Decorative Objects

PRESENTING A STUNNING little French Ring Box from the 18th Century, namely a French Louis XVI Brass and MOP Box with Miniature Portrait of Lady. Box inlaid wi...

About as exotic and decorative as they get, this magnificent playing card / games box has a deep red / Burgundy background which is smothered in the most exquisite fine penwork with ...

Louis XVI style ormolu and white marble mantel set, 19th century. Louis XVI style white marble and ormolu mantel set, 19th century. Clock: H: 35cm, W: 29cm, D: 11,5cm Candelabra: H:...

Beautiful brass picture frame for wall installation, France, circa 1880. Picture size: 8,5 cm x 11,5 cm. Hanging ring on the top for wall installation, hidden behind a wonderful bow ...

This exceptional creamware shell shaped dish has a lovely yellow ground decorated with brown chrysanthemums, scrolling vines, and golden leaves. The...

English Regency brass inlaid sewing box, c1810, rosewood with original silk interior raised on gilt brass feet. The top lifts to a divided interi...

Pair of Italian candlesticks crafted in porcelain and decorated with traditional translucent colors and glazed. Signed Italy on the bottoms. Two pairs available. Priced per pair.

From a private collection from a prestigious London residence, we are pleased to offer this exceptional Regency Anglo-Irish cut glass pedestal vase or bonbonnieres and cover dating f...

A very fine and rare miniature bracket timepiece made by one of Britain’s most revered horological partnerships. The eight day single fusee movement held by four turned pillars with anchor escapement, adjustable lenticular pendulum and hold fast, is of exceptional quality. Housed in an ebonised and glazed bell top bracket clock case of a design particularly associated with this firm, the silvered roman dial with subsidiary date dial in the break arch is signed and also on back plate. This clock is in excellent original condition with a fully glazed back door and side panels with the U shaped carrying handle, a distinctive trademark of Grimalde and Johnson, standing on turned acorn feet. William Johnston is first recorded in partnership with Peter Grimalde between 1810 and 1825, before setting out on his own, Grimalde & Johnston were celebrated precision chronometer makers, and are known for making this style of miniaturised bracket clock during this period in very limited numbers. Examples of clocks by Grimalde and Johnson can be found in, “The Georgian Bracket Clock, 1714-1830” by Richard Barber and “English Bracket and Mantel Clocks” By Andrew Nicholls...

Pair of Candlesticks 19th century cast in the form of bronze storks each having a gilt crown around their necks and holding a single candle sconce in their beaks whilst balancing on ...

Pair Louis XVI Style Cobalt Sevres Style Ormolu Mounted Vases France, circa 1900s This elegant pair of Louis XVI-style cobalt Sevres-style ormolu-...

Beautifully carved with vines, grapes, Bacchus heads, acanthus leaves on a gordon base. Fine patina -end of 18th century. Probably French.

A massive pair of French 19th century brass and crystal girandoles also known as table chandeliers. This fine pair of glistening light fixtures have brass solid frames with seven scr...

A beautiful Louis XVI style classical cartel wall clock, superbly made in gilded bronze. Of elegant design, with draped laurel swags, rams heads and a glazed aperture below the dial ...

A fine pair of French 18th century bronze and gilt bronze candelabra, each in the form of putto figures holding aloft three scrolled candle-branches on a red marble and a square whit...

Louis XVI style garniture set. Torch and quiver design is centered at Bottom of the clock. A hand painted garden scene is presented at the Lower portion of the clock and a beautifu...

Regency Penwork Decorated Box c1810. "A sycamore veneered box decorated in penwork. The sides of the box are decorated with what looks like stylized marigolds. ...

Gilt Bronze Photo Picture frame French Empire style having twin Picture aperture 58mm wide, original water mark type silk fabric, each corner of the frame has Gilded mounts featuring French Sphinx...

Pair of fine antique (late 19th century) urns in the Louis XVI style crafted from white marble with gilt bronze mounts with neoclassical motifs including floral swags, berry vines an...

A very fine pair of French 19th century Louis XVI style patinated and gilt bronze figural two-light candelabra after a model by Claude-Michel Clodion (French, 1738-1814), one modeled...

