Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Prehistoric Sighting Pacific Ocean (Goblin Sharks?)
Located in New Orleans, LA
This is a single color lithograph created by Matthew Roath as part of Tamarind Institute PTP. The Collaborating printer isAndreea Cristina Mateescu....
Category
21st Century and Contemporary American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$83 Sale Price
58% Off
DONALD CRIBB
By David Hockney
Located in Portland, ME
Hockney, David. DONALD CRIBB. Lithograph, 1976. Edition of 59, plus 28 proofs, published by Gemini GEL, and with its blindstamp. Signed, dated and numbered 48/59 in pencil. 8 3/8 x 8...
Category
1970s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
LOVERS (LIEBESPAAR
Located in Santa Monica, CA
ROBERT PHILIPPI (Austrian 1877-1959)
LIEBESPAAR (LOVERS) ca.1923 (in Rifkind Collection, LACMA: From a portfolio of 10 prints. Rifkind indicates the e...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Hidden Pond
By Stow Wengenroth
Located in Fairlawn, OH
Hidden Pond
Lithograph, 1958
Signed in pencil lower right of image
Annotated: Ed/40 in pencil by the artist lower left
Edition: 40
Provenance:
Baldwin-Wallace College, Berea, OH (acc...
Category
1950s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
For John Constable
By Richard Smith
Located in London, GB
Edition of 100
46.4 x 67.3 cms (18 1/4 x 26 1/2 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Frame with Separation
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
21st Century and Contemporary Minimalist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
LINDY HOP
By Miguel Covarrubias
Located in Portland, ME
Covarrubias, Miguel. LINDY HOP. Lithograph, 1936. AAG edition (usually about 200), with their label preserved and attached to the back of the mat. Unsigned a...
Category
1930s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
ABS, Lithograph
Octavio Paz Suite: Nocturne VI
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué
64.5 x 54 cms (25 3/8 x 21 1/4 ins)
Edition 50
Paper: Arches paper; Japanese Gampi handmade paper
Other Collaborators: Image transferred from Mylar to...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Handmade Paper, Color, Lithograph
Les Jardin des Tuileries
By Edouard Vuillard
Located in Fairlawn, OH
Signed by the artist in pencil upper right; Annotated in pencil by the artist below signature: "no 58"
Edition: Intended edition of 100 for Vollard's "Album des Peintres-Gravures" o...
Category
Late 19th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Old Cedars' – Early New Mexico Landscape, Southwest Regionalism
By George Elbert Burr
Located in Myrtle Beach, SC
George Elbert Burr, 'Old Cedars – New Mexico', etching, 1920, edition 40, Seeber 218. Signed and annotated '(c) George Elbert Burr Del. et Imp.' in pencil. ...
Category
1920s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'Child and Seeing Hands' — after the artist's 1948 Surrealist masterwork
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, 'Child and Seeing Hands', photogravure and engraving, edition 9, 1970. Flahutez 4-9. Signed by the artist and numbered '41/90' in pencil. A superb, richly-inked impress...
Category
1670s Surrealist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving, Photogravure
New York Skyline
By John Taylor Arms
Located in Myrtle Beach, SC
A superb impression in warm black ink, on cream, laid paper; the full sheet with margins (1 5/8 to 2 3/4 inches); original brown paper hinges on the top sheet edge recto, in excellen...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'Doctor' from 'In Praise of Folly' — Mid-Century Graphic Modernism
By Lynd Ward
Located in Myrtle Beach, SC
Lynd Ward, 'Doctor' from the series 'Moriae Encomium (In Praise of Folly),' mezzotint, 1943, no edition, proofs only. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches) in excellent condition. Matted to museum standards, unframed. Scarce.
Image size 7 3/4 x 4 3/4 inches (197 x 121 mm); sheet size 10 11/16 x 8 1/16 inches (271 x 204 mm).
Created by the artist for 'Erasmus's Moriae Encomium,' or 'In Praise of Folly,' published by the Limited Editions Club, 1943. A rare, signed, proof impression apart from the Limited Editions Club publication.
ABOUT THE ARTIST
Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society.
The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage,’ 1932, ‘Prelude to a Million Years,’ 1933, ‘Song Without Words,' 1936, ‘Vertigo,’ 1937; and ‘Last Unfinished Wordless Novel’ (created in the 1960s and published in 2001) were comprised solely of Ward's wood engravings. Ward designed each graphic image to occupy an entire page, the sequence of which conveys the story's narrative.
