Animal Sculptures

An attractive limited edition bronze study of an energetic frog in mid dash with its head raised exhibiting very fine vibrant colors and excellent surface detail, signed Tim, stamped...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Qui Marche" Dark brown patinated bronze Signed in base "A.L. BARYE", incised "F. BARBEDIENNE FONDEUR, PARIS", cold-stamped FRANCE cold-tooled to underside 19.691 conceived 1841, cast circa early 20th century Item # 111GPP20Q Barye's ability to merge our romantic idealization of nature with a colder reality of nature's predator is beautifully represented in this striding cat. Originally conceived in 1841, Tigre Qui Marche (Walking Tiger...

Beautiful vintage Murano hand blown white and gold flecks Italian art glass kitty cat sculpture figurine. Documented to designer Alfredo Barbini. The piece is profusely covered in go...

"Guerrier du Caucase" by Antoine L Barye Excellent French bronze study of a mounted Caucasian Warrior in full armour, the bronze with excellent hand chased surface detail and rich green, brown, black and orange patination, signed BARYE. A fabulous example of this important sculpture in optimal condition. Additional Information Height: 20 cm Width: 17 cm Depth: 7 cm Condition: Excellent Original Condition Foundry: Atelier Barye circa: 1874 Materials: Bronze Book Ref BARYE Catalogue Raisonne des Sculptures by Michel Poletti – Alain Richarme Page no. 78 Description Antoine Louis Barye “The Michelangelo of the Menagerie” These are the words of Théophile Gautier in praise of Barye’s genius. Throughout his life Barye endeavoured to capture the fundamental nature of the animal kingdom in all its diversity, wild or tame, exotic or familiar, cruel or gentle, bringing to life the roaring, trembling, living beasts. The son of a goldsmith, apprenticed to a steel engraver at a young age, Barye found himself making moulds for ornaments, acquiring knowledge that he would later build on to produce his exquisitely chased bronzes. When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps...

Cold Painted Spaniel attributed to the Bergmann foundry. A nice example with some wear to the factory finish. Still a very cute model.

French bronze from the beginning of the years 1900. Beautiful French bronze from the beginning of 1900. In good condition and has a nice patina. Measures: 28x27x14 cm.

A very fine French Animaliers bronze study of a stallion standing behind a post and rail fence exhibiting excellent hand finished surface detail and good...

Bull. Bronze. Following the model of BENLLIURE GIL, Mariano (Valencia 1862-Madrid, 1947). Mariano Benlliure was a Spanish sculptor, a precocious creator both in the pictorial and s...

Rare sculpture from the Brutalist period designed in the 1950s, of fine Italian manufacture. The sculpture stands on a cubic base made of travertine, very elegant. Above this form i...

Pair of Italian desk top brass bronze dog sculptures ideal as decorative paperweights or eventually as book holders.

Jane Le Soudier's friends Bronze measures: 82X32X14 cm. Very good condition. Signed. Information about the artist: Jane Le Soudier Birth February 18, 1885 Le Mans Death 1976 Paris Nationality French Jane Le Soudier (born in Le Mans on February 18, 1885 and died in Paris in 1976) is a French sculptor, designer and pastel artist. She specialized mainly in the animal genre. Biography Jane Le Soudier obtained the drawing prize from the city of Paris at the age of fourteen, the silver medal from the city of Tréport in 1908, the gold medal from the city of Dinan in 1909. She is pupil of the landscape painter Henri Harpignies...

A Dutch bronze sculpture of a horse. A bronze horse on a base, by Evert Arensman. Evert Arensman a Dutch visual artist, started weaving tape...

Beautiful bronze sculpture rearing horse signed Annemarie Haage Solid bronze, rising Pfred. Rounded rectangular base, signed A. Haage Very decorative and solid cast bronze. Annemarie HAAGE is an artist from Berlin who was born in 1917. Artist, sculptor, graphic designer Born: 1917- Died 2015.

Bronze stylized Etruscan Horse, after Frederick Weinberg Measures: 4" T x 4.75" W x 1.07" D (base).

An excellent early 20th century Austrian bronze study of a standing Kangaroo with very fine hand chased surface detail and good naturalistic colour, signed with the Bergman 'B' in an Amphora vase ADDITIONAL INFORMATION Height: 15 cm Width: 20 cm Depth: 6 cm Condition: Excellent Original Condition circa: 1900 Materials: Cold Painted Bronze Book Ref Antique Vienna Bronzes by Joseph Zobel SKU: 8910 ABOUT Bergman Kangaroo Franz Bergman Sculptures Bergman is celebrated for his great attention to detail and wonderful vibrant colours, Franz Xavier Bergman (1861-1936) is, arguably, the most famous of the Viennese cold-painted bronze artists, delighting in producing Oriental...

Sculpture in bronze with brown patina representing a stag after its moult. It rests on a terrace forming a base, moved by tree stumps and stre...

