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Italian Monumental Travertine Obelisk for Raymor

Price:$450
$750List Price

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Italian Cream Architectural Polished Travertine Marble Four Sided Obelisk
Located in Chicago, IL
Italian cream pale polished travertine four sided marble obelisk composed of pieces of marble laminated together to compose the obelisk. Hollow on the interior and felted bottom. N...
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Vintage 1970s Italian Mid-Century Modern Abstract Sculptures

Materials

Marble

Pier Alessandro Giusti and Egidio Di Rosa for Up&Up Travertine Vase Italy, c1970
Located in Chicago, IL
Pier Alessandro Giusti and Egidio Di Rosa for Up&UP Italy sculptural travertine vase circa 1980. This vase is highly scored or incised from bottom to top in a circular motif making i...
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Vintage 1970s Italian Mid-Century Modern Vases

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Travertine

Italian Pale Cream Solid Architectural Marble Cone Form
Located in Chicago, IL
Italian cream pale solid marble cone with flat top. No chips or restorations. Great decorative object. 3.75" diamenter at top 5.75 at bottom
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Vintage 1970s Italian Mid-Century Modern Abstract Sculptures

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Marble

Lorenzo Burchiellaro Italian Cast Etched and Black Aluminum Sculpture
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Lorenzo Burchiellaro cast and etched aluminum square sculpture. Patinaed black and natural etched aluminum composes this open cube with a dish depressed center for either holding va...
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Vintage 1970s Italian Mid-Century Modern Abstract Sculptures

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Carlo Zauli Italian Artist Abstract Ceramic Sculpture Signed Zauli
By Carlo Zauli
Located in Chicago, IL
Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...
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Vintage 1970s Italian Mid-Century Modern Abstract Sculptures

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Ceramic

Carlo Zauli Italian Artist Abstract Ceramic Sculpture Signed Zauli
By Carlo Zauli
Located in Chicago, IL
Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...
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Vintage 1970s Italian Mid-Century Modern Abstract Sculptures

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Ceramic

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