European Sculptures

Finest quality, vintage retired, handmade and hand painted in Germany, Rosenthal porcelain French Bull dog figurine. The dog has been masterfully hand...

Charming Vintage Austrian Goldscheider ceramic majolica figurine of a Scottish Terrier Dogs. A 1930s black figurine by Goldscheider Wien, an Austrian manufacture active from 1885 to...

This is a vide poche in porcalain, or a decorative bascket, as also an swan sculpture from the 1970s. It has been made in Italy.

A beautiful bronze female nude crafted in France during the 19th century. The composition is well balanced, the figure in a classic stance to show off the artist's ability to recreat...

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

Set of six water/drink/wine glasses color Millefiori - Murano glass - Made in Italy. These individual Murano glasses are inspired by the classic "Goto" Murano glass. Other colors a...

Hand-carved in Veneto, Italy, this pair of limestone horses are sculptures in the round, meaning that they can be viewed from any angle. Although the c...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

Wonderful a silver metal sculpture of horned mask (Maschera Cornuta) designed by Gio Ponti for Sabattini. Made in Italy in the 1978.

Natural specimen from Wunderkammer Stuffed bird Red crossbill (Loxia Curvirostra) mounted on a wooden base with cartouche Specimen for laboratory and Natu...

A large and exceptional late 19th century Italian Grand Tour sculpture of the ‘Seated Hermes’ attributed to the Chiurazzi Foundry, Naples, Italy. The sol...

Miguel Ortiz Berrocal Sculpture Omaggio Ad Arcimboldo 827/1000, 1976-1979 Offered for sale is a puzzle sculpture by Spanish artist Miguel Ortiz Berrocal (1933-2006). This three-dim...

An Austrian 19th-20th century Orientalist terracotta bust of a young girl in Middle-Eastern Garb. The young smiling beauty wearing a head scaft and shawl tied with a broche-pin brooch pin and jewlry around her neck, raised on a circular ebonized wood stand. Probably by Friedrich Goldscheider (Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik) - The backside stamped: "T - No. 258". circa 1900. The Goldscheider Manufactory and Majolica Factory (German: Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik, (now) Goldscheider Keramik) is an Austrian ceramic manufactory. In 1885, Friedrich Goldscheider came from the small Bohemian city of Pilsen to Vienna and founded the Goldscheider Manufactory and Majolica Factory. It became one of the most influential ceramic manufactories of terracotta, faience and bronze objects in Austria with subsidiaries in Paris, Leipzig and Florence. For over half a century Goldscheider created masterpieces of historical revivalism, Art Nouveau (Jugendstil) and Art Deco. Famous artists such as Josef Lorenzl, Stefan Dakon, Ida Meisinger and the two perhaps best known Austrian ceramic artists Michael Powolny and Vally Wieselthier worked for Goldscheider. Several of the artists who worked for Goldscheider also worked for other Viennese studios, such as Augarten, Keramos or for the German brands Rosenthal and Meissen. The Goldscheider family emigrated in 1938 to United Kingdom and USA. Walter Goldscheider startet a new factory in Trenton, New Jersey and returned to Vienna in 1950. Marcel Goldscheider went to Stoke-on-Trent and produced figurative ceramics for Myott and opened his own studio in the 1950s in Hanley. Both brothers died in the early 1960s. More than 10,000 different models were created over a period of three generations. Since the very beginning many of these won first prizes and gold medals at innumerable world fairs, exhibitions and trade fairs. Goldscheider figures...

Eye-catching pair of Murano Sommerso Dove Bird figures in pink and blue glass. Attributed to Archimede Seguso, Italy, 1960s Hanblown glass, Sommerso technique: One is made in pink g...

Art Deco bronze sculpture male bust by Ugo Cipriani. Patinated bronze. Belgian black marble base. France 1930. Literatuur: “Art Deco sculpture” Alastair Duncan.

"Horned Mask" Gio Ponti by Sabattini, 1978 Openwork metal sheet.

Kjell Engman Kosta Boda Sweden Art Glass Sculpture on Lighted Base This glass sculpture is reminiscent of Kjell Engman's "Inside" series, circa 2002-2005. Engman designed this sculp...

Sculpture, sculpted marble bust of a Roman in the taste of Antiquity, 20th century. Bust, carved marble sculpture of a Roman in the taste of Antiquity resting on a black granite bas...

A fine and impressive vintage Elizabeth II English sterling silver cow creamer made in 18th century style; an addition to our silverware collection This vintage Elizabeth II sterl...

Decorate a man's desk or a library shelf with this antique bull sculpture. Created in France, circa 1890, the figure sits on an integral oval brass base and depicts a proud bovine in...

Vintage ceramic cat with green glass eyes - life size model - featuring an over-all white glaze - glazed interior - unsigned - Italy - circa 1980's...

Finely hand-spun brass plates make up this pendant light. One side of the shade is finished in a dark bronze patina and the other in a gently brushed brass gradient. The light is pro...