In 1937, Ward was named Director of the Graphic Arts Division of the Federal Art Project, a division of the Works Progress Administration (WPA). In the following years, Ward went on to illustrate more than one hundred books (some of which he wrote), including classics for the Limited Editions Club Goethe’s ‘Faust,’ Faulkner’s ‘A Green Bough,’ and Mary Shelley’s ‘Frankenstein,’ and several children’s books. He also produced single-subject wood engravings, paintings, and drawings. His print ‘Sanctuary,’ 1939, was shown at the 1939 New York World’s Fair, and ‘Clouded Over,’ 1948, received the 1948 Library of Congress Award and was included in ‘American Prize Prints of the 20th Century’ by Albert Reese. He received the National Academy of Design Print Award (1949), the New York Times Best Illustrated Award (1973), and the Regina Award (Catholic Library Association, 1975). ‘The Biggest Bear,’ a children’s book with illustrations by Ward, was the recipient of the esteemed 1952 Caldecott Medal of the American Library Association.
An Honorary Fellow of the Royal Society of Painter-Etchers and Engravers, Ward was a member and board member of the National Academy of Design and the Artists’ League of America. He served several terms as president of the Society of American Graphic Artists and was a member of the American Artists Congress and the Society of Illustrators. Ward exhibited at the American Artists Congress; the National Academy of Design; the John Herron Art Institute; and the Library of Congress. He had a one-person show at Associated American Artists, NY, on the publication of his monograph 'Storyteller Without Words,' 1974; AAA mounted a memorial exhibition in 1986. The May 1976 issue of 'Bibliognost,' a book collector’s publication, was dedicated to Ward. ‘Lynd Ward, His Bookplate Designs,’ an article by Dan Burne Jones, was published in the American Society of Bookplate Collectors and Designers Yearbook, 1981/82.
In 2001, sixteen years after his death, Rutgers University Libraries published ’Lynd Ward’s Last Unfinished Wordless Novel.’ The blocks were intended to be part of a novel in woodcuts, the first since Vertigo, but Ward did not live to complete the project. Master printer and book designer Barbara Henry collated and printed the twenty-six finished blocks out of the forty-four initially planned for the still unnamed narrative.
In 2010 the Library of America honored Ward’s achievements with the meticulous production of a collection of Ward’s woodcut novels—the first time the Library had gone wordless. The publication replicated his original editions with a single full-size image printed on the right page of each double-page spread. In his introduction to the books, renowned cartoonist/illustrator Art...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
WHAT DOES ART MEAN HERE? - WAS HEISST HIER KUNST?
By Andreas Paul Weber
Located in Santa Monica, CA
ANDREAS PAUL WEBER (German 1893-1980)
WAS HEISST HIER KUNST? (WHAT DOES ART MEAN HERE?) c 1953
Lithograph, signed in pencil and with the artist's Clan Press Stamp lower left corner. Image including the light PRINTED BORDER AROUND THE IMAGE is 15 1/2 x 18 3/4 inches. The full sheet 19 3/4 x 24 1/2 inches with deckle edges.. IN VERY GOOD CONDITION. SHEET FRESH AND EVEN - PHOTO IS TOO DARK!!
An image of EDVARD MUNCH''S "THE SCREAM" is below a satirical image of a man eating a sausage sitting on top of other works of art including - GOYA"S "SLEEP OF REASON...
Category
1950s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Brittany Landscape with Figure
By Louis Oscar Griffith
Located in Fairlawn, OH
Brittany Landscape with Figure
Etching & color aquatint, c. 1920
Signed lower right (see photo)
Numbered lower left: "No. 21" (see photo)
An early color etching by the artist, based ...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
Untitled 5 (Woman Resting Against a Chair)
By George Segal
Located in Fairlawn, OH
Untitled 5 (Woman Resting Against a Chair)
Signed and dated in the lower right corner (see photo)
Edition: 100 (43/100 in the lower left corner)
Published by Poligrafa, Spain
Proven...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Rolling Stock Series (For Trish)
By Robert Cottingham
Located in New York, NY
Robert Cottingham's Rolling Stock series is a significant part of his artistic portfolio, focusing on railroad imagery. The series features hand-colored etchings, collographs, and mo...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
Little Devils Bridge over the Russ, above Alt Dorft Swiss
By Joseph Mallord William Turner
Located in Fairlawn, OH
Little Devils Bridge over the Russ, above Alt Dorft Swiss
From: Liber Studiorum
Etching and mezzotint, 1809
Signed in the plate by JMW Turner and Charles Turner who applied the mezz...
