Op Art

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Corpusculaires, 1973. Published and printed by Édition...

Horizon Original Op Art Painting 1978 Artist signed and dated. Marko Spalatin (American, Born 1945). An original Modern Abstract Op-Art oil painting on canvas. Titled "Horizon". Featuring colors of white, yellow, orange, green, purple, and blue. Signed and dated 1978 with title on verso. Mounted on wood stretcher. Provenance: 11/10/2007 Ivey-Selkirk Auction, LOT 775. PERMANENT COLLECTIONS Musée d'Art Moderne — Paris, France Museum of Modern Art — New York, New York Tate Gallery — London, England Bibliothèque National — Paris, France Victoria & Albert Museum — London, England Library of Congress — Washington, D.C. Museum of Contemporary Art — Chicago, Illinois Metropolitan Museum — Manila, Philippines Philadelphia Museum of Art — Philadelphia, Pennsylvania The Butler Institute of American Art — Youngstown, Ohio Museum of Modern Art — Belgrade, Yugoslavia Milwaukee Art Museum...

Jesus Rafael Soto "Squares" 1969 Screenprint with collage 21 x 19 Ed 87 of 200 Jesús Rafael Soto (1923-2005) was a Venezuelan op and kinetic artist, a sculptor and a painter. His wo...

Victor Vasarely “Oltar-Zoeld” 1985/86 Silkscreen on paper Edition 57 of 295 42 x 68 in Victor Vasarely (9 April 1906 – 15 March 1997), was a Hungarian-French artist, who is widely a...

Original etching and aquatint, cca. 1980. Edition of 150 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauh...

Victor Vasarely "Cheyt-Mc-4" 1971 Monograph on paper Not Signed or numbered, as published Published by Editions Du Griffon Neuchatel in 1971, and printed in Switzerland. Paper size: ...

Enterieur (Outside) Screen print, 1973 Signed lower right in pencil (see photo) Edition: A.P., annotated lower left corner Published by Edition Ltd., Indianapolis Image size: 21 3/4 ...

Victor VASARELY (1906-1997) Boglar VI, 1966 Acrylic on panel Signed lower in the center. Titled, dated and countersigned on the reverse. Origin: Collection Abraham Moles (french i...

Victor Vasarely "Cheyt-Mc-4" 1971 Monograph on paper Not Signed or numbered, as published Published by Editions Du Griffon Neuchatel in 1971, and printed in Switzerland. Paper size: ...

Untitled. Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Richard Anuszkiewicz Metallic Water, 1964 Painting with Liquitex. (1964 Art Institute of Chicago Exhibition and J.L. Hudson Gallery) Signed boldly and dated 1964 on the verso with exhibition label from the Art Institute of Chicago and the J.L. Hudson Gallery Labels Frame included: elegantly held in a museum quality custom fitted white wood frame with UV plexiglass Exhibition history: Art Institute of Chicago, Society for Contemporary Art, 24th Annual Exhibition, May 8 to May 41, 1964 Hudson Galleries Provenance Exhibition label from the Art Institute of Chicago J.L. Hudson Gallery Mr. and Mrs. Michael D. Maremont “I’m interested in making something romantic out of a very, very mechanistic geometry. Geometry and color represent to me an idealized classical place that’s very clear and very pure.” - Richard Anuskiewicz This dazzling, yet also subtle Richard Anuszkiewicz Op Art...

Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus ...

RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Edition of 40 Pencil signed and numbered 11/40 on the front Frame included: elegantl...

Victor Vasarely: 1906-1997. Well listed Hungarian French artist with auction results for a single print over $100,000. He is considered the grandfather of the op art movement. Size d...

Original color silkscreen, cca. 1970. Edition of 70 signed and numbered impressions on Arches paper. Marko Spalatin was a modern and contemporary artist from Croatia, who immigrated ...

Original color silkscreen, cca. 1980. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus design principles, Kandinsky’s and Malevich’s art and Constructi...

