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Aurora Arteluce Pendant

"Aurora" Pendant by Arteluce
By Perry King and Santiago Miranda, Arteluce
Located in Hanover, MA
Perry King & Santiago Miranda designed the 'Aurora' pendant light for Arteluce, by then a division
Category

Late 20th Century Italian Mid-Century Modern Chandeliers and Pendants

Materials

Glass

Aurora Pendants by Arteluce, 1982
By Perry King and Santiago Miranda, Arteluce
Located in Hanover, MA
& Santiago Miranda designed the 'Aurora' pendant light in 1982 for Arteluce, by then a division of FLOS. The
Category

Vintage 1980s Italian Post-Modern Chandeliers and Pendants

Materials

Aluminum

Pair of Aurora Pendant Lamps by Arteluce, Italy, 1983
By Perry King and Santiago Miranda, Arteluce
Located in Pijnacker, Zuid-Holland
King & Santiago Miranda Manufacturer: Arteluce Country: Italy Model: Aurora 1040 pendant lamps
Category

Vintage 1980s Italian Mid-Century Modern Chandeliers and Pendants

Materials

Metal

Iconic Model Blue "Aurora" Pendant for Arteluce, 1983 by Perry King
By Perry King and Santiago Miranda, Arteluce
Located in Antwerp, BE
Iconic blue model "Aurora" pendant designed by tPerry King and Santiago Miranda for Arteluce. The
Category

Vintage 1980s Italian Mid-Century Modern Chandeliers and Pendants

Materials

Metal

Postmodern "Aurora" Pendant Halogen Lamp by Perry King for Arteluce, Italy 1980s
By Arteluce, Perry King and Santiago Miranda
Located in Zagreb, HR
The postmodern halogen 'Aurora' chandelier light was designed by Perry King and Santiago Miranda
Category

Vintage 1980s Italian Post-Modern Chandeliers and Pendants

Materials

Metal

4 ' Aurora ' Halogen Chandelier from Arteluce, 1983, Italia
By Perry King and Santiago Miranda, Arteluce, Flos
Located in St- Leonard, Quebec
Innovative for the period this saucer shaped chandelier is made of a clear methacrylate sheet with a transparent blue outer ring sandwiched between two texturized tempered glass. ...
Category

Vintage 1980s Italian Modern Chandeliers and Pendants

Materials

Glass

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Recent Sales

Perry King & Santiago Miranda for Arteluce 'Aurora' Chandelier
By Arteluce, Perry King and Santiago Miranda
Located in New York, NY
Postmodern halogen 'Aurora' chandelier light designed by Perry King and Santiago Miranda for
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Aurora Pendant by King & Miranda for Arteluce
By Arteluce, Perry King and Santiago Miranda
Located in Hanover, MA
King & Santiago Miranda designed the 'Aurora' pendant light in 1982 for Arteluce, which became a
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Aurora Pendant by Perry King & Santiago Miranda for Arteluce
By Arteluce, Perry King and Santiago Miranda
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This "Aurora" pendant was designed in 1983 by Perry King and Santiago Miranda for
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Blue "Aurora" Pendant by Arteluce
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Blue "Aurora" Pendant by Perry King and Santiago Miranda for Arteluce
By Perry King and Santiago Miranda, Arteluce
Located in Hanover, MA
Blue Aurora pendant. Perry King and Santiago Miranda designed the 'Aurora' pendant light for
Category

Vintage 1960s Italian Post-Modern Chandeliers and Pendants

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Aurora Arteluce Perry King Chandeliers (2) Glass, Brass, Italy, 1990
By Perry King, Arteluce
Located in Vienna, AT
designed by Perry King for Arteluce. Two large flying saucer chandeliers from laminated blue glass and
Category

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Aurora Lamp by King and Miranda for Arteluce, 1982
By Perry King and Santiago Miranda, Arteluce
Located in Amstelveen, NL
Aurora pendant lamp, designed by Perry King and Santiago Miranda for Italian based Arteluce in 1982
Category

Vintage 1980s Italian Post-Modern Chandeliers and Pendants

Materials

Glass

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Arteluce for sale on 1stDibs

The lighting maker Arteluce was one of the companies at the heart of the creative explosion in postwar Italian design. The firm’s founder and guiding spirit, Gino Sarfatti (1912–85), was an incessant technical and stylistic innovator who almost single-handedly reinvented the chandelier as a modernist lighting form. 