An excellent late 19th century English Animalier bronze study of a tried hunter in full tack taking a break with his neck turned and back leg rested. The bronze exhibiting very fine ...

A striking and high quality French 19th century Louis XVI st. ormolu and patinated bronze statue of a pheasant, signed Dubucand. The impressive statue is raised by a circular mottled...

PRESENTING A GLORIOUSLY QUIRKEY AND WHIMSICAL Maitland Smith Gilt Bronze Monkey Paper Towel Holder. Made by the well known maker, Maitland Smith,...

Beautiful, extra large, vintage Murano hand blown green and gold flecks Italian art glass duck bird figure / sculpture. Documented to designer Archimede Seguso. Similar ones are publ...

A wonderful limited edition artist proof bronze group study of two frogs cuddled together exhibiting very fine colours and excellent tactile smooth lacquered surface, signed Tim, sta...

After Alfred Barye (FRENCH, 1839–1882) bronze lion sculpture, "Lion - Tuant un Sanglier," a male lion standing over his prey, a wild boar; signed on base on right side, raised on a c...

A contemporary lost wax cast bronze alligator sculpture with textured skin. Created with the traditional techniqu...

This superb Japanese Meiji period bronze study has exceptionally good detailing. It portrays a figure group of a large muscular bull elephant being attacked and fighting with two tig...

19th Century French cold painted bronze on onyx ~ tortoise & hare is a charming depiction of the classic Aesop's fable of the swift rabbit r...

A mid-twentieth century bronze sculpture depicting a Greek warrior, mounted upon a chariot with stylised horse.

Glass and bronze sculpture. Work made with applied feathers in opaque and transparent polychrome glass produced directly by Toni Zuccheri in 2007. The base and skeleton are in lost-w...

‘The Monkey Rider’ – Paul Joseph Raymond Gayrard (1807 - 1855). Signed to the base ‘Paul Gayrard’ and dated 1846. A rare patinated bronze group of a monkey in the guise of a Jockey riding a racehorse, startled by a barking dog at his feet. French, Dated 1846. The mid-nineteenth century saw a surge of interest in animalier bronzes with whimsical and anthropomorphic subjects becoming particularly fashionable. In a similar vain to Christophe Fratin’s humanised depiction's of Bears posed as lamp lighters, dentists and reading books, Gayrard created his famous Monkey bronzes. He was awarded a First Class Medal at the 1846 Salon for his humorous group ‘The Monkey Steeplechase’, which can be related to subject of the present sculpture, ‘Monkey Rider’. With the publication of Darwin’s ‘Origin of Species in 1859’ the popularity of anthropomorphically conceived subjects began to decline. As such these sculptures were only created during a very brief window of time and are consequently very rare. PAul Joseph Ryamond Gayrard Paul Joseph Raymond Gayrard (1807 – 1855) born in Clermont-Ferrand, France. He studied at an early age under his father the sculptor and engraver Raymond Gayrard, before becoming a student of François Rude and later David d'Angers. He first exhibited at the Paris Salon in 1827 and continued to submit works throughout his lifetime winning a Second Class Medal in 1834 and a First Class Medal in 1846 and 1848. His last recorded exhibit was in 1855. He executed many busts of notables of the day which proved popular with the haute bourgeois, but it was his talent for animalier that confirmed his reputation as a sculptor of considerable talent. His known bronze animal models date from the years 1846 until 1848 with his powerful plaster of a 'Harness Horse...

With raised trunk.

Beautiful vintage Murano hand blown Pulegoso bubbles, over black core and gold flecks Italian art glass cat sculpture. Documented to designer Alfredo Barbini, circa 1950s. The cat stands...

A wonderful example of a hollow-cast bronze crocodile skull. This piece features wonderful detail and resemblance to a real specimen. An exotic piece c...

Bronze study of a stretching cheetah. RHS under the belly bearing Ingwe Foundry stamp, ‘S31’ or ‘S3I’, Edition 3/15, monogram BMR. Artist unknown. I have been unsuccessfully resarching who the artist could be. The stretching pose of the cheetah is contemplative with a graceful, ease and content expression suggesting its attunement and hierarchy within the landscape and the animal world. Its power is conveyed with a noble quality in the pose, the sleek form and the sinewy musculature. Beautifully handworked with rich brown patina. Almost certainly inspired by the work of Dylan Lewis...

Very fine mid-19th century French Animalier bronze study of a standing Setter with excellent hand chased surface detail and rich brown patination. Raised on a stepped naturalistic base, signed J Moigniez. Additional information: Height: 19 cm Width: 34 cm Condition: excellent original condition Circa: 1870 Materials: bronze Book reference: Les Animaliers by Jane Horswell Page no. 237 About Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

Vintage patinated bronze sculpture 'American Bald Eagle Upon Landing' USA, Circa 1960s Of large scale, realistically cast and modeled of a land...

