Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Book 1, line 192: Satan on the Burning Lake
By John Martin
Located in Fairlawn, OH
Book 1, line 192: Satan on the Burning Lake
Mezzotint, 1825
Engraved signature below the image (see photo)
From John Milton's "Paradise Lost"
Published by Septimus Prowett
Printed by...
Category
1820s Romantic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
AGONY
Located in Santa Monica, CA
ROBERT PHILIPPI (Austrian 1877-1959)
KNEELING NUDE. c. 1923 (Chrastek, Widder 2019, p. 162, N° 461) (in Rifkind Collection, LACMA: From a portfolio of 1...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'Le Paradis Terrestre' (Paradise on Earth) — French Symbolism
By Edouard Goerg
Located in Myrtle Beach, SC
Edouard Goerg, 'Le Paradis Terrestre' (Paradise on Earth), etching, 1931, edition 40. Signed, titled, and numbered '3/40' in pencil. A fine richly-inked impression, on heavy, cream w...
Category
1930s Symbolist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Group of Carnations from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
Category
1810s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, ...
By Georges Rouault
Located in Fairlawn, OH
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Unsigned as ...
Category
1920s French School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
'Hold that Tiger' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Hold that Tiger', color lithograph, 1945, edition 16. Signed, dated, titled, and numbered '91' and '15/16' in pen. A fine impression, with fresh colors, on heavy, coated, off-white wove paper; the full sheet with margins (13/16 to 1 1/2 inches), in excellent condition. Scarce. Matted to museum standards, unframed.
Image size 14 x 9 3/8 inches (356 x 239 mm); sheet size 17 x 11 1/4 inches (432 x 285 mm).
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal of Chicago. The Brooklyn Museum mounted a show of Vanguard artists' work in 1946, which subsequently toured several other institutions in the United States.
Faro's visionary graphics from the 1940s are a sophisticated blend of Abstract Expressionism, Surrealism, and Indian Space...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Der Kuss The Kiss (plate facing page 116)
By Peter Behrens
Located in Fairlawn, OH
Der Kuss The Kiss (plate facing page 116)
Color lithograph, 1898
Signed with the artist's initials in the image (see photo)
Published in Pan, Volume IV.2 (Jul-Aug-Sept 1898)
Publishe...
Category
1890s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Untitled
By Mikulas Kravjansky
Located in Fairlawn, OH
Signed and dated '99 in white
Category
1990s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mixed Media
Wake on the Ferry.
By John French Sloan
Located in Storrs, CT
Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
On Lake Como # 1
By John Taylor Arms
Located in New Orleans, LA
Both of Arms' Lake Como images were mostly printed in color. is a rarer black and white impression,
John Taylor Arms was born in Washington, DC. He studied architecture at the Massa...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Jacqueline Kennedy Onassis. Dec. 1965 Perennial Woman Calendar
By Betty Brader
Located in New York, NY
Original, unused 1965 calendar by Determined Productions Inc. in San Francisco. Determined Productions was founded in 1961 by Connie Boucher and was created to make licensed products...
Category
1960s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
Elegy Black Black, a beautiful lithography from Motherwell's elegy series
By Robert Motherwell
Located in London, GB
extract from the catalogue raisonné:
CR 309
Signature:Signed Motherwell in pencil lower right
Inscriptions:Numbered in pencil lower right; workshop chop mark lower right; workshop...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Forest Woman' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Forest Woman', engraving, 1945, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack E...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
Mediterranean Light
By Robert Motherwell
Located in London, GB
Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper
32 1/2 x 76 in. (82.6 x 193 cm)
Edition of 40
Category
1990s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Lithograph
Desvelo (Sleeplessness or insomnia
By Eduardo Leyva Herrera
Located in New Orleans, LA
A copper mezzotint printed on Hahnemulle paper in an edition of 20,
Graduated from the National Academy of Fine Arts "San Alejandro" in 2005. Study of graphic arts. Printer and spe...
Category
21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
Trois Esquisses de maternite (Three Studies of Maternity)
By Pierre Auguste Renoir
Located in Fairlawn, OH
After Pierre Auguste Renoir (1841-1919)
Trois Esquisses de maternite (Three Studies of Maternity)
Heliogravure with etching on velin paper, 1893
Unsigned as issued
Edition 1000, ther...
Category
1890s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Man, Wife and Child
By John French Sloan
Located in Fairlawn, OH
Man, Wife and Child
Etching, 1905
Signed and titled in pencil by the artist below image (see photo)
Annotated in pencil by the artist "100 proofs"
Signed and dated in the plate lower...
