Ifpda International Fine Print Dealers Association Prints and Multiples
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Greengages a la Warhol, from Wild Raspberries
By Andy Warhol
Located in London, GB
Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithographic title page printed in black on the reverse as issued, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse, 44.3 x 57 cm. This work was part of an unbound set of works kept by The Warhol Estate and comes directly from the Estate.
‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature...
Category
1950s Pop Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph, Ink, Offset
Congregational Church, Old Lyme, CT. (quintessential New England landmark)
By Walter DuBois Richards
Located in New Orleans, LA
The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
La Chauve Souris /Theatre Pigalle
By Paul Colin
Located in New York, NY
Colin, Paul. Theatre Pigalle/La Chauve Souris. 1934. Color lithograph.
On Linen.
Paul Colin worked for Josephine Baker. Made famous in 1925 by his poster for the Revue Negre.The ...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Romany Marye in Christopher Street
By John Sloan
Located in New York, NY
John Sloan (1871-1951), Romany Marye in Christopher Street, 1922, etching, signed in pencil lower right, titled, dated and inscribed 100 proofs bott...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Maisons au Bord de la Mer
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Maisons au Bord de la Mer, etching, 1936, numbered bottom right (26/66) and inscribed in the bottom margin by Suzanne Laboureur (see below). Referen...
Category
1930s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Climber
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 30
Don Ed Hardy is a painter, printmaker and tattoo artist. Fascinated by tattoos since childhood, Hardy has become a master...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME].
Located in Portland, ME
Brinton, D. UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME]. Drypoint, n.d. (c. early to mid-20th Century). 8 x 6 inches (image), 11 1/2 x 8 inches (sheet). In excellent condition, wit...
Category
Early 20th Century Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
![UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME].](https://a.1stdibscdn.com/unknown-prints-works-on-paper-untitled-gentleman-observing-billiards-game-for-sale/a_3673/1527774112831/Brinton_Billiards_master.jpg?width=240 "UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME].")
All
By Emmi Whitehorse
Located in Lyons, CO
Color lithograph, Edition 25.
Emmi Whitehorse is a painter and printmaker. Using a private language of symbols and memories, Whitehorse makes 'personal diaries' of her life as an ...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Saved from Drowning
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-1879), [Saved from Drowning], lithograph, plate 7 from the series Les Canotiers Parisiens, a sur blanc impression from the album, with...
Category
1840s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
LE PENSEUR DE NOTRE DAME
By John Taylor Arms
Located in Portland, ME
Arms, John Taylor. LE PENSEUR DE NOTRE DAME. F.136. Etching, 1923. 1st State, edition of 150. 12 5/8 x 10 1/8 inches; 322 x 252 mm. Signed in pencil. In exc...
Category
1920s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Dragonfly Pond
By Hiroki Morinoue
Located in Lyons, CO
Color woodcut with pochoir, Edition 30
In all of Morinoue's work there is a compelling sense of place--the ocean shoreline, lava flows and Japanese gardens. He is a patient observ...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Un Homme a La Mer
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-1879), Un Homme a La Mer lithograph, 1843, [with initials in the plate]. Reference: Daumier Register 1036, plate number 14 from the series Les Canotiers...
Category
1840s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
THE GREAT HUMAN RACE - MERCHANTS AND TRADERS
Located in Portland, ME
Doyle, John L. (American, 1939 - 2010). THE GREAT HUMAN RACE - MERCHANTS AND TRADERS. Fishy Whale Press, Rockford, IL., 1983. Boxed portfolio of 20 lithogra...
Category
1980s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Kino Plasticon
By Faragó Géza
Located in New York, NY
Kino Plasticon. Ca 1920s. Budapest. Color lithograph
The Hungarian artist and illustrator Geza Farago worked in Budapest as a cartoonist, theatrical costume designer and poster ar...
Category
1910s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Plate V, Le Cocu Magnifique
By Pablo Picasso
Located in Fairlawn, OH
Plate V, Le Cocu Magnifique
Etching, 1968
Unsigned
From the unsigned edition of 200 impressions printed on Rives BFK paper
There is also a signed edition of 30 impressions
The set of...
