(circle of) Nicolas de Largillierre Art
French, 1656-1746
Nicolas de Largillière or de Largillierre (Paris, 10 October 1656 - Paris, 20 March 1746) was a French painter.
Raised in Antwerp, where his family had moved in 1659, it was in the Flemish city that he began his apprenticeship in the workshop of Antoine Goubeau starting in 1668, mainly influenced by Rubens and the Flemish masters. [He entered the guild of the Sint-Lucasgilde as master of the city in 1674.
From 1675 to 1679 he traveled to England, where he approached the Vandyckian painter Peter Lely and was noticed by King Charles II. He will return there in 1685 to paint a portrait of the new King James II.
Returning to France, after 1689 he became one of the most sought-after painters, both for official ex-votos or allegories, and for orders of portraits by the nobility and the upper middle class. Nicolas de Largillière was, together with Rigaud, the portrait painter of the Regency era. He also proved to be a brilliant painter of still lifes, following the Flemish school.
To the solemnity of the gesture of the person portrayed he combined an uncommon search for minute details.
In 1686 he was admitted to the Académie royale de peinture et de sculpture, becoming a professor in 1705 and directing it from 1736 to his resignation in 1743.
Among his most important works we can mention: Portrait of Elizabeth Beaubarnais (Museum of Grenoble); Young Man as Diana (Louvre Museum); Ex-voto in Sainte-Geneviève (church of Saint-Étienne-du-Mont, Paris); Family portrait of Louis XIV (Wallace Collection); Portrait with the family (Louvre Museum).to
1
Overall Width
to
Overall Height
to
1
1
1
1
1
1
1
1
1
1
1
1
8,828
2,810
1,318
1,270
1
1
Artist: (circle of) Nicolas de Largillierre
"Mme de Noirmont", Oil on Canvas Portrait, circa 18th Century
By (circle of) Nicolas de Largillierre
Located in Detroit, MI
This painting titled "Mme de Noirmont" is an oil on canvas work from the studio of Nicolas de Largilliere, one of the most prolific and esteemed French portrait painters of the 18th ...
Category
18th Century (circle of) Nicolas de Largillierre Art
Materials
Canvas, Adhesive, Oil
Related Items
Blooming with Grace Women Portrait Original oil Painting Ready to Hang
Located in Granada Hills, CA
Artist: Eduard Matevosyan
Work: Original Oil Painting, Handmade Artwork, One of a Kind
Medium: Oil on Panel
Year: 2025
Style: Portrait Art,
Title: Blooming with Grace,
Size: 10" x ...
Category
2010s Impressionist (circle of) Nicolas de Largillierre Art
Materials
Oil, Canvas
$2,000
H 10 in W 10 in D 0.8 in
Sight. Vysotsky. 2009, oil on canvas, 80x80 cm
By Vasily Hvatov
Located in Riga, LV
Frown / Vysotsky /2009, oil on canvas, 80x80 cm
Category
1990s Contemporary (circle of) Nicolas de Largillierre Art
Materials
Canvas, Oil
$5,124
H 31.5 in W 31.5 in D 0.99 in
Giraffe. Oil on canvas, 90X73 cm
By Vadim Kovalev
Located in Riga, LV
Giraffe. Oil on canvas, 90X73 cm
The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works.
When Vadim was ...
Category
2010s Contemporary (circle of) Nicolas de Largillierre Art
Materials
Canvas, Oil
$4,006 Sale Price
21% Off
H 35.44 in W 28.75 in D 1.19 in
Summer. 2021. Oil on canvas, 70x70 cm
Located in Riga, LV
Summer. 2021. Oil on canvas, 70x70 cm
Colorful bright artwork with two girls
Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso.
Works of artistic stone
He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy.
Nugzar's color preferences
The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life.
Source of inspiration
Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties.
Working style
But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality.
Exhibitions
Nugzar Kakhiani...
Category
2010s Contemporary (circle of) Nicolas de Largillierre Art
Materials
Canvas, Oil
$1,630 Sale Price
22% Off
H 27.56 in W 27.56 in D 1.19 in
Rita
Located in Riga, LV
Rita
oil/canvas, 85x60. cm.