Category
Early 1900s Ashcan School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching, Aquatint
In Search of New Beginnings 3
By Darius Steward
Located in Fairlawn, OH
In Search of New Beginnings 3
Puff pigment screen print with hand coloring, 2021
Signed with the artist's initials in the lower right corner (see photo)
Titled in the lower left corn...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
CANAL BRIDGE AMSTERDAM
By John Marin
Located in Santa Monica, CA
JOHN MARIN (1872 -1953)
CANAL BRIDGE AMSTERDAM, 1906 (Zigrosser 13 i/ii)
Etching, drypoint and plate tone. A PROOF IMPRESSION of the 1st state, Annotated...
Category
Early 1900s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'Segments' — 1930s Geometric Abstraction
By Josef Albers
Located in Myrtle Beach, SC
Josef Albers, 'Segments', linoleum cut, 1934, edition 20, 25, plus proofs, Danilowitz 79. Signed, titled, dated, and annotated '(proof)' in pencil. A fine, richly-inked impression on...
Category
1930s Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
Convertible
By Isca Greenfield-Sanders
Located in Berkeley, CA
Color spitbite aquatint and aquatint with drypoint.
Edition of 35
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Intaglio
Flower Vase, Red Camellia, white plum, white daffodils and orchids
Located in Fairlawn, OH
Flower Vase, Red Camellia, white plum, white daffodils and orchids
Color woodcut, c. 1950
Signed "B. Ohno" (see photo)
Seal: Bakufu (see photo)
Series: Flowers of the Four Seasons
Ca...
Category
1950s Other Art Style Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Landscape with Marching Soldiers
By Jan van Huchtenburg
Located in Chicago, IL
Etching from the Six Landscapes
Category
18th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
View of the Interior of the Colosseum by Francesco Piranesi, 1835
By Francesco Piranesi
Located in New York, NY
Piranesi, Francesco.
Le Antichita Romane.
This plate: View of the interior of the Colosseum.
Hind 134, 1st Paris edition, 1835.
Original etching.
Plate size: 19 1/2 x 28 1/4 i...
Category
Early 19th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
#4 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Dean, '#4', color lithograph, 1970, edition not stated but small. Signed, titled, and annotated 'AP' in pencil. Dated 'May 1970' in pencil in th...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Memory and Metaphor, The Art of Romare Bearden
By (after) Romare Bearden
Located in Fairlawn, OH
Original glossy poster, Published for the Studio Museum, Harlem, for the exhibition, April 14 - August 1, 1991.
Note: This poster was created for the national touring exhibition org...
Category
1990s Cubist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
MATTA - 10 EROTIC ETCHINGS - New School Portfolio
By Roberto Matta
Located in Santa Monica, CA
ROBERTO MATTA (Chilean 1911- 2002)
NEW SCHOOL PORTFOLIO (1943-5) (Sabatier 1-7, 4 prints not recorded by Sabatier)
Portfolio with complete set of 10 etch...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Commencement
By Caroline Durieux
Located in New Orleans, LA
Caroline Durieux's image captures a lone figure in her garden in this southern plantation in Louisiana. "Plantation Garden" is a lithograph created by Durieux in 1946 in an edition of 20. It is signed in pencil.
Durieux shared her feeling about this piece with these reflections.
“The spectrum analysis of satire runs from the red of invective at one end to the violet of the most delicate irony at the other.” David Worcester 16, "The Art of Satire".
The feeling expressed in Plantation Garden is that of a dirge with ironic overtones; it is sad, nostalgic yet satirical. The bent figure of the old lady, the ancient trees, the static moss, all seem to belong to the past; even the lady is old. For contrast, a ray of late afternoon sun lights up the only young note in the picture: perennials in the foreground.
When “we are satirical and we are friendly at the same time, the consciousness of the friendship gives a regretful and tender touch to the satire, and the sting of the satire makes the friendship a trifle humble and sad.” George Santayna 255, "The Sense of Beauty".
This concept of satire mixed with friendship comes closer to humor because there is less censure involved. In "Plantation Garden", the satire is tempered by a feeling of empathy.
Caroline Durieux (American, 1896 – 1989)
Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920).
Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Over Cape Cod
By Frank W. Benson
Located in New York, NY
"Over Cape Cod" is an etching created by Frank W. Benson in 1932. Benson only printed trial proofs of this plate - there is no edition. This impression is a first state of four. There are six impressions of the first state, three impressions of the second, four impressions of the third, and eight of the fourth state have been recorded. Signed in pencil in the lower left under the image. The image size is 7 15/16 x 14 7/8" (20.1 x 37.8 cm) and sheet size 11 9/16 x 18 3/8" (29.3 x 46.7 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
Mid-20th Century American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Doe Bow (Christmas Bow Features Santa's Reindeer, Word Play)
By Carol Wax
Located in New Orleans, LA
A series of prints was commissioned by the Met Museum in NY in a regular edition of 40 This impression is from an edition of 5 artist proofs. This impression is #4/5
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting.
In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category
2010s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Intaglio
Mending the Tears
By Winslow Homer
Located in New York, NY
Winslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie.
This piece is signed in pencil “Winslow Homer, N.A.” in the lower left above the etched remarque of an anchor. Etched above the image (top left) is “Copyright, 1888 by Winslow Homer N.Y.” and (top right) “G. W. H. Ritchie Imp.” Also etched in the plate (lower right) “Winslow Homer Sc.” ). The printed image size 15.25 x 21.5" (38.8 x 54.5 cm) plus margins – printed on Japan paper. This item is in very good condition and framed in 2.25 inch scooped molding finished in gold leaf with a rag stock bevel (mat edge) wrapped in metal leaf and rag stock top mat wrapped in silk. Glazed in TruVue Museum Glass.
“Winslow Homer (1836-1910) was one of America's great artists of the 19th century and the sea...
Category
1880s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
The Whitesmiths, Impresse des Carmelites
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEILL WHISTLER (1834 – 1903)
THE WHITESMITHS, IMPRESSE DES CARMELITES 1894 (03) Way 53, LEVY 84
Transfer lithograph signed with butterfly in stone 8 ½ x 6 1//8". ...
Category
1890s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Cosca II “VP 100”
By Victor Vasarely
Located in Fairlawn, OH
Cosca II “VP 100”
Screen print, 1982
Signed and numbered by the artist (see photo of signature)
Edition: 325 plus 65 Vasarely Foundation (127/325)
Editor: no editor/publisher is prov...
Category
1980s Op Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
Puerta del Obispo ( Romanesque Spanish Cathedral)
By John Taylor Arms
Located in New Orleans, LA
This image is by America's greatest etcher, John Taylor Arms. The Spanish cathedral in Zamora is an impressive example of Romanesque architecture located on the hilltop by the river ...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Sud (South)
By Anne Dykmans
Located in New Orleans, LA
This impression is #5 out of 40
Anne Dykmans was born in Verviers, Belgium, in 1952. She is a graduate of l’École Nationale d’Architecture et des Arts Visuels de La Cambre in Brussels, where she studied printmaking. Specialist of the Mezzotint (mezzotinto) technique, she is especially known for her prints of interior scenes, where light and dark come together in amazing chiaroscuro effects. She has presented her work in solo and group shows in Belgium and in many countries including; among others: France, Germany, Spain, Canada, Japan, China, and the USA. She was awarded in 1983 the Prix de la Jeune Gravure Belge in Antwerp. In 1986 she received the Prize of the 8th Biennale of Engraving of Fredrikstad, Norway. She won in 1988 the Gold Medal at the 2nd Triennial of Mezzotint Engraving of Sopot, Poland. Her prints are included in many private and public collections around the world.
Anne Dykmans taught engraving from 1984 to 2017 at the Constantin Meunier...
Category
Early 2000s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
The Master Smith
By James Abbott McNeill Whistler
Located in Storrs, CT
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Category
Late 19th Century Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Night Time, Dieppe.
By Edmund Blampied
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
Tsillag
By Victor Vasarely
Located in London, GB
Hand-painted acrylic on wood three-dimensional multiple, 1990, signed and numbered from the edition of 175 in ink, 52.7 x 61 x 7.9 cm. (20 3/4 x 24 x 3 1/8 in.)
Category
1990s Op Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Wood, Acrylic
RED ROCK CANYON
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958)
RED ROCK CANYON ca 1936
Color block print. Signed and titled in pencil. 10 x 11” on fibrous paper, sheet 13 3/8 x 15...
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
The Death of Lazarus
By Hieronymus Wierix
Located in Fairlawn, OH
The Death of Lazarus
Engraving, 1593
Feria VI. Post Domin IIII
From: Evangelicae Historiae Imagines, Plate 76
Condition: Excellent
Sheet size: 9 7/8 x 6 1/8 inches
Reference: Referen...
Category
16th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
'Child Reaching' — 1940s American Modernism
By Will Barnet
Located in Myrtle Beach, SC
Will barnet, 'Child Reaching', woodcut, 1940, edition 25, Cole 82. Signed and titled in pencil. A fine, black impression, on fibrous Japan paper, with full margins (5/8 to 1 3/4 inch...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Standard Oil Building.