Neoclassical Biedermeie box, rosewood veneer, brass inlays, England, circa 1830 Beautiful rosewood/palisander veneered, French polished. Brass trims around the upper edge and bras...

An Exceptionally Fine Example of an Early Pair of English Regency Neoclassical Single Light Double Tier Full Lead Crystal Hand Cut Candlesticks Lustres with crisp diamond cut columns...

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

This antique crystal box is a true gem. The cut crystal is mesmerizing, due to its hand-chiseled facets that catch the light reflecting it in a t...

German Lenzkirch mahogany and carved ormolu cased mantel clock. The clock has wonderful carved scrolling feet supporting a rolled ridged stepped base decorated with leaf carved ormol...

Sycamore Tea Chest Circa 1815 From our Tea Caddies collection, we are delighted to offer this Regency Penwork Tea Chest. The Chest crafted from Syca...

Rare pair of antique Regency Period brass chambersticks with handles in the shape of dolphins jumping out of stylized waves. Measures: Width with...

Exceptional 19th century, French 'Three Graces' annular dial clock, bronze and marble clock, with Roi-de-bleu enamel globe surmounted by Cupid. The ...

French mantel clock "Astronomy" Paris Bronze, marble Mid 19th century Dimensions: H x W x D: 38 x 55 x 16 cm Description: A Louis XVI-style figural mantel clock mounted on a two-t...

Elevate your decor with a touch of classical elegance with our Vintage Regency Glazed Ceramic Foo Dogs. Inspired by traditional Asian motifs and reimagined with American flair, this ...

A fine Louis XVI style porcelain vase mounted on a bronze base. The white background with flowers and floral details are very pleasing to the eye. This porcelain vase mounted on a br...

An opulent pair of late 19th century French Louis XVI Ormolu candelabras. Each Candelabra is boasting seven candle arms beautifully designed with scrolls and acanthus motifs and end...

Pair of rock crystal candlesticks on a Louis XVI style gilt bronze mount. Circular molded base with gilt bronze ornaments such as beads and waterleaves friezes, also visible on the b...

A Magnificent Large Antique French 19th Century Ormolu and Rouge Griotte marble clock set of exquisite craftsmanship. This spectacular clock set is comprising a pair of very large ni...

Pair of Porcelain and Dorè Bronze Vases Sèvres Circa 1845 With porcelain vessels in the iconic Sèvres cobalt blue, encased in lavish doré bronze armatures, this pair of Louis XVI-style urns epitomizes the masterful craftsmanship and refined beauty of the famed porcelain manufactory. Each urn is adorned with three finely chased caryatid figures joined by floral garlands, resting upon a reticulated circular gilt bronze base. Since its founding in the 18th century, the Sèvres porcelain manufactory has been synonymous with the finest porcelain wares. Established under the patronage of Louis XV and Madame de Pompadour, the firm quickly became the official royal porcelain producer. Throughout the 19th century, Sèvres expanded its repertoire, designing distinct vase forms that ranged from neoclassical grandeur to Gothic delicacy. These exceptional urns pay homage to Pierre Gouthière, one of the most renowned bronze artists of the preceding century. Appointed gilder to King Louis XV in 1767, Gouthière revolutionized metalwork, pioneering a gilding technique that achieved an exquisite matte finish. Similar caryatid figures appear on vases once owned by the Duke of Talleyrand, while similar mermaid motifs—prevalent in Gouthière’s work—can be found on a serpentine marble vase in the Louvre. These vases embody the grandeur of Louis XVI-style ornamentation, blending rich materials with impeccable detail. Each: 19 3/4 high x 13" diameter Marked under bronze Sèvres Louis Philippe...

A Very Attractive Late Regency Period Rosewood Tea Caddy, Of Elegant Sarcophagus Form, Having Domed Lid With Mother Of Pearl Inlaid Decoration, Enclosing Two Lidded Divisions, Raised...

This exquisite set of two French 19th-century hanging picture frames exudes timeless elegance and charm. Crafted from gilt bronze, each frame is adorned with intricate details, inclu...

Dimensions (Clock) - H: 16 1/2 in W: 7 1/2 in D: 4 1/4 in Dimensions (Candelabras) - H: 14 3/4 in W: 8 1/2 in D: 8 1/2 in This exquisite 19th-century clock set, crafted by the ren...

