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CommeDesGarcons 1999 Unique HandCut Appliques Overdyed Grey Knit Pullover Top

$990
£746.46
€860.20
CA$1,373.40
A$1,538.88
CHF 801.05
MX$18,825.89
NOK 10,167.82
SEK 9,603.39
DKK 6,421.54
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About the Item

In 1999, Rei Kawakubo (b. 1942) focused on unprecedented sculptural texture and irregular color blocking to design her Comme des Garcons Spring/Summer 2000 collection, which was dominated by one-of-a-kind hand-cut-and-dyed floral-like multi-fabric ruffled and bunched appliques that were uniquely sewn to minimalist garments. From the turn-of-the-century collection that Kawakubo described as "beautiful chaos", this purple-overdyed (thus appearing slightly different colors from different angles) grey stretch-nylon knit short-sleeve pullover features an asymmetrical three-dimensional decorated hem with several shirred appliques including slashed organza that were dyed in complimentary cool colors. In terms of fashion history, the collection was especially well-described initially by the Vogue reviewer in 1999: "Rei Kawakubo's designs are normally unsettling at first, somewhat confusing and, ultimately, incomparably beautiful. What begins as an assault on the senses slowly reveals itself as the work of a true artistic genius--creating some of the most original pieces of the season. At the heart of the collection was a series of shirts and dresses with unexpected abundance of texture and color. Evoking exotic flowers or corals, Kawakubo piled yards of fabric into bundles of ruffles and pleats that dramatically redefined the silhouette. Flat surfaces suddenly blossomed into enormous volumes. Nothing old, nothing that has been done before--that's Comme des Garcons' mantra." For example on the Paris fashion-show runway, tops like ours were layered over a flowing bias-cut maxi salmon-color dress (see our runway photo herein and other listing) and mis-buttoned long-sleeve shirt to enable the bunched arrangement of sculptural wrinkles between the rumpled, displaced or misaligned pieces. We noticed that the purple and navy dyes reflect those used in her prior Spring/Summer 1999 collection, from which we offer in another of our listings her fashion-show finale: a versatile double-layer rectangular garment, whose iconic-CdG oversized silver safetypin enables conversion from a modeled half-dress overlay into a high-slit open-wrap voluminous A-line maxi skirt or a cape with its billowing navy-satin underlayer. For the CdG serious collector, we recommend pairing with our listing for a rare Spring/Summer 1997 "lumps and bumps" navy set of ruffled net long-sleeve pullover and asymmetric-draping bias-cut stretch-jersey maxi skirt or tube dress. Our top's Japanese-size small will also suit a larger size given its T-shirt-like flexibility. If not worn as the sole bodice garment like in one of our photos of the FirstView fashion-show coverage, we recommend using oversized safetypins to style it over layers of clothing, as see in some their other coverage that we included for inspiration.

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