Sarfatti attended the University of Genoa to study aeronautical engineering but was forced to drop out when his father’s company went out of business. His mechanical instincts led him to turn his attention to lighting design — and he founded Arteluce as a small workshop in Milan in 1939. Sarfatti’s father was a Jew, so the family fled to Switzerland in 1943, but after the war — largely thanks to Sarfatti’s insistence on efficiency of design and manufacture — Arteluce quickly established itself as a top firm.

Though Sarfatti continued as chief designer through the 1950s and ’60s, he also enlisted other designers such as Franco Albini and Massimo Vignelli to contribute work. Sarfatti sold Arteluce to FLOS — a rival Italian lighting maker — in 1973 and retired to pursue a more traditional avocation: collecting and dealing rare postage stamps. 

Sarfatti is regarded by many collectors as a pioneer of minimalist design. He pared down his lighting works to their essentials, focusing on practical aspects such as flexibility of use. His most famous light, the 2097 chandelier, is a brilliant example of reductive modernist design, featuring a central cylinder from which branches numerous supporting fixtures extending like spokes on a wheel.

Similarly, Sarfatti's 566 table lamp is a simple canister, able to be raised or lowered on a stem, holding a half-chrome bulb. Despite the marked functionality of his designs, Sarfatti did have a sprightly side: His 534 table lamp, with its cluster of rounded enameled shades, resembles a vase full of flowers, the Sputnik chandelier (model 2003) was inspired by fireworks and the brightly colored plastic disks of the 2072 chandelier look like lollipops. No matter the style, Sarfatti concentrated first and foremost on the character of light created — and any Arteluce lamp is a modernist masterpiece.

Find vintage Arteluce table lamps, chandeliers, floor lamps and other lighting on 1stDibs.

Finding the Right chandeliers-pendant-lights for You

Chandeliers — simple in form, inspired by candelabras and originally made of wood or iron — first made an appearance in early churches. For those wealthy enough to afford them for their homes in the medieval period, a chandelier's suspended lights likely exuded imminent danger, as lit candles served as the light source for fixtures of the era. Things have thankfully changed since then, and antique and vintage chandeliers and pendant lights are popular in many interiors today.

While gas lighting during the late 18th century represented an upgrade for chandeliers — and gas lamps would long inspire Danish architect and pioneering modernist lighting designer Poul Henningsen — it would eventually be replaced with the familiar electric lighting of today.

The key difference between a pendant light and a chandelier is that a pendant incorporates only a single bulb into its design. Don’t mistake this for simplicity, however. An Art Deco–styled homage to Sputnik from Murano glass artisans Giovanni Dalla Fina (note: there is more than one lighting fixture that shares its name with the iconic mid-century-era satellite — see Gino Sarfatti’s design too), with handcrafted decorative elements supported by a chrome frame, is just one stunning example of the elaborate engineering that can be incorporated into every component of a chandelier.

Chandeliers have evolved over time, but their classic elegance has remained unchanged. Not only will the right chandelier prove impressive in a given room, but it can also offer a certain sense of practicality. These fixtures can easily illuminate an entire space, while their elevated position prevents them from creating glare or straining one’s eyes. Certain materials, like glass, can complement naturally lit settings without stealing the show. Brass, on the other hand, can introduce an alluring, warm glow. While LEDs have earned a bad reputation for their perceived harsh bluish lights and a loss of brightness over their life span, the right design choices can help harness their lighting potential and create the perfect mood. A careful approach to lighting can transform your room into a peaceful and cozy nook, ideal for napping, reading or working.

For midsize spaces, a wall light or sconce can pull the room together and get the lighting job done. Perforated steel rings underneath five bands of handspun aluminum support a rich diffusion of light within Alvar Aalto's Beehive pendant light, but if you’re looking to brighten a more modest room, perhaps a minimalist solution is what you’re after. The mid-century modern furniture designer Charlotte Perriand devised her CP-1 wall lamps in the 1960s, in which a repositioning of sheet-metal plates can redirect light as needed.

The versatility and variability of these lighting staples mean that, when it comes to finding something like the perfect chandelier, you’ll never be left hanging. From the whimsical — like the work of Beau & Bien’s Sylvie Maréchal, frequently inspired by her dreams — to the classic beauty of Paul Ferrante's fixtures, there is a style for every room. With designs for pendant lights and chandeliers across eras, colors and materials, you’ll never run out of options to explore on 1stDibs.