Ormolu Decorative Objects

A Louis XVI Style Gilt-Bronze and Jasperware Mounted Cartel Clock and Companion Barometer, After the Model Attributed to Pierre Gouthière. The clock and barometer each surmounted by...

An opulent pair of late 19th century French Louis XVI Ormolu candelabras. Each Candelabra is boasting seven candle arms beautifully designed with scrolls and acanthus motifs and end...

This garniture comprises three pieces: a mantel clock and two flanking candelabra, the entire ensemble designed and ornamented in an ornate neoclassical style. The garniture is composed of gilt bronze and lapis lazuli, with the lapis elements being a later addition. The mantel clock, which is supported by a lapis trefoil form base set on its sides with gilt bronze pierced foliate mounts, the gilt bronze contrasting beautifully with the lapis lazuli, contains a figural group of the three graces, sculpted from bronze and exquisitely gilded. The trio holds above their heads the spherical clock...

A large and stunning original antique French Cartel Wall clock in finely gilded bronze, dating from around 1880. Elegantly designed in the Rococo style of Louis XV, it is formed of b...

Antique Louis XVI Marble Gold Ormolu Gilt Bronze Cercle Tournant Mantel Clock French, Late 18th Century Height 40cm, diameter 28cm Dating to the late 1700s, during the reign of Ki...

Late 19th century ormolu bronze atop black marble decorative piece with exterior base design details. After (Jean Bologne - Flemish "1529-1608"...

French Napoleon III ormolu and porcelain sided mantel clock in four glass form. The clock has fine jewelled porcelain panels on three sides including the full size dial. The porcelai...

A pair of impressive French mid 19th century Louis XV st. ormolu and Bréche de Violette marble cassolettes. Each is raised on a square Bréche Violette marble base with concave corner...

A beautiful classical clock made in the style of Louis XVI by Samuel Marti. Stunning ormolu (finely gilded bronze) mounted on a marble base. It is decorated with an inset laurel swag...

A very good quality French 19th Century Boulle mantle clock, having a gilded ormolu putti seated on the top, Red tortoiseshell and brass inlay to the serpentine shaped case, wonderfu...

MANTEL CLOCK "Au bon sauvage" or "PORTEFAIX", late Empire, after a design by J.A. REICHE (Jean-Andre Reiche, 1752-1817), Paris, 19th century. Gilt ...

A Unique Pair of Late 19th Century Gilt Bronze “Japonisme” Ten Light Candelabra by Maison Marnyhac Maison Marnyhac Floral decorated vase shaped body with handles, sitting on three dolphin...

A Very Fine Pair of French 19th Century Louis XV Style Gilt Bronze Figural Six-Light Candelabra. The finely chased mercury gilt ormolu pair of candelabra, each depicting a standing ...

An Elegant Mantle Clock In the Louis XV Manner The clock and its plinth executed in gilt bronze in a dynamic rococo style, rising from scrolling foliage, the dial in the shape of a ...

This mother-of-pearl inlay perfume box is a rare and complete treasure from the famed Palais-Royal of France’s Second Empire. The box is a work of art, meticulously fashioned to deli...

Pair of very large French blue glass and ormolu vases French, 20th Century Height 153cm, width 50cm, depth 53cm Blue glass and shining gold ormolu are combined to create this stunn...

An exquisite and high quality French 19th century Louis XVI st. white Carrara marble and ormolu Portique clock, signed "Tiffany'. Raised by a marble base with ormolu topie shaped supports. Above are two columns decorated by finely chased floral ormolu mounts. The columns are flanked by two fluted tapering ormolu design elements. The enamel dial has a foliate garland at the center and ormolu pendulum. At the top crown is an ormolu floral basket with two lovebirds...

An enchanting late 19th century French gilded ormolu and marble mantel clock, depicting cherubs playing, one chasing a young girl, the other hiding amongst a wreath and foliage. The ...

