1930s Figurative Paintings

A wonderful oil on canvas by Louis Hayet depicting figures in a cityscape at evening time. Signed and dated 1932 lower left. Louis Hayet had a difficult and itinerant childhood, due to the instability of his father, an amateur artist. He began to draw and produce watercolours from the age of 12. By the age of 20 he produced works with great skill, as demonstrated by his pen drawing Boulevard, Evening, Paris. He made a living in Paris doing various jobs more or less to do with painting. He associated with Camille and Lucien Pissaro...

"Morning Beneath the EL" NYC American Scene Ashcan WPA Modern 20th Century Social Realism Bernard Gussow (1881-1957) "Morning Beneath the EL" 24 1/4 x 30 inches Oil on canvas Signed...

"3rd Avenue EL" NYC American Scene Ashcan WPA Modern 20th Century Social Realism Bernard Gussow (1881-1957) 3rd Avenue El 28 1/8 x 30 1/4 inches Oil on canvas Signed lower left Fram...

Title: "Daughters of Spain" Artist: Juan José Barreira Polo (1887-1957) Medium: Oil on canvas Dimensions: 31.5 x 27.5 in (80 x 70 cm) Framing: Unframed Signature: Signed at the lower left corner as "J. Barreira" Period: Approximately first half of the 20th century Movement/Style: Realist Costumbrismo, Spanish Academicism Description of the Artwork "Daughters of Spain" is a remarkable example of Spanish Costumbrismo, where Juan José Barreira Polo masterfully captures the essence of national identity and tradition. The painting portrays two young Spanish girls in traditional attire, exuding warmth and natural grace. The older girl, with a gentle smile, wears a richly embroidered blue shawl and has flowers adorning her hair, while delicately holding a copper jug filled with vibrant orange flowers. Beside her, the younger girl, with an innocent and joyful expression, holds a doll dressed in red with floral embellishments, evoking the charm of childhood and cultural heritage. The well-balanced composition and softly blurred background enhance the presence of the figures. Barreira Polo employs a warm color palette and skillful lighting to create harmony, while his refined brushwork and attention to detail in facial expressions and textiles reflect his academic training. The artwork conveys a profound sense of cultural pride and nostalgia for Spain’s rich traditions. Artist’s Biography Juan José Barreira Polo (Valencia, March 31, 1887 – Valencia, January 30, 1957) was a Spanish painter specialized in portraits and costumbrista scenes. Son of the painter Vicente Barreira Meliá, he trained at the Academy of Fine Arts of San Carlos in Valencia, where he obtained his degree as a drawing professor in 1933. Throughout his career, he gained recognition for his representations of Spanish traditions and culture, receiving several awards at various exhibitions. In 1925, he won first prize in the Valencia City Council's poster competition. In addition to his pictorial work, he was an editorial board member of the magazine Semana Gráfica, contributing to the artistic and graphic culture of his time. His paintings, known for their exquisite detail and vibrant colors, are part of private collections worldwide and are admired for their ability to capture the spirit of Spanish heritage. Similar Artists and References The style of Juan José Barreira Polo is associated with other realist and costumbrista painters, such as: José Mongrell...

Laura M. GREENWOOD (1897-1951). Portrait of Woman in Winter Coat Oil on canvas, 18 x 24.5 inches. Signed lower left. Excellent condition. Would beneifit from a cleaning. Origina...

4066 Art Deco Lady in blue pastel painting Set in a white frame

Artist: Antoni Llobet Aracil (Barcelona, 1910 - 1983) Title: Catalan Landscape with Masia Technique: Oil on board Dimensions: 13 x 16.1 in Support: Board Framing: Unframed Period: 19...

Elizabeth Bell’s Dappled Elegance is a masterfully rendered oil painting celebrating the grace and stature of an Arabian or American Saddlebred horse in motion. The artist captures t...

Antique American school surreal oil painting. Oil on canvas. Framed. Measuring 30 by 35 inches overall and 25 by 30 painting alone.In excellent original condition. Handsomely fram...

Lanscape France,Ocean, France , grey, blue, azure, Normandy Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and adolescence in Amiens...

Agusti Ferre Pino (1884-1960) - Children - Oil on burlap Oil measurements 100x97 cm. Frame measurements 107x104 cm. Painter trained at the La Lonja School of Fine Arts. He became kn...