Category
Early 1800s Romantic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
Winter Fun — Mid-century Modernism, Central Park, New York City
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Winter Fun', lithograph, 1940, edition 20, 250 (1941). Flint 188. Signed in pencil, with the artist’s monogram in the stone, lower left. A...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'A Very Funny Story, Mongols' — Mid-Century Woodblock Print
By Paul Jacoulet
Located in Myrtle Beach, SC
Paul Jacoulet, 'Une Histoire très Drôle, Mongols', color woodblock print, 1949. A fine impression, with fresh colors, on the artist's handmade, personally watermarked Japan paper, in...
Category
1940s Showa Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Portrait de D. H. Kahnweiler I
By Pablo Picasso
Located in Fairlawn, OH
Portrait de D. H. Kahnweiler I
Lithograph, 1957
Estate Signature Stamp lower right
Provenance: Picasso Estate
Marina Picasso, her stamp on reverse
Annotated in ...
Category
1950s French School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Sunset - Ardgour
By Percival Gaskell
Located in Myrtle Beach, SC
Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed.
Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...
Category
1920s Post-Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Aquatint
L'escargot
By Henri Matisse
Located in London, GB
Lithograph in colours based on the cut-out of the same title, 1952
From 'Verve' Magazine Volume IX, Nos 35 & 36: 'Dernières Oeuvres de Matisse 1950-54'
Pr...
Category
1950s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Portrait of Wyndham Lewis
Located in Fairlawn, OH
Portrait of Wyndham Lewis
Etching, 1973
Signed and numbered in pencil
Published in 1973 in the deluxe edition of "The Roaring Queen"
Edition: 100 (62/100)
Condition: Excellent
Image/...
Category
1970s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
EXPANSION
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. EXPANSION. B&M 334. Etching and soft-ground etching, in color, 1969-70. Edition of 100 (there were also 20 artist's proofs, and several trial proofs in other...
Category
1960s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
The Sacristan
By Harry Morley
Located in New Orleans, LA
This image shows a cleric seated in a church sacristy surrounded by religious statues, croziers, various saints, statues and chalices. It is an origina...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
$400 Sale Price
32% Off
Graceland Mansion
By Jennifer Bartlett
Located in Houston, TX
Jennifer Bartlett
Graceland Mansions, 1978-79
Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper
24 x 120 inches, unframed
Ed...
Category
20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Lithograph, Screen, Woodcut, Drypoint, Aquatint
La Cardeuse (Woman Carding Wool)
By Jean François Millet
Located in Storrs, CT
La Cardeuse (Woman Carding Wool). c. 1858. Etching. Delteil, Melot 15. only state. 10 x 7 (sheet 12 3/8 x 9 1/2). Illustrated: Print Collector's Quarterly 25 (1938): 146; Keppel, The...
Category
1850s Barbizon School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
$2,400 Sale Price
20% Off
THE SMITH’S YARD
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903)
THE SMITH’S YARD 1895 (Spink, Stratis & Tedeschi 124)
lithograph, 1895, on wove paper, from the edition of 3000, published by
The Inter...
Category
1890s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Evening, Port of Genoa
By Sir Muirhead Bone
Located in Storrs, CT
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category
1910s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
$760 Sale Price
20% Off
Lithographie originale pour XXe Siecle, No. 20
By Max Ernst
Located in Fairlawn, OH
Lithographie originale pour XXe Siecle, No. 20
Color lithograph, 1962
Unsigned (as issued)
From: XXe Siecle, No. 20, Christmas
Publisher: G. di San Lazzaro, Paris.
Printer: Mourlot?
Large edition: c. 1500?
Condition: Excellent/Mint
usual glue on reverse from binding in book
Image/Sheet size: 12 3/16 x 9 1/2 inches
New series of XXe Siecle
Back in Paris in 1949, Gualtieri di San Lazzaro resumed 20TH century publishing in 1951.
It hosts many of the most important writers and art critics of the 1950s and 1960s, including Alain Bosquet , Genevieve Bonnefoi, Camille Bourniquel , Georges Borgeaud, Marcel Brion , Georges Boudaille, Jacques Brosse , Michel Butor , Jean Cassou , Denys Chevalier, Pierre Courthion, Hubert Damisch , Pierre Descargues, Bernard Dorival , Jacques Dupin , Mircea Eliade , Jean-Louis Ferrier , Pierre Francastel , André Frenaud , Roger Van Gindertael...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Alexander Street
By Howard Hodgkin
Located in London, GB
Lithograph from three zinc plates printed in emerald green, red brown, and grey with hand colouring in yellow watercolour and red gouache. On Velin Arches mould-made paper (300 gsm)
...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Lithograph
$3,776 Sale Price
25% Off
Tunnel /Target
By June Wayne
Located in Santa Monica, CA
JUNE WAYNE (1918 - 2011)
THE TUNNEL II, 1951 (B.69; G.14; Conway 67)
Lithograph, signed, numbered, dated July 1951 and titled incorrectly The Target.