Category
1960s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Dawn (or, Kneeling Figure)
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies (1862-1928), Dawn (or, Kneeling Figure), 1918, soft ground etching and aquatint, signed in pencil lower right. Reference: Czestochowski 59, second state (of 3). In v...
Category
1910s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching, Aquatint
The Forge
By James Abbott McNeill Whistler
Located in Fairlawn, OH
The Forge
Drypoint, 1861
Signed in the plate lower right (see photo)
Published as part of the Thames Set, 1871
Printed between 1894 and 1896 when the plate was canceled. This impress...
Category
1860s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Chemin De Fer Rhetique
By Emile Cardinaux
Located in New York, NY
Chemin De Fer Rhetique, Grisons, Suisse. Chateau De Tarasp.
1913. Color lithograph
Cardinaux created an extensive work of different media, he illu...
Category
1910s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Taos Pueblo
By Anna Barry
Located in Fairlawn, OH
Taos Pueblo
Screen print in colors, c. 1945
Signed and titled in pencil by the artist
Printed in Taos
Taos is the oldest continually inhabited city/village in North America.
How old ...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Screen
In White with Green Stripe
By Robert Motherwell
Located in London, GB
Rober Motherwell
In White with Green Stripe
1987
Lithograph, relief print, embossing and collage
86.4 x 61 cms (34 x 24 ins)
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Mercado
By Rafael Ferrer
Located in Lyons, CO
Color monotype.
Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Monotype
Old Injun
By Charles Banks Wilson
Located in Myrtle Beach, SC
Charles Banks Wilson, 'Old Injun', lithograph, 1948, edition 250, Hunt 39. Signed in pencil. A fine, richly-inked impression, on off-white wove paper, with full margins (1 3/4 to 2 inches), in excellent condition. Published by Associated American Artists.
Impressions of this work are in the permanent collections of the following institutions: Ackland Art Museum, Georgetown University...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Under Simple Stars (Great Basin silverspot butterfly)
By Kara Maria
Located in Lyons, CO
The artist describes this work as follows:
“The impact of species loss is a deep concern that informs the ideas behind my artwork. I paint carefully rendered miniature portraits of ...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Galleria grande di Statue
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Shere Mill Pond II (Large Plate)
By Seymour Haden
Located in New York, NY
Seymour Haden (1818-1910), Shere Mill Pond II (Large Plate), etching and drypoint, 1860, signed in pencil lower right [also signed in the plate lower right]. Schneiderman 37, sixth state (of 9). In generally good condition (see note below) with margins, on a cream/ivory laid paper, 7 x 13 1/2, the sheet 8 1/8 x 13 3/4 inches.
A very good impression, with rich burr especially in the reeds toward the right.
Provenance: Frederick Keppel and Co., New York, NY.
Illustrated: Guichard, British...
Category
1860s Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint, Etching
Holy Cats by Andy Warhol’s Mother.
Located in London, GB
First edition, 8vo (23 x 14.5 cm); 20 lithographs on various coloured wove papers, printed recto only, with ‘The Estate of Andy Warhol’ and ‘Andy Warhol Foundation for the Visual Arts’ stamps to lower pastedown, numbered in pencil ‘PM 21.0048’; original lithographed paper covered boards, very minor staining to cover otherwise a fine copy.
Stamped by ‘The Estate of Andy Warhol’ and ‘The Andy Warhol Foundation for the Visual Arts, Inc.’
Andy Warhol’s mother...
Category
1950s Pop Art Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
The Wrath of Elihu: 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid.'
By William Blake
Located in Storrs, CT
The Wrath of Elihu. 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid'. 1823-25. Engraving. .Binyon catalog 117 state ii, Bindman catalog 632. Image 7 7/8 x 5 15/16; plate 8 ...
Category
Early 19th Century Romantic Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
Une Navigation Difficile
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-1879), Une Navigation Difficile, lithograph, 1843, plate 6 from the series Les Canotiers Parisiens [with the addresses, text, and Daumier’s initials in the plate...
Category
1840s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Fashion Plates (a collection of 12)
By Paul Gavarni
Located in New York, NY
Paul Gavarni (1804-1866), Fashion Plates (a collection of 12), lithographs, c. 1840, as published in Le Charivari, with the letterpress verso. [Some are ...