Venice from the Deck of the S.S. Orfod, 1931 oil on canvas 64 x 77 cm 25 1/4 x 30 1/4 in signed and dated Alexander Jamieson (1873–1937) was a Scottish painter renowned for his Impr...

Clara Deike (American, 1881-1965) Canterbury Bells, c. 1932 Oil on canvas 26 x 24 inches 31.25 x 29.5 inches, framed Exhibited: The Women's Art Club of Cleveland, 1932 A graduate of...

Carl Johansson, also known as "Ultramarin Johansson," was a Swedish artist born in 1863 and known for his distinctive blue-toned paintings. His work often depicted landscapes, seascapes, and cityscapes, capturing the beauty and essence of Sweden's natural landscapes. We are proud to offer one of his late works from 1935 for sale. This painting depicts a beautiful landscape from Nordingrå, a small village situated on the High coast of Sweden. The beauty of Nordingrå has captured many artists in the 19th-century, inspiring many famous painters, including Helmer Osslund...

"Young Westminster" by Kathleen Emily Temple-Bird (British 1879 - 1962) signed and dated 1931 oil painting on canvas, framed framed: 33 x 24 canvas: 29 x 20 inches condition: very go...

"Christmas Morn" Sleigh in the Snow after W.C Bauer, London Oil on Linen 1937 Christmas Morning and a sleigh ride by Mrs. J.B. Anthony (American, 19th-20th C.)...

Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene Antonio Petruccelli (1907 – 1994) Perplexed Gentleman New Yorker cover proposal, c. 1939 13 1/4 X 8 ...

Famous Edinburgh scene with the foggy Castle on the Mount from the North Bridge, and a bustling city scene below. Impressionist style, dating to mid 1920s/1930s, presenting a glimps...

Oil on canvas by Yves Dieÿ (1892-1984), France – The Nude. A striking oil on canvas by the renowned French artist Yves Dieÿ (1892-1984), depicting a sensual and elegant nude. This wo...

Helen Malta (b.1912). Tattoo Parlor, ca. 1935. Oil on canvas, 20 x 33 inches. Signed lower right. Metropolitan Museum of Art reproduction rights stamp on r...

Outstanding painting by the italian artist Donato Frisia, dated 1930. Signed lower left in red. A sensual nude of woman reclined on a sofa is depicted with, at the same time, appeal...

⭐Landscape ⭐ Seascape from M Dubois probably born in XIX, was a plein air artist ⭐Structural Analysis :⭐ This composition is a rocky coast line in the west coast of France (Brittany...

Pekingese Family of Dogs is an original artwork realized in 1939 by Filiberto Vitaliano Rossi. Original oil on canvas. Hand-signed and dated on the lower right corner. Good conditions, except for some micro-holes on the canvas, very thin. Beautiful artwork representing several Pekingese dogs...

"Trois Pêcheurs" Louis Pastour (France, 1876-1948) Oil on board Signed l.l. 7 7/8 x 4 7/8 (8 1/8 x 11 1/8 frame) inches Louis Pastour was called the “...

Original oil on canvas painting of a lavish interior dinner party scene by Venancio Zolla. Signed lower right. Condition is excellent. Bibliography printed label on frame verso. O...

Monumental Art Deco oil painting on canvas by renown Hungarian artist Arpad Bardocz. In good condition. Signed and dated. We can arrange shipping worldwide. We was born in Budape...

Figurative illustration of people arriving at a church by Charles Kinghan (American, 1895-1984). The church is rendered with exquisite detail, typical ...

Our Gallery acquired the estate of a Northern California artist, Thelma Terrell. Terrell lived in Oakland and was an illustrator and profes...

Barbara Shermund (1899-1978). Fancy Department Store Satirical Cartoon, ca. 1930's. Ink, watercolor and gouache on heavy illustration paper, panel measures 19 x 15 inches. Signed lower right. Very good condition. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

A Summer Day WPA American Scene Social Realism Modern Ashcan Early 20th Century Leon Kroll (1884-1974) "A Summer Day" 14 x 17 inches (image...

Bricklayers House Beautiful Cover Proposal American Scene Modern WPA 1930s Industrial Workers Antonio Petruccelli (1907 - 1994) Brick Layers House Beautiful cover proposal, c. 1939 ...

WPA Mural Study American Scene Social Realism Mid 20th Century Modern Workers Seymour Fogel (1911-1984) Mural Study, untitled 11 x 49 1/4 inches (sight) Tempera on board Provenance:...