Painted at Chamberlain's Worcester around 1810, this dish draws inspiration from 17th-century Japanese Kakiemon palette and design. The style showcases enamels in a distinctive Kakie...

Domed oval pillbox in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè, top and bottom, with fine hand-engravings. Viennese Art Nouveau style second h...

An elegant fine quality English Regency period tea caddy. Circa 1815 Born in the early 19th century, exquisitely hand-crafted from the finest exotic rosewood, rectangular sarcopha...

A very good pair of antique French Louis XVI bronze, parcel-gilt and marble putti candelabra, circa 1870. Each candelabra having twin candle holders and each bobeche in gilt bronze with fruiting swags...

Antique Regency quality mahogany inlaid tea caddy having inlaid satinwood stringing, original ornate brass handles and escutcheon, lift up lid opening to reveal two tea caddies Dim...

A superb, large and early Ormolu clock, mounted with exquisite Sèvres style porcelain with a Bleu Celeste ground and fine overglaze gilt decoration. The richly chased foliate case is...

A gorgeous set of vintage Regency brass deer. A beautiful set of one buck and one doe. Acquired from a Palm Beach estate

An antique late 19th-century French silvered bronze porte-fleur, flower vase. Design by Constant Sevin, made by F. Barbedienne Fondeur, Paris. Footed piece with side handles and plat...

Marked on the dial Furet & Bon, Hrs du Roy, à Paris Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.) Candelabra – Height 116 cm (45 ...

A Fantastic and Large 19th century French dore bronze mounted hand-cut prismic crystal box. The mount is hand-chased and hand-chiseled with the finest detail. The entire mount is des...

Exceptional because it is a beautiful case of Carrara marble with black Fluted columns, with bronze dore eagle crest, framed by urns filled with fruit And flowers, white enamel dial ...

This is an antique tea caddy. An English, flame mahogany loose leaf tea container with glass mixer, dating to the Regency period, circa 1820. Attractive Regency period caddy with fi...

An extremely rare pair of Regency cast-iron sarcophagus shaped strong boxes. Regency, circa 1820 Painted to simulate palisander wood and with parcel-gilt, the cavetto-moulded hinged lids cast with flower sprays above foliate-cast bands over front panels relieved with river gods within canted corners cast with standing muses, the sides with lion mask and ring handles over leafy aprons on massive lion’s paw feet; the Brahmah type lock stamped “T. Davis from London” and impressed with the Royal Crown. These extraordinary pieces are modelled on Regency wine coolers. The forms are classic Greco-Roman revival with the boat-hook handles, mythic figures and the overall sarcophagus pattern. You would struggle to find one let alone a pair. Good items for any collection. Research on going into these strong boxes but we have found possible information on the lock stamped Davis….(historyoflocks ) The relationship of King George III and George Davis of Windsor, who was locksmith in ordinary to His Majesty. Davis, in 1799, invented and patented a unique style of lock, which was also beautifully engraved with a warning not to make duplicate keys. Sensitive government secrets always demanded, then as today, locks that were state of the art. Davis locks ended up on government dispatch boxes...

Unique piece purchased in France. Gorgeous Green Marble See detailed photos

19th Century French Louis XVI carved pedestal is the most exquisite way to display your prized sculpture, vase or objet d'art! Hand-crafted exclusively from old-growth quarter-sawn o...

Discover the timeless elegance of this antique gilt bronze-mounted urn by renowned French maker Jacob Petit, dating back to the mid-19th century. A masterpiece of craftsmanship and d...

