Ceramics

Chinese porcelain ‘Millefleur’ Dragon vase, Republic Period. The bottle shaped vase, well painted in vibrant famille rose enamels, with a profusion of flowers on a gilt ground. The n...

A ceramic vase from Thailand, with off-white glaze. Contemporary. While the golden age of Thai ceramics ended around the 15-16th Centuries, local craftsmen perpetuated the art thro...

The commanding scale of these extra large Thai vessels makes them ideal statement pieces for either indoor or outdoor use. The pots are contemporary and are cast in iconic old world ...

Mint Kyo ware bowl From Japan, a beautiful hand-built, painted and glazed, Kyo ware large bowl or large tea bowl with a proud rooster and birds motif created in the 1930s.- over se...

A refined and well painted Kutani porcelain vase with a mountainous landscape scene, Showa Era, circa 1930, Japan. The elegant ovoid vase of fine, translucent porcelain...

Large vase in green ceramic designed by the Italian designer Gio Ponti and manufactured by Richard Ginori between the 1930s and the 1940s. In this piece, the ceramic was modeled with an elegant and raffinate, flared shape that makes it a perfect decorative vase. The manufacturer's brand is stamped under the base. The history of the Ginori Manufactory began in Doccia, just a stone's throw away from Florence, when in 1735 Marquis Carlo Andrea Ginori started a porcelain factory which was destined to become a worldwide icon of style. The eighteenth-century is a key century for the development of porcelain in Europe, in this period the first manufactures are born, fed by new styles and international trends. In stately homes, palaces and courtyards, the precious porcelain of the Doccia Manufactory is synonymous with elegance and refinement. The passage from the nineteenth, the century of reason to that of feeling marks a new chapter in the development of artistic taste and the manufacture of porcelain. Florence becomes the scene of a controversy between the academic supporters of the Beautiful ideal and the naturalists promulgators of the beautiful natural Since 1806 the direction of the Manifattura passed to Leopoldo Carlo Ginori Lisci who initiates a process of profound renewal. In 1986 The Manifattura expanded and the Richard Ginori Ceramic Company is born. The tradition of master craftsmen meets new technologies and the creations are perfected thanks to the use of new patents From 1923 to 1933 the artistic direction of the Manifattura was entrusted to Gio Ponti. The master is responsible for introducing highly innovative elements with sensitivity and respect for the taste for the ancient, and for the oriental culture. In 1925 at the Universal Exposition in Paris, the Manifattura and its artistic director were awarded the assignment to both of a Grand Prix. The Manufactory was renewed by relying on the experience of the greatest Italian designers of the time: Franco Albini, Franca Helg, Antonio Piva, Sergio Asti, Achille Castiglioni, Gabriele Devecchi, Candido Fior...

A wonderful set of three Japanese Imari Porcelain "Black Ship" Nanban nesting bowls, Showa Era or earlier, 1930s or earlier, Japan. The bowls wonderfully decorated in the Imari c...

A charming and delightful Japanese Kutani enameled porcelain figure of a bijin or geisha, early Showa Era, circa 1930's, Japan. The elegant figure of a beautiful woman, called a bijin, portrayed dressed in full kimono and holding a fan in one hand. Her kimono of deep black with scattered cherry blossoms in white and outlined in gilding. Her wide obi of coral color, and patterned with stylized clouds of turquoise green and puce. One foot, clad in a white tabi...

A delightful Japanese Kutani enameled porcelain figure of a bijin or geisha, early Showa Era, circa 1930's, Japan. The elegant figure of a beautiful woman, called a bijin, or perhap...

A lovely Kutani porcelain model of a beautiful woman, bijin, or perhaps a geisha, Showa era, circa 1930's, Japan. A charming and delightful Japanese Kutani enameled porcelain figure of a bijin or geisha, early Showa Era, circa 1930's, Japan. The elegant figure of a beautiful woman, called a bijin, or perhaps a geisha, is portrayed dressed in full kimono and holding a closed folding fan in one hand. Her kimono of a rich and deep blue hue, with images of plump pomegranates in gilt. Her wide obi of a striking red color, and patterned with branches of pink blossoms. One foot, clad in a white tabi...

