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Alvar Aalto, Wardrobe from Paimio Sanatorium, 1932

US$6,406.20

About

Rare wardrobe from the patient rooms of the Paimio sanatorium that was built in 1932. And manufactured by Hounekalu-ja Rekannustyötehdas Oy. Aalto was the architect for the whole building and did also design all the furniture’s and fittings to go with it. It is one of his most important buildings. The wardrobe features a curved front door with inside shelves and steel rodd to hold hangers. Original lock with matching key. This model has never been in serial production and was only produced for the sanatorium. No one knows how many of the wardrobes that are still in existence today. The wardrobe was repainted a long time ago. Most likely when still in use at the sanatorium. Untouched original condition with flaked paint and ware in a few spots on the inside. The front has some scratches and marks but overall in good order. Would be perfect for a museum or a collector.

Details

Shipping & Returns

  • Shipping
    US$1,164.76Front Door Shipping
    to United States 0,arrives in 1-4 weeks.
    We recommend this shipping type based on item size, type and fragility.
    Customs Duties & Taxes May Apply.
    Ships From: Uppsala, Sweden
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    A return for this item may be initiated within 7 days of delivery.

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About the Designer

Alvar Aalto

An architect and designer, Alvar Aalto deserves an immense share of the credit for bringing Scandinavian modernism to a prominent place in the global arena. In both his buildings and in his furnishings — which range from chairs, tables and lighting to table- and glassware — Aalto’s sensitivity to the natural world and to organic forms and materials tempered the hardness of rationalist design.

Relatively few Aalto buildings exist outside Finland. (Just four exist in the United States, and only one — the sinuous 1945 Baker House dormitory at M.I.T. — is easily visited.) International attention came to Aalto, whose surname translates to English as “wave,” primarily through his furniture.

Instead of the tubular metal framing favored by the Bauhaus designers and Le Corbusier, Aalto insisted on wood. His aesthetic is best represented by the Paimio armchair, developed in 1930 as part of his overall design of a Finnish tuberculosis sanatorium. Comfortable, yet light enough to be easily moved by patients, the chair’s frame is composed of two laminated birch loops; the seat and back are formed from a single sheet of plywood that scrolls under at the headrest and beneath the knees, creating a sort of pillow effect. Aalto’s use of plywood had enormous influence on Charles Eames, Arne Jacobsen, Marcel Breuer and others who later came to the material.

Concerned with keeping up standards of quality in the production of his designs, Aalto formed the still-extant company Artek in 1935, along with his wife, Aino Aalto, whose glass designs were made by the firm. In the latter medium, in 1936 the Aaltos together created the iconic, undulating Savoy vase, so-called for the luxe Helsinki restaurant for which the piece was designed. Artek also produced Aalto lighting designs, many of which — such as the Angel’s Wing floor lamp and the Beehive pendant — incorporate a signature Aalto detail: shades made of concentric enameled-metal rings graduated down in diameter. The effect of the technique is essential Alvar Aalto: at once precise, simple, and somehow poetic.

About the Seller
4.6 / 5
Located in Uppsala, Sweden
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Established in 2007
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