Decorative Objects

This precious 19th century English table casket features mother of pearl inlay and carved shell drawer pulls. The top of the piece is decorated with a pai...

This pair of antique silver plated convertible candelabras were made by the renowned Barker-Ellis Silver company of England and date to approxim...

Hallmarked in Birmingham in 1898 by Heath & Middleton, this charming, Victorian, Antique Sterling Silver & Glass Biscuit Box, is heart shaped, with a cut glass body, and a plain silv...

A rare and superb antique French Gothic cartel clock. It is designed architecturally with twin spires and a soaring roof of tracery. Perched above is a mythical flying creature, deli...

Hallmarked in London in 1900 by Lambert & Co., this handsome, Victorian, Antique Sterling Silver Pair of Candlesticks, feature removable nozzles, and round lobed bases. Each candlest...

Outstanding antique mahogany 8 day painted face longcase clock signed Johnson Knaresboro with a swan-neck pediment with original brass finials. This a stunning piece, very decorative...

Quality antique Victorian walnut Vienna wall clock, having a quality walnut case with fantastic carved columns, the original turned finials to the top and bottom, a single glazed doo...

Antique 19th century Staffordshire porcelain flatback figurine titled "Dog Tray," depicting a young girl sleeping at the foot of a tree with her hoop and stic...

Keep your jewelry and important documents locked up in this elegant, antique safe from the Champagne-Ardenne region of France. Crafted circa 1880, and built in cast iron, this heavy 162 pound travel safe is decorated with studded hobnails and embellished with floral medallions on each panel. The front door features two center brass wheels with alphabet letters. A two-letter combination activates the key and opens the safe; when opens, the safe reveals an inside with felt, a center metal shelf and a lower walnut wooden door compartment with lock for additional storage. The front door is embellished with the engraved inscription "Incombustible Systeme Bauche Brevete...

Beautiful, antique, early Venetian / Murano hand blown green and gold flecks Italian art glass seashell decoration decorative table object / card holder / goblet. Documented to the S...

An uniquely colored pair of art glass vases attributed to one of the many factories of Bristol England. This pair features the classic wide body with a narrow top neck. Full decorate...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

Experience the captivating beauty of this extraordinary Tiffany & Co decorative peacock sculpture, a stunning masterpiece crafted in the early 20th century by Nymphenburg Porcelain i...

Beautiful porcelain figurine of a romantic love couple, the lustrous colors of verdant green, pinks and a wide range of patinas accentuating their figures and movement. Height 10.6...

Pair of antique Victorian quality Staffordshire dogs having brown and white coloured coats with gold collars, chains and padlocks unusual front leg In perfect original condition ...

This is a pair of antique ecclesiastical candlesticks. An English, pierced brass candle holder in Aesthetic Period taste, dating to the Victorian ...

This is an antique military campaign writing slope. An English, walnut and leather correspondence box, dating to the early Victorian period, circa 1850. Finely crafted writing slope...

This is a beautifully hand made oak Sewing Box, of octagonal form with inlaid sunburst top, fully fitted interior and having a working lock and key, all dating to circa 1840. The bo...

Experience the captivating beauty of this extraordinary Tiffany & Co decorative peacock sculpture, a stunning masterpiece crafted in the early 20th century by Nymphenburg Porcelain i...

Lovely quality antique Victorian rosewood vanity box having a stunning quality antique Victorian rosewood and mother of pearl inlaid vanity ...

A superb antique 19th-Century English Staffordshire bisque Whippet / Greyhound dog figurine. This fine fellow is hand painted with exquisite details and would be perfect for the dog ...

Circa 1970 vintage figures of cats from the Staffordshire region of England. The cat is decorated in rust and white, and has a gold bow around its neck. This is a nice model, as i...

An exceptionally fine quality highly detailed pair of German Sitzendorf style pottery porcelain Parrots Feathered Figures of quite generous size, late Nineteenth, early Twentieth Cen...

Pair of antique Victorian Doulton Slater stoneware vases having a lovely shaped vase with a flower and leaf decoration in wonderful green, blue, brown,...

A most important antique English silver plated centerpiece / six-light candelabra by the top-notch silversmith, Elkington and Co. with a date letter (F) for the year 1868. In the ...

This pair of antique Bohemian glass covered urns or vases were handcrafted in circa 1880 in the period Victorian style. The urns are done in a deep green with intricate gilt decorati...

Pair of 19th century Staffordshire spaniel figures with separated front feet. This pair of dogs has wonderful hand painted copper...

This pair of antique candelabras are unsigned, but presumed to have originated from England and date to approximately 1880 and done in the period Victorian style. These candelabras a...

Absolutely stunning early Victorian well figured Coromandel Stationery Casket of museum quality and in outstanding condition. Mid Nineteenth Century. Made in England by G. Betjemann....

Extraordinary antique English Sheffield silver plate exceptionally hand chased and engraved Double Folding Biscuit Box with fern motif chasing and engraving and handsome pierced and ...

A stunning antique French Bronze Dore photograph frame standing on an easel back stand and also has a ring to the top for wall hanging if desired. The frame is decorated with chample...

Late 19th or early 20th century Teacaddy in Hand engraved and embossed brass. Great rich patina that along with its details give it a certain charm. It has a hinged lid that works ju...

