Donghia Origami

With distinctive style touches like gray flannel upholstery and overstuffed seating, American designer Angelo Donghia (1935–85) was a visionary leader of bold interior design and furniture in the 1970s and ’80s. Although Donghia lived only to age 50, by the time of his death from AIDS-related pneumonia, his name graced numerous furniture and decor companies, in addition to his own interior designs.

After graduating from Parsons School of Design in 1959, Donghia joined the interiors firm of Yale R. Burge, and his star rose quickly from there. By 1963, he had been appointed vice president and in 1966, partner — a move that came with a name change for the firm to Burge-Donghia Interiors. In 1968, he founded the fabrics and wall coverings company & Vice Versa, and in 1978 he founded Donghia Furniture. With this holistic approach, Donghia was able to oversee nearly every element of an interior design project, which, for him, spanned everything from corporate offices (notably PepsiCo’s world headquarters in Purchase, New York) to the Metropolitan Opera Club at Lincoln Center to residential interiors for clients such as Diana Ross and Ralph Lauren.

After he inherited Burge’s firm, he continued to develop its reach as Donghia Associates. He opened a series of showrooms around the country to offer his designs to a wider audience, who loved the company’s marriage of minimal forms with luxe materials. His silver-foil ceilings, mixing of eclectic textile patterns and plush furniture set trends and, through mass marketing, influenced the direction of American interior design.

“I feel that I’ve developed my own style that is as classic and minimal as the ’30s style it reflects,” the designer once told New York magazine. In 2015, the retrospective “Angelo Donghia: Design Superstar” at the New York School of Interior Design chronicled his influence on all facets of modern interiors, from furnishings to wall coverings. It’s an approach that still resonates today. Donghia continued to operate as a company after his death, acquired by the Rubelli Group in 2005. After it filed for bankruptcy in 2020 and closed its showrooms, its name, designs, archives and inventory were acquired by Kravet.

Find authentic Donghia furniture today on 1stDibs.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.