Key City Sofa Made 1983

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

• Emerges during the 1960s; popularity explodes during the ’80s
• A reaction to prevailing conventions of modernism by mainly American architects
• Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
• Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
• Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
• Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
• Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

• Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
• Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
• Unconventional proportions and abundant ornamentation
• Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

• Ettore Sottsass
• Robert Venturi
• Alessandro Mendini
• Michele de Lucchi
• Michael Graves
• Nathalie du Pasquier

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Is it a commode or a chest of drawers?

Commode is the French term for a low chest of drawers, but it is also sometimes used to denote a piece with a particularly intricate design. The commode dates to circa 1700 France, where it was used as an alternative to a taller cabinet piece so as to not obscure paneled, mirrored or tapestried walls. Coffers, or chests, which were large wooden boxes with hinged lids and sometimes stood on ball feet, preceded chests of drawers, a fashionable cabinet furnishing that garnered acclaim for its obvious storage potential and versatility.

As time passed, French and British furniture makers led the way in the production of chests of drawers, and features like the integration of bronze and ornamental pulls became commonplace. Antique French commodes in the Louis XV style were sometimes crafted in mahogany or walnut, while an Italian marble top added a sophisticated decorative flourish. This specific type of case piece grew in popularity in the years that followed.

So, what makes a chest of drawers different from a common dresser? Dressers are short, and chests of drawers are overall taller pieces of furniture that typically do not have room on the top for a mirror as most dressers do. Tallboys and highboys are variations of the dresser form. Some chests of drawers have one column of four to six long drawers or three long drawers in their bottom section that are topped by a cluster of small side-by-side drawers on the top. To further complicate things, we sometimes refer to particularly short chests of drawers as nightstands. 

Even though chests of drawers are commonly thought of as bedroom furniture to store clothing, these are adaptable pieces. A chest of drawers can house important documents — think of your walnut Art Deco commode as an upgrade to your filing cabinet. Nestle your chest near your home’s front door to store coats and other outerwear, while the top can be a place to drop your handbag. Add some flair to your kitchen, where this lovable case piece can hold pots, pans and even cookbooks.

When shopping for the right chest of drawers for your home, there are a few key things to consider: What will you be storing in it? How big a chest will you need?

Speaking of size, don’t dream too big. If your space is on the smaller side, a more streamlined vintage mid-century modern chest of drawers, perhaps one designed by Paul McCobb or T.H. Robsjohn-Gibbings, may best suit your needs.

At 1stDibs, we make it easy to add style and storage to your home. Browse our collection of antique and vintage commodes and chests of drawers today.