Abstract Prints

Artist: KAREL APPEL Title: Cats  Year: 1978 Edition: Signed in pencil and marked XIII/LXV All signed and numbered from the edition of Roman Numeral LXV (65) in pencil, published by ...

Limited edition pencil signed and numbered lithographic print, published on the occasion of Wiley's exhibition at the legendary Allen Frumkin Gallery at 41 West 57th Street in Manhat...

Sister Mary Corita Kent You are God/and You are Not, 1974 Offset lithograph poster Extremely rare offset lithograph poster, published with printed copyright Immaculate Heart Communit...

Joan MIRO Garden Under the Moonlight, 1973 Original lithograph (Mourlot workshop) Printed signature in the plate Unknown edition run, unnumbered as issued, apart from a numbered run...

Color lithograph by Salvador Dalí (1904–1989), Don José’s Final Appearance: the Bats Symbolizing Death, from the celebrated Carmen suite inspired by Georges Bizet’s opera. The work i...

Signed on verso 'rf Lichtenstein'. Provenance: Collection of artist estate lawyer Herb Nass, author of "Wills of the Rich and Famous", and friend of Roy Lichtenstein Silkscreen on op...

This is a unique handmade monotype cyanotype representing a functional stone tool set inspired by the magical forms of early human tools. Created through the cyanotype process using ...

This is a rare hand-painted Limited Edition by contemporary artist Shizico Yi, hand painted on a Giclee deluxe matte-finish giclée aluminium panel. Each edition is 90% hand-painted w...

Jardinet by Bertrand Dorny, 1931 - Date: circa 1979 Medium: Embossed Aquatint, signed, titled and numbered in pencil Edition: 28/30 Image Size: 19.5 x 19 inches Frame Size: 33.5 x 33...

Artist: Alexander Calder Medium: Lithograph Title: Derriere le Miroir #173 (Plate 2) Portfolio: Derriere le Miroir #173 Year: 1968 Edition: Unknown edition, unnumbered, as issued Fr...

**IMPORTANT** This is a limited edition print on premium CANVAS signed and numbered by the artist. It will arrive rolled inside a tube. Celebrating the beloved GOLDEN GIRLS on this ...

Embark on a visual journey through the abstract realm with Eduardo Chillida's mesmerizing lithography titled "Untitled," crafted in 1999. This limited edition piece, hand-numbered ...

This is a unique handmade monotype cyanotype representing a functional stone tool set inspired by the magical forms of early human tools. Created through the cyanotype process using ...

**IMPORTANT: This is a limited edition print on premium CANVAS> It will arrive rolled inside a tube. Celebrating the one and only Dolly Parton. This piece captures the glamorous lif...

This original exhibition poster by the renowned Catalan artist Joan Miró, titled “Barcelona 1972”, was created to commemorate the artist’s exhibition held at Sala Gaspar in Barcelona...

This original invitation card was produced for the exhibition Donald Judd: The Last Editions, held at Brooke Alexander Editions, New York, in 1994. Issued by the gallery on the occa...

Pablo Picasso The Ballet Dancer, 1954 Lithograph on paper 32 x 24 cm - sheet 52.5 x 39 cm - Framed with 92% UV resistant non-reflective artglass unknown edition size Printed signatur...

Gerhard Richter’s Abstraktes Bild is a richly layered composition in which vivid red, cool blue, yellow and white collide across the surface. Broad horizontal sweeps of color are int...

This stunning hand-painted Artist Proof ( the last Proof available, the No 2 of Two) is made on a premium metal/aluminium panel. All the gold-leaf and gesso back ground are hand-pain...

Maravillas con variaciones acrósticas en el jardín de Miró XI Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Observations: Lithograph on ...

Mark Rothko at Museo d'Arte Moderna Ca' Pesaro, Venezia, 1970 Offset lithograph and lithograph on high quality lithographic paper Numbered in pencil 250/500 in the lower left front ...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró X Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In ve...

