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Postmodern Plaster Console

Postmodern Stucco Plaster Glass Top Console Table
Located in Delray Beach, FL
Discover our Postmodern Stucco Plaster Glass Top Console Table, blending a sculpted stucco base
Category

1990s American Post-Modern Console Tables

Materials

Glass, Plaster

Postmodern Cast Plaster Glass Top Console Table
Located in Delray Beach, FL
Experience the distinctiveness of the Postmodern era with the Cast Plaster Glass Top Console Table
Category

20th Century American Post-Modern Console Tables

Materials

Glass

Recent Sales

Postmodern Plaster Console, 1970
By John Dickinson
Located in Chicago, IL
Post Modern plaster console, circa 1970’s. Chic form with knife edge top.
Category

Vintage 1970s American Sofa Tables

Materials

Plaster

Postmodern Plaster Console, 1970
Postmodern Plaster Console, 1970
H 27.008 in W 54.016 in L 27.008 in
Lane Postmodern Plaster Sofa Console Table
By Lane Furniture
Located in Chicago, IL
Cool and breezy console table with a glass insert. No chips or cracks and in excellent vintage
Category

20th Century American Post-Modern Console Tables

Materials

Plaster

1980s Postmodern Plaster Stone Console Sofa Table
By Ello Furniture
Located in Chicago, IL
Oh I love this shape! The base is made out of plaster, not too heavy not too light. The glass top
Category

20th Century American Post-Modern Sofa Tables

Materials

Plaster

Postmodern Plaster Console Table
By Sirmos, John Dickinson
Located in Las Vegas, NV
A wonderful plaster console, with lots of depth and texture. The perfect piece to add some serious
Category

Late 20th Century Minimalist Console Tables

Materials

Plaster

Postmodern Plaster Console Table
Postmodern Plaster Console Table
H 33 in W 49 in D 16 in
Postmodern Geometric Glass and Faux Marble Console Table, 1970s
Located in View Park, CA
A postmodern triangular console table of faux marble and glass, late 1970s. Spectacular geometry
Category

Vintage 1970s Post-Modern Console Tables

Materials

Cement

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Stunning modern travertine base sofa or console table with asymmetrical rectangular tubes and new ½ inch beveled rectangular glass top in the style of Artedi. Beautiful condition, ke...
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Late 20th Century Unknown Modern Sofa Tables

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Tadao Alto Concrete Contemporary Console, 100% Handcrafted in Italy
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The Tadao line, created in homage to the famous architect with whom we share a minimalist approach and the creative use of the material, is the perfect synthesis of our philosophy: o...
Category

2010s Italian Modern Console Tables

Materials

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Tadao 120 Concrete Contemporary Low Console Table, 100% Handcrafted in Italy
By Gaia Rebecchini, Laura Mochi Onori, Lorenzo Rebecchini
Located in Rome, Lazio
The Tadao line, created in homage to the famous architect with whom we share a minimalist approach and the creative use of the material, is the perfect synthesis of our philosophy: o...
Category

2010s Italian Modern Console Tables

Materials

Concrete

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A Close Look at Post-modern Furniture

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

  • Emerges during the 1960s; popularity explodes during the ’80s
  • A reaction to prevailing conventions of modernism by mainly American architects
  • Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
  • Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
  • Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
  • Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
  • Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

  • Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
  • Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
  • Unconventional proportions and abundant ornamentation
  • Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendinia onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.