Hermes Lunar New Year

Johann Gabriel Doppelmayr (1677-1750) was a famous German geographer and astronomer, who was Professor of Mathematics at the Aegidien Gymnasium in Nuremberg, Germany. He wrote extensively on astronomy, geography, cartography, spherical trigonometry, sundials and mathematical and other scientific instruments and was involved in the production of terrestrial and celestial globes. He was a member of the Royal Society of London and the Berlin and St. Petersburg Academies of Sciences. In the early 1700s, Doppelmayr created astronomical and cosmological plates that were incorporated in atlases published by Johann Baptist Homann (1664-1724), and ones published after Homann's death by his heirs until 1848. Thirty of these plates were published in the Atlas Novus Coelestis in quo Mundus Spectabilis. Twenty of these plates focused on the cosmological systems of Copernicus and Tycho Brahe, as well as known details of the planets and other bodies in the solar system. The other ten plates focussed on constellations and the locations known stars and comets. Johann Baptist Homann (1663-1724) was a mapmaker who founded a respected and prolific publishing company, which continued long after his death as Homann Heirs. Homann lived his entire life in Bavaria, particularly in Nuremberg. Initially, Johann trained to become a priest before converting to Protestantism and working as a notary. In 1702, Johann founded a publishing house that specialized in engravings. The firm flourished, becoming the leading map publisher in Germany and an important entity in the European map market. In 1715, Johann was named Imperial Geographer to the Holy Roman Empire by Charles VI and made a member of the Prussian Academy of Sciences. Most importantly for his business, his reputation and contacts gained him imperial printing privileges which protected his publications and recommended him to customers.

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.