Category
1840s Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Une Marmite
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Une Marmite, engraving, 1916, signed in pencil lower left; titled, dated and inscribed “epreuve de 1er etat” bottom margin edge [with the initial an...
Category
1910s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
La Fortune Fait Oblier Les Amis
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-1879), La Fortune Fait Oblier Les Amis, lithograph, from the series Caricaturana, plate 31, 1838. Daumier Register 385, third state (of...
Category
1830s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Lithograph
Kabuki Space
By Betty Woodman
Located in Lyons, CO
Color woodcut, Edition 30.
Betty Woodman’s woodcut “Kabuki Space” places images of a pair of her pots in an exuberant Japanese inspired stage-like interior. Woodman blends colors,...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Portrait de Paul Gauguin
Located in Fairlawn, OH
Portrait de Paul Gauguin
Woodcut, c. 1900
Initialed in pencil lower right
Numbered in pencil lower left
Edition: 100 (34/100)
Annotated verso: “epreuve sur japon”
Condition: Excellent
Image size: 6 3/4 x 4 3/4 inches
Sheet size: 11 x 8 5/8 inches
Note: Born in New York, Monfreid studied in France at the Academy Julian. He was a friend of Gauiguin, Verlaine and Maillol. He formed a noted collection of works by Gauguin. In 1924, Monfreid published the manuscript for Paul Gauguin’s Noa Noa with 24 woodcuts inspired by Gauguin...
Category
Early 1900s Post-Impressionist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse)
"Temple of the Cough"
Etching, 1764
Signed in the plate
From: Vedute di Roma...
Category
1760s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Earth Cycle
By Hiroki Morinoue
Located in Lyons, CO
Color woodcut, Edition 30.
In all of Morinoue's work there is a compelling sense of place--the ocean shoreline, lava flows and Japanese gardens. He is a patient observer of nature...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Woodcut
Nu Bleu II
By Henri Matisse
Located in London, GB
Lithograph in colours based on the cut-out of the same title, 1952
From 'Verve' Magazine Volume IX, Nos 35 & 36: 'Dernières Oeuvres de Matisse 1950-54'
Pr...
Category
1950s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
TEN O'CLOCK in TAXCO - Large etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985)
TEN O'CLOCK IN TAXCO 1946 Etching and aquatint on paper Edition: An artist proof (#2) apart from an edition of unknown size Signed and titled in pencil. Image: 17" x 13"; Sheet: 19.75" x 15.75”. One of a pair of large format Mexican etchings...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Wendingen - Cover Jan Sluijters . Issue No 2 of the 5th series 1923.
By Jan Sluijters
Located in New York, NY
WENDINGEN - Number 2 of the 5th series 1923 dedicated to posters of Dutch artists author Jac.Jongert
Color Lithograph after a drawing by Jan Sluijters. Dutch text cover designed by Jan Sluijters
In good condition with minor wear.
JAN SLUYTERS. Posters by Dutch Artists. Published March 1923. Introduction by Jac. Jongert,
twenty-seven illustrations after designs by Roland Holst...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Corrine
By Maurice Réalier-Dumas
Located in New York, NY
Maurice Realier-Dumas Corrine.Plate from May 1897 issue of
L'Estampe Modern. Color Lithograph.
Sheet Size: 16 x 12".
L'Estampe Moderne was a brilliant portfolio printed betwe...
Category
1890s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Le Soldado (Soldier) from Días de Ira (Days of Wrath) — Anti-Fascist Modernism
Located in Myrtle Beach, SC
Helios Gomez, 'Le Soldado (Soldier)', letterpress, 1929-1930. Signed in the matrix, lower left and numbered '18', upper left corner. Letterpress image after the original drawing, with text, in black ink on buff, wove paper; the full sheet with margins. Slight toning at the sheet edges, otherwise in very good condition. From the suite of 23 prints numbered, titled in five languages, and with Spanish verses in linotype. Matted to museum standards, unframed.
As published in 'Días de Ira' (Days of Wrath), a portfolio of 23 drawings and poems on the “Spanish White Terror” by Spanish artist Helios Gómez, his first publication. Accompanied by an introduction by the 'Socialist International' and with a foreword by Romain Rolland. Printed in Berlín in 1930.
