2010s Abstract Paintings

A California native, Peter Lodato began making work in the late 1960s as part of the West Coast-specific Light and Space movement. Aligned with the concerns of his contemporaries, Lo...

Jennifer Wolf grew up in Southern California hiking the Santa Ynez and Santa Monica Mountains. This intimate connection with the landscape led Wolf to explore using the earthen color...

American, b. 1970 "Pitliuk has created a style that will endear him to those who venture into the collection of modern art; it challenges the intellect and tickles the funny bone at the same time." --Sharon Lorenzo - Art Historian "Artist Stephen Pitliuk introduces something bold to the island... [his] Pop Art stands out on an island inundated with landscape paintings." "Pitliuk, an island resident for [seven] years, comes to us from Miami, Florida. His work hangs in many private and corporate collections throughout the country... [The] vibrant colors and the rhythm of his native South Florida are definitely reflected in his work. His latest pieces, which burst through the prosaic treadmill of the New England art...

Cecilia Biagini Full Circle, 2013 Acrylic on canvas 65 x 45 in (165.1h x 114.3w cm)

Annette Davidek creates paintings that look like gorgeous biomes full of naturalistic forms, enticing viewers to enter a domain that is as familiar as it is strange. Variously sugges...

Collaboration between Yeo Shih-Yun & Alba Escayo Ink & acrylic on paper 90cm by 90cm Part of the Calligraphy Series Yeo Shih Yun (1976, Singapore) is a highly regarded Singaporean ...

In her “Balcony” series paintings, Lucía Rodríguez Pérez uses an same architectural mindset by constructing images of pillars and the surrounding sky by skillfully manipulating color to create the illusion of natural light. While architects and artists cannot manipulate natural light, she masterfully blends colors in her palette to create a complex yet subtle gradient that evokes the feeling of a sunset or sunrise. Each “Balcony” painting...

Mixed-media on wood

Ralph Anderson G Acrylic on paper H 30cm x W 42cm

Includes a Certificate of Authenticity

On Stellar Rays, original acrylic on canvas painting by American artist Monroe Hodder. Hodder’s abstract paintings are gloriously bold. Inspired by the u...

Petra Rös-Nickel, "Diagonal Stripes", Oil paint and rubbed stone powder on canvas.

'PS06' is a reminder that today happens only today, everything in life and beyond happens right in this moment. The Universe is full of endless possibilities for us. Get ready to rec...

Jeremy Hoffeld's work plays with ambiguity, and subverts the notion that one must choose between "abstraction and figuration, the new and the borrowed or even clichéd, the bright and the muddy, the natural/primordial and the synthetic/modern." For Hoffeld, "paintings, both abstract and figurative, have always been linked with music and literature. He aims to infuse his paintings with...improvisation, spontaneity, and energy." Hoffeld has had several solo shows since 2006 at galleries in New York including John Davis Gallery, Varga Gallery, Sky-Tree Gallery and Art Center, and the Catskills Gallery, as well as Galerie Hugo Cassel in Berlin and the Emily Harding Gallery...

« I believe painting is all about gesture and flow. Painting is nowness. » I wanted to represent the magnificent of the oak trees ,how they grow as island in the landscape and creat...

Powdered pigments with microcrystalline oilsticks

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

Ed Touchette (b. 1948) is inspired by a love of architecture and public spaces to make paintings which express joyful wonder at our built environment — ol...

It’s 1963. I’ve quit my teaching job ($4,000 a year) at Fresno High to try working full time as a commercial artist. Got a new home (Trend Homes by Spano, $12,000). Decide my birthday party needs a bottle of red wine (about a half gallon of Gallo Chianti, the kind in a husk basket because I think it will look good with my books on their plank and cinderblock book case. I drive a couple blocks to Jackson Jones Liquor on the corner of Shields and West, park an old gray Chevy sedan I’ve named Moby, walk in, head straight for the wine display...

the painting is being offered with a work and authenticity certificate

Abstract painting. Acrylic on canvas. Subtle colors. White. Blues. About the Artist: All McAleer ever wanted to be and all she's ever been is an artist. From a very young age...

Adhesives on galvanized sheet 3 layers satin varnish Thickness 4cm Signed on the back

Always fascinated by the uncertainty of human perception, and the duplicitous nature of vision, which can be both revealing and deceitful, Lodato creates paintings that delve into th...

Oil on canvas

An animated original painting by this well known California artist, "Suess on the Loose" is an energetic and vibrant work that is both fun and painterly. The cool blues and greens w...

