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Krasimira Mihailova On Sale

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Refuge 3
By Krasimira Mihailova
Located in Sofia, BG
"Refuge 3" is an impressionist painting by Krassimira Mihaylova. The painting is unframed. “The impressions of Krassimira Mihaylova's paintings on the viewer is so mighty, mesmeriz...
Category

2010s Impressionist Landscape Paintings

Materials

Canvas, Oil

Refuge 3
Refuge 3
Free Shipping
H 19.69 in W 24.02 in D 0.79 in
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Krasimira Mihailova for sale on 1stDibs

Maestro Krasimira Mihaylova was born in 1942 in the town of Varna, Bulgaria She graduated from the Bulgarian National Academy of Art, in the Graphics Division, under Prof. Evtim Tomov and Prof. Veselin Staykov. Initially, her professional career was connected with fashion. She modelled for the Lada Fashion Magazine and the New Goods and Fashion Centre, and subsequently engaged in clothes designing. In the 1970s, she turned her attention to printing and illustrations of books and manuals. She worked for the Narodna Prosveta Publishers and the Problems Group in Education with the Bulgarian Academy of Sciences and Ministry of Public Education under Academician Blagovest Sendov, famous for its experimental education of children. In the 1987 – 2002 period, she was an art editor with the St Kliment Ohridski University Publishers. She also contributed to various publishing houses and the periodical press. She has authored the illustrations and artistic layout of many manuals, books and printed matter. Since 1990s she works actively in the domain of painting. She had solo exhibitions and participated in general, national and group exhibitions around the world. A particularly interesting fact is her kinship with the Dospevski clan, who founded the Samokov Painting School, and its foremost representatives Zahari Zograph and Dospevski. She has been member of the Union of Bulgarian Artists since 1982. Solo exhibitions • "Autobiographical" painting exhibition, SEZONI gallery, Sofia, 2001 • Painting exhibition "Curly Refuges", SBH Gallery, Sofia, 2002 • Painting exhibition "By the Blue Water", National Assembly, Sofia, 2003 • Painting exhibition "Bagri near Rhodope", LIK gallery, 2005 • Painting exhibition "Emotional presences", SBH gallery, Sofia, 2012 • "Landscape" painting exhibition, ART SPICE gallery, Sofia, 2013 • Painting exhibition, TANDRA gallery, 2014 • Painting exhibition "Sense of community", Bulgaria gallery, with the participation of Valentin Savchev, sculpture, Sofia, 2015 • Jubilee painting exhibition "Attraction", SBH gallery, 2018 National, general and group exhibitions • National exhibition of the illustration and art of the Bulgarian book, Sofia, 1970, 1972, 1980, 1982, 1984, 1988, 1990, 1996, 2006 • General art exhibition, Plovdiv, 1983 • Biennale of Illustration, Bratislava, Czechoslovakia, 1987 • 30th anniversary "Golden Feather", Belgrade, Yugoslavia, 1988 • First International Biennale of Illustration, Belgrade, Yugoslavia, 1990 • Traditional annual exhibition of the artists in the Izgrev area, Sofia, (from 1999 to 2018) • Painting exhibition "Spiritual messages", VITOSHA gallery, Sofia, 2002, 2003 • Exhibition-competition "Cite International des Arts-Paris", SBH gallery, Sofia, 2002, 2003 • Annual exhibition of ASTRI Gallery, Sofia (from 2002 to 2014) • Painting exhibition "The Four Seasons", VITOSHA gallery, Sofia, 2003 • Painting exhibition "Tradition and Continuity" of the Rotary Club, Gallery Hall Bulgaria, Sofia, 2005 • Painting exhibition "Personal Mythologies", SBH gallery, , Sofia, 2005 • Annual exhibition of the "Graphics and Illustration" section, SBH gallery, 6, Sofia, 2006, 2008 • Painting exhibition "Close distance", SBH gallery, Sofia, 2008 • Painting exhibition, MAXIM gallery, Sofia, 2008, 2010 • Third Biennial of Small Forms, Pleven, 2008 • Exhibition-competition "National Awards Allianz Bulgaria", SBH gallery, Sofia, 2008, 2010, 2016 • Salon 2011, SBH gallery 2011 • ART SPICE gallery exhibition, "The Spirit of Spring", Information Center, Sofia, 2014 • LANDSCAPE exhibition in the Painting section, SBH, 2017

A Close Look at impressionist Art

Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.

The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.

Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.

Find a collection of authentic Impressionist art on 1stDibs.

Finding the Right abstract-paintings for You

Bring audacious experiments with color and textures to your living room, dining room or home office. Abstract paintings, large or small, will stand out in your space, encouraging conversation and introducing a museum-like atmosphere that’s welcoming and conducive to creating memorable gatherings.

Abstract art has origins in 19th-century Europe, but it came into its own as a significant movement during the 20th century. Early practitioners of abstraction included Wassily Kandinsky, although painters were exploring nonfigurative art prior to the influential Russian artist’s efforts, which were inspired by music and religion. Abstract painters endeavored to create works that didn’t focus on the outside world’s conventional subjects, and even when artists depicted realistic subjects, they worked in an abstract mode to do so.

In 1940s-era New York City, a group of painters working in the abstract mode created radical work that looked to European avant-garde artists as well as to the art of ancient cultures, prioritizing improvisation, immediacy and direct personal expression. While they were never formally affiliated with one another, we know them today as Abstract Expressionists.

The male contingent of the Abstract Expressionists, which includes Jackson Pollock, Willem de Kooning and Robert Motherwell, is frequently cited in discussing leading figures of this internationally influential postwar art movement. However, the women of Abstract Expressionism, such as Helen Frankenthaler, Lee Krasner, Joan Mitchell and others, were equally involved in the art world of the time. Sexism, family obligations and societal pressures contributed to a long history of their being overlooked, but the female Abstract Expressionists experimented vigorously, developed their own style and produced significant bodies of work.

Draw your guests into abstract oil paintings across different eras and countries of origin. On 1stDibs, you’ll find an expansive range of abstract paintings along with a guide on how to arrange your wonderful new wall art.

If you’re working with a small living space, a colorful, oversize work can create depth in a given room, but there isn’t any need to overwhelm your interior with a sprawling pièce de résistance. Colorful abstractions of any size can pop against a white wall in your living room, but if you’re working with a colored backdrop, you may wish to stick to colors that complement the decor that is already in the space. Alternatively, let your painting make a statement on its own, regardless of its surroundings, or group it, gallery-style, with other works.