Late 19th Century Victorian open barley twist brass candle holder with an insert for single a candle stick on a round circular base. Height: 26cm / Diameter: 11cm. Lovely condition w...

An impressive Hand Deep Cut full lead Irish Crystal Pedestal Turn-over Style Bowl of circular outline and compact proportions, together with an associated deep dish undertray with similar decoration. Both made by the Old Waterford Glass...

This Yellow Golden pheasant's in-flight pose is the perfect way to showcase all of those amazing feathers, it's a wonderful addition to any collection, perfect for town or country.

Fine quality pair of antique Victorian vases having a fine quality pair of antique Victorian vases decorated with figures to the front upon a g...

Victorian English Majolica jardinière on pedestal, Wardle signed. Of impressive size.

A stylish matched pair of hand painted Dresden bottle vases, last quarter of the 19th century. Each of bulbous body form with tall slender necks, superbly hand decorated in colors...

Quality antique Victorian marble mantle clock having black Roman numerals on a cream chapter ring, with a pavilion shaped case with six reeded ...

Rare Minton Majolica Posy small vase modelled as three upright yellow bamboo canes all supported on an earthy ground.

Pair of wonderful vintage 1960's Staffordshire dalmatian dogs. They are left and right facing, and have lovely facial features and lithe bodie...

Large antique 19th century English Staffordshire porcelain figurine depicting a white roc bird / oriental pheasant perched on a stack of mossy rocks. Dimensions: 6" x 3.5" x 13" (Wi...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

An antique Tunbridge ware box having a beautifully inlaid exterior with floral rose borders, a waisted form, and a domed top with and inlaid mosaic pattern of a homestead. The hinged...

The iron coffer, fully original in every part of it, was forged and handcrafted in German in the 1610. Complete with key. Full working iron mechanisms. It ...

Antique 19th century Staffordshire porcelain flatback figurine in the shape of a horse painted with black stripes to resemble a zebra, prancing on a grassy oval base. Dimensions: 6....

A Victorian Silver Inkstand made in Madras by Peter Orr and Sons in 1880 for Presentation to the 3rd Duke of Buckingham and Chandos, Governor of Madras and Convenor of the “Duke’s Ow...

Fabulous late 19th Century French Animalier bronze study of a standing horse with wonderful rich dark brown lightly rubbed to mid/golden brown patina and excellent crisp surface detail, raised on a stepped integral base, signed I Bonheur ADDITIONAL INFORMATION Height: 13 cm Length: 19 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book Ref Animals in Bronze by Christopher Payne Kjellberg Page no. 177 SKU: 8526 DESCRIPTION Isidore Bonheur Bonheur Cheval– Isidore Bonheur (1827 ~ 1901) was born on May 15th 1827 in Bordeaux, France, and died in Paris in 1901. He was an important Animalier sculptor, the brother of Rosa Bonheur, and brother-in-law to Hippolyte Peyrol the founder. The Bonheurs were a well known family of painters, sculptors and artists. Isidore studied painting under the tutelage of his father at a very early age. He moved on to sculpture in 1848 with his first Salon entry of a plaster study of An African Horseman attacked by a lion. Isidore Bonheur continued exhibiting his sculpture throughout the years, both at the Salon in Paris as well as the Royal Academy in London. He won medals at the Salon in 1865 and 1869, and won the Gold Medal at the Paris Exposition Universelle of 1889. Bonheur was awarded the Legion of Honneur in 1895. Isidore Bonheur’s bronzes range from domestic cattle and sheep, which he excelled at, to wild bears and lions as well as equestrian and hunting groups, all done in a very natural and realistic manner. His Le Grand Jockey...

19th Century Majolica Bamboo & leaves Cache Pot Sarreguemines signed Sarreguemines Majolica circa 1870.

Large Peloponnese Greek Olive Oil Pot in Beehive Ribbed Design 19th century Large Greek Olive Oil Pot - This 19th-century Greek olive oil pot is a stunning piece of antique Mediterr...

An English Victorian period porcelain and brass inkwell from the 19th century, with putto motif. Created in England during the Victorian era, this inkwell features a blue porcelain base adorned with satyrs and foliage motifs, topped with a handsome brass putto with a garland of roses wrapped around his shoulders. With its finely executed décor and lovely patina, this Victorian porcelain and brass 19th century...

This antique set of four stoppered scent or perfume bottles was made in France in circa 1880 in the period Victorian style by an unknown maker. The uniquely shaped three sided bottle...

This is a bisque porcelain piano baby girl figurine. She is seated crossing her legs with her arms up and wearing a delicate white chemise with ...

This antique sculpture was done by the well known P.J. Mene of France, and dates to approximately 1875, but may date slightly later to after his death, and done in the period late Vi...

Antique Victorian quality figured walnut sewing box having a brass handle to the lift up top opening to reveal a fitted interior, drop down front opening to reveal a storage drawer ...

Presenting an exquisite Mid 20th Century Limoges porcelain jardiniere and stand set. This two-piece ensemble features a stunning white, pink, and green-toned planter, adorned with lu...

Standout set of two pugilistic roosters crafted in metal in action poses and hand painted in dramatic colors. Signed "Made in Italy" on a brass bracelet. Left: H: 6 W: 12 D: 7 Rig...

A hand crafted Sea shell box in a heart shape. The box is hinged and opens with a brass chain to hold open. Lined in red felt. A great gift, wedding o...