A most elegant and high quality French 19th century Louis XVI st. Ormolu, white Carrara marble and Saxe Porcelain clock signed by 'F. Pelissier, France. The clock is raised on an ova...

Louis XVI style ormolu mounted malachite column mantel clock. French, late 19th century. Measures: height 52cm, width 23cm, depth 20cm. With the cir...

The Pair of Louis XV Style E. Colin & Cie Paris foundry gilt bronze and rouge marble five light candelabras, of baluster form entwined by foliate ornament issuing the scroll arms, ra...

Each child seated on an oval tasseled and draped plinth in the shape of a stool, one reading a book, the other thinking, symbolizing knowledge and philosophy.

A charming pair of French 19th century Louis XVI st. patinated Bronze, Ormolu, and marble cherub statues. This wonderful pair is raised by a Black Belgian marble square plinths above...

These bronze-mounted Sèvres porcelain urns are monumental in both size and quality and feature the renowned manufactory’s signature deep cobalt blue glaz...

A striking and high quality French 19th century Louis XVI st. patinated Bronze and Ormolu bust of Pericles. This handsome bust is raised on a square Ormolu base below the tapered soc...

A pair of highly important and rare antique French Napoleonic gilt bronze mounted, cobalt blue, double handled, Royal Napoleonic Sèvres style porcela...

A large pair of early 19th Century bronze & ormolu 4-light Candelabra, having spheres holding scrolled mask-head candlearms with acanthus decorated ovoid drip-pans, raised on taperin...

A very fine French 19th Century Napoleon III Sévres Style Porcelain and Ormolu Mounted Covered Urn, the 360 degree painted urn centered with an 18th century scene of a young Princess...

An exquisite French 19th century Louis XVI st. ormolu urn. The urn is raised on a finely chased design scalloped base with pie...

A fine quality Sèvres style porcelain and gilt bronze-mounted vase and Cover. Hand painted continuous allegorical figural scene, signed Maxant Origin: French Date: circa 1860 Dimens...

An extensively filled 19th century ormolu-mounted ebonized wood dresser vanity box fitted with silver gold washed lidded glass gars and sewing tools. The ...

A Pair of Large Gilt-Bronze Mounted Sèvres Style Turquoise Ground Porcelain Vases. Each of baluster form with gilt-bronze collar above an inverted pear-shaped body flanked by acanth...

A large pair of ormolu-mounted Se`vres Porcelain Bleu Celeste '1867 Exhibition' vases and covers (‘Vase Paris de Milieu Garnis’), ‘l’Abreuvoir’ and ‘Le Retour’ De Champs’ 1860, one ...

Very nice quality, French, Louis XVI style gilt bronze Bouillotte lamp with green painted tole shade, (19th century). The lamp features nicely chiseled acanthus leaves, garlands, cen...

An attractive and most impressive French 19th century Neo-Classical st. Ormolu, patinated Bronze, Wedgwood Porcelain and marble statue of Archimedes. This handsome statue is raised o...

A 21st Century German Franz Hermle Mantel Clock in DeArt Italian Fine Marquetry and Ormolu Case in new open box condition. Clock made in Germany by the historic, very famous Franz Hermle clock...

An elegant and high quality French 19th century Louis XVI st. Ormolu centerpiece tazza. This stunning centerpiece is raised by a triangular base with concave sides and showcasing a w...

An impressive and extremely high quality Italian 19th century ormolu statue signed Vanetti. The statue is raised by a rectangular base with a wonderfully executed ground design where...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

A clock garniture in the Louis XVI Manner By Le Roy et Fils The ormolu clock case and accompanying candelabra dressed with blue 'Sevres' style hand ...

German mahogany and ormolu bracket clock with gilt bronze pineapple finials, flanking figural floral corner mounts, arched floral side screens, hinged astragal shaped glass door with...

A beautiful and high quality French and Asian collaboration 19th century Louis XVI st. Famille Rose porcelain urn. The urn is raised by a fine square ormolu base with concave corners...