Image size 7 13/16 x 5 9/16 inches; sheet size 12 7/8 x 9 1/4 inches.
ABOUT THE ARTIST
"Free art from representational conventions and make it live from its own dynamism; make the spectator feel the emotion of an idea thanks to pure abstract plastic art: that is, in short, my artistic aspiration... I wanted to touch the people through art".
— Helios Gómez.
Helios Gómez (1905–1956) was born in Triana, Seville, into a working-class Calé (gypsy) family. He received his training at the Seville Industrial Arts and Crafts School and the Cartuja factory as a painter and decorator of ceramics. His initial works were published in the anarchist Páginas Libres, and he illustrated books by local authors like Rafael Laffon and Felipe Alaiz. In 1925, he showcased his work for the first time at the Kursaal in Seville, followed by exhibitions in Madrid at the Ateneo and in Barcelona at the Dalmau Gallery the subsequent year.
Gómez became increasingly aware of the need for political change, aligning himself with anarchist groups and committing to express his political beliefs through his art, writing, and speeches. His artistic career allowed him some acceptance in broader Spanish society, which still primarily viewed Romani identity as acceptable only through creative expression. Unfortunately, anti-Romani sentiment persisted, reflected in critical reviews and media coverage.
His early illustrations for anarchist writer Felipe Alaiz and exhibitions at radical spaces like Café Kursaal marked the beginning of his activism. In 1927, due to his political involvement, he had to flee Spain and travel across Western Europe, connecting with avant-garde art movements and the labor movement. This experience significantly influenced his work, which incorporated elements of cubism, expressionism, and futurism. Upon returning to Spain in 1930, he settled in Barcelona and collaborated as a printmaker with the Confederación Nacional del Trabajo.
Gómez later renounced anarchism and joined the Communist Party of Spain (PCE), believing that the international communist movement was the most effectively organized force opposing the rise of fascism. He participated in communist rallies and was imprisoned in Barcelona's Model prison. During the Spanish Civil War, he fought with the Communist Party. He gave an interview to the leftist magazine Crónica, where he spoke about the anti-fascist cause and praised the Soviet Union for its integration of Romani people. By 1938, he had rejoined the anarchist movement and worked on the design of the newspaper El Frente. After fleeing the country during the Nationalists' Catalonia Offensive, he was interned in French concentration camps.
In the aftermath of the war, as details of the Romani Holocaust started to emerge, he embraced his Romani identity more openly, especially after his imprisonment under the Franco dictatorship. He spent time in Model prison from 1945 to 1946 and again from 1948 to 1954, during which he focused on writing. He produced two essays, including one on Romani art...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Black and White
Angel (Little Egypt) State I
By Barbara Takenaga
Located in Lyons, CO
Color lithograph with gold metallic powder, Edition 15.
Barbara Takenaga writes: “About the prints, they’re part of a series of recent Angel paintings — which were influenced by seeing a small painting fragment of angel’s wings by Fra Angelico. I liked the way the feather pattern is similar to the Asian motif of fish scales or waves of water. There is a reference to the natural world, as well as the heavenly, but in an abstract, decorative approach. With the scale change of smaller elements in the center and larger dots on the edge, there is the implication of folded space that moves from near to distant — with some sensation of being pulled toward a far off place. The metallic background is dusted with gold or pearlescent powder over deep orange, which gives the surface some shimmer and color change. The title, Angel (Little Egypt), comes from the colors that are reminiscent of ancient Egyptian collars...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
The Passing Freight, Danbury
By Martin Lewis
Located in Storrs, CT
.The Passing Freight, Danbury. 1934. Drypoint and sand ground. McCarron 108. 8 7/8 x 14 7/8 (sheet 12 1/7 x 17 5/8). Edition 46 (including 6 trial proofs). A rich, tonal impression p...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Drypoint
Elegy Study
By Robert Motherwell
Located in London, GB
Lithograph on Twinrocker handmade paper
1979
64.1 x 95.3 cm (25 1/4 x 37 1/2 inches)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
La Portentosa Vida de la Muerte
By Enrique Chagoya
Located in Lyons, CO
Color lithograph with chine collé, Edition 30.
Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cul...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Transrational blog (The Queen of Hearts).
