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Pago Pago Vase

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Enzo Mari Pago Pago Vase for Danese
By Enzo Mari, Danese Milano
Located in Brooklyn, NY
Dark purple Pago Pago vase by Enzo Mari for Danese. Can be used as pictured or upside down
Category

Vintage 1960s Italian Mid-Century Modern Vases

Materials

Plastic

Orange Pago Pago Vase by Enzo Mari for Danese
By Danese Milano, Enzo Mari
Located in Brooklyn, NY
Often described as one of his most notable works, Enzo Mari designed the Pago Pago vase (vase model
Category

Mid-20th Century Italian Post-Modern Vases

Materials

Plastic

Enzo Mari "Pago - Pago" Black Plastic Vase for Danese, Italy 1969
By Enzo Mari
Located in New York, NY
Designed by Enzo Mari in the 1960s this Pago Pago vase is black plastic and can be used standing on
Category

Vintage 1960s Italian Mid-Century Modern Vases

Materials

Plastic

Enzo Mari "Pago - Pago" Dark Purple Plastic Vase for Danese, Italy, 1969
By Enzo Mari
Located in New York, NY
Designed by Enzo Mari in the 1960s this Pago Pago vase is dark purple plastic and can be used
Category

Vintage 1960s Italian Mid-Century Modern Vases

Materials

Plastic

Enzo Mari Ice Bucket
Located in New York, NY
Reversible "Pago Pago" vase in ABS plastic by Enzo Mari for Danese, designed 1969. Impressed
Category

Vintage 1970s Italian Vases

Materials

Plastic

Enzo Mari Ice Bucket
Enzo Mari Ice Bucket
H 5 in Dm 7.25 in
1959 Enzo Mari "Relazione Di Quattro" Resin Cubes for Danese
By Enzo Mari
Located in Winnetka, IL
that have become icons of design such as the Putrella tray (1958) and the Pago Pago vase (1968).
Category

Vintage 1950s Italian Minimalist Sculptures

Materials

Resin

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Enzo Mari for sale on 1stDibs

Enzo Mari was an influential industrial designer and a beloved curmudgeon who revered Marxism. His vintage mid-century modern designs are simple, functional and poetic. Widely known Mari-designed objects include desk accessories, such as the Formosa perpetual wall calendar, vases, cocktail tables and chandeliers

Enzo Mari's work is embedded within the city of Milan, the Italian capital of all things design. In fact, the traffic bollards he devised are part of the city itself: Shaped like "panettone" cakes, they simultaneously direct traffic and provide seating for pedestrians.

In 1974, Mari published Autoprogettazione? (roughly translated as self-design), a Marx-inspired, anti-industrial, do-it-yourself handbook for the everyday person to use to build furniture without the assistance of a glitzy designer or knowledge of complex joinery. Mari’s intent with the publication was to remove the alienation of the creator and manufacturer from the end product by teaching anyone to develop a critical eye for production.

Artek relaunched kits based on the blueprints in the manual in an exhibition at Spazio Rossana Orlandi in 2010. The subsequent collectability of his work was reportedly irksome for Mari because he abhorred the industrial production for which he was becoming known.

Mari’s meager upbringing heavily influenced his politics, and even in childhood, he would come up with ingenious ways to support the family financially. As a designer, the desire to envision and build significant pieces was more important to Mari than devising new marketing and retail sales tactics. He optimistically believed objects could change the world. This view went against the rising consumer mania for every next trend that surfaced in the late 20th century. Not surprisingly, his ecological and economical stance led him to produce fewer objects.

Mari's philosophy did not stop people from desiring his creations, nor prevent other designers from wanting to collaborate with him. Following World War II, he worked for companies like Danese, Olivetti, Artemide, Driade and Alessi, who brought his prodigious designs to the public, and Mari’s work was widely celebrated. 

The Golden Compass, Italy's highest honor for industrial design, was awarded to Mari four times before he died from COVID in 2020, and New York’s Museum of Modern Art has a permanent collection of his objects on display.

On 1stDibs, find a collection of Enzo Mari decorative objects, folk art and serveware.

Materials: plastic Furniture

Arguably the world’s most ubiquitous man-made material, plastic has impacted nearly every industry. In contemporary spaces, new and vintage plastic furniture is quite popular and its use pairs well with a range of design styles.

From the Italian lighting artisans at Fontana Arte to venturesome Scandinavian modernists such as Verner Panton, who created groundbreaking interiors as much as he did seating — see his revolutionary Panton chair — to contemporary multidisciplinary artists like Faye Toogood, furniture designers have been pushing the boundaries of plastic forever.

When The Graduate's Mr. McGuire proclaimed, “There’s a great future in plastics,” it was more than a laugh line. The iconic quote is an allusion both to society’s reliance on and its love affair with plastic. Before the material became an integral part of our lives — used in everything from clothing to storage to beauty and beyond — people relied on earthly elements for manufacturing, a process as time-consuming as it was costly.

Soon after American inventor John Wesley Hyatt created celluloid, which could mimic luxury products like tortoiseshell and ivory, production hit fever pitch, and the floodgates opened for others to explore plastic’s full potential. The material altered the history of design — mid-century modern legends Charles and Ray Eames, Joe Colombo and Eero Saarinen regularly experimented with plastics in the development of tables and chairs, and today plastic furnishings and decorative objects are seen as often indoors as they are outside.

Find vintage plastic lounge chairs, outdoor furniture, lighting and more on 1stDibs.

Finding the Right vases for You

Whether it’s a Chinese Han dynasty glazed ceramic wine vessel, a work of Murano glass or a hand-painted Scandinavian modern stoneware piece, a fine vase brings a piece of history into your space as much as it adds a sophisticated dynamic. 

Like sculptures or paintings, antique and vintage vases are considered works of fine art. Once offered as tributes to ancient rulers, vases continue to be gifted to heads of state today. Over time, decorative porcelain vases have become family heirlooms to be displayed prominently in our homes — loved pieces treasured from generation to generation.

The functional value of vases is well known. They were traditionally utilized as vessels for carrying dry goods or liquids, so some have handles and feature an opening at the top (where they flare back out). While artists have explored wildly sculptural alternatives over time, the most conventional vase shape is characterized by a bulbous base and a body with shoulders where the form curves inward.

Owing to their intrinsic functionality, vases are quite possibly versatile in ways few other art forms can match. They’re typically taller than they are wide. Some have a neck that offers height and is ideal for the stems of cut flowers. To pair with your mid-century modern decor, the right vase will be an elegant receptacle for leafy snake plants on your teak dining table, or, in the case of welcoming guests on your doorstep, a large ceramic floor vase for long tree branches or sticks — perhaps one crafted in the Art Nouveau style — works wonders.

Interior designers include vases of every type, size and style in their projects — be the canvas indoors or outdoors — often introducing a splash of color and a range of textures to an entryway or merely calling attention to nature’s asymmetries by bringing more organically shaped decorative objects into a home.

On 1stDibs, you can browse our collection of vases by material, including ceramic, glass, porcelain and more. Sizes range from tiny bud vases to massive statement pieces and every size in between.