A magnificent and very large original antique French Rococo cartel wall clock. Asymmetrically modelled in the Louis XV style, the dial bursting through the swirling clouds as the sun...

Large cherub-themed gilt bronze clock garniture by Popon French, late 19th Century Clock: Height 68cm, width 63cm, depth 26cm Candelabra: Height 89cm, ...

French Greek Revolution or Hellenistic mantel clock of Greek hero on horseback. Constructed of the very finest cast bronze and fire gilded ormolu and ...

A charming pair of French Turn of the Century Louis XVI st. Ormolu and Tole Bouillotte lamps. Each most elegant unelectrified candelabra lamp is raised by an Ormolu saucer adorned by...

An elegant and high quality pair of French 19th century Empire st. Ormolu and patinated Bronze statues. Each wonderfully decorative statue of a dancing maiden is raised on a square p...

A fine, early antique French clock by André Hoffmann of Paris, the movement by Vincenti et Cie, circa 1850. It is beautifully made in ormolu (fir...

A fine quality Pair of Sevres ormolu-mounted Gilt Bronze, hand painted with extensive gilt highlights, cobalt blue porcelain vases. Signed Bertren of Balluster form painted with an a...

Late 19th century french gilt bronze/ormolu cloisonné champlevé enameled mantle clock garniture set by Japy Frères By: Japy Frères Material: bronze, enamel, glass, metal, ormolu, paint, cork Technique: cast, champlevé, cloissoné, cold-painted, enameled, gilt, hand-painted, metalwork, molded Dimensions: 6 in x 19.5 in x 15 in Date: late 19th century, circa 1890 Style: Napoleon III, Rococo Revival, Neoclassicism, Louis XVI, Empire Place of origin: France The Japy family is a french industrial dynasty originally from Beaucourt in the Territoire de Belfort. They owned the second largest french company in terms of capital during the Second Empire. Its influential members left their mark on the french industrial landscape through numerous innovations, particularly in clockmaking, typewriters and pumps, as well as in labor organization and workers' social life in the 19th century. This magnificent late 19th century french mantle clock garniture, work of the eminent Japy family, radiates the opulent decorative style of the Rococo Revival. A four glass...

A very good quality French 19th Century onyx, ormolu mounted jewellery casket, having Pietra dura floral plaques to each corner, set into classically shaped gilded ormolu mounts. Ba...

A Wonderful Large French Louis XVI Ormolu Bronze & Purple Guilloche / Enameled Picture Frame With Wreath Ribbon Top, Stamped On The Back France, Enamel Across The Top Has Age Lines.

This exquisite, three-piece garniture will make a wonderful addition to a mantelpiece, niche or table, where its fine design and craftsmanship can be properly enjoyed. The garnitur...

A beautiful antique French ormolu and cut crystal trumpet. Finely detailed, this piece transitions from classical to modern interiors.

Pair Antique Art Nouveau French Gold Ormolu Crystal Glass Vases Baccarat French, c. 1905 Height 33cm, diameter 14cm Crafted by the prestigious French glassmakers Baccarat, renown...

Dimensions - H: 16 in W: 7 1/2 in D: 4 1/4 in This exceptional 19th-century French Empire-style bronze ormolu clock, crafted by the renowned Parisian clockmaker Etienne Maxant and r...

Grégoire Calvet (French, 1871-1928) A Fine Late 19th Century Life-Size White Marble Sculpture representing "Peace & Love". The beautifully carved white...

PAIR French very stylish Regency Ormolu and Bronze Miniature Candlesticks, internally fully weighted, complete with their original firm fitting drip pans. Each triangular base below ...

A wonderful very fine French doré bronze and etched cut crystal centerpiece / jardinière with swags, bows and torches. Believed to be baccarat, unsigned.

A rare and elegant example of early 19th-century English barware, this Regency-style gilt bronze wine cooler was masterfully crafted in England circa 1828. Designed as both a functio...