Small Farm in the South of France by French Artist, Ely Laumonier (1895-1960) Art measures 24 x 18 inches Frame measures 28 x 22 inches (approx.) Antique Original Signed, Oil on ...

An intriguing 1930's Art Deco Slade School oil on canvas painting. The work depicts a mother and child bathing, surrounded by other bathers. It possibly has religious overtones. This...

We are proud to have recently discovered, “The Sophisticate”, by American artist Alexander Rosenfeld. Rosenfeld was classically trained in fine ...

From the Michael Hall Collection, this is a great American scene showing the excitement of the fair. It depicts a time when men wore coats and ties and women had hats at the fair be...

The Flower Market French Post-Impressionist, circa 1930's oil on board, framed framed: 15.5 x 15 inches board: 14 x 13 inches provenance: private collection, Nice, France condition: ...

Barbara Shermund (1899-1978). Tavern on the Green. Watercolor and ink on paper, 9 3/8 x 12 inches. Unsigned. Excellent condition. Provenance: Ethel ...

Barbara Shermund (1899-1978). Showgirls Cartoon for Life Magazine, 1934. Ink, watercolor and gouache on heavy illustration paper, matting window measures 16.5 x 13 inches; sheet measures 19 x 15 inches; Matting panel measures 20 x 23 inches. Signed lower right. Very good condition with discoloration and toning in margins. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

Sailboats, Ocean, France , grey, blue, azure,landscape France Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and adolescence in Amie...

A charming, colorful 1930s oil painting of a young woman in a rowboat by famed Chicago Modern artist, Francis Chapin (Am. 1899-1965). This vibrant harbor scene was most likely paint...

Kimon Nicolaides Energy Manifestation #4, 1933 signed and dated lower left oil on canvas 30 x 24 inches Kimon Nicolaїdes (10 June 1891 – 18 July 1938), was an American artist, educ...

Brooklyn Bridge NYC American Scene Social Realism Mid 20th Century Modern WPA Cecil C. Bell (American, 1906-1970) Brookyn Bridge amid the NYC Waterfront 35 ½ x 23 ½ inches Oil on Bo...

This original watercolor by Depression Era New York artist William Gropper relates to two of Gropper's most important Depression Era prints: “Refugees” and “Uprooted.” Signed lower r...

Edouard Dumoulin (1898 - 1973) Creole woman 1938 Oil on canvas 89 x 74 cm (97 x 85 cm with frame) 35.04 x 29.13 in (38.19 x 33.46 in with frame) Signed and dated top right Online ca...

French Art Deco, oil on canvas, society female portrait by Dembinkski (probably Anton J.) Signed, dated and located (Paris) bottom left. In later wood and gilt frame. A charming and...

Italian painting from the first half of the 20th century. Oil on canvas, first canvas, painting depicting a courtyard scene with horses returning from the hunt, of excellent pictoria...

French 20th-century Impressionist harbor, with fishing boats at sea, with landscape beyond. 20th-century French impressionist harbor scene. The...

Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American Joseph Edward Knowles (1907-1980) "Study for Industry Mural, Veterans Memorial Building, Santa Barbara, CA" 19 1/2 x 50 1/2 inches Oil on board, c. 1930s. Estate stamp verso Framed: 27 x 60 inches The completed mural is currently hanging on the wall, part of the building actually, at the Veterans Memorial Building in Santa Barbara. A photo of the work insitu is included in the attached photos. BIO Joseph Edward Knowles was born in Kendall, Montana, on June 15, 1907. He grew up in San Diego, California. At age twenty, two years before the beginning of the Great Depression, he moved north to another town on the coast of California---Santa Barbara. There he began studying fine art at the Santa Barbara School of the Arts* (1927-1930), under the supervision of Frank Morley Fletcher, previously director of the Edinburgh College of Art. Fletcher, who was trained in portraiture, landscape painting, and woodblock* printing, was a great influence on young Knowles. It was there that Knowles learned the art of color woodblock printmaking, a medium in which he showed great skill. Not long after completing his studies with Fletcher, Knowles began teaching art. For a period of thirty years, from 1930 to1960, he taught at the Cate School in Carpinteria, California. In 1934-1935, Knowles traveled throughout Europe, further developing his artistic skills in England, France, and Italy. Upon his return, he continued to teach art at various schools and institutions: Cate School, Crane Country School, extension classes at the University of California at Santa Barbara (UCSB), and at the Santa Barbara Museum of Art (SBMA). Knowles also served as an art education consultant for the County of Santa Barbara. In addition, he was founding co-director and president of the Santa Barbara Fine Arts Institute (1969-1972), which later developed a specialization in photography and became the Brooks Institute of Photography. Knowles died at his home in Santa Barbara on September 8, 1980. Much of Knowles' watercolor work is associated with what has been termed the "California School*," a loose grouping of artists throughout the state that included such figures as Millard Sheets, Phil Dike, Dong Kingman, George Post, and the Santa Barbara painters Dan Lutz and Standish Backus, Jr. The California School artists, including Knowles, were known for their fresh, direct, spontaneous style of watercolor painting. Knowles and other members of the school found inspiration in nature and the built environment alike, emphasizing elements of design in their exuberant, boldly stated, colorful scenes from everyday life. While painting in a representational* manner, Knowles generally avoided photographic realism, preferring subjective interpretation of his subjects. In this, as well as in his experimental approach and vigorous brushwork, he displayed a strongly modern sensibility. Knowles often used the wet-on-wet watercolor technique as he painted seascapes and landscapes, mostly along the California coast. He also employed dry-brush* techniques in many of his paintings, often leaving some of the white of the watercolor paper exposed. Some of the latter depict trees and other forms in a broken and airy manner that recalls Cezanne. Knowles' colored woodblock prints are more reserved and exact in their draftsmanship than his paintings. Spare, clean, lyrical lines are drawn to illustrate floral motifs and boat scenes with a touch of asymmetry conjuring Japanese woodblock prints. His murals from the post-World War II period are considerably more modern in their approach and show an emphasis on design and color. PROFESSIONAL ORGANIZATIONS California Watercolor Society (1940 - 1955) Santa Barbara Art Association (Vice President - 1952) ONE-MAN EXHIBITIONS Golden Gate International Exposition (GGIE) - San Francisco, California San Diego Fine Arts Gallery (SDMA) - San Diego, California Santa Barbara Museum of Art (SBMA) - Santa Barbara, California Cowie Galleries - Los Angeles, California Gallery de Silva - Santa Barbara, California Bradley Galleries - Santa Barbara, California MURALS Westmont College - Ellen Porter Hall Mural - Santa Barbara, California Safeway Grocery (now Vons Grocery on West Victoria Street) - Exterior Tile Mosaic - Santa Barbara, California Santa Barbara Bank & Trust - Interior Mosaic Panels, Santa Barbara, California Santa Barbara Girls Club - Interior Mosaic Mural - Santa Barbara, California Ernest Righetti High School - Mosaic Mural - Santa Maria, California Shell Oil Company - Mosaic Panel - California Beckman Instruments, Corporate Headquarters - Mosaic - Fullerton, California STAINED GLASS WINDOWS, WALLS and PANELS Katherine Thayer Cate Memorial Chapel - Cate School, Carpinteria, California William S. Porter Memorial Chapel - Cottage Hospital, Santa Barbara, California La Rinconada Building - Santa Barbara, California ILLUSTRATIONS "California's Wonderful Corner: True Stories for Children from the History of the Santa Barbara Region," by Walter A. Tompkins (1962 & 1975) China Designs: Two sets of dinnerware for Winfield China...

Arthur Prince Spear: 1879-1959. Well listed American painter with auction results up to $6900, but sells for much more in galleries as his works ar...

'Paris, la Bourse', gouache on paper, by Lucien Génin (circa 1930s). Created at the beginning of the 19th century by Napoleon, la Bourse, or the Stock Exchange, was intended to assert and encourage France’s prosperity in industry and trade. In 1826 the Stock Exchange was installed in the palace that the architect Brongniart had begun in 1808. Surrounded by a large peristyle of Corinthian columns, the rectangular structure reflects the official neo-classicism of the Empire Period. The artist, Génin, depicts a typically lively 1930s day in front of the building with cars of the period zooming by pedestrians on the walkway and others on the stairs leading to the entrance. He has an extremely charming, almost childlike style particularly the way he renders the people and the vehicles. The building, on the other hand, is accurate in its detail and more seriously presented. Our gallery has held and has sold over a dozen of Genin's paintings but this one stands out for its pure stylish appeal and ability to captivate while inducing a smile in the viewer. The artwork is in good overall condition - there are some minor blemishes not on the artwork itself but on the edges of the mount to which it is attached. The frame is in fair condition showing some nicks and scratches. Please enjoy the many photos accompanying the listing. Upon request a video can be provided. Signed by the artist in the lower right hand. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer...