By Joseph Pennell
Located in Storrs, CT
Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat
proof printed by the artist. $875.
26 Broadway" is the home of the Standard Oil...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Two Open Squares Within a Red Area
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
2010s Minimalist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper, Etching, Aquatint
'Commuters' — Early 20th-Century Modernism
By George Josimovich
Located in Myrtle Beach, SC
George Josimovich, 'Commuters', linocut, 1922-23, edition 20. Signed, dated '22, titled, and annotated '9/20' in pencil. Initialed in the block 'G.J....
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
A Winter - Seeming Summers Night
By June Wayne
Located in Santa Monica, CA
JUNE WAYNE (1918 - 2011)
A WINTER - SEEMING SUMMER'S NIGHT, 1957 From the John Donne Series. (Conway 122, Basket 106: Gilmour 50)
Lithograph signed, title...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Dropping In
By Paul H. Winchell
Located in Fairlawn, OH
Dropping In
Drypoint, c. 1940
Signed lower right (see photo)
Titled lower left
Condition: Excellent
Brown paper tape around the sheet edges from
the printing and air dryi...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Drawing Boards I (red / yellow)
By Richard Smith
Located in London, GB
Edition of 60, Set of 5
74.9 x 56.5 cms (29.5 x 22.25 ins)
Category
1980s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Limoges (French Church Series #32)
By John Taylor Arms
Located in Myrtle Beach, SC
John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed.
A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates.
Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954.
Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University.
ABOUT THE ARTIST
“John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker
Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York.
In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Financial District
By Howard Norton Cook
Located in New York, NY
Howard Cook (1901-1980), Financial District, lithograph, 1931, signed and dated in pencil lower right and numbered 75 lower left. Reference: Duffy 155, from the stated edition of 75....
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Conked
By Alison Saar
Located in New York, NY
Alison Saar was born in 1956 to Betye Saar, a well-known African American artist, and Richard Saar, an art conservationist. Her parents inspired her to be...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'Search' — Australian Romanticism
Located in Myrtle Beach, SC
Thomas Balfour Garrett, 'Search', monotype in colors, c. 1910, a unique impression. Signed and titled in pencil. A superb, painterly impression with fresh colors on off-white, wove p...
Category
1910s Romantic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Monotype
Thirsty: The Appearance of a Town Geisha - a So-Called Wine-Server - in the Anse
By Taiso Yoshitoshi
Located in Fairlawn, OH
Thirsty: The Appearance of a Town Geisha - a So-Called Wine-Server - in the Ansei Era
Color woodcut, 1888
Signed; Seal: Taiso (see photo)
Plate 22 from the series "Thirty-two Aspects...
Category
1880s Showa Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
France at her Furnaces
By James McBey
Located in Storrs, CT
1917. Etching. Hardie 175. 8 x 15 (sheet 10 1/8 x 16 15/16). Edition 76. Slight mat line; otherwise excellent condition. A rich impression printed on antique laid paper with full m...
Category
1910s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
Girders (rainy night view of artist's former studio in Washington Heights
By Craig McPherson
Located in New Orleans, LA
"Griders" is Craig McPherson's rainy night scene showing the view from his former studio in Washington Heights in NYC. The image is the companion pi...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
Chez Madame Dupont
By Edmund Blampied
Located in Storrs, CT
Chez Madame Dupont. 1931-32. Drypoint. Appleby 158. 8 3/16 x 11 3/4 ( 11 1/8 x 18 1/3). Edition 100, #75. A fine impression on pale cream-colored laid paper, printed on the full shee...
Category
1930s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
POSTER SIZE MEXICAN LINOCUT - DESPERTAR (Awakening)
By Adolfo Mexiac
Located in Santa Monica, CA
ADOLFO MEXIAC (Mexican b.1927 - )
DESPERTAR, (Awakening) 1960
Linoleum cut signed, titled and dated. image 19 1/4 x 27 1/2. Sheet 24 x 31 1/2
Generally very good condition save for a loss along the top sheet edge and creasing in the lower right part of the sheet. This print was most likely produced at the TGP (El Taller de Grafica Popular...
Category
1960s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
La Tasse et la Pomme (The Cup and the Apple)
By Pablo Picasso
Located in Fairlawn, OH
La Tasse et la Pomme (The Cup and the Apple)
Wash drawing and gouache transferred to lithograph stone, 1947
One of four unsigned proofs
Edition: a proof outside the edition of 50 pri...
Category
1940s French School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
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