This is a P.J.Mene patinated bronze sculptures of a pair of hunting dogs. He is considered one of the pioneers of animals sculpture of the 19th century. The sculptures feature a hairy whippet dog standing with its frontal paws over an English Setter dog...

Beautiful vintage Murano hand blown orange birds on tree with gold flecks Italian art glass sculpture. Documented to designer Archimede Seguso. The birds were created in the “Pulveri...

Modern cold painted bronze figure of a Hippopotamus by Anita Mandl F.R.B.S., R.W.A., born 1926, signed with monogram, with mottled brown pat...

A scene from Ramakian or Ramayan, the Indian epic Rama and Sita. Large and heavy Antique Indian Temple toy metal camel, bronze camel on wheels. Camel with r...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

About An original pair of large Art Deco bronze plated metal Trojan horse bookend designed and signed by Phillip Di Napoli. Manufactured by Champion Products, Los Angeles. Both pi...

A large pair of antique Japanese bronze vases with carp fishes, Meiji period. The bottle vases have carp in swirls of water, with some ver...

Art Deco bronze lamb bookends. Paul Silvestre. Marked: Silvestre, foundry mark, Susse Frères, Paris. Literature: This model is illustrated in "Animals in ...

Bronze lion with gilded patina, early 20th century, mounted on a marble base measuring 11 cm high for a length of 17 cm and a depth of 10 cm. Additional information: Material: Br...

A wonderful example of a hollow-cast bronze crocodile skull. This piece features wonderful detail and resemblance to a real specimen. An exotic piece c...

Antique 19th century French bronze by JULES MOIGNIEZ (1835-1894): SETTER WITH HARE, the setter looking back at the hare, crouched under foliage, inscribed to edge of oval base 'J MOI...

Bronze male deer head. The height of the head without the rod is 4.25”.

Pair 19th C bronze Horse bookends Measure 2 deep x 4.5 high x 5wide.

An endearing early 20th century bronze study of an owl perched upon a branch with excellent colour and very fine smooth tactile surface, signed and dated 1921 Additional information...

Beautiful bronze sculpture of a hunting dog, a retriever with duck. The sculpture was produced in Czechoslovakia in art deco era. Beautiful detailed art work...

Polished bronze Signed and numbered, edited to 24 JM Lelouch Editions

Well casted, heavy bronze, Buddha riding three headed elephant sculpture, circa 1960s. The piece depicts Indra, Hindu deity (god of rain and thunder), riding a three-headed elephant ...

Marilyn Newmark Bronze Horse Sculpture, Herculean Limited Edition of 5, 1994 The sculpture depicts a realistically modeled trotting Stallion, with textured skin and even patina, sitting atop a wooden base. Applied award plaques...

Excellent late 19th Century French bronze figure of a walking stag with beautiful autumnal, green. black. brown and orange patination and excellent hand finished surface detail on an oval naturalistic base with integral stepped plinth, signed Barye and inscribed F Barbedienne Fondeur ADDITIONAL INFORMATION Measures: Height: 19 cm Width: 22 cm Condition: Excellent Original Condition Circa: 1870 Foundry: F Barbedienne Materials: Bronze Book Ref Barye by Michel Poletti & Alain Richarme ABOUT Antoine Louis Barye “The Michelangelo of the Menagerie” These are the words of Théophile Gautier in praise of Barye’s genius. Throughout his life Barye endeavoured to capture the fundamental nature of the animal kingdom in all its diversity, wild or tame, exotic or familiar, cruel or gentle, bringing to life the roaring, trembling, living beasts. The son of a goldsmith, apprenticed to a steel engraver at a young age, Barye found himself making moulds for ornaments, acquiring knowledge that he would later build on to produce his exquisitely chased bronzes. When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps...

"RECLINING GREYHOUND" BY CHRISTOPHE FRATIN (FRENCH, 1801-1864) Signed in naturalistic base "FRATIN", foundry cold-stamped mark along edge "A. DAUBREE EDITEUR"; circa 1860 Item # 102EWL26Q An exquisite sand-cast model of Levrier Couché cast circa 1860, the sculpture is typical of Fratin's vivid texturing and silky finish. It was executed in the foundry of Alfred Daubrée...

Bronze Art Deco Pair of Leaping Gazelle on Marble Base. A unique silhouette style bronze piece showing the natural movement of these animals is from Europe. I always love the leaping...

Art Deco West Highland Terrier Bookends by Maximilian Fiot, c. 1920. A superb pair of bronze bookends depicting West Highland terriers in different...

Robert Kwechete bronze stylized elephant. Original patina. Signed and numbered 1 of 250. Great condition. Dimensions: 7" H x 5.5" W.

This is an antique elephant statue. An English, bronze wildlife figure, dating to the late Victorian period, circa 1900. Triumphant pose, m...