Nikolaus von Georgi Untitled (Geometric Composition, Vasarely, Op-Art) Color Offset Lithograph Year: 1978 Size: 19.7×23.6 on 23.6×27.6in Edition: 180 Signed, numbered and dated by ...

Richard Anuszkiewicz ANUSZKIEWICZ by Karl Lunde (hand signed and inscribed by Richard Anuszkiewicz), 1977 Hardback monograph with dust jacket (hand signed and inscribed by Richard An...

Victor Vasarely Planetary Folklore (Hand signed by Victor Vasarely), 1973 Hardback monograph with dust jacket Hand signed by Victor Vasarely on the first front end page 9 1/2 × 9 7/...

Victor Vasarely "Tupa" 1972 Monograph on paper Not Signed or numbered, as published Published by Editions Du Griffon Neuchatel in 1971, and printed in Switzerland. Paper size: 10.5 "...

A screen print on paper poster by minimalist, op artist Joseph Albers advertising an exhibit at Galerie Melki, Paris, in 1973. The piece features a nested series of square color fie...

VASARELY “Bi-Tupa”, Genuine 1976 serigraphy, hand signed (lower right corner), and numbered 147/225 (lower left corner). Catalogue Raisonné: Pedro Benavides, ref 282, page 86. Sheet:...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print...

Artist: Jean-Pierre Vasarely Yvaral, French (1934 - 2002) Title: 50 Shades of Blue Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image Size: 24.5 x...

Limited edition of 10 and 5. Printed on Hahnemuhle Fine Art Baryta 325g Archival Paper. Dated and signed with the certificate of authenticity. Italian photographer Enzo Ragazzini...

Victor VASARELY ( 1906 -1997 ) VEGA MIR Sérigraphie sur verre signée au recto et au verso . Edition sur 200. Extrait de l'album BACH 1973. 50 X50 X 7cm .

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print...

Victor Vasarely "Tegla-Hat" 1972 Monograph on paper Not Signed or numbered, as published Published by Editions Du Griffon Neuchatel in 1971, and printed in Switzerland. Paper size: 1...

The 50th Anniversary of the League of Women Voters Screenprint Poster from 1970, designed by Richard Anuszkiewicz (1930 - 2020) printed in 1969, unsigned. Richard Anuszkiewicz’s use ...

Limited edition of 10 and 5. Printed on Hahnemuhle Fine Art Baryta 325g Archival Paper. Dated and signed with the certificate of authenticity. Italian photographer Enzo Ragazzini...

Bridget Riley Flashback (Hand Signed), 2009 Offset Lithograph (hand signed by Bridget Riley) 27 × 27 inches Boldly signed in black marker on the front Unframed Signed by Bridget Riley in her inimitable hand on the occasion of this 2009-2010 exhibition at the Southampton City Art Gallery of works from the Arts Council of Great Britain collection. Bridget Riley Biography Bridget Riley's (b. 1931) abstract compositions yield a singular sense of visual pleasure for the viewer, a notion derived as much from the artist's formative encounters with Old Master and Impressionist painting as from her early experiences with nature. Since 1961, she has focused exclusively on seemingly simple geometric forms, such as lines, circles, curves, and squares, arrayed across a surface—whether a canvas, a wall, or paper—according to an internal logic. The resulting compositions actively engage the viewer, at times triggering sensations of vibration and movement. This sense of dynamism was explored to great effect in the artist's earliest black-and-white paintings, which established the basis of her enduring formal vocabulary. In 1967, Riley introduced color into her work, thus expanding the perceptual and optical possibilities of her compositions. Riley was born in 1931 in London, where she attended Goldsmiths College from 1949 to 1952 and the Royal College of Art from 1952 to 1955. Riley’s first solo exhibitions were held at Gallery One, London, in 1962 and 1963, followed by two exhibitions at Robert Fraser Gallery, London, in 1966 and 1967. She was also at that time included in numerous group exhibitions such as Towards Art?, Royal College of Art London (1962); The New Generation, Whitechapel Gallery, London (1964); and Painting and Sculpture of a Decade 1954–1964, Tate Gallery, London (1964). In 1965, her work was included in the now-seminal group exhibition The Responsive Eye, organized by William Seitz at The Museum of Modern Art, New York. In 1968, she represented Great Britain at the 34th Venice Biennale (along with Philip King), where she was the first living British painter to win the prestigious International Prize for Painting. Her first retrospective, covering the period from 1961 to 1970, opened at the Kunstverein Hannover in 1971 and subsequently traveled to Kunsthalle Bern; Kunsthalle Düsseldorf; Galleria Civica d’Arte Moderna, Turin; and the Hayward Gallery, London. More recent significant solo presentations include those at Dia Center for the Arts, New York (2000-2001); Museum Haus Esters and Kaiser Wilhelm Museum, Krefeld, Germany (2002); Museum of Contemporary Art, Sydney (2004-2005); Musée d'Art Moderne de la Ville de Paris (2008); Walker Art Gallery, Liverpool (traveled to Birmingham Museums and Art Gallery; Norwich Castle Museum and Art Gallery; Southampton City Art Gallery; 2009-2010); The National Gallery, London (2010-2011); Art Institute of Chicago (2014-2015); The Courtauld Gallery, London (2015); De La Warr...

