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Shrigley I Hate Human

David Shrigley - I Hate Human Beings, 2021
By David Shrigley
Located in Central, HK
David Shrigley I Hate Human Beings, 2021 Screenprint on paper 29 9/10 × 22 in 76 × 56 cm Edition
Category

2010s Animal Prints

Materials

Paper

David Shrigley, I Hate Human Beings - Contemporary Pop Art, Signed Print
By David Shrigley
Located in Hamburg, DE
David Shrigley (British, b. 1968) I Hate Human Beings, 2021 Medium: Screenprint in colours, on wove
Category

21st Century and Contemporary Contemporary Figurative Prints

Materials

Lithograph, Screen

I Hate Humans
By David Shrigley
Located in Bristol, GB
, Damien Hirst, Banksy, Takashi Murakami, David Shrigley, Invader, KAWS
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Screen

I Hate Humans
By David Shrigley
Located in 'S-GRAVENHAGE, ZH
Medium: 10 colour screenprint with no varnish overlay printed on Somerset Satin Tub sized 410 gsm Size: 75 x 56 cm Edition of 125 (+12 AP) Signed and numbered
Category

2010s Animal Prints

Materials

Screen

I Hate Humans
Free Shipping
H 29.53 in W 22.05 in
I Hate Human Beings
By David Shrigley
Located in Tbilisi, GE
Hand Initialed Numbered and Dated on Accompanying Certificate Edition of 125
Category

20th Century Contemporary Prints and Multiples

Materials

Screen

I Hate Human Beings
By David Shrigley
Located in Tbilisi, GE
Hand Initialed Numbered and Dated on Accompanying Certificate
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Screen

I Hate Human Beings
By David Shrigley
Located in Bristol, GB
Screenprint Edition of 125 Numbered on the reverse Mint as issued. Minor imperfections may appear due to the production process Issued with a signed and numbered COA Since this item...
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Screen

Untitled (I Hate Human Beings)
By David Shrigley
Located in Bristol, GB
, Banksy, Takashi Murakami, David Shrigley, Invader, KAWS
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Screen

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Lantern Flowers (Red and Black)Color silkscreen with flocking 2-ply museum board
By Donald Sultan
Located in Atlanta, GA
Donald Sultan (Born 1951) Lantern Flowers (Red and Black), 2017 Color silkscreen with over-printed flocking on Rising, 2-ply museum board 32 x 32 in. Edition 34 of 50 Signed by artis...
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H7-1 Butterfly Rainbow (Large)
By Damien Hirst
Located in Bristol, GB
Laminated Giclée print on aluminium composite panel Edition of 1497 Digitally signed by the artist and numbered Mint, as issued Sold in the original Heni packaging Heni Editions
Category

21st Century and Contemporary Contemporary Prints and Multiples

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I Am Elegant
By David Shrigley
Located in Bristol, GB
Screenprint Edition of 125 Signed on the accompanying COA and numbered on the back Excellent. Minor soft creasing in bottom left and right and top middle of print. Please note that...
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

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Super Model #1 & #2 by KAWS
By KAWS
Located in Stamford, CT
A pair of early prints by KAWS being sold together. Supermodel #1 1999 Supermodel #2, 1999 Screen prints signed in pencil, numbered and dated 99. The prints are matched numbered ...
Category

1990s American Modern Contemporary Art

Materials

Paper

Super Model #1 & #2 by KAWS
Super Model #1 & #2 by KAWS
H 33.25 in W 26 in D 1.75 in
Keith Haring Luna Luna 1986
By Keith Haring
Located in NEW YORK, NY
Keith Haring Luna Luna Karussell. A Poetic Extravaganza!, 1986 (Keith haring Luna Luna): Luna Luna "was organized by Andre Heller for “A Fair with Modern Art,” Hamburg in 1987 and re...
Category

1980s Pop Art Figurative Prints

Materials

Lithograph, Offset, Paper

David Shrigley - I Destroyed The Tennis Ball
By David Shrigley
Located in Central, HK
David Shrigley I Destroyed The Tennis Ball, 2023 26 colour screenprint with a two varnish overlay printed on Somerset Satin Tub sized 410 gsm 29 1/2 × 22 in 75 × 56 cm Edition of 125
Category

2010s Animal Prints

Materials

Paper, Satin Paper

Rare original Keith Haring Record Art (Keith Haring David Bowie)
By Keith Haring
Located in NEW YORK, NY
Keith Haring record art 1983: David BOWIE "Without You" A Rare Highly Sought After Vinyl Art Cover featuring Original Artwork by Keith Haring. Rare Japan 1st Pressing 1983 accompanie...
Category

1980s Pop Art Prints and Multiples

Materials

Lithograph, Offset

Peckham Rock
By Banksy
Located in Bristol, GB
Wooden postcard Open edition Not signed or numbered, original price tag on the reverse Mint Our mission is to connect art collectors to opportunity. Whether it be figurative, abstra...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Wood

Peckham Rock
Peckham Rock
H 4.73 in W 7.09 in
Infinity Skate Deck (Limited Edition hand numbered with museum provenance)
By Yayoi Kusama
Located in New York, NY
YAYOI KUSAMA The Souls of Millions of Light Years Away (Infinity Mirror) Skate Deck, 2013 Limited edition skateboard. Signed on the deck and numbered 31 × 8 inches Limited Edition of...
Category

