Pop Art Art

Paper Size: 41.75 x 38.5 inches ( 106.045 x 97.79 cm ) Image Size: 37.5 x 37.5 inches ( 95.25 x 95.25 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Supplemen...

Raymond Pettibon Black Flag 1981: A rare early Pettibon illustrated punk flyer published on the occasion of: Black Flag at the Mabuhay: Feb 27- Feb 28, 1981. A gig by Black Flag, Edd...

Raymond Pettibon: Rare original 1983 Black Flag flyer (postmarked on reverse): Black Flag at S.I.R., Nov 27, 1982: Offset-print, 11 x 8.5 inches. (28 x 21.6 cm); Flyer / Handbill for...

Medium: original lithograph. Printed in 1970 for the art revue Derriere le Miroir (issue number 188) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 278 mm). There is t...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Da una serie di litografie pop di Mimmo Rotella, pubblicate da Prearo Publ., Italia, risalenti ai primi anni Novanta. Firmato a matita in basso a destra e numerato in basso a sinistr...

Robert Indiana New York State Theater, Lincoln Center, 1964 Silkscreen poster 45 1/2 inches (vertical) × 30 inches (horizontal) (Ship rolled in a tube measuring 36 inches x 5 inches...

Debbie Harry Rockbird, 1986 Vinyl, LP, Album Cover art designed by Andy Warhol and Stephen Sprouse Set of 4 individual albums (Pink, Yellow, Orange, & Green text) 12 x 12 Inches / 3...

Patti Smith 78 Speed 1977: Rare original hand-signed flyer for Patti Smith Group shows at CBGB 1977. The flyer was designed by Patti Smith using one of her drawings at the time; with...

Paper Size: 53 x 30 inches ( 134.62 x 76.2 cm ) Image Size: 53 x 30 inches ( 134.62 x 76.2 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additiona...

Robert Indiana (1928-2018) was a pre-eminent figure of American Pop art, best known for his iconic masterpiece "LOVE", which remains one of the most famous and sought-after artworks ...

Raymond Pettibon illustrated Black Flag flyer New York City 1981: Rare early 1980s Punk flyer illustrated by Pettibon to advertise one of Black Flag’s first ever East Coast shows hel...

Paper Size: 20.75 x 19.75 inches ( 52.705 x 50.165 cm ) Image Size: 20.75 x 19.75 inches ( 52.705 x 50.165 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shi...

Henry Rollins of Black Flag photographed at The Cat Club in New York's Union Square in 1987 by noted underground photographer, Fernando Natalici Silver ...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Silkscreen screenprint with woodblock and silver leaf Hand signed and numbered. In vibrant color of blue and silver on heavy paper with an almost painting type texture to it. Josep...

Keith Haring 1982 1st edition (Keith Haring Tony Shafrazi Gallery): The much seminal & highly collectible, limited edition catalog featuring the iconic neon Haring Three Eyed Smiling...

Paper Size: 31.25 x 25.75 inches ( 79.375 x 65.405 cm ) Image Size: 24.5 x 24.5 inches ( 62.23 x 62.23 cm ) Framed: No Condition: A: Mint Additional Details: Limited edition serigra...

Andy Warhol Mick Jagger Leo Castelli gallery 1975: A stunning Andy Warhol Mick Jagger announcement card hand signed by Warhol in marker on the lower center (in between a Jagger & Warhol printed signature). This work was published by Castelli Graphics in 1975 to advertise the forthcoming portfolio of ten silkscreen prints by Andy Warhol of Mick Jagger, 1975. Offset Lithograph on card stock signed in black marker. Height 6 in.; Width 4 in. / 15.2 cm x 10.2 cm. Pub. Castelli Graphics / Seabird Editions, 1975. Card is in very good overall vintage condition; well-preserved signature. Hand signed on lower center from an edition of unknown. Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. _ As the lead singer for the Rolling Stones, Mick Jagger virtually invented the concept of the rock & roll frontman. Taking his cues from soul singers...

Mel Ramos (1935-2018) Virnaburger (Verna Burger), 1965 Offset lithograph A proof aside from the numbered edition of 500 Signed and dated LR: M Ramos 65 Image 19 x 14 inches In a vint...

Artist: Robert Rauschenberg Title: Quarry Medium: Offset lithograph in colors Year: 1968 Edition: 500 Frame Size: 41 1/2" x 33" Sheet Size: 35 1/2" x 26 1/2" Signature: Signed in the...