Direct from Paris, a magnificent pair of Louis XVI silver plate 3-candle candelabra by France's premier silversmith "Christofle - Gallia Collection", meticulously restored to near new condition, includes two anti-tarnish storage wraps for easy storage, you can't go wrong buying quality, circa early 1900s. The French silversmithing brand Christofle stands as a paragon of artistry, quality, and timeless sophistication in the world of fine silverware. Founded in 1830 by Charles Christofle, the company has built a reputation for exquisite craftsmanship and pioneering innovation. Over nearly two centuries, Christofle has become synonymous with opulence, earning the favor of royalty, securing prestigious awards, and adorning homes and dining tables worldwide. From their revolutionary silver-plating processes to their dazzling silver plate candelabra, Christofle’s creations epitomize the pinnacle of silversmithing artistry. Charles Christofle’s foray into silversmithing began when he took over his wife’s family jewelry workshop. His entrepreneurial vision and artistic sensibilities allowed him to transform the modest enterprise into a global luxury brand. Early on, Christofle recognized the demand for high-quality yet affordable silverware, leading him to explore innovative methods for producing silver-plated items. This ingenuity was paired with a deep commitment to artistry, ensuring that every piece bore the hallmarks of French elegance and meticulous craftsmanship. Christofle’s philosophy of blending tradition with innovation set the company apart. In 1842, Charles Christofle obtained an exclusive license for the electroplating process developed by the English inventors George and Henry Elkington. This technology allowed the company to produce silver-plated goods of unparalleled quality and durability, democratizing the availability of fine silverware. The decision to adopt and refine this technique marked the beginning of Christofle’s ascent to global renown. The electroplating process revolutionized silversmithing by enabling the application of a thin layer of silver onto a base metal, typically copper or nickel silver. This innovation significantly reduced costs without compromising quality, making silverware accessible to a broader clientele. Christofle’s mastery of this technique elevated the art form, as their artisans meticulously ensured that every piece retained the luster, weight, and elegance of solid silver. Christofle’s silver plating involved several intricate steps, each requiring skill and precision. The base metal was first meticulously cleaned to ensure that the silver coating would adhere uniformly. The item was then submerged in an electrolytic bath, where an electric current deposited a fine layer of silver onto its surface. Finally, the piece underwent polishing and finishing, a process that demanded an artisan’s eye for detail and dedication to perfection. The company’s innovations did not stop at electroplating. Christofle continually refined their techniques, developing proprietary methods to enhance the durability and brilliance of their silverware. Their relentless pursuit of excellence ensured that Christofle pieces would retain their splendor for generations, cementing the brand’s reputation for quality and longevity. Christofle’s commitment to excellence quickly attracted the attention of European royalty and nobility. The brand’s association with regal splendor began in 1851, when Napoleon III appointed Christofle as the official purveyor of silverware to the French court. This prestigious commission marked a turning point in the company’s history, solidifying its status as a symbol of luxury and refinement. The French court’s endorsement opened the doors to further royal patronage across Europe and beyond. Christofle created bespoke silverware for monarchs, aristocrats, and heads of state, often crafting pieces that were as much works of art as functional items. Their designs graced palaces, embassies, and luxury liners, including the opulent dining rooms of the Titanic and the Orient Express. Among Christofle’s most notable commissions was the creation of the Sèvres table service for Napoleon III, a stunning collection that showcased the company’s technical prowess and artistic flair. The service featured intricate designs inspired by classical motifs, reflecting the grandeur and sophistication of the Second Empire. Christofle’s ability to seamlessly blend tradition with innovation ensured that their creations remained relevant and desirable, even as tastes and styles evolved. At the 1855 Exposition Universelle in Paris, Christofle was awarded a gold medal for their groundbreaking electroplating technique. This recognition underscored the company’s role as a pioneer in the field of silversmithing and solidified their reputation as a leader in luxury silverware. Subsequent exhibitions in London, Vienna, and Philadelphia further showcased Christofle’s mastery, earning them accolades for both technical innovation and artistic excellence. Christofle’s enduring appeal lies in their ability to strike a harmonious balance between form and function. Their pieces are not only visually stunning but also practical, reflecting the company’s commitment to creating silverware that enhances everyday life. This dedication to excellence has earned Christofle a place among the world’s most esteemed luxury brands. One of Christofle’s most iconic creations is their collection of silver plate candelabra. These masterpieces exemplify the company’s dedication to artistry and craftsmanship, serving as both functional lighting fixtures and decorative centerpieces. Christofle’s candelabra...

From a private collection from a prestigious London residence, we are pleased to offer this exceptional Regency Anglo-Irish cut glass covered bowl with matching stand dating from the...

Elevate your table setting with this exquisite vintage Haviland Limoges porcelain compote. Featuring a stunning reticulated, pierced lattice design, this elegant pedestal dish is ado...

A fine and stunning original antique French boudoir clock. It is beautifully made of ormolu (finely gilded bronze), very well modelled and chased, and mounted with exquisite Sèvres s...