issued Certificate of Guarantee Measurements: Frame: 27.5 x 37.75 x 1 inch Print: 25.5 x 35.75 inches About Richard Serra: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

"Philosopher’s Tree, Study 7, Biei, Hokkaido, Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted...

Portfolio Lines, 7 photos A metal fence: "Florence 1976". A metal scaffolding on a white wall streaked with black bands: "Orvieto 1974". Very smart whoever recognizes one of the sid...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Encaustic on panel, framed in a simple white float frame, this painting is part of the “Spectrum Paintingsâ€

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Anastasia Vasilyeva - Black white abstraction 020 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Beautiful, minimal photograph of a polar bear walking towards camera Intimate portrait of a polar bear walking towards the camera with a minimal, white backdrop The limited edition print series Northern Dreams is a tribute to one of the most spectacular places Drew has ever been: the Arctic. From animals with transcendent appeal, like polar bears, to glaciers fashioned over thousands of years, the Arctic region is minimal and stark yet completely spectacular. Offered in a limited edition, these works are printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. Through a fashion-inspired lens, photographer and filmmaker Drew Doggett tells extraordinary stories of diverse cultures, animals, places, and communities. He has received over 130 prestigious international awards and has had his artwork featured in many publications, such as Conde Nast Traveler, Architectural Digest, Forbes, Bloomberg, Fortune, The Daily Mail, and Outside Magazine. His photographic work can be found in public collections globally, notably the Smithsonian African Art Museum (DC), as well as in hundreds of corporate and private collections in over 20 countries around the world, including that of Alec Baldwin, Gloria Steinem, Nicole Ari Parker, Eric Church...

Artwork sold in perfect condition - Off-Print # 2 (Florence 1976) from the portfolio Statuary (Coffret Prestige # 7) This is a Minimalist framing & presentation of the artwork : The ...

painted steel In the fields of sculpture and drawing, George Thiewes creates sharp, angular work with a focus on the interaction of light and dark. That interest began in the 1990s ...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

"Symphony of Light" From the angelic light streaming in from the ocean's surface to the minute movements of the horse's hooves as she swims, each element...

"Sunset Rocks, Mitoyo, Kagawa, Shikoku, Japan. 2022." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matte...

An intimately-detailed portrait of the braided neck of a speckled white horse Beautiful and exquisitely detailed portraited of the braided mane of a white horse framed against a sumptuous black backdrop The print series Equus: Light & Form focuses on the details of some of the world’s most elite jumper, dressage, and polo horses. Offered in a limited edition, these works are printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. Through a fashion-inspired lens, photographer and filmmaker Drew Doggett tells extraordinary stories of diverse cultures, animals, places, and communities. He has received over 130 prestigious international awards and has had his artwork featured in many publications, such as Conde Nast Traveler, Architectural Digest, Forbes, Bloomberg, Fortune, The Daily Mail, and Outside Magazine. His photographic work can be found in public collections globally, notably the Smithsonian African Art Museum (DC), as well as in hundreds of corporate and private collections in over 20 countries around the world, including that of Alec Baldwin, Gloria Steinem, Nicole Ari Parker, Eric Church...

Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks...

Two giraffes walk across the plains with Kilimanjaro in the backdrop and dense cloud cover Exceptional Creatures is a limited edition print series documenting the most extraordinary...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Anastasia Vasilyeva - Black white abstraction 012 (2019) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