Original poster printed on the occasion of the Metropolitan Opera’s 1981 production of Parade, a triple-bill of short French pieces directed by John Dexter, for which David Hockney d...

​Interesting Pop Art tile Sculpture plaque by Guillermo Wagner Granizo (American, 1923-1995). A colorful woman with a beehive hairdo is surround by a few birds, a modernistic detail ...

Silkscreen screenprint with woodblock and gold leaf Hand signed and numbered. Joseph Charles Tilson RA (born 24 August 1928 in London) is an English pop art painter, sculptor and pr...

Raymond Pettibon Black Flag: Rare 1984 Raymond Pettibon illustrated Black Flag promotional flyer published to advertise the release of the Black Flag album 'Slip It In'. Offset prin...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in yellow, red, silver Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Artist: Andy Warhol Title: St. Apollonia FS II.330-333 (Matching Set) Size: 30 x 22 Inches Each Medium: Screenprint Edition: 7/250 Year: 1984 Notes: Hand-signed and Numbered by t...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Artist: Keith Haring Title: Growing (Plate 3), from the Growing Portfolio Size: 40 x 30 Inches (76.2 x 101.6 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full mar...

Raymond Pettibon: Rare early Black Flag flyer: Original punk flyer / handbill illustrated by Raymond Pettibon for a gig by Black Flag at The Mabuhay, San Francisco, CA: Fri Oct 3, 19...

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: Look Again Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 35 Image: 23.5 x 32 inches Size: 26 x 3...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Pac-Man from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on Lennox Museum Board with Diamond Dust, si...

Andy Warhol Jean-Michel Basquiat Boxing poster 1985: Rare original 1985 Warhol Basquiat boxing poster. The most sought-after Basquiat/Warhol collectible in existence - this work was ...

Artist: Keith Haring Title: Growing (Plate 5), from the Growing Portfolio Size: 40 x 30 Inches (76.2 x 101.6 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full mar...

Artist: Arman, French (1929 - 2005) Title: Yves Klein's Violins Year: 1979 Medium: Screenprint on Arches Paper, signed and numbered in pencil Edition: 150 Size: 30 in. x 22 in....

An acrylic painting by Giancarlo Impiglia from 1990. An art deco style pop art portrait of a waiter serving wine in a lavishly formal upper-class setting. Unframed. Artist: Gia...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Still life with (thomas) Sully and (Andy) Warhol, (French actress Sarah Bernhardt (1844-1923)) Hand signed in pencil, dated 1994 bears gallery label from OK Harris Gallery in New Yor...

Artist: Peter Max, German/American (1937 - ) Title: Profile Year: 1986 Medium: Acrylic on Canvas, signed u.r. Size: 40 in. x 30 in. (101.6 cm x 76.2 cm) Frame Size: 49.5 x 39.5 inches

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF III Year: 1990 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

In 1978, photographer Fernando Natalici, the creative mind behind the graphic design for iconic venues like CBGB and the Mudd Club, spent twenty-four hours shooting the raw scenery of Times Square and 42nd Street. "Natalici's shots candidly recall a Times Square of flashing marquee lights, electric sexual energy and wild lawlessness. His photographs resuscitate a New York of yesteryear in all of its chiaroscuro, with it all of the dark tenets of urban life that are today masked beneath a glossy veil of uniformity." (Jessica Dailey, Curbed NY, July 29th 2014) Archival Inkjet Print 13 x 19 inches. Hand signed & titled in ink on the verso from a limited edition of 15. Excellent condition. Obtained directly from artist. Lot 180...

Artist: Christopher Makos, American (1948 - ) Title: Andy Warhol and Keith Haring Year: 1983 Medium: Gelatin Silver Print Photograph, signed, stamped and numbered verso Edition: 1/5 ...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Keith Haring Larry Levan 1992: Rare sought-after memorial invitation for the legendary DJ Larry Levan featuring offset artwork by Keith Haring. The event was held at London’s seminal & much historic dance club, Ministry of Sound - shortly after the passing of Levan in 1992. Artwork presented frontside originates from the 1986 artwork Haring produced to promote Levan’s birthday party at Paradise Garage. Not to be passed upon. Offset printed folding announcement card. 1992. Dimensions: 8x5 inches; folding out to 8x10 inches (open). Minor signs of handling; very good overall vintage condition. Further Background: Larry Levan was an American DJ best known for his decade-long residency at the legendary New York City nightclub Paradise Garage, the prototype of the modern dance club. Levan developed a cult following who referred to his sets as "Saturday Mass". Influential post-disco DJ François Kevorkian credits Levan with introducing the dub aesthetic into dance music. Levan experimented with drum machines...