By Olga Rozanova
Located in New York, NY
Rozanova, Olga. Transrational blog (The Queen of Hearts).1915, Moscow
Red Linocut, on thin wove paper, from Zaumnaya gniga [Transrational boog] by A. ...
Category
1910s Suprematist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Linocut
LE PETIT CAVALIER SUR BOIS.
By Jean Baptiste Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
LE PETIT CAVALIER SUR BOIS. 1854 (1921) (Delteil 42)
Cliché-verre on thin vellum. Signed in plate at bottom. 8 1/4 x 6 5/16” (sheet size)....
Category
1850s Realist Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Photographic Paper, Etching
Rhenen
By Wenceslaus Hollar
Located in Fairlawn, OH
Rhenen
Etching, 1652-1677
Signed in the plate: W. Hollar fect
Lettered in design at upper left: ' Rhenen'; below borderline at left: ' I. Peeters' inv.'; below border near center: ' ...
Category
1650s Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Venise sauvee, play in five acts by Thomas Otway. 1895.
Located in New York, NY
Venise sauvee, play in five acts by Thomas Otway. 1895. Lithograph on simili Japan Framed. .Very good condition with the exception of a slight center fold. Framed. Rare
Ref: Artis...
Category
1890s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
A Regatta on the Grand Canal [Venice]
By James McBey
Located in Storrs, CT
A Regatta on the Grand Canal. 1930. Drypoint. Hardie/Carter 248. 8 7/8 x 15 3/8 sSheet 13 3/16 x 19 3/8). Edition 80, #5. A fine impression on cream-colored wove paper with full margins. Signed and numbered in ink. Housed in an 18 x20-inch archival mat.
Carter writes, "A procession of boats, gaily decorated, is entering the Grand Canal, with the Campanile and the Doges' Palace in the background. On the left is the baroque poop of a boat with a flamboyant, carved female figure; on the right, another boat with a prow of two prancing horses."
Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
![A Regatta on the Grand Canal [Venice]](https://a.1stdibscdn.com/james-mcbey-prints-works-on-paper-a-regatta-on-the-grand-canal-venice-for-sale/archivesE/upload/a_3352/a_26983011522694785622/regattaimagedibs_master.jpg?width=240 "kunsttrykk regatta")
Sextus Tarquinius Raping Lucretia
By Georg Pencz
Located in Fairlawn, OH
Sextus Tarquinius Raping Lucretia
Engraving, c. 1546-47
Signed with the intials in the plate (see photo)
From: "Four Scenes of Early Roman History"
An early impression with plate ton...
Category
16th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Engraving
A Monmartre (Moulin Rouge).
By Eugène Delâtre
Located in New York, NY
Ca 1895. Printed and stamped by Eugene's father, August Delatre. Signed in pencil lower right, and signed in the plate. Sheet size 13 3/4 x 9".
Image size 10 x 4"
Eugène Delâtre...
Category
Late 19th Century Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
The Hunchbacked Fiddler (3rd State)
By Adriaen van Ostade
Located in Chicago, IL
The Hunchbacked Fiddler (3rd State), 1654
Etching
266 x 113 mm.; 6 1/2 x 4 7/16 inches
Watermark:
Fleur-de-lys in a Crowned Shield
References:
Godefroy 44 III/VI
Hollstein 44 III/VI
Pelletier, Adrian van Ostade...
Category
17th Century Old Masters Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
Untitled (Nude with Buildings)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nude with Geometric Forms), lithograph, edition 250, 1929. Signed and numbered 8 in pencil. Number 8 of Volume 1, a series of 10 lithographs published b...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Alexander Street
By Howard Hodgkin
Located in London, GB
Lithograph from three zinc plates printed in emerald green, red brown, and grey with hand colouring in yellow watercolour and red gouache. On Velin Arches mould-made paper (300 gsm)
...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Color, Lithograph
Wilhelm/Mozer/Munchen-Nord/Adalbertstr. 31A/Telefon 1939 /Delikatessen.
By Ludwig Hohlwein
Located in New York, NY
Vintage Poster for the Wilhelm/Mozer Delikatessen.
Ref:Das fruhe Plakat 1357 Ludwig Holhwein.Plakate der Jahne 1906-40 Tavel VI Kat Nr. 23.
Hohlwein began his career as graphic d...
