Decorative Objects

Italian original painted plaster sculpture of a young Roman woman in nice gilt dress and flower wreath. This well sculptured smiling lady cou...

With a bold orange leather, this leather tray is fraught with detail: the topstitching of each leather panel, the narrow leather straps that hold the stainless steel handles in place...

A gorgeous antique Neoclassical or Grand Tour style bronze compote dish or tazza By Tiffany & Co. Paris, France, Early 20th Century Measures: 7"W x 7"D x 5.75"H. Good original vi...

Behold the epitome of elegance and craftsmanship: a square table photo frame, meticulously crafted from 925/1000 gold-plated sterling silver. This masterpiece features translucent fi...

A fine antique Jasper ware round covered box. By Wedgwood. In dark blue dip. Fully marked to the base. Simply a wonderful box by Wedgwood. Da...

Vintage Rookwood Pottery Cincinnati advertising plaque / sign featuring a Neoclassical scrolled design. Circa 1986. Dimensions: 14" x 3.25" x 4.25" (Width x Depth x Height)

French 19th-century mantle clock features a bronze and inlaid veined wood veneer portico design. The clock is adorned with gilded ornaments, including a decorative pendulum and intri...

Two Royal Copenhagen Blue Fluted Plain candlesticks with lion heads. Dated 1969-1974. Model number 1/15. Measures: 23 x 8 cm. In excellent ...

Baccarat Style French Crystal Gilt and Patinated Bronze Floral Topiary Cachepot, France, Circa 1960s  An exuberant Baccarat-style French crystal gilt and patinated bronze floral top...

This is a good example of a traditional Japanese Hokai shell storage box for the Kai-awase game. This box is well-detailed in chased brass appliques and makie. The box is in overall ...

Antique (late 19th century) patinated bronze bust of a lovely female after the original model by the French master, Etienne Henri Dumaige, mounted on light blue marble plinth. 25 by...

A fine pair of bronze Empire style candlesticks. In excellent original condition. France, early 19th century.

Pair of Large Candelabra in Silvered Bronze Neoclassical silvered bronze figural candelabra with 11-light. England, 19th century. This magnificent pair of candelabra features a masc...

In the form of a putto with a wheel barrow carrying a keg mounted with a clock face topped by a crane, on a rectangular chased plinth ending in bun feet.

Pair of 19th Century Neoclassica gilded bronze urns from Italy. A pair of amphora shaped vases in mercury gilded and polished bronze. Very small cen...

Large antique French ormolu mounted porcelain vase French, Late 19th century Height 138cm, width 59cm, depth 46cm This exceptional 19th-century porcelain vase, in a rare white colou...

A large and beautiful pair of Empire Candlesticks in gilt and dark patinated bronze. Made in France during the 1820s. Very period design. Wear consistent with age and use

Lovely lifesize terracotta figure of Venus in her bath set upon a rectangular pedestal.

This elegant Wedgwood charger was made in England in the late 18th century, circa 1785. Crafted from creamware, the charger features a meticulously painted geometric border composed of orange and black flowerheads set within a lattice of fine black lines. Each flowerhead is centered in a diamond-shaped cell, creating a repeating pattern that radiates rhythm and precision. The inner field is left undecorated, emphasizing the clean form and enhancing the visual impact of the border. The simplicity of the cream-colored ground paired with the precise hand-painting along the rim reflects the neoclassical restraint and balance that defined Wedgwood’s aesthetic...

An authentic patinated bronze sculpture of the Laocoon, after the original created by greek antic sculptor Lissipo, discovered in 1506, recreated and issued (with several size and creative variations) by Gennaro Chiurazzi (1842-1906) and the napolitan Fonderia Chiurazzi, Italy 1880-1900. This piece is more than just an incredibly precise and expressive reproduction of the iconic antic sculpture...

Pair of very large malachite and ormolu vases French, 20th Century Height 140cm, diameter 91cm Of impressive size and quality, the vases are ma...

This glamorous covered vase or urn, it is painted with natural landscapes. The drawings are so detailed that we can say done in Flemish style. We can see a landscape with houses and castles at the orizont, and in another scene, birds and games. Every scenes looks like a Flemish painting. There are green garlands...

Our monumental pair of 18th century candelabra of French origin depict Roman neoclassical male and female holding cornucopia, finely carved from white marble, with four light ormolu bronze candleholders of foliate design with fruits, nuts and grape bunches. Provenance: Arne Schlesch & José Juárez...

Original Japanese Ouchi Doll Hina Set in Box Kawaii Couple Doll like new condition never out of the box very collectible piece.

Elevate your space with this striking vintage Regency-style bust of Hermes, masterfully crafted in cast stone with a beautifully aged patina. The intricate details of the Greco-Roman...