Italian Alabaster Figure of the Medici Lion Late 19th century Italian carved alabaster 'Grand Tour' souvenir sculpture, after the antique, "The Medici Lion". Carved alabaster mode...

Elegant dove in handblown Murano glass with gold inclusion. Signed by Barovier and Toso

PAIR OF PORTUGUESE COLUMNS 17th Century in chestnut wood with carvings, decorated with plant motifs, putties. Small flaws, traces of treated woodpeckers. Dim.: 141 x 22 cm. very go...

A large rhinoceros sculpture crafted around the late 1980s, in England, This sculptural piece of animalia, showcases a more simplified and stylized form of the rhinoceros, with a s...

This rare 19th Century French gilt wood and rope fragment is a captivating piece of history as well as a striking standalone decorative accent. This unique sculpture features organic...

A lovely green bronze sculpture in shape of a jumping frog. The frog is 26 cm (10.4") tall and in excellent condition. Marked A.P.G below.

Pair of Diminutive Antique Staffordshire black & white seated Spaniels, C. 1860s England, Circa 1860s A good pair of antique black and white Staffordshire...

The figurative sculpture "Clarté" is the most important work of Max Le Verrier. The nearly life-size floor lamp shows a nude lady holding a lighted glass ball. Famous, very decorative Art Deco Style object...

Finely hand-spun brass plates make up this pendant light. One side of the plate is finished in a bronze gradient patina while the other side in a gently brushed brass gradient. The l...

AGATHON LÉONARD (FRENCH, 1841-1923) Danseuse au Cothurne Signed 'A Léonard' (on reverse) with Susse Frères foundry cachet, further stamped 'M' Gilt Bronze, light brown patina 21 i...

Gorilla sculpture by Pulpo Dimensions: D20 x W15 x H21 cm Materials: bronze A crash, a tower, a herd, a flock. However you name this group, they...

A wonderful Daum crystal lamp on a contrasting crystal base with original sculptural shade. The base is a very dark blue to black crystal. The shade ...

Sculpture of Diana the Huntress, 21st century. Sculpture on base of Diana the Huntress, in patinated plaster and resin, 21st century, model from the Musée du Louvres, Paris. H: 32c...

An amazing Venetian murano glass Item, made in Italy, circa 1950s. Amber colored, with white, blue, green, yellow and orange glass. No chips, c...

Austrian Cold-painted Bronze Figure of a Red Squirrel Made in Austria Austrian Cold-painted Bronze Figure of a Red Squirrel, late 19th/early 20th century, the figure modeled stand...

Clay sink by Studio Loho Dimensions: D 40 x H 15 cm Materials: clay5 Available in 3 models: round sink, oval sink and sink on structure. Due to the production process every piece is unique in size and form. Studio LoHo is a Belgian design office located in Bruges, Belgium. Founded in the autumn of 2017 by Karel Loontiens and Jo Hoeven, the studio focused from the beginning on high-end bespoke interior projects which forms an ideal matrix for product - and material design that is both innovative and durable. In current times there’s no more room for influx of disposable products, it is our studio’s goal to strive for design that will last and will be cherished for multiple generations. The introduction of the first collection “clay series” fully articulated the DNA of the newborn Studio and led to their international breakthrough. The appreciation of materials reflects their unique view on interior design with a strong and recognizable signature. Soon after, the collection was expanded on request by other architects and designers with new sinks...

A beautifully carved antique statuary Carrara marble statue of Adonis. The male figure is depicted in the nude leaning against a tree. Adonis was the mortal lover of the goddess Aph...

A vintage pottery Cocker Spaniel figurine of the "Kennel" series, designed by Lisa Larson for Gustavsberg in the 1970s. Manufacturer: Gustavsberg, Sweden Design: Lisa Larson Marks: ...

This nickel plated metal crab statue was most likely made in the 1980s in Italy. Can not tell the maker or the artist and it is not signed. This particular...

Huge stoneware figurine/sculpture of a young lively horse no. 535 designed by Gertrud Kudielka (1896-1984) and manufactured by L. Hjorth ceramic workshop on the island Bornholm, Denm...

Very nice vintage 20th century Plaster made in the 1950s as an advertisement for the lingerie Liane for DIOR. Good condition for its age.

Set of six water/drink/wine glasses color Arlecchino - Murano glass - Made in Italy. These individual Murano glasses are inspired by the classic "Goto" Murano glass. Other colors a...

Murano Glass Clear Cased Silver Leaf Bird by Oball, Original Label BeFirstBoldy com This is a lovely mid-century modern Murano glass bird in very nice vintage condition. This bi...

Fantastic black forest carving on impressive proportions circa 1890. Features 4 european ibex of varying age and scale standing on carved rocks and foliage.  We have owned many blac...

The Bonnie range is designed around the stylized form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Each organic flower-like form is st...

A pair of wonderful late 19th century Staffordshire porcelain and gilt mantel figures depicting Scottish highland hunters dressed in kilts and traditional hunting dress, each with a ...