Category
Early 1900s Jugendstil Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
Los Presidios (The Prisons) from Días de Ira — Anti-Fascist Modernism
Located in Myrtle Beach, SC
Helios Gomez, 'Los Presidios' (The Prisons), 1929-1930. Signed in the matrix, lower right and numbered '13', upper left sheet corner. Letterpress relief print after the original drawing, with text in black ink on buff, wove paper; the full sheet with margins. Slight toning at the sheet edges, otherwise in very good condition. From the vintage suite of 23 numbered prints, titled in five languages with Spanish verses in linotype. Matted to museum standards, unframed.
As published in 'Días de Ira' (Days of Wrath), a portfolio of 23 drawings and poems on the “Spanish White Terror” by Spanish artist Helios Gómez, his first publication. Accompanied by an introduction by the 'Socialist International' and with a foreword by Romain Rolland. Printed in Berlín in 1930.
Image size 7 13/16 x 5 inches; sheet size 12 15/16 x 9 5/16 inches.
ABOUT THE ARTIST
"Free art from representational conventions and make it live from its own dynamism; make the spectator feel the emotion of an idea thanks to pure abstract plastic art: that is, in short, my artistic aspiration... I wanted to touch the people through art".
— Helios Gómez.
Helios Gómez (1905–1956) was born in Triana, Seville, into a working-class Calé (gypsy) family. He received his training at the Seville Industrial Arts and Crafts School and the Cartuja factory as a painter and decorator of ceramics. His initial works were published in the anarchist Páginas Libres, and he illustrated books by local authors like Rafael Laffon and Felipe Alaiz. In 1925, he showcased his work for the first time at the Kursaal in Seville, followed by exhibitions in Madrid at the Ateneo and in Barcelona at the Dalmau Gallery the subsequent year.
Gómez became increasingly aware of the need for political change, aligning himself with anarchist groups and committing to express his political beliefs through his art, writing, and speeches. His artistic career allowed him some acceptance in broader Spanish society, which still primarily viewed Romani identity as acceptable only through creative expression. Unfortunately, anti-Romani sentiment persisted, reflected in critical reviews and media coverage.
His early illustrations for anarchist writer Felipe Alaiz and exhibitions at radical spaces like Café Kursaal marked the beginning of his activism. In 1927, due to his political involvement, he had to flee Spain and travel across Western Europe, connecting with avant-garde art movements and the labor movement. This experience significantly influenced his work, which incorporated elements of cubism, expressionism, and futurism. Upon returning to Spain in 1930, he settled in Barcelona and collaborated as a printmaker with the Confederación Nacional del Trabajo.
Gómez later renounced anarchism and joined the Communist Party of Spain (PCE), believing that the international communist movement was the most effectively organized force opposing the rise of fascism. He participated in communist rallies and was imprisoned in Barcelona's Model prison. During the Spanish Civil War, he fought with the Communist Party. He gave an interview to the leftist magazine Crónica, where he spoke about the anti-fascist cause and praised the Soviet Union for its integration of Romani people. By 1938, he had rejoined the anarchist movement and worked on the design of the newspaper El Frente. After fleeing the country during the Nationalists' Catalonia Offensive, he was interned in French concentration camps.
In the aftermath of the war, as details of the Romani Holocaust started to emerge, he embraced his Romani identity more openly, especially after his imprisonment under the Franco dictatorship. He spent time in Model prison from 1945 to 1946 and again from 1948 to 1954, during which he focused on writing. He produced two essays, including one on Romani art...
Category
1920s Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Black and White
Nymphe dansante
By Paul Berthon
Located in New York, NY
Nymphe dansante, decorative panel, two-color lithograph, 1899, signed in the stone. One corner defective but not affecting image.
Ref: Berthon and Grasset p. No.5.
The early works...
Category
1890s Art Nouveau Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Lithograph
'Food Not Cannon' — WPA Modernist Work of Social Conscience
By Leon Bibel
Located in Myrtle Beach, SC
Leon Bibel, 'Food Not Cannon', etching, 1937, edition 12 (an early state, probably unique). Signed in pencil. A fine impression, on cream wove paper, with full margins (7/8 to 2 1/8 ...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Prints and Multiples
Materials
Etching
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