Painting is fearlessly following an instinct for Togolese artist Olympio. His work is honest and palpable—exposed, raw, and direct. It is an unfiltered manifestation of his soul. Bright, energetic marks encircle rough textures, balanced by peaceful compositions emanating from below the surface. Olympio’s art transforms walls into landscapes of color and form, creating an engaging focal point that elevates any room's aesthetic to a new level. The heavily textured layers in Olympio’s work create a tangible sense of depth, drawing the eye and enriching the space with a bold yet nuanced presence. This 48 inch high by 36 inch wide mixed-media painting is signed by Olympio on the back of the canvas. The many layers in his work further emphasize the texture and visceral nature of his canvases. The painting is wired and ready to hang. Free local Los Angeles delivery. Affordable U.S. and global shipping are available. A Certificate of Authenticity issued by Artplex Gallery is included. For the abstract artist Olympio, art is a dance of textures and colors, woven from an eclectic medley of canvas and textiles. Each stroke on his canvas is a nod to the classical ideals of modern abstraction, a harmonious blend of purpose and spontaneity. The linens and canvases he selects have borne witness to various conditions and interactions, embracing the imprints of their past experiences. Olympio meticulously stretches, glues, and layers these diverse fabrics together, infusing them with additional layers of acrylic paint, a fusion of careful craft and serendipitous revelation. In Olympio's art, deliberate strokes mingle with accidental splashes, forming a mesmerizing canvas that speaks to the ethos of modernism's evolution. It's a reminder that the legends of yesteryears now manifest as a distinct style, a testament to their enduring influence. His mastery over the medium amplifies, imbuing each piece with a romantic essence carefully counterbalanced by his practiced modesty. The strokes, swirling and turbulent, are immersed in a rich, opulent application of paint, akin to an expansive honeysuckle-pink landscape or a brooding soot-gray abyss. Yet within this whirlwind of impressions, Olympio maintains a sense of purpose, an elusive process that surrenders control to the animated paint and sculptural fabrics. Olympio possesses a rare duality, orchestrating the delicate balance between sensuality and subtlety within his creations. Navigating these opposing forces, he transcends distractions and attains the perfect pitch, crafting a visual symphony that resonates deeply. Olympio was born into a large family of eight children in Lomé, Togo, West Africa. He began his creating art by using building scraps to make sculptures. By the time he was in high school, he started to experiment with mixed-media and collage. He later transitioned to acrylic and oil on canvas. In 2001, Olympio left his home in Africa to live in Paris. Olympio moved to the United States in 2003 and has continued to paint. His work has been exhibited at Art Basel Miami, where in 2018 he was ranked one of the Top 10 Artists by Red Dot Miami. He was also recently interviewed for France 2, TV5Monde, and the BBC. His work has been exhibited and collected internationally. REPRESENTATION Artplex Gallery, Los Angeles, California EXHIBITIONS 2019 Artplex Gallery, Los Angeles, CA Art Palm Springs, Karyn Mannix Contemporary, Palm Springs, CA “Voltage,” Artplex Gallery, Los Angeles, CA LA Art Show, bG Gallery, Los Angeles, CA “Immigration Celebration, Part I,” Laurent Proneur Gallery Superfine! Fair, Magic Box LA, Los Angeles, CA 2018 Red Dot Miami, Miami, FL Art Basel, Miami, FL Los Angeles Art Show, Los Angeles, CA Latino Art Museum, Pomona, CA BG Gallery, Santa Monica, CA Wallspace at the Brewery Fall Art...

Three Icelandic horses move swiftly through the winter tundra Ethereal, otherwordly photograph of three Icelandic horses moving easily through the winter tundra of Southern Iceland Set against Iceland’s iconic backdrop, the print series In the Realm of Legends highlights a noble yet rugged breed of horses and the dreamlike landscape they live within. Offered in a limited edition, these works are printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. Through a fashion-inspired lens, photographer and filmmaker Drew Doggett tells extraordinary stories of diverse cultures, animals, places, and communities. He has received over 130 prestigious international awards and has had his artwork featured in many publications, such as Conde Nast Traveler, Architectural Digest, Forbes, Bloomberg, Fortune, The Daily Mail, and Outside Magazine. His photographic work can be found in public collections globally, notably the Smithsonian African Art Museum (DC), as well as in hundreds of corporate and private collections in over 20 countries around the world, including that of Alec Baldwin, Gloria Steinem, Nicole Ari Parker, Eric Church...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

Interstellar, II and III (Triptych), 2019 by Shine Huang Archival Pigment Print on Hahnemuhle fine art paper. Overall size: 42 in. H x 126 in. W Individual size: 42 in. H x 42 in. W ...

"""Sun & Moon"" Incredible color image of two king penguins standing face to face Stunning color photograph of two king penguins in the Falkland Islands facing one another in a per...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

Artwork sold in perfect condition - Off-Print # 1 (Roma 1979) from the portfolio Statuary (Coffret Prestige # 7) This is a Minimalist framing & presentation of the artwork : The Fine...

Original painting on 350 gr Fabriano paper. It will be shipped unstretchted rolled in a tube. You can take it to local framers. PLEASE NOTE* This is one of a kind painting, a...

“There is no longer a single idea explaining everything, but an infinite number of essences giving meaning to an infinite number of objects. The world comes to a stop, but also light...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...