English Chinoiserie Burnt Bamboo Chippendale Chair

Emerging in the 17th century, chinoiserie appropriated the aesthetics and imagery of popular East Asian design for European-made versions. Reflecting the exoticization of China, Japan and other countries in this era, the word directly translates from French to “Chinese-esque,” which reveals its shortcomings as a style of furniture and decor that often stereotypically and reductively mimics Asian culture rather than showcasing and paying tribute to its artistic traditions.

The enthusiastically decorative chinoiserie style was propelled by influential tastemakers including French King Louis XIV, whose Trianon de Porcelaine in 1670 was inspired by Chinese architecture. Expanded trade between the East and West led to a demand for porcelain, lacquer objects, silk and other goods, which further informed the fanciful furniture being crafted in Europe.

Artisans working in the chinoiserie style used materials and elements like pagoda shapes, bamboo, lacquer surfaces, bird and flower motifs and other interpretations of Asian design on pieces that were frequently set against vibrant wallcoverings. This whimsical approach yielded chinoiserie furniture that boasted dramatic flourishes drawing on the natural world and reflected the dominance of Rococo during the 18th century.

As chinoiserie was shaped by approximations of Asian design by European creators, it had regional variations, such as Chinese Chippendale in England where cabinets, chairs and tea tables had wooden fretwork designs and “japanned” surfaces intended to resemble lacquer work that was created in East Asia. In North America, furniture makers in Boston and New York integrated chinoiserie-painted scenes into Queen Anne furniture.

Antique chinoiserie furniture has continued to be fashionable, from its popularity with decorators of the Hollywood Regency era — James Mont, Tommi Parzinger, William Haines and Samuel Marx favored the style — to contemporary interior designers, although it brings with it a complex history.

Find a collection of chinoiserie bedroom furniture, cabinets, decorative objects and more on 1stDibs.

Bamboo — the reed-like, woody grass revered the world over for its attractiveness, durability and unbeatable versatility — has a purity and elegance that Ming Dynasty dignitaries, European royals and workaday folks alike have appreciated for centuries. Antique and vintage bamboo furniture can help introduce an air of relaxation in any space, and pairs well with chinoiserie decor and a range of porcelain decorative objects.

So why is bamboo — in its many forms — so enduringly popular? The grass itself is classic-looking and pleasingly geometric, and it evokes a subtle exoticism that’s both glamorous and (due in large part to its sustainability) highly attainable.

Bamboo is harder than mahogany. It’s a rigid and hollow reed, and as such it is not rattan, which is dense, steamable and bendable, and has become its own ultimate decorative-arts chameleon over the years. But like rattan, bamboo is an organic material that provides a link to nature, helping us to bring a bit of the outside in, in an elegant yet no-frills way that seems comforting and familiar. Plus, bamboo’s lightness and slight irregularities make it the perfect counterpoint to heavy-feeling interiors.

For organic modern interiors — or any space that would benefit from a dose of the natural world — a variety of vintage bamboo outdoor furniture, side tables, dining chairs and more can be found on 1stDibs.

Armchairs have run the gamut from prestige to ease and everything in between, and everyone has an antique or vintage armchair that they love.

Long before industrial mass production democratized seating, armchairs conveyed status and power.

In ancient Egypt, the commoners took stools, while in early Greece, ceremonial chairs of carved marble were designated for nobility. But the high-backed early thrones of yore, elevated and ornate, were merely grandiose iterations of today’s armchairs.

Modern-day armchairs, built with functionality and comfort in mind, are now central to tasks throughout your home. Formal dining armchairs support your guests at a table for a cheery feast, a good drafting chair with a deep seat is parked in front of an easel where you create art and, elsewhere, an ergonomic wonder of sorts positions you at the desk for your 9 to 5.

When placed under just the right lamp where you can lounge comfortably, both elbows resting on the padded supports on each side of you, an upholstered armchair — or a rattan armchair for your light-suffused sunroom — can be the sanctuary where you’ll read for hours.

If you’re in the mood for company, your velvet chesterfield armchair is a place to relax and be part of the conversation that swirls around you. Maybe the dialogue is about the beloved Papa Bear chair, a mid-century modern masterpiece from Danish carpenter and furniture maker Hans Wegner, and the wingback’s strong association with the concept of cozying up by the fireplace, which we can trace back to its origins in 1600s-era England, when the seat’s distinctive arm protrusions protected the sitter from the heat of the period’s large fireplaces.

If the fireside armchair chat involves spirited comparisons, your companions will likely probe the merits of antique and vintage armchairs such as Queen Anne armchairs, Victorian armchairs or even Louis XVI armchairs, as well as the pros and cons of restoration versus conservation.

Everyone seems to have a favorite armchair and most people will be all too willing to talk about their beloved design. Whether that’s the unique Favela chair by Brazilian sibling furniture designers Fernando and Humberto Campana, who repurposed everyday objects to provocative effect; or Marcel Breuer’s futuristic tubular metal Wassily lounge chair; the functionality-first LC series from Charlotte Perriand, Le Corbusier and Pierre Jeanneret; or the Eames lounge chair of the mid-1950s created by Charles and Ray Eames, there is an iconic armchair for everyone and every purpose. Find yours on 1stDibs right now.