Edition 35. 15 3/4 x 19 3/4 inc...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$975 Sale Price
39% Off
River Reflections
By Arthur Wesley Dow
Located in Fairlawn, OH
River Reflections
Color woodcut, c. 1910
Unsigned
Provenance: Dow Family Album, Cincinnati
Condition: Excellent
Image size: 2 1/2 x 4 inches
Sheet size: 3 1/8 x 4 7/8”
A color varian...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Make Fast, Plate 2.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Drypoint
$1,800 Sale Price
20% Off
Tatoo-Shave-Haircut
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting.
A very fine rich black impression; we have not seen impressions of comparable quality on the market.
Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman.
Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major.
This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence.
Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”).
Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
'Interim' from the series 'Graphic Tectonics' —Mid-Century Geometric Abstraction
By Josef Albers
Located in Myrtle Beach, SC
Josef Albers, 'Interim' from the series 'Graphic Tectonics', zinc plate lithograph, 1942, edition 30, Danilowitz 101. Signed, titled, dated, and numbered '3/30' in pencil. A fine imp...
Category
1940s Abstract Geometric Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Run Little Chillun' also 'Revival' — African American Subject
Located in Myrtle Beach, SC
Isac Friedlander, 'Run Little Chillun' also 'Revival', wood engraving, 1933, edition 50. Signed, titled and annotated 'New York 1933' in pencil. A sup...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
'Navajo Medicine Ceremony of the Night Chant' — Southwest Regionalism
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'The Three Gods of Healing (Navajo Medicine Ceremony of the Night Chant)', lithograph, 1945, edition 30, Czestochowski 148. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (2 1/4 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed.
Image size 12 1/4 x 15 13/16 inches (311 x 402 mm); sheet size 17 1/8 x 20 7/8 inches (435 x 530 mm).
ABOUT THIS WORK
The nine-night ceremony known as the Night Chant or Nightway is believed to date from around 1000 B.C.E. when it was first performed by the Indians who lived in Canyon de Chelly (now eastern Arizona). It is considered the most sacred of all Navajo ceremonies and one of the most difficult and demanding to learn, as it encompasses hundreds of songs, dozens of prayers, and several highly complex sand paintings. And yet the demand for Night Chants is so great that as many as fifty such ceremonies might be held during a single winter season, which lasts eighteen to twenty weeks.
The Night Chant is designed both to cure people who are ill and to restore the order and balance of human and non-human relationships within the Navajo universe. Led by a trained medicine man who has served a long apprenticeship and learned the intricate and detailed practices that are essential to the chant, the ceremony itself is capable of scaring off sickness and ugliness through techniques that shock or arouse. Once the disorder has been removed, order and balance are restored through song, prayer, sand painting, and other aspects of the ceremony.
The medicine men who supervise the Night Chant ensure that everything—each dot and line in every sand painting, each verse in every song, each feather on each mask is arranged precisely, or it will not bring about the desired result. There are probably as many active Night Chant medicine men today as at any time in Navajo history due to the general increase in the Navajo population, the popularity of the ceremony, and the central role it plays in Navajo life and health.
ABOUT THE ARTIST
Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972.
After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001.
Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955).
Moskowitz’s lithographs of...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Untitled
By Robert Motherwell
Located in London, GB
Brushed aquatint, lift-ground etching and aquatint on German Etching paper
71.8 x 56.5 cms (28 1/4 x 22 1/4 ins)
Edition of 32
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
'Hurdy Gurdy Ballet' — New York City American Scene, Ashcan School
By Glenn O. Coleman
Located in Myrtle Beach, SC
Glenn O. Coleman, 'Hurdy Gurdy Ballet', lithograph 1928, edition 50. Signed, dated, and numbered '14/50' in pencil. Titled in the bottom left margin, in an...
Category
1920s Ashcan School Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
$3,840 Sale Price
20% Off
Norway
By Robert Motherwell
Located in London, GB
54.9 x 56.5 cms (21.6 x 22.25 ins)
Edition of 50
Paper: Somerset paper
Signature:Signed "RM" in pencil lower right
Inscriptions:Numbered in pencil lower right
Proofs:20 AP, number...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Lithograph
Tropic Fruit
By Howard Hodgkin
Located in London, GB
80 x 94 cms (31.5 x 37 ins)
Edition of 100
Category
1980s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Screen
$3,000 Sale Price
25% Off
CELIA OBSERVING
By David Hockney
Located in Portland, ME
Hockney, David (English, born 1937). CELIA OBSERVING. Etching and aquatint in colors, 1976.