This Iconic painting by Shizico Yi is in a private collection in Florida, and it was also sold out on its Limited edition of 10 and it's Artist’s Proof. 2026, we are proud to offer...

In 2014, Juan Uslé was commissioned to create the official Roland Garros poster, infusing the French Open with his distinctive abstract style. His design features flowing lines and v...

This reproduction of the painting titled Yellow, Blue and Orange, created by Mark Rothko in 1955, is part of a rare exhibition poster from the series "Collection of European Masters....

Framed Henri Matisse Cut Out Blue Lithograph Nu Bleu I, 1970 Color lithograph after the work by Henri Matisse, circa 1970. Signed in the stone. Edited by Edition des Nouvelles Imag...

This is an exclusive handprinted limited edition cyanotype. "Infinity Pool" is a sophisticated image that captures the water reflections shimmering over a swimming pool. We're proud ...

Ed Ruscha - All Points (Gemini RS08-3440), 2008 Color lithograph on Somerset paper A coveted Ruscha lithograph done in the patriotic American red, white and blue colors. Pencil signe...

Fernand LÉGER (1881 - 1955)(After) Builders on the Cloud Colored Lithograph Signed on the plate Numbered / 250 copies (Sample photo of the number) On Arches vellum 65 x 50 cm (c. 25...

Fernand LÉGER (1881 - 1955)(After) The Workers with Palm Trees Color Lithograph Signed on the plate Numbered / 250 copies (Sample photo of the number) On Arches vellum 50 x 65 cm (c...

Joan Miro, Spanish (1893 - 1983) - Miro a l'Encre II, Year: 1972, Medium: Lithograph, Image Size: 13.75 x 9.75 inches, Size: 14 x 10 in. (35.56 x 25.4 cm), Frame Size: 21 x 17 inch...

This exhibition card was produced by Brooke Alexander Editions in connection with Series of Ten Woodcuts in Three Color States, associated with the work of Donald Judd. Published by...

This is a hand painted Limited Edition by the artist Shizico Yi with her own hand-mixed original paint on premium Aluminium board. On offer here is the No1 of the Only 10 of this lim...

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

Artist: Ellsworth Kelly (1923–2015) Title: Red, Blue (Rouge, Bleu) Year: 1964 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well preserved...

Fernand LÉGER (1881 - 1955)(After) The Builders Colored Lithograph Signed on the plate Numbered / 250 copies (Sample photo of the number) On Arches vellum 50 x 65 cm (c. 19.7 x 25....

Jean-Pierre VIELFAURE (1930–2015) The Scarlet Arrow, 1986 Original lithograph Signed and dated in pencil Numbered /65 On vellum, 57.5 x 45.5 cm (22.64 x 17.91 in) In excellent cond...

Artist: Ellsworth Kelly (1923–2015) Title: Orange Shape (Forme Orange) Year: 1958 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well prese...

This high-quality reproduction of Brown and Orange on Slate faithfully captures Mark Rothko’s signature exploration of color, light, and emotion. Rothko’s artistic process was deeply...

This stunning large hand-painted Limited canvas edition is created in oil by Shizico Yi and is 95% hand painted directly onto canvas. Signed on the front and signed and numbered on ...

This large color screen-print and photo-screenprint by Julian Schnabel dates to circa 1992 and depicts his second wife, the Spanish actress Olatz López Garmendia. The composition cen...

Salvador Dalí­ 1970s Surrealist Dated and Signed Work on Paper This significant work on paper is a silkscreen print by Salvador Dalí (1904–1989), part of the famous series dedicated ...

