Paintings

Oil on canvas 62 x 62 in Unstretched Luciana Levinton de-contextualizes architectural elements, sketches facades, delineates floor plan...

Complex and masterfully thought out the composition of rifle, gun shells, target shapes, and buck shots. Most likely done for a ad or men's magazine. Signed lower right Atherton. Housed in a rustic House of Heydenryk frame...

Oil on canvas Canvas size: 6 x 12 inches Framed size: 13.5 x 17.5 inches Signed

Grosset & Dunlap, Illustration, Art Seiden was a top children's book illustrator in the 1950' - 1060's Work comes in two parts that are butted together by the artist

"Amazing New Discovery" is written in the background. Signed Lower Right. Robert Patterson was born in Chicago and attended the Chicago Art Institute. Among his teachers there and later were Harvey Dunn, Walt Louderback, Ralph Barton...

Date: 1932 Medium: Oil on Canvas Dimensions: 18.00" x 20.00" Signature: Signed Lower Right A New Year's themed cover painting by Leslie Thrasher for the January 9, 1932 edition of L...

Emerging from a history of innovative West Coast artists, who pioneered the Finish Fetish and Light and Space movements, Casper Brindle has mastered the industrial materials at his d...

Boys' Life, The Boy Scouts' Magazine Cover, February 1922 Harold Anderson studied at the Fenway Art School in his native Boston. Among his instructors were Chase Emerson, Harold Brett, and Arthur...

Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same city. Though he enrolled to study ...

Life Magazine Story Illustration Dec 31,1910s signed lower left He moved from Chicago to New York in 1893. Known for the richness of his work in pen and ink, he drew, in 1898, ...

Leigh Murphy This original work of art by the award-winning watercolour and oil painter Leigh Murphy wonderfully illustrates her super realist technique of using thin layers to bui...

Signed on verso

Medium: Oil on Canvas Dimensions: 28.00" x 22.00" Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s which ...

Signed and dated (at lower right): J. STONE ROBERTS./ 2004.

Drawing on his extensive travels, Robert Kelly’s painted collages contain found print and material from around the world. Kelly has included antique botanical drawings...

Still life of boxes and geometric shapes

Original vintage watercolor painting by twentieth century San Francisco woman artist, Hildegarde Haas (1926-2002). "Bach - English Suite No.2 in A Minor...

Date: 1970 Medium: Oil on Canvas Dimensions: 25.00" x 22.00" Signature: Signed Lower Right Fawcett book cover. Robert Berran has been a prolific romance and historical book cover il...

Medium: Oil on Canvas Signature: Signed Lower Right This illustration dates circa 1950.

Medium: Oil Board Dimensions: 40.00" x 25.50" Signature: Signed Lower Left Frank G. Slaughter 'Sword and Scalpel" Book Cover

Medium: Oil on Canvas Signature: Signed Lower Right

Taking cues from the anti-figurative aesthetic of American Abstract Expressionists, Ripley’s process is one of spontaneity and gesture. Color is applied in broad strokes atop a black...

Signature: Signed Lower Right Medium: Gouache on Board

Homage to Dick Tracey. Pop Art influenced work of amazing, infamous graffiti, pop, street artist. Sprays, enamels, oils acrylics on canvas. About the Artist Born in Belgium and artistically inclined at an early age, V.P. was executing well-defined pencil sketched portraits of anyone who would sit for him by age 4. The family’s emigration to the United States in 1967 landed the 8 year old in the Fordham section of the Bronx at the height of the psychedelic era and POP ART movement.  The Fordham Road shopping district offered the young budding artist a fount of inspiration in the form of vibrant Rock & Roll, “black-light” posters in the windows of “head-shops” and the elaborately colored wardrobes of the hippies crowding the boulevard. The pivotal shift in V.P.’s artistic expression was fueled in 1968 by the sight of a Peter Max designed billboard.  Armed with magic markers and acrylic paints, V.P. recreated the vibrant designs from Max’s billboard, the music posters in store windows and the paisley patterns of the shirts the “flower children” favored, as well as the names and slogans painted on the walls of the neighborhood.  The early seventies brought with it a wondrous sight passing overhead on the sides of the elevated trains. NYC Subway Graffiti had arrived.  Looking up and seeing the esoteric names intricately rendered in multi colored swirls and strategically placed on the sides of the trains completely enthralled V.P.’s creative and adventurous spirit. Compelled to be a part of this fascinating movement he watched and rode the subways, deciphering the names and studying the “styles” on the steel rolling art gallery. Using his artistic influences and skills with markers, V.P. created his first moniker “SONIC-ACE” and obsessively drew it in colorful flowing letters to develop his own style.   At age 13 he set out to traverse the city, facing dangers and overcoming obstacles to enter an unknown and secretive world in order to join those who inspired him.  By 1974, he would change his moniker to “VICTOR-161” and paint hundreds of train cars and soon be admitted into the world famous graffiti clique “WILD STYLE” - an honor bestowed due to peer recognized artistic and stylistic abilities.  (WILDSTYLE was created/coined by the iconic TRACY-168)  V.P. was a well known and respected “writer” who “pieced” with revered writers of the day, under the aforementioned monikers including aka’s T-BOLT-123, SULFA-ONE, FANTA-ONE, BOND & ACES.  V.P. retired from painting NYC subway trains in 1977 with occasional excursions in 1986,1987,1988,1999 & 1992.  He continuously expanded his artistic pallet, studying Art History & Graphic Design in college while seeking knowledge from masters in chosen fields of art.  His works have shown in independent galleries nationally and are sought after by international collectors, with numerous private commissions. He has been featured in several best selling books and magazines focusing on graffiti art as well as his status of having been a part of the 1970’s “Golden Era” of NYC Subway Graffiti. V.P. works with a variety of mediums including aerosol paints, oils, water color & acrylic paints, often combining mediums as well as blending POP, graffiti and abstract styles of painting onto wood, canvas and metal.  His professional artistic background includes commercial art and design, logo design, silk screening, printmaking, large commissioned public murals, sign painting, pin striping and airbrushing cars, sculpting, metal fabrication, woodcarving and tattooing. Exhibitions:  Fashion Moda (BXNY) Group Show 1980/Fun Gallery (NYC) group show 1981, Beef Gallery, (LA) Group Show 1981, Gallery International (NYC) Group Show 1985, Susan Greco Gallery (NY) Group Show 1990, Shady Side...