Not in the Scottish Arts Council or Tokyo catalogues, both of which cover earlier work. ...
Category
1970s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
The Forge
By James Abbott McNeill Whistler
Located in Fairlawn, OH
The Forge
Drypoint, 1861
Signed in the plate lower right (see photo)
Published as part of the Thames Set, 1871
Printed between 1894 and 1896 when the plate was canceled. This impress...
Category
1860s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Portraits: Jessica
By Alex Katz
Located in New York, NY
Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chal...
Category
Early 2000s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Skid-Row Self Portrait
By Robert Indiana
Located in Fairlawn, OH
Skid Row-Self Portrait
Color lithograph, 1973
Unsigned (as usual)
From: XXe Siecle, Volume XXVV, December 1973
Published by G. di San Lazzaro for A. Maeght, Paris
Printed by Mourlot,...
Category
1970s Pop Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Harbor with Sailboats — Early 20th-Century Modernism
By George Josimovich
Located in Myrtle Beach, SC
George Josimovich, Untitled (Harbor with Sailboats) ', linocut, 1923, edition 35. Signed, dated, and annotated '4/35' in pencil. Initialed 'G J' in ...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
America - La France Variations I
By Robert Motherwell
Located in London, GB
118.1 x 81.6 cms (46.5 x 32.1 ins)
Edition of 70
Published by Tyler Graphics, New York
Signed and numbered in pencil
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Lithograph
Etching 1916 Number II
By Wassily Kandinsky
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat.
A fine fresh impression of this great rarity, printed in a dark brown ink.
Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14.
Provenance: Kornfeld Auction, Bern, June 2007.
The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...
Category
1910s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
543 Hub of the World Etching
By Anton Schutz
Located in New York, NY
Schutz, Anton (1894-1977).
543 Hub of the World.
Published in New York, 1927.
Original etching. Signed in pencil.
Sheet size: 19 x 13 5/8 in.
Plate size: 13 7/8 x 10 5/8 in.
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Paper
THE FORGE - Rich Drypoint
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903)
THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi)
Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category
Late 19th Century Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Exit (Dappled sunlight in an ancient stairway leads to an uncertain end.)
By Jukka Vanttinen
Located in New Orleans, LA
Finns always seek the solace of nature. Is this mysterious stairway an escape from the challenges of civilization? Vanttinen created this mezzotint in an edition of 100 and it is tit...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Mezzotint
Reflections
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Reflections', chiaroscuro wood engraving, 1979, edition 160 in 1983. Signed, dated and titled in pencil. Signed in the block, lower right. A superb impression, on cream ...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
THOMAS HART BENTON
By Harry Sternberg
Located in Santa Monica, CA
HARRY STERNBERG (American, 1904-2001)
THOMAS BENTON, 1943. Color screenprint on gray card stock wove paper. Edition of 30. Signed "Benton by Sternberg" in ink, by hand by the artist...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
'Negro' — California WPA Social Realism – Slavery
Located in Myrtle Beach, SC
Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Matted to museum standards, unframed.
Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm).
Created for the California Works Progress Administration, Federal Art Project (WPA). Scarce.
Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and Weisman Art Museum (University of Minnesota).
ABOUT THE ARTIST
Born in Massachusetts, Nicholas Panesis (1913-1967) studied art at Syracuse University, NY, and went on to teach ceramics at Alfred University, NY.
Panesis moved to San Francisco in the early 1930s shortly before settling in Los Angeles, where he worked for different animation studios...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
VILLAGE SCENE / TOWN FESTIVAL
By Herbert Gurschner
Located in Santa Monica, CA
HERBERT GURSCHNER (Austrian / English (1901-1975)
VILLAGE SCENE / TOWN FESTIVAL ca.1924
Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut, Linocut
Phlox, from A Garden of Love
By Robert Indiana
Located in London, GB
Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Do...
Category
1980s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
SUBWAY SHIFT - THE SECOND FRONT
By Benton Murdoch Spruance
Located in Portland, ME
Spruance, Benton (American 1904-1967). SUBWAY SHIFT - THE SECOND FRONT. Fine and Looney 223. Lithograph, 1943. Fine and Looney cite two editions, one of 35 and one of 30, this being ...
Category
1940s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Baigneuse Debout, à Mi-Jambes — French Impressionism
By Pierre-Auguste Renoir
Located in Myrtle Beach, SC
Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...
Category
1910s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
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