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Rosenthal Netter On Sale

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1960s Bitossi Ceramic Blue Ashtray with Emblem by Rosenthal Netter, Italy
By Aldo Londi, Rosenthal Netter, Bitossi
Located in Sacramento, CA
1960s ceramic blue ashtray designed by Aldo Londi of Bitossi for Rosenthal Netter. Made in Italy, and decorated with the Saxon emblem, with the inscription "Providentiae Memor."
Category

Vintage 1960s Italian Mid-Century Modern Ashtrays

Materials

Ceramic

Beautiful Sgraffito Bitossi Vase
By Rosenthal Netter, Gordon & Jane Martz, Aldo Londi, Bitossi, Guido Gambone
Located in Framingham, MA
Excellent Bitossi vase larger size: holds good flower arrangements well. Lovely minimalist white and textured sgraffito clay use. 5.5” diameter x 12” tall.
Category

Vintage 1960s Italian Mid-Century Modern Vases

Materials

Ceramic, Clay, Pottery

Rosenthal Netter Vase, Ceramic, Orange, Ribbed, Signed
By Rosenthal Netter, Bitossi
Located in New York, NY
Rosenthal Netter vase, ceramic, orange, ribbed. Small vase from Bitossi's Pietra (Stone) decor series. The orange glazed body has deep relief ridges. Signed with paper label on the u...
Category

Vintage 1960s Italian Mid-Century Modern Vases

Materials

Ceramic

1950s Italian Woven Bark Lamp Shade by Rosenthal Netter
By Rosenthal Netter
Located in Sagaponack, NY
A steel frame lamp shade with woven bark covering.
Category

Vintage 1950s Italian Table Lamps

Materials

Steel

Bitossi for Rosenthal Netter Box, Ceramic, Blue Stripes, Signed
By Rosenthal Netter, Bitossi
Located in New York, NY
Bitossi for Rosenthal Netter box, ceramic, blue stripes, signed. Small scale lidded box glazed with alternating stripes rectangular bars of blue. Retains the remnants of Rosenthal Ne...
Category

Vintage 1960s Italian Mid-Century Modern Decorative Boxes

Materials

Ceramic

Whimsical Wire Rooster Sculpture by Rosenthal Netter
By Rosenthal Netter
Located in Ferndale, MI
Wire rooster sculpture mounted on glazed top pottery square. Partial Rosenthal Netter paper label remains.
Category

Vintage 1960s Italian Mid-Century Modern Figurative Sculptures

Materials

Wire, Copper

Ceramic Vase by Martin Freyer for Rosenthal Netter
By Martin Freyer, Rosenthal Netter
Located in South Charleston, WV
In mint condition and never used. Martin Freyer produced these fossil stylized almost Brutalist vases for Rosenthal Netter. The studio line, wave series as it is commonly referred to...
Category

Mid-20th Century German Mid-Century Modern Vases

Materials

Ceramic

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Rosenthal Netter On Sale For Sale on 1stDibs

Choose from an assortment of styles, material and more with respect to the rosenthal netter on sale you’re looking for at 1stDibs. Each rosenthal netter on sale for sale was constructed with extraordinary care, often using ceramic, metal and copper. Your living room may not be complete without a rosenthal netter on sale — find older editions for sale from the 20th Century and newer versions made as recently as the 20th Century. Each rosenthal netter on sale bearing Mid-Century Modern hallmarks is very popular.

How Much is a Rosenthal Netter On Sale?

A rosenthal netter on sale can differ in price owing to various characteristics — the average selling price 1stDibs is $883, while the lowest priced sells for $241 and the highest can go for as much as $1,295.

A Close Look at mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.