Jacob Lawrence Play 1999

One of the first Black artists to receive national acclaim in the United States, Jacob Armstead Lawrence (1917–2000) was born in Atlantic City, New Jersey, before moving to Philadelphia, Pennsylvania, and then to Harlem, New York, in 1930. While enrolled in a community after-school arts program, Lawrence developed his talents as a painter, drawing praise and encouragement from artist Charles Alston, who ran the program at the time. Despite his family’s financial struggles during the Great Depression, Lawrence continued his pursuit of the arts, developing a series of multipanel realist paintings dedicated to iconic Black historical figures, including Toussaint L’Ouverture, Frederick Douglass and Harriet Tubman. In 1938, he had his first solo exhibition at the Harlem YMCA and had begun to work for the Works Progress Administration (WPA).

In 1940, Lawrence received a grant from a philanthropic organization called the Rosenwald Fund, which allowed him to begin what would become his most famous work: The Migration Series, a narrative piece comprised of casein tempera paint on 60 18-by-12-inch hardboard panels featuring captions he’d written before he began to paint. (Fellow artist and future wife Gwendolyn Knight helped with the text.) Lawrence’s series focuses on the Great Migration of Black Americans from the agricultural South to the industrial North between 1910 and 1940.

By the end of the 1940s, Lawrence had earned widespread recognition for his important work and was the most celebrated Black artist in the United States. He continued covering Black historical figures throughout his career, though he also painted social commentaries on contemporary issues, like World War II and civil rights. He taught at the Art Students League in New York and at Black Mountain College in North Carolina (upon invitation from artist Josef Albers), among other institutions.

Lawrence’s works can be found in the collections of many major museums, including the Museum of Modern Art, the Metropolitan Museum of Art and the Whitney Museum of American Art in New York and elsewhere. His painting The Builders hangs in the White House today, as it was acquired by the White House Historical Association in 2007.

Find watercolor paintings, prints and more by Jacob Lawrence on 1stDibs.

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.