Oil on canvas

Signed and Dated Lower Left The Saturday Evening Post cover, May 23, 1936

Abstract Painting. Vibrant Colors. Movement. Acrylic on Canvas. About the Artist: "Growing up in England during the 80s, the influence and love of American sub cultures through TV, and being surrounded by large non-spaces of US air bases around East Anglia, gave me a slightly odd and romantic view of America. I finished the Masters Degree bronze-casting course at the Royal College of Art in 1999 and have pursued my passion for Art ever since. I have built up a body of work that follows the theme of a journey into abstraction, inspired by Robert Smithson, Donald Judd, Fiona Banner, Cornelia...

Date: 1927 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, November 12, 1927 "The Cave Man or the Cave Max?"

Medium: Oil on Canvas Signature: Signed Lower Center August 8, 1931 Saturday Evening Post Cover

Date: 1880 Medium: Oil on Board Dimensions: 18.20" x 24.00" Signature: Signed Lower Right

Jim’s of Lambertville is proud to offer this artwork by: Rex Ashlock (1918 – 1999) Born in Spokane, Washington in 1918 Rex Ashlock was known for his abstract, figurative expression...

Fisherfolk & Children On A Scottish Beach, 19th Century John Adam Houston RSA RI (British, 1812 - 1884) to $75,000 Large 19th Century Scottish beach scene with fisherfolk and child...

Medium: Oil on Canvas Dimensions: 16.00" x 24.00" Signature: Unsigned

One piece made of a folder with 50 acrylic paintings on paper, with measures 29.5 x 20 cm each paper.

Satyr and Pan Life Magazine Cover, April 26, 1923 Benjamin Sayre Cory Kilvert was the son of the mayor of his birthplace: Hamilton, Ontario, in Canada. Kilvert migrated to New ...

The painting is being offered with a work and authenticity certificate

Date: 1928 Medium: Oil on Canvas Dimensions: 16.00" x 22.00" Signature: Signed Lower Right Interior setting with people standing around.

Date: 1930 Medium: Oil on Canvasboard Dimensions: 27.00" x 21.00" Signature: Signed Lower Right Cover for Turf and Sport Digest, probably late 1930s

Leora Armstrong grew up on the West Coast of Scotland surrounded by the sea, hills and Scottish weather. It was this changing light of the West Coast, upon the landscape, which happe...

Medium: Oil on Canvas Dimensions: 21.00" x 28.00" Signature: Signed Lower Left Book cover, The Old Couple.

Confusion

Peter Lodato offers new oils on canvas, whose layers of paint and scumbled surfaces resonate like tuning forks to the soul.

Date: 1976 Medium: Mixed Media on Board Dimensions: 38.25" x 28.50" Signature: Signed Lower Right This artwork was created as a promotional poster for the film, Bugsy Malone...

GEORGES ANATOLOVITCH DE POGEDAIEFF 1897-1971 Pogedaievska 1897 - 1971 Ménerbes (Russian/ French) Title: Five Hollyhocks and Two Peaches / Cinque Roses Tremières et Deux Pêche...

Medium: Oil on Canvas Dimensions: 32.00" x 35.00" Signature: Signed Lower Right Story illustration for “Mrs. Parkington” by Louis Bromfield for Cosmopolitan, published November 1942, pages 56 and 57. The full caption reads: “‘And you’re not to tell anyone where you’re going or that you’re going away together,’ Mrs. Parkington said as she told Janie and Ned her plan.” A Native American finding a Raggedy Ann doll...

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

Medium: Oil on Canvas Signature: Signed Lower Right Collier's Magazine Cover, March 24, 1923

"Sylvia Martins is a Brazilian born painter and printmaker whose work often incorporates soft pastels and impressionistic brushstrokes to create luminescent, dreamy images varying in...

An original mineral painting, made with crushed minerals (natural and synthetic), crushed seashells and Sumi ink on Japanese paper, mounted on a wood panel. Natural colors include se...

Medium: Oil on Canvas Sight Size 12.00" x 10.00", Framed 20.00" x 18.00" Signature: Signed Lower Left June 1933 Cappers Farmer Magazine Cover.

Medium: Oil on Canvas Signature: signed 'J.F/-Kernan-' (lower right)--signed again and inscribed 'Painted by

Children's illustration of Ponies and Puppies Signed lower left Children’s Books Published by The Merrill Company

Acrylic on canvas 78 x 89 in Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry P...

Date: 1976 Medium: Oil on Canvas Dimensions: 29.00" x 22.00" Signature: Faintly Signed "Marchetti" Lower Right Cover art for the companion book to the 1976 film starring Bruce Dern and Madeline Kahn.

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

Medium: Oil on Canvas Signature: Signed Lower Right Contact for exact dimensions.