Created by La Motta in 1955, this original poster was commissioned for the 36th International Eucharistic Congress in Rio de Janeiro. Held from July 17 to 24, the congress was an important international Catholic gathering organized around the theme of Christ the Redeemer and his Eucharistic kingdom. The composition places Rio’s celebrated statue of Christ the Redeemer at the center of an expansive celestial vision. With his arms extended, Christ forms the upper section of a monumental cross rendered in the green and yellow colors associated with Brazil. Below, he stands upon a globe centered on South America, where a radiant star indicates the location of Rio de Janeiro. A deep blue background and surrounding constellation of stars give the poster a sense of spiritual grandeur. The restrained palette of blue, green, yellow and ivory combines religious symbolism with the visual identity of Brazil, while the bold typography at the bottom clearly announces the congress and its dates. Signed La Motta in the lower right, the design is characteristic of mid-century event posters, using simplified forms and carefully balanced geometry to communicate a powerful message from a distance. The poster was printed by Rebizzi in São Paulo. This original 1955 poster is an evocative document of Brazilian religious and cultural history. Its striking combination of Christ the Redeemer, cartographic imagery and modern graphic design makes it particularly appealing to collectors of Brazilian posters...

Toshi Yoshida, 'Woman In Bagdad', color woodblock print, 1954, edition not stated. Signed, dated, and titled, in pencil. A fine, richly-inked impression, with fresh colors, on cream-wove Japan paper; the full sheet with margins (1/2 to 7/8 inch); minor toning in the margins, otherwise in excellent condition. Self-carved and self-printed by the artist. Archivally sleeved, unmatted. Image size 14 13/16 x 9 7/8 inches; sheet size 16 1/4 x 11 inches (oban tate-e). Literature: Oliver Statler, Modern Japanese Prints: An Art Reborn, 1959, pp. 168–69. Eugene M. Skibbe, “Yoshida Toshi 1911–1999: Diversity, Change, and Continuity in the Yoshida Art Tradition,” Andon, no. 53, Society for Japanese Arts, 1996, pp. 5–14. Kendall H. Brown, “Yoshida Toshi: The Nature of Tranquility,” in A Japanese Legacy: Four Generations of Yoshida Family Artists, Minneapolis Institute of Arts, 2002, pp. 72–80; Woman in Bagdad catalogued p. 91, no. 55. Exhibitions: 'Japan & Beyond: The Yoshida Family Legacy in Japanese Woodblock Prints', curated by Kendall Brown and Quyen Le, The Ruth and Sherman Lee Institute for Japanese Art, Hanford, CA. February 3, 2004 - March 27, 2004. 'Color in Relief: Wood Block Prints from Origins to Abstraction', Georgetown University Library, 2016. Collections: Art Institute of Chicago, Clark Center for Japanese Art and Culture, Minneapolis Institute of Art, University of California Merced, University of Oregon (The Lavenberg Collection of Japanese Prints). ABOUT THIS WORK Woman in Bagdad belongs to an important group of figure studies Yoshida created in 1954 as he moved beyond the naturalistic landscape tradition associated with his father, Hiroshi Yoshida. The veiled figure is reduced to broad, interlocking shapes of deep brown, ochre, and blue-green, separated by narrow carved white lines. Yoshida appears to have printed the composition from a single block, applying individual colors to separately defined areas—a technique closely related to the white-line color woodcut developed by B. J. O. Nordfeldt and the Provincetown Printers and refined by Blanche Lazzell. The continuous white channels serve as both boundaries between colors and an active linear structure, transforming the figure into a near-abstract arrangement of flattened forms while retaining its human presence. Created at a pivotal moment in Yoshida's development, the print anticipates the increasingly nonobjective woodcuts that occupied him during the following two decades. ABOUT THE ARTIST Yoshida Toshi (1911–1995) began training at the age of fourteen under his father, Yoshida Hiroshi, a leading artist of the twentieth-century Japanese printmaking revival known as shin-hanga (“new prints”), which continued the traditional collaborative system of Japanese woodblock printing. From 1932 to 1935, Toshi studied at the Taiheiyo-Gakai (Pacific Painting Association), which his father had helped establish. Before the Pacific War, Toshi traveled extensively with his father in Asia, Europe, Egypt, and the United States. He later continued his international travels, particularly in Mexico, the United States, Canada, and Africa. His early prints remained strongly influenced by Hiroshi's work and the highly refined techniques practiced in the Yoshida studio. Following his father's death in 1950, Toshi assumed responsibility for the studio while increasingly pursuing an independent artistic direction. Beginning in the early 1950s, he undertook a highly personal exploration of abstraction, creating and printing his own works in the sōsaku-hanga (“creative print”) manner, in which the artist assumes direct responsibility for the design, carving, and printing. During this exceptionally productive period, Toshi produced a large body of nonobjective woodcuts characterized by complex geometric structures, richly layered color, and experimentation with the expressive possibilities of the woodblock medium. His abstract work placed him among the more adventurous Japanese printmakers of the postwar period. The British Museum holds a substantial group of these works, including Misty Dance (1957), Frontier (1962), Mystery (1964), Isotope (1968), and Where (1972). In the early 1960s, Toshi also returned to representational subjects, eventually concentrating on large-scale scenes of African wildlife in its natural habitat. In 1984 he published the first of a series of illustrated children's books devoted to African animals (Dōbutsu Ehon Shirīzu), which he continued into the early 1990s. In 1966, with artist Yuki Rei...