Category
1980s Impressionist (circle of) Nicolas de Largillierre Art
Materials
Oil, Canvas
Graduate. Young girl in white dress with flowers. Oil on canvas, 124x63 cm
Located in Riga, LV
Graduate. Oil on canvas, 124x63 cm
Valentina Dauksis (1905-1984) (until 1934 Valentina Andreeva) - an artist and ballerina.
She was born in the family of a Russian accountant and b...
Category
Mid-20th Century Realist (circle of) Nicolas de Largillierre Art
Materials
Canvas, Oil
$1,192 Sale Price
20% Off
H 48.82 in W 24.81 in D 1.19 in
Jazz. Man with saxophone. Oil on canvas. 73x100 cm
By Vadim Kovalev
Located in Riga, LV
Jazz. Oil on canvas. 73x100 cm
Man with saxophone
The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently ...
Category
2010s Contemporary (circle of) Nicolas de Largillierre Art
Materials
Canvas, Oil
$4,006 Sale Price
20% Off
H 28.75 in W 39.38 in D 1.19 in
Reflections on the ballet. 1986, canvas, cardboard, oil, 60x80 cm
Located in Riga, LV
Reflections on the ballet. 1970, canvas, cardboard, oil, 60x80 cm
Laimdots Murnieks (1922-2011) studied at Cesis and Jelgava teachers’ institutes (1938 – 44). He graduated from the ...
Category
1980s Modern (circle of) Nicolas de Largillierre Art
Materials
Canvas, Oil, Cardboard
$7,640 Sale Price
20% Off
H 23.63 in W 31.5 in D 1.19 in
Good morning / Guten Morgen. 2009, oil on canvas, 18x24 cm
Located in Riga, LV
Good morning / Guten Morgen. 2009, oil on canvas, 18x24 cm
Woman portrait with eyelash curler in style of 1920
Anita Arbidane (1983)
In 2008 graduated Latvian Academy of Arts Depar...
Category
Early 2000s Naturalistic (circle of) Nicolas de Largillierre Art
Materials
Canvas, Oil
$2,183 Sale Price
25% Off
H 7.09 in W 9.45 in D 0.99 in
Circus Princess. 2015. Oil on canvas, 65x60 cm
Located in Riga, LV
Circus Princess. 2015. Oil on canvas, 65x60 cm
Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso.
Works of artistic stone
He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy.
Nugzar's color preferences
The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life.
Source of inspiration
Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties.
Working style
But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality.
Exhibitions
Nugzar Kakhiani...
Category
2010s Contemporary (circle of) Nicolas de Largillierre Art
Materials
Canvas, Oil
$1,677 Sale Price
20% Off
H 25.6 in W 23.63 in D 1.19 in
Pauline, Portrait, Original Oil Painting, One of a Kind
By Aibek Begalin
Located in Granada Hills, CA
RTIST: Aibek Begalin
WORK: Original acrilic painting, handmade artwork
Medium: Oil on canvas
YEAR: 2019
STYLE: Realism
SUBJECT: PAULINE
SIZE: 10" x 8" x 1" inch, 25x20 cm
Unframed
P...
Category
2010s Impressionist (circle of) Nicolas de Largillierre Art
Materials
Canvas, Oil
$880
H 10 in W 10 in D 1 in
Gardener. 2018. Oil on canvas, 70x60 cm
Located in Riga, LV
Gardener. 2018. Oil on canvas, 70x60 cm
Colorful bright artwork with gardener
Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at th...
Category
2010s Contemporary (circle of) Nicolas de Largillierre Art
Materials
Canvas, Oil
$1,601 Sale Price
23% Off
H 27.56 in W 23.63 in D 1.19 in
Previously Available Items
17th Century French Portrait of a Gentleman; Fine Frame
By (circle of) Nicolas de Largillierre
Located in London, GB
This item has a long and interesting provenance. This work formed part of a collection of pictures from the antiquaire André Coltée Ducarel (1713-1785). It descended through the Coltée Ducarel family the Palmer Baronets for over 300 years.
This half-length portrait depicts a gentleman believed to be an ancestor of André Coltée Ducarel (1713-1785). The sitter is wearing a Japanese rok which was a type of banyan of rich brocaded silk, a crisp white lace cravat and silk bows. These garments were at the height of fashion in 1680's France. The banyan was commonly worn indoors (sometimes called an Indian or Persian gown due to their Eastern origin and Oriental cut) when visitors were met. Although very comfortable they were highly respectable and quite splendid (often made from brocades, velvets and silks, with elegant masses of fabric protecting against the cold or draughts). These garments and the full bottomed wig would have cost a fortune.
