Round Philippe Mirror

Known as the “Citizen King,” Louis Philippe reigned from 1830 to the Revolution of 1848 with the support of the upper bourgeoisie. Whereas the monarchs of 18th-century France, including Louis XIV, Louis XV and Louis XVI, dictated aesthetics through the decadence of the aristocratic court, Louis Philippe had a more down-to-earth presence. He could be seen walking the streets like an ordinary person, carrying his own umbrella and shaking hands with subjects. Antique Louis Philippe–style furniture reflects a sense of simplicity and the sovereign’s passion for the country’s history, such as his establishment of a Museum of the History of France at Versailles, which had been mostly disused since the French Revolution.

Middle Ages, Gothic and Renaissance design informed a nationalist style that celebrated this heritage, with the hodgepodge of influences becoming prevalent in the homes of the bourgeoisie. Cabinetmakers Guillaume and Jean-Michel Grohé created reproductions of historic pieces for the king as well as royal houses abroad. Louis Philippe commissioned sculptor François Rude to create patriotic monuments that paid tribute to military heroes, while designs for furniture published by Claude-Aimé Chenavard, an ornamentalist who conceived widely loved objects for the Sèvres manufactory, further helped spread a revival of Renaissance style.

The rounded profiles of authentic Louis Philippe tables and chairs were preferred in the apartments rather than palaces being furnished by the affluent middle and upper classes. Ornamentation was minimal on the finely crafted pieces, such as large rectangular mirrors adorned with gold and silver leaf finishes and subdued carvings. The popular Louis Philippe commodes were solidly made with clean lines that showed off the grain of the wood and were often topped with marble surfaces.

Find a collection of antique Louis Philippe seating, dining tables, bedroom furniture and other items on 1stDibs.

The road from early innovations in reflective glass to the alluring antique and vintage mirrors in trendy modern interiors has been a long one but we’re reminded of the journey everywhere we look.

In many respects, wall mirrors, floor mirrors and full-length mirrors are to interior design what jeans are to dressing. Exceedingly versatile. Universally flattering. Unobtrusively elegant. And while all mirrors are not created equal, even in their most elaborate incarnation, they're still the heavy lifters of interior design, visually enlarging and illuminating any space. 

We’ve come a great distance from the polished stone that served as mirrors in Central America thousands of years ago or the copper mirrors of Mesopotamia before that. Today’s coveted glass Venetian mirrors, which should be cleaned with a solution of white vinegar and water, were likely produced in Italy beginning in the 1500s, while antique mirrors originating during the 19th century can add the rustic farmhouse feel to your mudroom that you didn’t know you needed.

By the early 20th century, experiments with various alloys allowed for mirrors to be made inexpensively. The geometric shapes and beveled edges that characterize mirrors crafted in the Art Deco style of the 1920s can bring pizzazz to your entryway, while an ornate LaBarge mirror made in the Hollywood Regency style makes a statement in any bedroom. Friedman Brothers is a particularly popular manufacturer known for decorative round and rectangular framed mirrors designed in the Rococo, Louis XVI and other styles, including dramatic wall mirrors framed in gold faux bamboo that bear the hallmarks of Asian design. 

Perhaps unsurprisingly, mid-century modernism continues to influence the design of contemporary mirrors. Today’s simple yet chic mantel mirror frames, for example, often neutral in color, owe to the understated mirror designs introduced in the postwar era.

Sculptor and furniture maker Paul Evans had been making collage-style cabinets since at least the late 1950s when he designed his Patchwork mirror — part of a series that yielded expressive works of combined brass, copper and pewter — for Directional Furniture during the mid-1960s. Several books celebrating Evans’s work were published beginning in the early 2000s, as his unconventional furniture has been enjoying a moment not unlike the resurgence that the Ultrafragola mirror is seeing. Designed by the Memphis Group’s Ettore Sottsass in 1970, the Ultrafragola mirror, in all its sensuous acrylic splendor, has become somewhat of a star thanks to much-lauded appearances in shelter magazines and on social media.

On 1stDibs, we have a broad selection of vintage and antique mirrors and tips on how to style your contemporary mirror too.