Comme Des Garcons Vichy

French photographer and filmmaker Sarah Moon is known for dreamlike images that resemble moments of reverie frozen in time.

Born in France in 1941 to a Franco-American father and French mother, Moon was raised in England, where she moved at age 10. Before taking up photography, Moon began her professional life as a model, posing for such eminent fashion photographers as Guy Bourdin, and first picked up a camera in 1968. She began shooting pictures of her friends, models like herself, as a hobby but soon began a career on the other side of the lens.

Completely self-taught, she displayed a distinctly personal perspective, and her first fashion campaigns, starting in the late 1960s for Biba and then Cacharel, soon acquired cult status. Her images were soft-focus and enigmatic, inspired by the aesthetics of 1920s filmmakers like the Soviet Sergei Eisenstein and Germans G.W. Pabst, Carl Theodor Dreyer and F.W. Murnau.

In these compositions, she wanted the women to convey both strength and fragility. She was aiming to create “something that could distance me from the coded language of glamour,” she once told her friend, the painter Ilona Suschitzky. “I was looking for something more intimate. It was the backstage that interested me — the in-between second before the gesture was complete.”

Timeless, sensual and elusive, Moon’s depictions of femininity strongly contrasted with the sharp, glossy, erotic fashion photography of the time, produced in an industry dominated by men. Her first campaigns were quickly followed by ads for Dior, Chanel, Comme des Garçons, Christian Lacroix, Issey Miyake and Yohji Yamamoto, as well as by editorials in Vogue, Elle, Harper’s Bazaar, Marie-Claire and Life. She also defied stereotypes in 1972 as the first woman to shoot the Pirelli calendar, which was conceived in the 1960s as sexy, high-gloss promotional material for the Italian tire company but soon became an art object, shot by some of the world’s most prominent fashion photographers.

In 1985, she decided to focus on personal projects, producing images with the same grace, poetry and sense of transience as her fashion ones. Depicting still lifes, plants or animals (from peacocks to pachyderms), the mysterious photos were shot in both black and white and color. Blurring, unusual cropping, scratches and distortions give them an almost painterly aspect, especially those taken using Polaroid positive/negative film.

A 2018 project, “Time at Work,” is a series of small-format images and a short film that embody the concept of transience. Like all her work, the "Time at Work" series reflects Moon’s fascination with the passing of time.

The soft-spoken photographer often quotes this line by T.S. Eliot: “Time past and time future, what might have been and what has been, point to one end, which is always present.” Eliot never saw her work, but he captures it exactly. As Moon herself has said, “I don’t believe I can say it any better.”

Find original Sarah Moon photography on 1stDibs.

The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.

Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.

The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.

Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.

Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.