Artist: Yaakov Agam (1928) Title: Wash Art Year: 1978 Medium: Silkscreen on wove paper Size: 38.5 x 23.25 inches Condition: Excellent Inscription: Signed in colored ink Notes: Publis...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print...

Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus ...

yellow composition is a Screen Print on Paper realized by Victor Debach in 1970s. Hand signed and numbered. Edition of 100 prints. Good condition

Limited edition of 10 and 5. Printed on Hahnemuhle Fine Art Baryta 325g Archival Paper. Dated and signed with the certificate of authenticity. Italian photographer Enzo Ragazzini...

A wonderful op art composition by an important Noth Carolina artist.

Orange Composition is a screen print realized by Victor Debach in 1970s. Hand signed and numbered. Edition of 100 prints. Good condition.

La palette de l'amour | The palette of love Mixed Media 54 3/4 x 54 3/4 in 139 x 139 cm Unique "I have always been fascinated by motion. What fascinates me with this craft is to cap...

Richard Anuszkiewicz Soft Lime, 1976 8 Color silkscreen on Lenox 100% Cotton paper 38 × 48 inches Pencil signed and numbered 41/75 on the front; bears printers blind stamp from NYIT ...

Signed and numbered print by Julio Le Parc. The original drawing from 1958 is now part of the MET New-York. This edition has been done in 2018. This print is number 25 on an edition of 50. Technic : Lithograph on vélin de Rives 270gr. Format : Lithograph 48x54 cm Frame : 60 x 60 cm black painted oak, plexiglass U.V. Proof Edition Size : 50 signed and numbered copies from 1 to 50. Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. He is a precursor of Kinetic Art and Op Art, founding member of Groupe de Recherche d’Art Visuel and recipient of the Grand Prize for Painting at the 33rd Venice Biennale in 1966, Julio Le Parc is a major figure in modern art history. Upon arriving in Paris in 1958 he connected with Jesús Rafael Soto and Carlos Cruz-Diez who were already in Paris. There they met Victor Vasarely, Georges Vantongerloo...

Richard Anuszkiewicz Op Art Bowl for Hirshhorn Museum, 1976 Glazed Enamel on Metal Bowl. Artists Signature Fired in Plate Anuszkiewicz' signature fired ont...

A Grid like Marilyn Mixed Media 113 x 113 cm 44 1/2 x 44 1/2 in "I have always been fascinated by motion. What fascinates me with this craft is to capture the viewers attention. But...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...

color serigraphy on Fabriano paper , edited in 1983 Limited Edition of 99 copies Hand signed in pencil by artist lower right and numbered EA ( artist proof ) lower left Paper size: 5...

Atomic Kate Silver Leaf and Black Glitter Dust on Board 113 x 113 cm 44 1/2 x 44 1/2 in "I have always been fascinated by motion. What fascinates me with this craft is to capture th...

