Elsa Peretti Sprinkle

In an era of social upheaval, venerable Tiffany & Co. designer Elsa Peretti reimagined diamonds as jewelry that working women bought for themselves rather than receiving it from a suitor.

By the time the Italian-born Peretti (1940–2021) arrived in New York City, she’d already studied design in Rome, worked for a Milanese architect and taught Italian, French and skiing in Switzerland. She settled on interior design as her potential career path but then chose an altogether different route: modeling. Peretti modeled in Barcelona, Spain, and on the advice of Wilhelmina Cooper — a former model who’d by then founded Wilhelmina Modeling Agency — moved to Manhattan in 1968. When she relocated, Peretti was inspired to pick up jewelry design.

After modeling for designer Halston, the undisputed fashion king of Studio 54, Peretti became his close friend and collaborator, eventually creating jewelry and teardrop-shaped perfume bottles for him. By way of her association with Halston, Peretti took to the disco scene, flourishing in a social circle that included artist Andy Warhol and fashion designer Giorgio di Sant’Angelo.

It wasn’t long before models on di Sant’Angelo’s runway were donning two-inch sterling-silver vases, complete with a rose stem, suspended on leather thongs around their necks. The accessory was Peretti’s inaugural piece of jewelry — she designed it in 1969 after finding a flower vase at a flea market. It was hardly the only time that Peretti found motifs in nature and in organic forms. In the years that followed, her Bean pendant necklace, Starfish earrings and other sensuous accessories would draw on human emotion as well as the natural world around her. Each evocative and wholly versatile design is universally adored decades later, and each was made for a storied American jewelry house with which Peretti would be associated for nearly 50 years.

It was Halston who introduced Peretti to Tiffany & Co. She had her own boutique at Bloomingdale’s by 1972, and her partnership with the firm, which signed the venturesome and unorthodox designer to an exclusive contract in 1974, would cement her place in the lofty annals of jewelry legend. Peretti’s simple but sophisticated designs — the Teardrop collection, her minimalist Diamonds by the Yard necklace and Open Heart ring, to name a few — elevated sterling silver, previously considered unsuitable for fine jewelry, and created an enthusiastic young audience for Tiffany’s offerings. In 1977, Peretti’s designs earned the jewelry house more than $6 million. (In some years, her work has accounted for 10 percent of the company’s sales.)

In 2012, Peretti signed a 20-year, $47.3 million contract with Tiffany & Co., but she passed away in 2021, at age 80. Today, her designs are in the permanent collections of the Metropolitan Museum of Art in New York City and the British Museum.

Find an exquisite collection of Elsa Peretti jewelry today on 1stDibs.

We are fortunate to know much of the world’s long and dazzling history of necklaces, as this type of jewelry was so treasured that it was frequently buried with its owners.

Lapis lazuli beads adorned necklaces unearthed from the royal graves at the ancient Iraqi civilization of Sumer, while the excavation of King Tut’s burial chamber revealed a sense of style that led to a frenzy of Art Deco designs, with artisans of the 1920s seeking to emulate the elegant work crafted by Ancient Egypt’s goldsmiths and jewelry makers. 

In ancient times, pendant necklaces worn by royalty and nobles conferred wealth and prestige. Today, wearing jewelry is about personal expression: Luxury diamond necklaces exude confidence and can symbolize the celebratory nature of a deep romantic relationship, while paper-clip chain-link necklaces designed by the likes of goldsmith Faye Kim are firmly planted in the past as well as the present. Kim works exclusively with eco-friendly gold, and these fashionable, fun accessories owe to the design of 19th-century watch fobs. 

For some, necklaces are thought of as being a solely feminine piece, but this widely loved accessory has been gender-neutral for eons. In fact, just as women rarely took to wearing a single necklace during the Renaissance, men of the era layered chains and valuable pendants atop their bejeweled clothing. In modern times, the free-spirited hippie and counterculture movements of the 1960s saw costume-jewelry designers celebrating self-expression through colorful multistrand necklaces and no shortage of beads, which were worn by anyone and everyone. 

Even after all of these years, the necklace remains an irrefutable staple of any complete outfit. Although new trends in jewelry are constantly emerging, the glamour and beauty of the past continue to inform modern styles and designs. In a way, the cyclical history of the necklace differs little from its familiar looped form: The celebrated French jewelry house Van Cleef & Arpels found much inspiration in King Tut, and, now, their Alhambra collection is a go-to for modern royals. Vintage necklaces designed by David Webb — whose work landed him on the cover of Vogue in 1950, two years after opening his Manhattan shop — were likely inspired by the ornamental styles of ancient Greece, Mesopotamia and Egypt. 

On 1stDibs, browse top designers like Cartier, Tiffany & Co. and Bulgari, or shop by your favorite style, from eye-catching choker necklaces to understated links to pearl necklaces and more.