You can read the title of the painting in the composition of the painting itself. Spray paint on linen. “The Last Time I Saw You Wasn’t the Last Time I Saw You” presents slightly sma...

The word "Baram" has two meanings in Korean: "wish (feel or express a strong desire or hope for something that is not easily attainable)" and "wind (the perceptible natural movement of the air)." The "Baram Series" portrays the moment of the air that's stopped in a simple two-dimensional form. Thus, the wind in the Baram Series represents the "present", which means the wind that has already blown represents the "past", and the wind that is about to blow represents the "future". Our wind in the past may be calm or turbulent. Regardless, the present is filled with hope, strongly wishing for the future wind to guide us to happiness. Maybe, these winds in our lives are dictated by our choices, and Baram Series embodies wish to deliver hope to all viewers facing the winds of their choices. <Geonwoo Lee...

« I believe painting is all about gesture and flow. Painting is nowness. » An abstract painting for Shanghái city .Acrylic medium with Chinese ink and pencil to write the memories o...

Encaustic and oil on canvas

These daily drawings are a meditation on the moment as a process to make space for the current pandemic on a personal and collective experience.

She did paint a lot about the small fishermen villages on the South East of Asia that today are big cities. She is fascinated by the idea of that past and that memories under the ski...

Jim's of Lambertville is proud to present this artwork by Solomon Ethe (1924 – 2019) Solomon Ethe was born on June 22, 1924. A native New Yorker, he rece...

Shortly before Walt Esslinger died a few years ago, we talked in his small yellow painted studio in Bakersfield. Sixteen years my senior, he’d been my close friend, mentor and running mate since 1960. “You still writing?” he asked. “Yes,” I answered, taking in the space’s renovations he’d recently sub-contracted. Ninety one years old, and he was thinking ahead. “Do me a favor,” he said. “Write the Andy Warhol story.” Walt was a Central Valley guy, an L.A. guy, a Las Vegas guy. A man who knew his way around. “I want you to put on record what happened back then when I bought the soup can painting.” Back then was the fall of 1962. The two of us had been exhibiting our paintings in the L.A. Art Institute’s gallery for locals only. Walt had given legendary Ad Rhinehardt a story about how he and I had been working in both Edward Kienholz’s and John Altoon’s studios (false—we’d only been visiting). One morning, the Institute’s Director, who hadn’t suspected us to be charlatans yet, introduced us to a reed thin, tow headed young man leaning against the main gallery’s wall. “Meet Andy Warhola,” he said. “Andy is from New York.” “Warhol,” the boy/man said. “Painter?” Walt asked him. “Shoe Illustrator.” The director made a snorting noise I took to mean that Warhola or Warhol’s modesty was posed. He mentioned something about Andy having a show on the La Cienega strip of galleries. We exchanged mumbles about how the art world was in flux, nothing more than that, and Walt and I moved on. If this strange cat had anything to look at, we’d see it. It was a Monday, and La Cienega’s twenty some galleries would be opening new shows and serving champagne that evening. North La Cienega Avenue, laid over a network of oil veins decades before, had become the street for the Cool School, a group of artists and gallery people trying to bring Los Angeles’s art scene to life. The galleries were small but proud. Sure, Jazz was born on the Delta and raised in New Orleans, St, Luis and Chicago, but L.A. had fifty-three jazz joints according to Chet Baker, who’d blown with the best. Why then should the West Coast be lagging behind New York in the other truly American expression, abstract art? At the Ferus Gallery that night we found Warhol’s exhibit. “Shit,” I said. Walt grinned. “You no like?” “Not exactly my can of soup,” I said, peeking into the small space, loaded now wall to wall with paintings of Campbell’s Tomato Soup. Walt stepped into the space. “How about the idea of it?” I made my way through spectators looking at once to be confused, amused, enthused and abused. When I came back to Walt he was still smiling. “Why didn’t he silk screen ‘em?” I asked. “That’s probably his next move,” Walt said. “You wanna stay?” Walt’s keen eyes cased the joint. “I see Irving Bloom over there,” he said. “Believe I’ll stick around and talk with him.” Bloom had been operating this popular gallery for some time now. “One hundred a month,” he’d told me. “It’s not like I’m getting rich.” I stood around for a bit, heard a fellow abstract expressionist I’d met tell a young lady who looked to be lost, “Okay that’s the soup. Come with me, baby, and I’ll show you the juice.” Two doors down I stopped at the Primus-Stuart Gallery. A group of people had gathered around a display of soup cans, stacked grocer’s pyramid style in the window. All Campbell’s. All Tomato. A sign leaning against the grouping stated: “Get the real thing. Thirty cents each.” That’s the way it was. Twenty-four galleries forming a gauntlet between La Cienega’s 300 block, all the way up to Barney’s Beanery at the corner of Santa Monica. Hollywood types dressed to the nines, Beats dressed for the times just gone. Champagne popping...