An impressive and masterful depiction of a young woman with a fan. An American artist who studied and traveled in Europe and painted this painting before his return. It has its original frame which is magnificent. The frame has been regilded in th past 10 years. Vinton was abroad in the 1880s. The sitter gazes coyly over her fan in a gesture that ladies and gentleman of fin-de-siècle Europe would have understood to mean “wait for me,” and perhaps indicating her interest in a potential suitor. Vinton embarked on several trips to Europe—to Spain in 1882 with William Merritt Chase and Robert Blum, and to several different countries in 1888 following his marriage—which provided inspiration for a renewed style and subject matter. While in Spain with Chase and Blum, the three artists visited Madrid and Toledo; there, Vinton studied the masterfully tenebrous portraits of Velázquez, an influence that can be seen in Portrait with Yellow Shawl...

1930s French Impressionist Barbizon School oil on panel view of a forest by Georges Guerin (1910-1984). The painting is signed bottom left and is also titled and dated to the back of...

This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s San Pedro Post Office: History of Writing Mural South, Preliminary Mural Maquette right panel...

3787 Antique folk art oil painting Image size 17x23.5" Folk art wood frame

Signed oil on panel landscape circa 1930 by French post impressionist painter Victor Charreton. This stunning work depicts a view of a French hamlet in summer - the buildings in the ...

Oil on canvas mounted on board, realized by Francesco Settimj in 1930s. Good condition.

The People, 1938, oil on canvas, signed lower right, 36 x 48 inches, label verso reads “348 / 89 / Carnegie Institute, Pittsburgh, PA, USA / _____ The People / _______ Arnold Blanch ...

Jean Dominique Van Caulert, (1897-1979), although most often associated with his celebrity portraits and works for the theater, he was also a true symbolist in the tradition of the B...

Oil on canvas signed R.B.FELTRAP, France, 1937. Nude. With frame : 101.5x82.5 cm - 40x32.5 inches ; without frame : 92x73 cm - 36.2x28.75 inches. Format 30F. Signed and dated "R.B.Fe...

Louis Bosa (American, 1905–1981) Bucks County, 1934 Oil on canvas Signed and dated lower right 17.5 x 21.5 inches 25.5 x 29 inches, framed Born in Codroipo, a small village only a f...

Excellent figurative oil painting of a man seated in an armchair with papers strewn about the interior space by Charles Ross Kinghan (American, 18...

Hans Baluschek ( 1870-1935 ), Germany. "New Objectivity" Style. Mixed media on paper, 1934. Signed and dated lower right: HBaluschek.34. Framed. Height: 26.18 in ( 66,5 cm ), Width:...

The Flower Market French Post-Impressionist, circa 1930's oil on board, framed framed: 15.5 x 15 inches board: 14 x 13 inches provenance: private collection, Nice, France condition: ...

Wayman Elbridge Adams (1883-1959). From a Balcony, New Orleans, French Quarter, ca.1930. Oil on masonite panel, 12 x 16 inches; 17.5 x 21.5 inches framed. Excellent condition. ...

French 20th-century Impressionist harbor, with fishing boats at sea, with landscape beyond. 20th-century French impressionist harbor scene. The...

Maurice Asselin (1882-1947) The House of the painter, Neuilly signed lower left oil on canvas 55 x 46 cm Framed : 63 x 54 cm The subject of this painting is fairly easy to identi...

A. E. Halliwell (1905-1987) Pansies Gouache 30 x 47 cm c.1930 Label to reverse 'Baynard Press', Signed lower right, further signed in pencil and dated 1929. Provenance: Family of the...

'Woman by the Window with Embroidery Frame', oil on canvas, by Franz Ludwig Kiederich (circa 1930s). A delightful depiction of a woman, comfortable...

Untitled Riverscape, an original oil on canvas by George Thompson Pritchard, is a piece for the true collector. An impressively calming nature of this plein-air painting draws you in...

Ships is an original painting realized by Bruno Croatto in 1938. Signed and datet by the Artist at bottom left. Includes a wooden frame.

"Snowy City Scene" American Scene Social Realism WPA Era Mid-20th Century Modern Syd J. Browne (1907-1991) "Snowy City Scene" 22 x 30 inches Oil on canvas. c. 1930s Signed lower lef...

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...