The popularity of wigs was immense and this intensified the demand for them so much that natural hair became a valued commodity. Dealers in hair arose in all quarters and there are accounts in France that every peasant girl was trying to sell her hair. Unfortunately wig theft became common.
The delicate modelling of the face and the sophisticated handling of the garments, notably the cravat, is indicative of a talented artist who excelled at the oil technique of painting. Presented in a good quality gilded antique frame.
Provenance: The portrait has descended through the Coltée Ducarel family and Palmer Baronets for over 300 years:-
• André (Andrew) Coltée Ducarel (1713-1785), Doctor of Civil Law in 1742, English antiquary, archivist, and librarian at Lambeth Palace, m. Sarah Desborough (1696-1791) and then to:
• the son of his deceased youngest brother Gérard Gustavus Coltée du Carel (1745-1800), Marquis du Carel, Governor of Bengal m. daughter of the Maharajah of Purnea, and then to their son:
• Philip John Ducarel (1778-1855) of Newland, Gloucestershire m. Catherine Jane Hyde Shawe (1786-1802) and then to:
• his sister Mary's niece Elizabeth Julian Fench Simpson m. Charles Archdale Palmer (1813-1860), and then to their son:
• Sir Frederick Archdale Palmer, 6th Baronet Palmer (1857-1933), and then to their son:
• Sir John Archdale Palmer, 7th Baronet Palmer (1894-1963), and then to their son:
• Sir John Edward Somerset Palmer, 8th Baronet Palmer (1926-)
André (Andrew) Coltée Ducarel was born in Paris. His parents, Jacques Coltée Ducarel (1680-1718) and Jeanne Crommelin (1690-1723), were Huguenots from Normandy. Jacques was a banker and merchant, who achieved ennoblement in 1713 with the title Marquis de Chateau de Muids. He died in 1718, just as a new wave of Huguenot persecution was beginning, and in 1719 Jeanne fled with her three infant sons to England where they settled in Greenwich. There, Jeanne married her second husband, Jacques Girardot, another Huguenot. Andrew was sent to be educated at Eton and he later matriculated at Oxford from Trinity College, and graduated as a Bachelor of Civil Law. He was created Doctor of Civil Law in 1742 before being admitted a member of the College of Advocates at Doctors' Commons in 1743, and afterwards served as librarian there 1754-7, and as treasurer 1757-61. Ducarel was a fellow of the Society of Antiquaries of London, and he was one of the first fellows of the society on its incorporation in 1755. He was a fellow of the Royal Society of London. He was keeper of Lambeth Palace Library; a post that he remained in for nearly 30 years. He published a number of his own works. For many years Ducarel went on an antiquarian tour through different parts of the country, attended by a coachman and footman. They travelled about fifteen miles a day, and put up at inns. After dinner, Ducarel transcribed his topographical and archaeological notes. In 1752, he undertook a tour of Normandy and through his publications he effectively put Normandy on the map for the late 18th-century English traveller. He was one of the first Englishmen to see and appreciate the significance of the Bayeux Tapestry, and included the first detailed description in English as an appendix to Anglo-Norman Antiquities.
The work later passed to Sir Frederick Archdale Palmer, 6th Baronet Palmer (1857-1933). This branch of the Palmer Baronetcy, family seat Wanlip Hall in the County of Leicester, was created in 1791 for Charles Grave Hudson, a Director of the South Sea Company and High Sheriff of Leicestershire in 1784. Today, the heir apparent is Robert John Hudson...
Category
17th Century Old Masters (circle of) Nicolas de Largillierre Art
Materials
Canvas, Oil
(circle Of) Nicolas De Largillierre art for sale on 1stDibs.
Find a wide variety of authentic (circle of) Nicolas de Largillierre art available for sale on 1stDibs. You can also browse by medium to find art by (circle of) Nicolas de Largillierre in canvas, fabric, oil paint and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large (circle of) Nicolas de Largillierre art, so small editions measuring 22 inches across are available. Customers who are interested in this artist might also find the work of Sir Godfrey Kneller, Flemish School, 17th Century, and George Morland. (circle of) Nicolas de Largillierre art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,582 and tops out at $12,000, while the average work can sell for $7,291.