Annual Edition, 1994 Screen print, 1994 Signed and dated in pencil by the artist. Small edition Dedicated in pencil by the artist "For Bart and Ann" Created as a gift to the artist'...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print...

Tout pour mon amour | All my love Mixed Media 54 3/4 x 54 3/4 in 139 x 139 cm Unique "I have always been fascinated by motion. What fascinates me with this craft is to capture the v...

Black dots on orange is an original artwork realized by Victor Vasarely in 1965. Color silkscreen on paper, signed in the lower right and number...

Fuchsine Composition is a screen print realized by Victor Debach in 1970s. Hand signed and numbered. Edition of 100 prints. Good condition.

Richard Anuszkiewicz Near and Far Acuity, 1957 Gouache and watercolor painting Hand signed and dated 1957 by Richard Anuszkiewicz on the right front Frame included Anuszkiewicz' artworks from the late 1950s are rarely found on the market. This historic painting is one of the works that helped launch the artist's career. It was done in 1957 - the year the artist arrived in New York. Near and Far Acuity has been removed from its original frame, and re-framed in an elegant wood frame with conservation materials and UV plexiglass. The original gallery label from The Contemporaries has been preserved and affixed to the new backing, and the collector who acquires this work will also be provided with a copy of the original receipt - signed by Karl Lunde (director of the Contemporaries and author of a major monograph on the artist). Measurements: Frame: 32 x 28 x 2 inches Artwork: 21 x 25 inches This work was first exhibited in the groundbreaking, and career-making 1960 exhibition at The Contemporaries gallery (New York, February 29, 1960 - March 19, 1960) and was featured in the exhibition catalogue, shown in the images here. In his essay entitled "Richard Anuszkiewicz: Color Precisionist" by art historian John T. Spike, he writes, "In the spring of '57, Richard Anuszkiewicz left Ohio for good. "I was ready. I came to New York with a substantial amount of work. I was ready to go around to the galleries and I was prepared because I really had something. I had an idea. I had a series of paintings that showed this idea and I felt good about it and I felt now that's the only place for me to be." A friend helped him get a job touching up the plaster models of classical temples and statues in the Junior Museum of the Metropolitan Museum of Art. He took off six months the next year to travel around Europe in a Volkswagen, also seeing some places in North Africa. "When I came back, I remember taking my work around to the galleries and receiving interesting comments — positive comments from the various people. But Abstract Expressionism was very popular. My things were very hard-edged, very strong in color — a use of color that nobody was using. Everybody would say. 'Oh, they are nice, but so hard to look at. They hurt my eyes". Leo Castelli considered him seriously but the gallery was developing a specialization in pop artists like Jasper Johns and Robert Rauschenberg. "I can remember going to Martha Jackson and having her look at the work and she would put her hands straight out in front of her and block out parts of the painting with her hand and she'd say, mmm no rest areas." He finally caught on with The Contemporaries Gallery in the fall of 1959. The gallery at 992 Madison Avenue mainly represented new European talent. Karl Lunde, the gallery director, saw some of his canvases hanging...

Parmasos VIII. Original color silkscreen, cca. 1970. Edition of 70 signed and numbered impressions on Arches paper. Marko Spalatin was a modern and contemporary artist from Croatia, ...

Untitled. Original color silkscreen, cca. 1980. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus design principles, Kandinsky’s and Malevich’s art and ...

Rows, 1970, by Julian Stanczak (1928-2017) Acrylic on canvas 27 ¼ x 27 ¼ inches unframed (69.215 x 69.215 cm) 28 ½ x 28 ½ inches framed (72.39 x 72.39 cm) Signed on reverse Dated and...

Limited edition of 10. Printed on Hahnemuhle Fine Art Baryta 325g Archival Paper. Dated and signed with the certificate of authenticity. Italian photographer Enzo Ragazzini...

Abstract Electric Blue Composition is a screen Print on Paper realized by Victor Debach in the 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on ...

Bridget Riley Richard Feigen Gallery 1965 Op Art poster, 1965 Offset lithograph poster 21 × 17 inches Unframed Very rare early Bridget Riley poster...