Antique 19th century French blue and white jasperware two-piece bulb pot. Removable lid with holes. Medium blue Jasperware with all over neoclassical detailin...

Exclusive Pair of Miniature Gilt Bronze Candlesticks – Empire, France c. 1820 An exquisite pair of miniature gilt bronze candlesticks from the French Empire period, circa 1820. The...

This is a pair of monumental neoclassical style pottery urns handcrafted in Italy. They are marked and in very good condition. The urns most likely date to the later part of the 20th...

Pair of 19th Century French Neoclassical Gilt & Patinated Bronze Candelabras by Ferdinand Barbedienne This magnificent pair of French Neoclassical-style eight-light candelabras, attr...

19th Century Swedish Folkart Empire Chest /box from Skelleftea Vasterbotten ,Northern Sweden. Decorative Wood imitaition painted small chest /box with...

A dark-brown, black antique German coffer made of hand crafted iron, particularized with griffins, torchères and tendril motifs on the wall and pinecone mode on the lid, in good condition. The small detailed decor piece represents the Empire time period...

We are pleased to offer this pair of golden Paris Porcelain mantle vases made in the Empire style, circa 1840. The gilding on these vases is dazzling. The delicate band of flowers an...

This box is in burl wood. It has been made in France in the 1870s. The color is brown, and it is in an good condition. Brown color.

An elegant Viennese portal clock resting on a rectangular mahogany base. The ebonized case is richly adorned with fire-gilded bronze appliqués. Flanking the clock are carved decorati...

NOTE: We do not keep this in the showroom. Please let us know if you're visiting and would like to see it. Rarely does a first edition Portland vase...

Gilt-bronze, onyx and enamel cloisonné centerpiece. France, Late 19th century.

Vintage fine porcelain vase features traditional Sakura decor in yellow, gold, and platinum on red and white background; the rim and the base a...

Pair of 19th century English Derby Fruit Coolers with Lids & Liners, ca. 1815.    

Pair of vintage Neoclassical bronze candlesticks feature elegant baluster form with wide circular bases. The sculptural bodies with a twisted element are supported by round tiered ba...

This a Moser light green color and gilt glass centerpiece wide urn shaped vase. It is decorated with gold and yellow hand painted “Fleur de Lis“like, flower’s...

A fine, large vase in black basalt, decorated with an encaustic painted figure of a youth and an older man, taken from The Hamilton vase in the British Museum. It is unusual to find ...

A Wedgwood Portland Jasperware Vase, 19th Century. A beautiful pale Yellow color with matching stand. This vase is "Full Size" and in excellent condition for it's 19th century age....

Nineteenth century French Empire patinated bronze bust depicting Napoleon. The work is labeled "Napoleon" and signed by F.B. Launay after the 1804 model by Antoine-Denise Chaudet.

A Classical Greek Corinthian style warriors helmet in bronze on a limestone base. Reminiscent of ancient Greek warriors this helmet has a wonderful green verdigris patina and has a g...

This French Empire style gilt bronze wall sconce by Gherardo Degli Albizzi features the best quality hand-chiselled details. The backplate of this sconce features a central round pla...

Rectangular shape mahogany veneered casket made in first half of 19th century presumably in Europe. Cast glass vessels are intact at their original place. Candy sugar bowl along with...

Exceptional very large ormolu and silvered bronze jardinière by Christofle French, 19th Century Height 44cm, width 93cm, depth 59cm This superb jardinière centrepiece was crafted by...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Pair of large gilt-bronze mounted Sèvres-style porcelain vases with pedestals French, Early 20th century Measures: Vases: height 141cm, width 60cm, depth 44cm Stands: height 66cm,...

Beautiful Murano hand blown Italian art glass vase. Created by a Fratelli Toso company. Blue core with colorful murine and light blue applied handle. A beautiful piece of art for any...

A charming classical Empire style Italian chandelier born for candle lighting, featuring nine arms ending with candles, no electric wiring, can be used as candle holders or decorativ...

Luscious bronze urn on marble base having classical decoration and warm patina.

Embrace a timeless treasure that echoes grandeur: an exquisite oval-shaped photo frame, sculpted from 925/1000 gold-plated sterling silver. Its translucent enamel adorns a sunburst g...

This Neoclassical style gilt bronze and marble candlestick by Gherardo Degli Albizzi would be ideal to be placed on a bedside table or on a desk. Even if it features a classical shap...

Pair of Italian neoclassical table lamp bases from Tuscany, antique circular Rocchetto candleholders blue and Siena yellow painted pin...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). The backplate pierced with a vase ...

Pair Wedgwood blue and white Jasperware desk accessories. Beautiful blue grey bisque beaker/bud-vase with cream-ivory neoclassical bas relief, ...

A beautiful and rare pair of gilt bronze Empire Appliques. Made in France during the 1820s. Some wear on the gilding exists, but also carries a beutif...