Description: Liu Gang(b.1965) 480309102 water-based and oil-based pigments on rice paper 146.5 by 145.2 cm Dated 2019 mounted and framed The artwork comes ...

The first time I heard the words “abstract expressionism” I was in New York, trying to grab another day of leave before the army shipped me overseas. At that time in 1952, while brow...

A painting by Lauren Benrimon. This Untitled, abstract painting is executed in a swirling palette primarily of violets, blues, teals, greens and white by contemporary artist Lauren B...

Description: Liu Gang(b.1965) 440201202 water-based and oil-based pigments on rice paper 138.6 by 290 cm Dated 2020 mounted and framed The artwork comes wi...

Curtis Ripley’s newest abstractions are sublime musings on expression itself. Concerned with capturing those phenomena which are most difficult to describe with words, Ripley’s paint...

Charles Collins is a true Renaissance man. From a family of New Orleans artists, he chose to pursue a career as a pathologist, attending medical school in New Orleans and becoming pa...

Charles Collins is a true Renaissance man. From a family of New Orleans artists, he chose to pursue a career as a pathologist, attending medical school in New Orleans and becoming pa...

"Bourbon Bar" Memories of a jazz trip along Bourbon Street in New Orleans transferred to a work of art in oil pastels. Framed in Passe-Partout and a beautiful wooden frame in collor ...

Abstract Sky is an original oil on canvas on canvas realized by Giorgio Lo Fermo in the 2000s. Hand-signed by the artist on the back. The artwork represents an abstract landscape:...

2023 Acrylic on stretched canvas 24" x 24"

Canadian artist Aron Hill is known for their unique minimalist form and intuitive sense of colour. Their landscapes often include familiar themes of the sun, moon and empty spaces re...

Hunt Slonem "Untitled" Green Amazon Bird on Gold A painted Green Amazon Bird on a Gold scored metallic background in Hunt Slonem's old style in an antique frame. Unframed: 10 x 8 in...

BORN JULY 31, 1979 IN NEW JERSEY, USA CURRENTLY LIVES AND WORKS IN WEST PALM BEACH, FLORIDA BIO: As an artist based in the vibrant community of West Palm Beach, my work is an expl...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

Hunt Slonem "Flight" Pink & Yellow Butterflies Black outlined light pink and yellow butterflies on a pink etched background in a gold antique frame. Unframed: 15 x 12 inches Framed:...

If painting still respects a logic that legitimizes its practice and existence in our hyper-saturated civilization of the image, it is its ability to break the representation, to ope...

Abstract Landscape Seascape Art with Pink Blue & White Sky by British Painter, Angela Wakefield Art measures 18 x 14 inches Frame measures 24 x 20 inches Angela Wakefield has tw...

Aron Hill’s newest series of contemporary works are inspired by the personal narrative of their life as an artist, a writer and a parent. Hill recalls the unique bold imagery and cle...

Oil pastel on cardboard, one of a series of paintings under the common title "Zychany". The painting "Between Heaven and Earth" is characterized by attractive colors and the energy f...

Contemporary artist Aron Hill has often re-imagined landscapes—land and sky in compelling minimalist form. In this piece, a night sky—the sun eclipsed by the moon but for a slender b...

Hunt Slonem "Flutter Ascension in Blue" Butterflies Black outlined white and light blue butterflies on a gold and silver etched background in an antique frame. Unframed: 39.5 x 32.5...

Hunt Slonem "Ascension Rain Storm" Blue Butterflies Black outlined silver and blue butterflies on a light blue etched silver and dark blue metallic background. Unframed: 72 x 84 inc...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself...

Born: 1978 Cape Town, South Africa. Lives and works: Edinburgh, Scotland. At 17, Freemantle was selected as one of five students from around the world to study at St Oswald’s Academ...

Hunt Slonem "2 East Lake" Hot Pink Bunnies Two black gestured black bunnies on a solid hot pink background. Framed in an antique wooden gold frame. Unframed: 14 x 10 inches Framed: ...