Jean-Michel Basquiat Enrico Navarra Gallery Paris 2000: Rare vintage Basquiat announcement published on the occasion of: Jean-Michel Basquiat, Gallery Enrico Navarra Paris during the...

Allan D'Arcangelo (1930-1998) Red Bridge, edition 120. Serigraph on Arches paper, 35 x 46 inches. Signed, dated and numbered in pencil, lower margins. Ship rolled in tube with glassi...

MEDIUM: Limited Edition Hand-Painted Cel SIZE: 16" x 14" EDITION SIZE: 500 SIGNED: Hand-Signed by Patrick Ewing SKU: WB1044 ABOUT THE IMAGE: "Take it to the HOLE!" The inimitable Patrick Ewing takes the challenge of a little "hoop," Looney Tunes Style! Though faced with the otherwise daunting prospect of facing down seven opponents, (not to mention a rocket, a butterfly net...

Andy Warhol's Chelsea Girls / Andy Warhol Filmmakers' Cinemateque: Rare 1966 flyer published on the occasion of 2 screenings of Andy Warhol's Chelsea Girls at Filmmakers' Cinemateque...

Rupert Jasen Smith California Cooler, 1988 Screenprint in color HC 2/10 38 x 38 in. Signed and numbered in pencil

Title: Montreux Jazz Festival 1986 Collaboration by Keith Haring & Andy Warhol Medium: Screenprint in colors on half-matte coated 250 gr paper Printer: Albin Uldry Size: 70 x 100 cm (27.6 x 39.4 in) Signature: Plate signed by Keith Haring & Andy Warhol Open edition Description: This iconic artwork commemorates the twentieth anniversary of the Montreux Jazz Festival and Claude Nobs’s fiftieth birthday. A remarkable collaboration between two New York icons, Keith Haring and Andy Warhol, this piece captures the vibrancy and energy of the festival in bold red and yellow hues. Pierre Keller's ingenious idea brought these renowned artists together for the first time, resulting in a visually striking poster that evokes a sense of Swiss charm...

Sigmar Polke (German, 1941-2010) Untitled (Spazierstock), 1985 Medium: Offset lithograph in colours, on paper Dimensions: 19 7/10 × 27 3/5 in (50 × 70 cm) Edition of 120: Hand-signed...

Artist: Andy Warhol (after) Title: 'Mick Jagger' Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbered o...

A collection of record covers designed by Andy Warhol during the years 1977 to 1986. Sold as a set of 4. Records included with their covers. Offset lithograph on four individual reco...

Sku: GH1075 Artist: Roy Lichtenstein Title: Tintin Reading Year: 1995 Signed: No Medium: Offset Lithograph Paper Size: 39 x 27.5 inches ( 99.06 x 69.85 cm ) Image Size: 29 x 23.25 in...

Artist: George Rodrigue Title: Union Station (Blue Dog for President) Medium: Silkscreen Year: 1996 Edition: 36/150 Framed Size: 31" x 42" Sheet Size: 18" x 30" Signed: Hand signed a...

Original - Ink on Paper Hand Signed by Tom Russell Drawn With Eyes Closed at Show

Artist: George Rodrigue Title: Pick of the Litter (Black) Medium: Silkscreen Year: 1996 Edition: 6/75 Framed Size: 36" x 42" Sheet Size: 21" x 27" Signed: Hand signed and numbered in...

Raymond Pettibon illustrated Punk flyer 1996:
 Super rare 1996 punk flyer illustrated by Raymond Pettibon for a Los Angeles, CA venue where Pettibon performed among friends (Pettibon presented as a performer on mid lower right). Imagery references Charles Manson - a revolving character of Pettibon´s since the early 1980s. Here Pettibon presents Manson being worshiped by a punk rocker with a mohawk under the shadow of the text, Helter Skelter - a Manson cult movement named after the famous Beatles White album song of the same name. Medium: Offset printed Punk flyer. Dimensions: 8.5 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. Further History:
 Between the years 1978 and 1986 Raymond Pettibon (aka, Raymond Pettibon; St. Pettibone) produced a now historic amassment of graphic works for seminal Southern California punk bands such as Black Flag, the Dead Kennedys...