A superb pair of antique English Staffordshire zebra figurines, circa 1920. These charming zebras are hand painted with fine details and would be p...

Handcarved and remarkable work of art of the 'Dying Gaul’ or 'The Dying Galatian'. If you are a collector of rare and good quality antiques then this rare and wonderfully hand carve...

This large French bronze sculpture depicts a family of deer traversing across a rocky terrain dotted with flowers. Sculpted in the late 1800s by Clovis-Edmond Masson, the sculpture has fantastic movement, as all three deer are depicted in full stride, with their hooves off the ground. The largest of the group is a stag with a wide antler spread and detailed musculature. To the stag’s left is a doe looking back towards a fawn, who is looking up at the stag. The sculpture has a rich, green-brown patination with areas that have retained the gold of the bronze. Behind the doe are two engravings: “C. Masson” and “Salon des Beaux-Arts”, indicating that the sculpture is the work of Clovis-Edmond Masson and was exhibited at the Paris Salon (the original). Clovis-Edmond Masson was born in Paris in 1838 and specialized in sculptures that accurately depicted animal behavior. Masson exhibited at the Salon regularly from 1867-1881, placing this sculpture in that time frame. The most famous work by Masson was commissioned by Rama V...

Italian white/cream glazed ceramic table centrepiece, with a relief of assorted fruits on a lower body in the form of a raised oval bowl. Italy, 20th century.

19th Century Bronze Sculpture of Joan of Arc by Adrien Étienne Gaudez, Signed, 61.5 cm Description: This exceptional 19th-century bronze sculpture, titled Jeanne d’Arc portant son étendard (Joan of Arc Carrying Her Standard), is a masterful work by the renowned French sculptor Adrien Étienne Gaudez (1845-1902). Standing at an impressive 61.5 cm (24.2 inches) in height, this piece captures the heroic essence of Joan of Arc, also known as "The Maid of Orléans," in a dynamic and emotive composition. Gaudez depicts Joan of Arc in full armor, her right arm triumphantly raising a banner inscribed with intricate detailing, while her left hand gestures forward, symbolizing leadership and resolve. The flowing drapery of her skirt and the textured standard add a sense of movement, showcasing Gaudez’s meticulous attention to detail—a hallmark of his work often described as "photographic representationism." The sculpture is signed by the artist on the base, which also features a cartouche with the inscription "Jeanne d’Arc, 1894," adding historical context to this piece. Crafted during the late 19th century, a period when Joan of Arc was celebrated as a symbol of French patriotism, this sculpture reflects Gaudez’s skill in blending classical themes with the emerging Art Nouveau style. Gaudez, a pupil of François Jouffroy at the École des Beaux-Arts, was a celebrated sculptor who exhibited at the Paris Salon and won numerous accolades, including gold medals at the Exposition Universelle of 1889 and 1900. His works are held in prestigious collections worldwide, including museums in Valence, Louviers, and Clermont-Ferrand. Condition: The sculpture is in excellent condition for its age, with a rich, dark patina that enhances its intricate details. Minor wear consistent with age and use, including slight rubbing on the banner, which remains securely attached. The base is stable, with no significant damage or repairs noted. Dimensions: - Height: 61.5 cm (24.2 inches) - Base Diameter: 15 cm (5.9 inches) Provenance: Acquired from a private French estate, this piece has been carefully preserved and comes with a certificate of authenticity. Shipping: Global shipping available. The sculpture will be professionally packaged to ensure safe delivery. Please contact us for a shipping quote tailored to your location. Why We Love It: This bronze is a rare opportunity to own a signed work by Adrien Étienne Gaudez, capturing a pivotal historical figure through the lens of 19th-century French artistry. Perfect for collectors of fine sculpture, historical art, or those seeking a statement piece for a sophisticated interior. Keywords: Adrien Étienne Gaudez, Joan of Arc sculpture...

Very beautiful art deco statue in cracked ceramic representing a woman coming out of the bath. Signed Louis Rivet on the base. Very good quality and large s...

An eye catching late 19th Century French cameo glass vase decorated with raised deep burgundy trees against a blue mountainous landscape against a variegating yellow field. Exhibitin...

Finely modeled and cast antique (19th century) patinated bronze sculpture depicting Pauline Bonaparte as Venus Victrix after the original model by the Italian master, Antonio Canova....

Classic early 1910s Vienna bronze figurine. This polychromed cold painted bronze is probably something you need if you’re a Vienna bronze collector. Found at an estate sale in Vienna...

A fine and elegant French alabaster bust of a young woman. The bust is signed on the back M. POTEILLO. The woman wears a headscarf that is gracefully sculpted. The wind is blowing th...

Hollywood Regency Italian glazed Terracotta Lion. Great Hollywood Regency Italian glazed terracotta lion figure or statue. Realistic Italian glazed terracotta animal...

Antique pair of Neoclassical style terracotta recumbent lions - unsigned - Continental - late 19th/early 20th century. The over-all condition of this pair of pre-owned antique ite...