Werner Bronkhorst Play for Keeps, 2026 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FS...

The Easy Dark poster for Julie Mehretu’s exhibition at the Louisiana Museum of Modern Art is a remarkable piece that embodies the energy and complexity of Mehretu’s work. Printed in ...

Created by Jules Chéret and issued in this format in 1896, this original French poster advertises the Palais de Glace, the fashionable indoor ice-skating rink situated on the Champs-...

This "Homage to the Square" print was created by Albers for the occasion of an exhibition at Grippi Gallery in Manhattan in 1973. It is in an excellent white contemporary frame. Art...

PEDRO FRIEDEBERG, GRAPHIC, SURREALIST WORK, IMPORTANT MEXICAN ART, EXQUISITE FRAME . . . Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, and sculp...

Bridget Riley - magazine page (broadside) of "Final Study for Halcyon", 1972 (Hand signed by Bridget Riley), ca. 1988 Magazine page on paper (Hand Signed by Bridget Riley) Provenance...

Monument im Fruchtland (Monument in the Fertile Country) 1929. after Paul Klee, 1879 – 1940 Original work : Pastel, 47.5 × 34.8cm. Bern, Zentrum Paul Klee. (Photograph via Archiv...

An abstract composition titled "Balloons", American artist Alexander Calder displays black, red, and orange circles with lines that extend to the edge of the canvas. Balloons by Ale...

Eduardo Chillida (after) Signed in plate Notated "PA" to lower left, plus edition of 500 Published by the Van der Voont Gallery Printed by the Ibograf Ibiza workshop Chillida, a m...

Etching and aquatint, 1953 Edition : 55/75 Publisher : Hedwig Marbach, Berne Printer : Lacourière, Paris Catalog : [RMM 66] Image dimensions : 41.30 cm. x 32.70 cm. (16.26 in. x 12.8...

This is an exclusive handprinted limited edition cyanotype. "Hollywood Pool House Glow" shows the shimmering reflections of a Hollywood, California swimming pool. Details: + Title: ...

Tracey Emin YES!, 2012 Home made color inkjet print 11 3/4 × 16 1/2 inches Edition 111 from the edition of approx. 150 Pencil signed, numbered 111 and dated 2012 recto; bears Emin In...

Matisse Framed Colorful Print by Moderna Museet, circa 1990 with a high quality wood frame In original condition, with minor wear consistent of age and use, preserving a beautiful ...

Jim Bird Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Size: 10 x 7.325 inches (25.4 × 18.61 cm) Edition:...

This original lithographic poster was created for Max Bill's 1974 exhibition at Marlborough Galerie Zürich. A leading figure in the Concrete Art movement, Bill's work is celebrated f...

This handmade cyanotype monotype presents a striking interplay of geometric abstraction and atmospheric depth. Layered translucent forms in deep Prussian blue and soft white overlap ...