A spectacularly glazed Japanese Kutani model, okimono, of a pheasant, Showa era, early 20th century, Japan. The okimono, or decorative sculpture, in the form of a magnificent phea...

1149 Beautiful Japanese studio lava glazed vase

Japanese pair studio pottery candle holders Marked Japan.

A fantastic Japanese Aote type Kutani incense burner, koro, in the form a phoenix, Showa era, circa 1930's, Japan. The censer, koro, gracefull...

A charming and delightful pair of Kutani glazed porcelain models, okimono, of Mandarin ducks, oshidori, Showa Era, circa 1930's, Japan. The two Mandarin ducks, called oshidori in ...

Set of two decorative blue bottles in ceramic with gold lusters decorations (realized by Bottega Gatti in Faenza) from the Bottiglie Abitate series which is designed by Gio Ponti in the 1950s and manufactured during the 1990s by Cooperativa Ceramica Imola. The manufacturer's brand and signature are visible under the bases. Dimensions: A buttoned bottle H36 cm A decorated bottle H30 cm Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. Giovanni, known as Gio Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to an end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini...

A Showa period rich cream ground musen cloisonne enamel vase with Mount Fuji by Ando, the snowy mountain rising above stands of fir trees, with impressed wire Ando mark. Japanese, ci...

Sang de Boeuf, Ormolu Mounted Vase, by Rookwood Pottery 1936, now as a Lamp, Light Glaze Beautiful glazed vase raised on four ormolu elegant paw feet, attributed to E.F. Caldwell (O...

A tall ceramic vase made in the tradition of Shigaraki ware by Japanese potter Takahashi Shunsai (1927-2011), the fourth heir of the famed Rakusai lineage of potters. The vase is heavily potted in the reddish sandy Shigaraki clay. It has a Classic vase form made for Ikebana display. The surface is thickly draped with natural ash glaze that deposited onto the body during the firing process in the kiln. It also features decoration of carved lines. Nuggets of feldspar were incorporated in the clay and exposed onto the surface as crystal like jewels. Substantial and archaic looking, the vase also has a strong modern appeal due to its Mingei styling. It was signed on the base with a pressed seal Shunsai as shown. The vase comes with its original wood storage box (tomobako) with bears the title and signature in Kanji and a seal. It also retains a paperwork noting the artist's biography and practice philosophy in Japanese. Born in Shigaraki, Shunsai was the second son of renowned potter Takahashi Rakusai...

The Hardy Collection of Early Chinese Ceramics and Works of Art From the Sze Yuan Tang: Sale #8218, with original printed invitation. Christie's New Y...

This figurine is of one of the Eight Daoist (Taoist) Immortals - "Ba xian." The eight immortals are a group of legendary, semi-historical beings in both religious Daoism and popular...

A beautiful handmade handled bowl by well-known Japanese ceramic artist Makuzu Kozan II, son of Makuzu Kozan who was appointed artist to the Japanese Imperial household and was one o...

A beautiful Japanese Satsuma vase, circa early-20th century, late 1930s-1940s, Japan. Colors include red, black, gold, yellow, white, burgundy, green, and flesh tones. Dimensions: 5"...

Seven catalogues from the Chinese Porcelain Company on Oriental Porcelain, Export Porcelain and French Furniture. Chinese Ceramics and Wo...

Large Awaji pottery vase with sprigged chrysanthemums and green and white glazes, circa 1930. Measures: 18 1/4" high, 9 1/2" diameter. Excellent condition.

Chinese metal cloisonné charger with multicolored floral motif on the front face and a blue enamel back with stylized floral motif. The piece was mad...

These green ceramic Chinese candlestick holders come in a pair. They are glazed and include several interesting handmade designs and patterns...

Large vase made for holding tall, heavy flowers or blossoming branches.

Japanese vintage signed porcelain sculpture from early years of Showa period (1926-1989,) dramatically showcasing an eagle resting on a branch. T...