2010s Pop Art Mixed Media

Materials

Wood, Screen, Permanent Marker

David Shrigley - If You Don’t Like Tomatoes, 2020
By David Shrigley
Located in Central, HK
David Shrigley If You Don't Like Tomatoes, 2020 80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper
Category

2010s Still-life Prints

Materials

Paper

David Shrigley - I'm So Excited
By David Shrigley
Located in Central, HK
David Shrigley I'm So Excited, 2022 17 colour screen print with a two varnish overlay on Somerset Satin Tub sized 410 gsm 29 1/2 × 22 in 75 × 56 cm Edition of 125
Category

2010s Animal Prints

Materials

Satin Paper, Paper

Blizzard (H13-10), from Where the Land Meets the Sea - Lt Ed hand signed - NEW
By Damien Hirst
Located in New York, NY
Damien Hirst Blizzard (H13-10), from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 13 9/10 × 20 9/10 × 3/10 in 35.4 × 53.2 × 0.7 cm Hand-sig...
Category

2010s Pop Art Abstract Prints

Materials

Metal

Beautiful, Everlasting, Inexhaustibly Interesting, Revelatory Gyration painting
By Damien Hirst
Located in New York, NY
Damien Hirst H12-4: Beautiful, Everlasting, Inexhaustibly Interesting, Self-Revelatory Gyration Painting, 2023 Mixed Media Giclée print on poly-cotton artist canvas mounted on a birc...
Category

2010s Pop Art Abstract Prints

Materials

Plywood, Mixed Media, Acrylic, Giclée

Pablo Picasso 'after' from Au Baiser d'Avignon Nr. 2
By (after) Pablo Picasso
Located in Vienna, AT
Lithograph from the portfolio "Au Baiser d'Avignon" limited 350 copies from 1972 by Pablo Picasso (after) 19.7 x 15.7 inches (50 x 40cm) on Paper Arches Vellum Excellent light agin...
Category

Vintage 1960s Spanish Modern Prints

Materials

Paper

David Shrigley - Be Yourself Just Be Yourself
By David Shrigley
Located in Central, HK
David Shrigley Be yourself just be yourself, 2023 12 colour screenprint with a two varnish overlay printed on Somerset Satin Tub sized 410 gsm in a custom delivery box adorned with a...
Category

2010s Animal Prints

Materials

Paper, Satin Paper

Please Shut Up
By David Shrigley
Located in Bristol, GB
13 colour screenprint with a varnish overlay Edition of 125 Signed and numbered Mint. Minor imperfections may appear due to the production process. Our mission is to connect art co...
Category

21st Century and Contemporary Contemporary Still-life Prints

Materials

Screen

Recent Sales

I Hate Humans -Contemporary, 21st Century, Limited Edition
By David Shrigley
Located in Zug, CH
David Shrigley, I Hate Humans I Hate Humans -Contemporary, 21st Century, Limited Edition 10 colour
Category

2010s Contemporary Figurative Prints

Materials

Screen

I Hate Human Beings-- Screen Print, Animal, Text Art by David Shrigley
By David Shrigley
Located in London, GB
I Hate Human Beings, 2021 David Shrigley Screenprint in colours, on wove paper Signed on an
Category

2010s Contemporary More Prints

Materials

Screen

I Hate Human Beings
By David Shrigley
Located in Bristol, GB
Screenprint Edition of 125 Numbered on the reverse Mint as issued. Minor imperfections may appear due to the production process Issued with a signed and numbered COA
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Screen

I Hate Human Beings
By David Shrigley
Located in Cambridge, GB
2022 10 colour screen print with varnish overlay 85 x 64 cm Signed by the artist on verso Edition of 125 Sold framed
Category

2010s Animal Prints

Materials

Screen

I Hate Human Beings
I Hate Human Beings
H 33.47 in W 25.2 in D 1.58 in
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David Shrigley for sale on 1stDibs

David Shrigley was born on September 17th, 1968, in Macclesfield, Cheshire, and grew up in Oadby, Leicestershire. He took the Art and Design Foundation course at Leicester Polytechnic in 1987, moving on to study environmental art at Glasgow School of Art in 1988, where he remained until 1991. During his studies, Shrigley worked as a gallery guide at the Centre for Contemporary Arts in Glasgow.

Shrigley has had several notable solo exhibitions for his iconic visual art, including "David Shrigley" at Dundee Contemporary Arts (2006), "Everything Must Have a Name" at the Malmo Konsthall in Sweden (2007), an exhibition at the Baltic Centre for Contemporary Art in Gateshead (2008), the Museum Ludwig in Cologne (2008), "New Powers" at the Kunsthalle Mainz in Germany (2009), the Kelvingrove Museum in Glasgow (2010) and "Animate" at the Turku Art Museum in Finland (2011).

In 2016, Shrigley’s work was part of a British Council touring exhibition. In the same month, he was showcased in the Liverpool Provocations event. Shrigley was nominated for the 2013 Turner Prize and awarded an OBE in the Queen’s New Years Honours List 2020. Shrigley is collected by the Stephen Friedman Gallery (London), Anton Kern Gallery (New York), the Museum of Modern Art (New York), the Tate (London) and the Royal Academy of Arts (London) among other institutions.

Find David Shrigley prints, sculptures and other art on 1stDIbs.

Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.